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LASSALE 5E29-6A69 Gentlemen's Watch. Dial is pure white color tapestry dial. Date window is above the 6O'Clock position. Case is gold tone color. 100% Made in Japan high end quality watch. Also you can compare with LASSALE 5E29-7019 at www.flickr.com/photos/43587714@N05/15359492189/in/photost...
Iowa Interstate 6988 pulls the benefit train out of the siding to get into position for the first benefit run of the day. 8-18-18
Strobist Lighting 102 Unit 1.2 Position (Distance).
Sequence shows effect when flash moved right back (~3.5m from subject) and power increased. Background gets progressively lighter.
Strobist: f6.7, shutter 1/180th, ASA200. 580EXII flash 1/32 > 1/16 > 1/8 > 1/4.
Bolling Hall is one of the oldest buildings in Bradford.
Before the Industrial Revolution (1760 to 1840), Bradford was a small town and difficult to defend as it lies in a basin. However, Bolling Hall occupies a commanding position on a hillside about a mile from the centre. The earliest part of the building dates from the 14th century and has been interpreted as a pele tower (a small fortified keep or tower house).
The Manor of Bolling (Bollinc) was first mentioned in the Domesday Book (1086) and was, at that time, in the possession of a man named Sindi. The manor then came under the control of Ilbert de Lacy. By 1316, it was owned by William Bolling who controled the estate until the late 15th century when it passed into the hands of the Tempest family, who held it until 1649. The estate changed hands several times thereafter and was eventually let to several tenants until it was presented to Bradford Corporation in 1912.
During the second siege of Bradford in 1643 (during the English Civil War), the house was a Royalist base. On this occasion, the Royalists took the town, which had strong Parliamentarian sympathies, and it was thought that the victors would put the inhabitants to the sword. There is a legend that a ghost appeared in the bedroom where the Royalist commander Earl of Newcastle was staying and told him to "Pity poor Bradford".
Bolling Hall has been used as a museum since 1915 and there is usually material on display relating to the English Civil War, including a death mask of Oliver Cromwell.
A note concerning the de Lacy family:
de Lacy (Laci, Lacie, Lascy, Lacey) is the surname of an old Norman noble family which originated from Lassy, Calvados. The family took a major role in the Norman conquest of England and the later Norman invasion of Ireland. The name is first recorded for Hugh de Lacy (1020–1049). His sons, Walter and Ilbert, left Normandy and travelled to England with William the Conqueror, playing a major role in the battle of Hastings. The awards of land by the Conqueror to the de Lacy sons led to two distinct branches of the family: the northern branch, centred around Blackburnshire and west Yorkshire was held by Ilbert's descendants; the southern branch of Marcher Lords, centred on Herefordshire and Shropshire, was held by Walter's descendants.
Until 1399, the northern branch of the family held the great Lordship of Bowland before it passed through marriage to the Duchy of Lancaster, as well as being Barons of Pontefract and later Earls of Lincoln.
The southern branch of the family became substantial landholders in the Lordship of Ireland and was linked to the Scottish royal family; Elizabeth de Burgh, whose great grandfather was Walter de Lacy, married Robert the Bruce, King of Scotland.
Adapted from Wikipedia.
The three shots that show a nearby Quonset hut were apparently shot from the same elevation, probably the second or third floor.
Note the position of this utility pole in relation to the windows and doors behind it. ONE and THREE are almost identical but TWO was shot from a point several feet to the left.
I am guessing that means there were two windows in the room.
THREE is also tilted slightly as compared to the other two.
Vandaag de krukas positie sensor (crankshaft position sensor) vervangen. 99% zekerheid dat dit de oorzaak van mn uitval problemen is van de laatste tijd.
Info:
Camera: Sony Xperia Z3
I found this completely random and rather funny. If you know anything
about the plotline behind Tipping the Velvet, you may find it
funny, too. The position, that is.
The position of the hands suggests that he once held a spear and shield of perhaps a small trophy. If the latter, the emperor appeared in the guise of Mars Victor.
My friend, Mr Wasuwat showing a Buddha position.
He has a small restaurant on Koh Chang, Thailand, and he is a devoted Buddhist.
You're welcome to use this image on your website... please link to www.theideadesk.com. Contact chris@iqoncept.com for the non-watermarked version. An empty square in an organizational chart with a sign reading Open Position
I chose this other shot for my class with dave DANCE assignment, but this one for my 365, as I think I prefer this one in general. think I should change anything around? :)
Oh, in other news, my remote is broken, but my dad figured out how to fix it (something about splicing wires). In the meantime, I released the shutter tonight with the help on my curling iron. :) Photographers definitely become resourceful!
-HEADED PUNCH RETAINERS
-PUNCH RETAINERS
-BALL LOCK RETAINERS
-CHANGE RETAINERS
-BACKING PLATES
-SPECIAL RETAINERS
Yehwa Engineering Inc.
#1755-7, Bi San Doung, Seo Gu
Daegu, Korea
Tel: 82.53.354.0084-5
Cell:82.010.3543.5407(Steven)
Fax: 82.53.345.8137
Email 1: ye-hwa.com@hanmail.net
Email 2: yehwakorea@gmail.com
Web: www.yehwaKorea.com
Frank usually stretches out in front of me when I get in bed - after I scratch his head or back, he slides on to his pillow beside me for the rest of the night.
Photoshop should have a button that makes these image tables for you. Contact Sheet II just addes shed loads of White Space around the images. Ended up doing it by hand.
Not sure if I should have lowered the shutter speed to let more ambient in?
Strobist: Vivitar 285 hv 1/16th Power about 3 feet from subjetc (me) in each shot.
ISO 200, F/4.5 1/200.
I started with the flash close to camera and then moved 45 degrees clockwise.
The first row are eye level and the second row was flash looking down at a height of about 6ft. loads of clashes of lamps and TV light going on but we aren't doing that exercise yet right!!
Really enjoyed it and cant wait to crack on.
Position, Point Guard/Shooting Guard
Name. Daniel Boris Millican
Date Of Birth. 06/02/2005
Home City. Gateshead.
Started playing basketball at 9 years old.
Daniel has played for several clubs at different levels which are listed below..
Gateshead Phoenix Basketball Club.
U12 Eagles Central Venue League.
Birtley Phoenix Basketball Club.
U12 Eagles Central Venue League.
U14 Eagles Central Venue League.
U16 Eagles Central Venue League.
U18 Eagles Central Venue League.
Newcastle Eagles Basketball Club.
U14 National League North East Premier Division.
Tees Valley Mohawks Basketball Club.
U14 National League North East Conference Division.
U16 National League North East Conference Division.
U16 Local League.
Division 3 National Men's League (Covid) Abandoned.
Whickham Spartans Basketball Team.
Tynemet Division 2 Local Men's League.
Teesside Lions Basketball club.
U18 National League North
East Conference Division.
U18 Local Tribal League.
Division 3 National Men's League.
East Durham Lions Basketball Club.
U18 National League North East Conference Division.
Durham Basketball League Division 1 Local Men's.
Team Sunderland Basketball Club.
Division 3 National Men's League.
Division 1 Local Men's League.
Gateshead College Basketball Team.
Association Of Colleges Northern League.
South Tyneside Basketball Club.
Tynemet Division 1 Local Men's league
Daniel also represented the North East at the Basketball England aspire junior level over a two year period 2018 and 2019.
Daniel would have made the final cut at the Yorkshire Basketball England aspire junior level if not for covid stopping the event 2020.
Daniel Has Aspirations to play in any of the following Leagues or tournaments.
The British Basketball League (BBL)
Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas.
The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition (drawing most of its talent from U.S. college basketball).
The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world.
Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
Left to Right: University of Michigan "Aurum," University of Minnesota, Illinois State University, Principia College "Ra 9,"
Positionnement des écrans et test de transmision
Les lunettes sont en place, tenues pour l'instant par du scotch noir. Pareil pour les 2 petites cartes connecteurs, de chaque coté. Avant de tout fixer de manière définitive, il faut absolument faire des essais pour être certain de la position du bloc (en profondeur et en horizontalité). Un fois qu'on a trouvé la bonne position pour les écrans, on ne touche plus a rien. Pour la fixation définitive, j'ai déposé un filet de colle à chaud à l'intérieur du masque, tout au long de la jonction entre les lunettes et la façade du masque.
On the external E face of Ballynahinch tower house, situated above the broken out doorway. The Sheela-na-gig is carved in raised relief on a rectangular slab. Described as having a big round head with eyes wide open; strong billowy lines across forehead; large jug ears. Lean rib, and no breasts seem to be indicated. Arms akimbo with hands joined above pudenda, shown as a deep round hole. Squatting position, knees bend, heels touching and toes turned out. This Sheela-na-gig is 'said to be a carricature of the cook, in revenge for her incivility to the tradesmen employed in building the castle'.
Ballynahinch Castle is on the Northern bank the River Suir. The tower house is at the W end of a rectangular bawn which has a building in the NE angle and on the S wall. It was in the possession of John Bourke fitz William Oge in 1558 but in possession of Edward Butler, brother of the Earl of Ormond, by 1587. According to the Civil Survey the Countess of Ormond was the proprietor in 1640 and 'On the sd. lands stands a castle Demolished with a Bawne on one side thereof together with a thatcht house a few cabbins all Inhabitted. The tower house is constructed of limestone rubble, roughly coursed, with remains of external harling and an external base-batter. It originally had three storeys and in the 16th century a fourth storey and a mural chamber at parapet level were added. The entrance to the tower house, at the N end of E wall, is protected by a machicolation at parapet level. The doorway is completely broken out and has been since at least 1906 when described by Crawford, who mentions a groove at the apex of the former pointed doorway, presumably a yett hole. About 2m above the former doorway is a Sheela-na-gig. The entrance lobby is protected by a large murder-hole overhead and there is a narrow guardroom to the N running E-W in the thickness of the N wall. The ground floor was accessed through a doorway, now broken out, directly in front of the main doorway. It was divided, possibly in the late 17th/18th century, by a stone wall running E-W which rises up to the stone vault above the first floor, though the upper courses of this cross-wall are gone. The internal floor level appears to have been deepened by, possibly when the cross-wall was being built. The ground-floor chamber was lit by three windows, one in the centre of the N wall, another in the S wall, slightly E of centre and a third in the W wall, blocked externally. There are also three wall cupboards. The first floor was carried on stone corbels on the E and W wall and was entered from a doorway off the mural stairs which rises from the entrance lobby within the E wall. It was lit by an unusual cinquefoil single-light window in the N wall and a flat-headed two-light window in the S wall. The stairs is lit by a number of simple flat or round-headed loops and is defended at each angle by a murder-hole. Between the first and second floor there is a vaulted mural chamber in the E wall, lit by a window at the E end of the N wall, and in the E wall there is also a small angle fireplace, in a recess in the S portion of the chamber, with a flue which exits through the wall 3m above the floor level. The second floor, above the barrel vault, is entered from the mural stair in the S wall. It is lit by five windows, two in both the E and W walls and one in the N wall. There is also a window in the S wall opposite the entrance to the main chamber and a window in the N wall, near the NW angle, which lights the stairs up to a mural chamber. There is an inserted fireplace in the W wall where there was formally a two-light ogee-headed window which was blocked up in the late 16th century. There are three wall cupboards. There may have been a gallery at the S end of the main chamber, accessed via an internal wooden stair, which would have provided access to the lintelled mural chamber in the S wall which is lit by three windows in the S wall and has two wall cupboards, one at either end of the mural chamber. In the main chamber a doorway, roughly centrally placed in the S wall, gives access to a garderobe chamber which is lit by a single-light window towards the W end of the S wall. The garderobe chute exits at the base of the W end of the S wall. Another mural chamber is accessed from a doorway W of the window embrasure in the N wall. This gives access to a stair which decends steeply to a vaulted chamber, lit by three loops, which runs N-S along the W wall. Towards the back of this mural chamber there is a partition wall with a low doorway giving access to a small unlit chamber. In the late 16th century a third floor, with a fireplace above that at second floor level, was inserted. This floor has no windows or doorway so must have been accessed from the chamber below via a wooden stair. A doorway at the W end of the N wall provides access to a stair up to a mural chamber at parapet level and gives access to the battlements. This mural chamber is also a late 16th-century addition. It is lit by three windows in the N wall and one at the N end of the E wall and is roofed with stone capping.There are good coping stones projecting from the S face of the mural chamber showing the line of the A-frame roof. There are also rafter holes in the wall above the third-floor fireplace to support a timber roof. The parapet is in good condition with stone-capped crow-stepped crenelations and drain holes and water spouts in situ.