View allAll Photos Tagged Positioning.

Sydney Morning Herald - November 15, 1982

huge cranes are waiting to bring the heavy beams of the new bridge into position.

Impression through CANON FDn 1,4 50 in retro position.

It was essential that an outline of the position of the digester is shown before the digging.

f/5.6, 1/250

sb-80 at 1/8 from 12 feet

At least once a day, Ace poses Bully in this position and he just stays there. He doesn't seem to mind.

Check out more images on www.onlinesalsa.com | The fastest growing salsa site on the Net!

I can do a proper first position (feet in a straight line) but I was being instructed by the five year old ballerina who insisted this was the proper way. Just need to clarify that in case Sarah sees this sloppy form.

 

The socks are ShibuiKnits Sock in the bark colorway. Knit on size 2s, sort of using the Yarn Harlot's sock recipe. A little bit big for me but that's good since they're for Amanda Jean.

Billabong Rio Pro Returns to Arpoador to See Top Scores in Round 2

 

ARPOADOR, Rio de Janeiro/Brazil (Wednesday, May 18, 2011) – The Billabong Rio Pro returned to Arpoador for the second consecutive day and saw top talent including C.J. Hobgood (USA), 39, and Joel Parkinson (AUS), 30, earn the highest scores of Billabong Rio Pro Competition in clean two-to-four foot (1 metre) lefthanders to complete to Round 2.

 

Stop No. 3 of 11 on the ASP World Title Series, the Billabong Rio Pro not only plays a vital role in deciding the 2011 ASP World Champion, but is also an important event for competitors looking to solidify their position among the elite ranks prior to the midyear cut.

 

C.J. Hobgood (USA), 31, unleashed his powerful forehand repertoire on Aproador’s lefthanders in the opening minutes of his match-up against dangerous ASP World Tour rookie Julian Wilson while detonating the highest heat-total of the entire event, 16.50 out of 20. Hobgood’s impressive opening rides proved to be enough to take the win over the progressive Australian despite a late-heat press by Wilson.

 

“That’s what makes those heats fun to surf and it’s exciting to watch,” Hobgood said. “I have so much respect for Julian (Wilson) because these kids can come back so easily no matter what scores they need. I had a good start and had to be comfortable with my performance win or lose. It was exciting and I’m stoked to make it, I have so much fun surfing against these guys.”

 

Joel Parkinson (AUS), 30, current ASP World Title No. 2, stuck to his strategy of waiting for the outside set waves and matched the day’s highest single-wave score of a 9 out of 10 for powerful backhand surfing to eventually eliminate fellow countryman Kai Otton (AUS), 31.

 

“A strategy is a strategy and I had seen a few waves out there,” Parkinson said. “Yesterday the tide came in and just kind of killed me. The wave is pretty tricky here and it’s kind of a dog fight to try and get a wave.”

 

Adriano de Souza (BRA), 24, rebounded after a close Round 1 loss yesterday and went on an absolute rampage on his backhand in Round 2 to defeat wildcard Ricardo Santos (BRA), 20, with one of the highest heat total of the event, 16.43 out of 20.

 

“It’s a good rebound after yesterday’s loss and I’m really stoked with my performance out there,” De Souza said. “I just tried to capitalize on Ricardo’s mistake in that heat and was really lucky to find two good waves out there. I’m happy to see all of my friends on the beach, that’s what’s most important for me.”

 

De Souza used his veteran experience on the elite ASP World Tour ranks to calm the nerves that come along with competing in front of his fans, but the passionate Brazilian still admitted he has high expectations for himself at the Billabong Rio Pro.

 

“When I started the tour I was only 17 and I would be nervous and make mistakes in my heats,” De Souza said. “I’ve been on tour for six years now and I think the experience helps me stay more relaxed and comfortable. Although I’m relaxed, I really hope I can get a good result this year. I was a little disappointed with my performance last year with the 9th and I want to do better at my home event this year.”

 

Adam Melling (AUS), 26, put in a deadly performance to eliminate Alejo Muniz (BRA), 21, while matching the highest single-wave score of the event of a 9 and expressed the importance of each heat win with the midyear cut rapidly approaching.

 

“The cut is lingering all year, so it always feels good to get heat wins” Melling said. “We’ve got the two cuts in one year and it’s on everyone’s mind. It can throw you off or you can also use it to fire you up a bit.”

 

Michel Bourez (PYF), 25, got the best of a hard-fought battle against Arpoador local and event wildcard Simao Romao (BRA). After several wave-for-wave exchanges, Bourez notched a 6.00 on his last ride in the remaining minutes of the heat to overtake the Brazilian to earn the Round 2 victory.

 

“Simao surfs really well and he’s from here,” Bourez said. “It was hard for me to find the right waves out there. I finally got some good scores and made my heat. That was really heavy for me because we were really tight and he had the best score. I realized I really needed a good one and that’s when I got the score.”

 

Jordy Smith (ZAF), 23, 2010 ASP World Runner-up, looked uncharacteristically sluggish in his Round 2 heat against event wildcard Peterson Crisanto (BRA), 18, but found the scores needed to keep his Billabong Rio Pro campaign alive.

 

“I don’t know what was going on, usually I kind of go out there and let loose and I was nursing everything,” Smith said. “I was surfing really careful because I didn’t want to blow the waves I got but I ended up blowing them anyway. I’m happy that I made the heat though.”

 

The Billabong Rio Pro will return to Barra da Tijuca tomorrow morning for a 7am call for a potential 7:30am start for Round 3. To watch the event LIVE log on to www.billabongpro.com

 

For additional ASP information log on to www.aspworldtour.com

 

Billabong Rio Pro Round 2 Results:

Heat 1: Jordy Smith (ZAF) 11.67 def. Peterson Crisanto (BRA) 7.10

Heat 2: Bede Durbidge (AUS) 11.60 def. Igor Morais (BRA) 10.17

Heat 3: Michel Bourez (PYF) 12.50 def. Simao Romao (BRA) 12.10

Heat 4: Adriano de Souza (BRA) 16.43 def. Ricardo Santos (BRA) 12.66

Heat 5: Joel Parkinson (AUS) 13.33 def. Kai Otton (AUS) 11.77

Heat 6: Bobby Martinez (USA) 12.77 def. Matt Wilkinson (AUS) 11.07

Heat 7: Kieren Perrow (AUS) 11.50 def. Gabe Kling (USA) 11.40

Heat 8: Josh Kerr (AUS) 12.74 def. Chris Davidson (AUS) 12.17

Heat 9: Raoni Monteiro (BRA) 12.53 def. Tiago Pires (PRT) 9.40

Heat 10: C.J. Hobgood (USA) 16.50 def. Julian Wilson (AUS) 14.70

Heat 11: Heitor Alves (BRA) 12.44 def. Dusty Payne (HAW) 10.40

Heat 12: Adam Melling (AUS) 15.00 def. Alejo Muniz (BRA) 9.27

 

Upcoming Billabong Rio Pro Round 3 Match Ups:

Heat 1: Taj Burrow (AUS) vs. Cory Lopez (USA)

Heat 2: Damien Hobgood (USA) vs. Heitor Alves (BRA)

Heat 3: Adrian Buchan (AUS) vs. Dan Ross (AUS)

Heat 4: Jeremy Flores (FRA) vs. Adam Melling (AUS)

Heat 5: Joel Parkinson (AUS) vs. Kieren Perrow (AUS)

Heat 6: Kelly Slater (USA) vs. Bobby Martinez (USA)

Heat 7: Jordy Smith (ZAF) vs. Josh Kerr (AUS)

Heat 8: Adriano de Souza (BRA) vs. C.J. Hobgood (USA)

Heat 9: Bede Durbidge (AUS) vs. Patrick Gudauskas (USA)

Heat 10: Owen Wright (AUS) vs. Taylor Knox (USA)

Heat 11: Michel Bourez (PYF) vs. Jadson Andre (BRA)

Heat 12: Mick Fanning (AUS) vs. Raoni Monteiro (BRA)

 

Photo ASP/Scholtz

Lokomotif GE U-18C melakukan gerakan langsiran.

Naka-Meguro Tokyo Japan. LEICA IIIc(3c) + LEITZ ELMAR 50mm F3.5 + ACROS100

1781. A team of 11 flight deck crewmen are needed to handle this Sea Fury into its deck park position after landing, with probably another aircraft already coming around. Photo: RAN Photographic Unit, from the collection of CPO Gordon Curtis Evans, Air Artificer, RN [ret.], ex-HMS THESEUS, ex-HMAS SYDNEY. Mr Evans's collection has kindly been made available to the Unofficial RAN Centenary Photostream.

 

Check to see where the pipe will sit in the socket. You want it as close to the center as possible.

I'm going to do (again) the lighting 102 course on www.strobist.com so this picture signifies the start of it.

 

I've done it a few times now, but I am going to be really thorough on this one. I will go through it all in much more detail on my new website :D

 

www.photographicman.com

 

Oh yea, and of course:

 

Strobist:

430exII on camera, and then on lightstand for the outer two. bare @ 1/32 power.

shot at 1/200 @ f7.1 @ ISO100

Last day of holiday - so a good reason to walk every path and soak in the tropical warmth and bright colours of this beautiful place.

Not sure what this hummingbird was looking at, but it meant the light caught his iridescent feathers beautifully.

fort d'entrecasteaux Marseille

Matrix of angular positions of the strobe.

 

strobist.blogspot.com/2007/06/lighting-102-unit-11-positi...

 

Strobist411:

key: Lumopro LP120 on 1/16th; rotating around subject from ~3' away.

background: Vivitar 285HV snooted and gelled with Roscolux #339 Broadway pink. Fired way up on 1/2 power at a piece of black posterboard from camera left, between subject and background.

Softbox III (favourite light from tests)

EAST = LEAP YEAR WITH 366

 

ADD THE WEEKS BONDING THE HEMISPHERES OF CIRCLE

WEST = 39+40 : EAST=13+14: NORTH=52+1: SOUTH=26+27: = 212

A Grade

 

Round 6 of the CHNL saw a depleted Hepburn take on Creswick. For the 2nd week in a row the Burra’s were forced to line up with 2 players out injured. Confident in their squad, the competition leaders tried various line ups throughout the game until they quickly settled. Captain Libby Purtell at Goal Attack was instrumental in providing Hepburn with plenty of options in attack. Purtell maintained her 100% accuracy throughout the first half and was supported brilliantly by sharp shooter Jane Lienhop at Goal Shooter.

 

Creswick managed to keep the mid-court battle alive by providing sharp drives to the circle; however the Burra’s defensive pressure in the circle from Ebony Place saw the ball turned over time and time again. The junior of Hepburn’s team,18 year old Tara Ford clocked up her 150th game for the club in great style at Goal Defence. Ford seems to be taking every opportunity in seniors to develop her game with the help of Place at Goal Keeper. However it was wing attack Brydie Taig that stood up to the challenge and lifted the Burra’s confidence. Taig was named Hepburn’s best on court thanks to her speed and sharp feeding into the circle. Hepburn ran out winners 53 to 17.

 

The Mo Shepherd award went to Hannah Cameron-Taylor and Libby Purtell for outstanding work.

 

Goals: Jane 74% 40/54, Libby 80% 12/15

  

B Grade

 

Hepburn’s reserves were also focussed on keeping their unbeaten run to the finals alive. The Burras got off to a shaky start as they tried to adjust to Creswick’s style. Moving Janee Brown into Centre in the second quarter was all it took to lift the Burras confidence and provide a 24 to 9 lead at half time.

 

Courtney Wetzel at Goal Defence, Kristi Pedretti at Goal Keeper and Caitlan Ryan at Wing Defence stepped up in the second half and kept Creswick scoreless until the final minutes of the game. Wetzel provided one of her best games of netball this year getting her hands on ever pass that came her way. Final scores Hepburn 53 to 13.

 

The Mo Shepherd award went to Caitlan Ryan and Janee Brown

 

Goals: Mel Penny 75% 41/55, Tania Grant 92% 12/13

WALNEY LIGHTHOUSE WAS BUILT IN 1790, AND POSITIONED AT HAWS POINT ON THE ISLAND. ITS PURPOSE WAS TO IMPROVE THE NAVIGATION OF THE RIVER LUNE AND ACT AS A GUIDE FOR CARGO SHIPS FROM THE WEST INDIES BOUND FOR THE GLASSON DOCKS. THE LIGHTHOUSE WAS NOT BUILT TO BENEFIT BARROW, AS IT WAS ONLY A SMALL FISHING COMMUNITY AT THIS TIME.

THE LIGHTHOUSE WAS BUILT OF STONE QUARRIED FROM OVERTON IN LANCASHIRE AND TRANSPORTED TO THE SITE BY SHIP. THE OCTAGONAL TOWER IS 70 FEET HIGH AND RESTS ON A CIRCULAR FOUNDATION 20 FEET 6 INCHES IN DIAMETER. THERE ARE 91 STEPS UP TO THE TOP OF THE LIGHTHOUSE. THE ORIGINAL LIGHT WAS AN ARGENT BURNER, A TYPE OF PARAFFIN LAMP.

IN 1909 AN ACETYLENE GASLIGHT SYSTEM WAS INSTALLED WHICH FLASHED AT ONE MINUTE INTERVALS. IN 1953 THIS WAS REPLACED WITH AN ELECTRIC LIGHT WHICH FLASHES AT 15 SECOND INTERVALS. THE NEW LIGHT IS 30 TIMES MORE POWERFUL (450,000 CANDLE POWER) AND HAS A RANGE OF 18 MILES COMPARED TO 13 MILES OF ITS GAS PREDECESSOR. THE ELECTRIC LIGHT WAS FIRST POWERED BY ITS OWN GENERATOR, NOT BEING CONNECTED TO THE NATIONAL GRID UNTIL 1969. THIS GUIDING LIGHT CAN EVEN BE SEEN FROM BLACKPOOL.

ATTACHED TO THE LIGHTHOUSE ARE TWO HOUSES IN WHICH THE KEEPER AND STAFF LIVE. THESE HOUSES WERE ORIGINALLY ONE HOUSE, WHICH WAS BUILT FOR THE FIRST FULL-TIME KEEPER. THE HOUSE WAS DIVIDED INTO TWO IN THE LATE 19TH CENTURY. AT THIS TIME THE LIGHTHOUSE’S ONLY WATER SOURCE CAME FROM THE RAIN AND THE ONLY LIGHTING CAME FROM CANDLES.

DURING THE SECOND WORLD WAR, THE HOUSE WAS USED AS AN OFFICERS' MESS WHEN 170 SOLDIERS WERE ENCAMPED AT THE LIGHTHOUSE AS PART OF THE COASTAL DEFENCE NETWORK. IN 1946 14 PRISONERS OF WAR WERE MOVED INTO THE CAMP. THEY DID ODD JOBS AROUND THE LIGHTHOUSE IN RETURN FOR CIGARETTES AND FOOD. THE REMAINS OF THE BARRACKS ARE STILL VISIBLE.

TODAY THE LIGHTHOUSE IS RUN BY THE PORT OF LANCASTER COMMISSIONERS AND CONTAINS A RADIO BEACON FOR TRINITY HOUSE, FORMING A MAJOR LINK IN THE BRITISH COASTGUARD SYSTEM. ALTHOUGH THE LIGHTHOUSE IS NO LONGER OPEN TO THE PUBLIC, IT CAN BE VIEWED FROM THE OUTSIDE.

 

Perfectly positioned near the seafront, Seagulls Townsville resort is a privately owned 4 star property set amongst three and a half acres of lush tropical landscaped gardens. Located a short five minute drive from the city centre and Townsville airport and only a ten minute board walk stroll from both The Strand and Rowes Bay Beaches the resort is close to Townsville’s key attractions, restaurants and business district. Image: ©Rick Monk

OLYMPUS DIGITAL CAMERA

The Dubbo War Memorial is a large, freestone tower, positioned atop a trachyte base. Three sides of the tower feature decoration and inscriptions. High up on the tower's front face is a stone laurel wreath. Closer to ground level is a dedication to those who fell in the First World War. The second side is dedicated to the Second World War and the third is for Korea, Malaysia, Borneo and Vietnam.

 

The memorial's base features three detailed, bronze relief panels, which depict Australian mounted infantry (Light Horse) and artillery units in action during the First World War. There are also three circular bronze sculptures shaped like waratahs, the official floral emblem of NSW.

 

The memorial was constructed between 1924–1925. It was designed by Sydney architects H. Crone and R.W. Hinton, and constructed by Robert Wall & Sons, also of Sydney. Crone and Hinton's design was chosen from 55 entries in a design competition that was held in February 1924 (Evening News, 4 February 1924). Their entry was described in The Labor Daily (15 March 1924) as:

 

a cenotaph in dressed freestone with a fine axed trachyte base with bronzed plates, illustrating France, Gallipoli and Egypt.

 

The Daily's article also quoted Sir Charles Rosenthal, one of the adjudicators of the competition. He said:

 

the aim of the memorial was not to express satisfaction at victory, but to commemorate the service and sacrifice which had been the main characteristics of the people throughout the war.

 

The unveiling and dedication ceremony took place on Anzac Day, 25 April 1925. The momentous occasion was reported on detail in The Dubbo Liberal and Macquarie Advocate on 28 April. The unveiling was conducted by Dubbo's most distinguished military son, Brigadier General James Heane, DSO, CMG, CB. He was accompanied by Bishop Long, Anglican Bishop of Bathurst, who performed the dedication. The newspaper enthusiastically reported:

 

It is estimated that upwards of 4000 people gathered last Saturday morning round the monument that the people of Dubbo and district have erected to the memory of their fallen soldiers. The ceremony from beginning to end was most impressive, and the impassioned and beautiful address delivered by Bishop Long thrilled, amazed and deeply touched every man, woman and child who was present. It was a speech the like of which few who were there have heard or will be likely to hear again.

 

Unlike most war memorials, the Dubbo tower is not inscribed with an honour roll of those who served or made the supreme sacrifice. Instead, these names are recorded in Books of Remembrance, which are locked in a purpose-built, waterproof recess, positioned behind one of the waratah sculptures. The books measure 25 x 20cm and are bound in vellum, with leaves of parchment. Recorded in the books is on alphabetical listing of Dubbo's fallen. Spaces have been left to add the names of those who have been missed.

 

The recess is the responsibility of the Mayor, who removes the books during the Anzac Day service. This tradition began at the unveiling ceremony, when Major-General Cox read the names from the book and locked them in the recess. He then presented the key to Mayor E. H. Burkitt in his role as "chief citizen of Dubbo and custodian of [the] monument". Mayor Burkitt declared he "will see that on every Anzac Day the recess is unlocked, the book removed, the names of the dead read out, and the book replaced" (The Dubbo Liberal and Macquarie Advocate, 28 April 1925).

 

The memorial is located in Dubbo's well-maintained Victoria Park, which traces its history back to the late 1800s. It is positioned on the Darling Street side of the park, near the intersection with Church Street. In front of the memorial are a set of ornamental metal gates, bearing the dates 1914 and 1918, underneath two Rising Sun badges. The park contains several other war memorials, including Dubbo Memorial Drive, Rose Garden and Honour Rolls, the Dubbo Lone Pine and the Dubbo Vietnam War and Pte William W. Donnelly Memorial.

 

In 2018, two sandstone obelisks were added to the northern side of the memorial, located on either side of the Remembrance Driveway, which runs to the north. Attached to them are bronze waratah artworks, created by sculptor Brett Garling. The obelisks were established in honour of the Centenary of the Armistice, which brought the First World War to an end on 11 November 1918. They were commissioned after the Dubbo Regional Council formed a Centenary of Armistice Committee, which also involved the Dubbo RSL sub-Branch. The monuments were installed by Abbey Funeral Homes and KD Stoneworks of Tumut. A blessing and dedication ceremony was held on 11 November 2018.

 

Inscription

Side 1 (front)

1914–1918

 

In memory of those who gave

their lives in the Great War

 

So they passed over

and all the trumpets sounded

for them

on the other side

 

Side 2

1939–1945

 

Having each one given his body

to the Commonwealth,

they all receive instead thereof

a most remarkable sepulchre,

wherein their glory is laid up

to be remembered evermore:

for to famous men

all the earth is a sepulchre.

 

Side 3

KOREA 1950–1954

MALAYSIA 1948–1960

BORNEO 1962–1966

VIETNAM 1962–1973

 

Their virtues shall be testified

not only on the inscription on the stone at home,

but in the unwritten record of the mind

in all lands wheresoever;

which far beyond any monument,

will remain with all men

everlastingly.

 

Gates

1914 1918

 

Obelisks

1918 Centenary of Armistice

 

---

 

Dubbo War Memorial commemorates those who have served in the various conflicts in which Australia has been involved. The memorial was originally erected to commemorate those who died in service or were killed in action during World War One. The dedication inscription for those who lost their lives in World War Two was unveiled on the 17th October 1951.

 

The monument features detailed bronze relief figures of Australian mounted infantry (Light Horse) and artillery units in action during World War One. The bronze tablets were unveiled on Armistice Day 1925.

 

A crowd of nearly 4,000 people gathered for the unveiling of the Dubbo War Memorial in Victoria Park on 25 April 1925. The memorial was unveiled by Brigadier General James Heane, DSO, CMG, CB who was educated at Dubbo Superior School and served as the Area Officer for Militia Training prior to the Great War.

The Dubbo Liberal and Macquarie Advocate (NSW), 28 April 1925.

 

At the eleventh hour of the eleventh day of the eleventh month of 1918, when the Great War ended, the soldiers lined up over many hundreds of miles of the fronts in different parts of Europe, Asia and Africa rejoiced in that they had brought to its conclusion the war to end all wars. We know now that that was a delusion, but still it is a great day, partly of rejoicing and partly of memory for those who fell by the wayside in this great march towards peace on earth and goodwill among men. In Dubbo on Wednesday the day was made the occasion for completing our Memorial Monument by the unveiling of the bronze tablets depicting work of three of the principal arms of the service.

 

Mr. G. W. Browne then explained the meaning of the bronze tablets, although, as he said, they hardly needed it; for, as to the one facing Church street every boy and girl there could see that it depicted the Landing at Gallipoli. Facing the railway station was a bronze picture showing the work of that splendid arm of the service, the artillery, and a gun crew in action was there shown. On the third side was the gallant Light Horse, the mounted men, so many of whom had gone from the country district around them. They should look upon the monument as the sepulchre of dauntless men. They should forget all about war, but remember the spirit of the people who had built the monument in love and gratitude to their dead.

The Dubbo Liberal and Macquarie Advocate (NSW),

13 November 1925.

 

An inscription on the Soldiers' Memorial, commemorating the sacrifice of the fallen in world war 1939-1945 was unveiled by Sir John Northcott at a dedication this morning. The Bishop Co-adjutor, Rt. Rev d'Arcy Collins conducted the dedication.

The Dubbo Liberal and Macquarie Advocate (NSW), 17 October 1951

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