View allAll Photos Tagged Pixelshift
A mixture of lighting: vibrant orange tones of Stirling contrasting with the cobalt blue night sky above.
The foreground hill is Craigforth, a plagioclase-macrophyric basalt outcrop amongst the superficial deposits of holocene silt and clay.
Aye it was too cauld and windy to be mucking about with this long exposure nonsense today!
(this was also an excuse to test a new cpl I got this week, tho I prolly broke all the cardinal rules with stacking numerous ND filters ontop lol :D
A scene that's been shot many times, but like the Millennium Bridge, this spot is something I just cant walk past
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In ancient times cats were worshipped as gods; they have not forgotten this.
– Terry Pratchett
The hardest thing to cook is a scrambled egg. The hardest portrait to capture is a cat. They know before you do when you are going to press the shutter.
I am practicing for my conversational portrait class in a few weeks. I I can get a portrait of a cat…. Then I can take a portrait of anything.
I shot this with the Nikon Zf and the 135mm Plena. Raw file processed in NX Studio NiK collection Silver Efex Pro v7 in Photoshop beta.
#Nikon100 #nikonlove #kelbyone #photography #onOne @NikonUSA
#mirrorless #135mmplena #NikonNoFilter #niksoftware #nikonUSA #Epson #Zf
#wacom #xritephoto #calibrite #onone #sunbounce #fineartphotography #kolarivision
#DxO #iamgenerationimage #iamnikon #B&H #PhotogenicbyBenQ
#nikonLOVE #hoodman #infrared #pixelshift
#nikonnofilter #nikonambassador
Quite a lot of data went into the making of this scene - using the Sigma 24-70mm f/2.8 FE lens and a Gobe variable ND filter to make the exposure 10s, pixel-shift for higher resolution, I swung the camera around to initially make a very wide panorama. In practice this vertical 4:5 crop was more appealing.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Findochty-Coast--Rockery-ae1bf...
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Projection: Rectilinear (0)
FOV: 66 x 35
Ev: 4.08
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
f8
1/60th second
Gitzo GT3532LS
Arca-Swiss Z1
Fuji Provia 100F
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
20mm front rise
2.5° front left swing
f32
1/2 second
Ilford FP4+ (EI 80)
Lee Orange 21 filter
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Z8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.
The past few mornings have been thick with smoke from recent hazard reduction burns, Glenbrook lagoon is really showing the hazy smoky effect.
Experimented with my friends lightbox and flowers from her garden. Used a variety of Topaz plugins (Clarity, Adjust and Impression 2).
A pleasant waterfall in the Allt na Drochaide burn, a tributary to the Water of Ruchill, Glen Artney.
This was the first, and so far only, time I've felt the urge to invert the tripod's centre-column and dangle the camera millimetres above the water. In the process, I discovered a bug with the Pentax K-1: if you use live-view upside-down, the image inverts itself correctly but all the settings controls (histogram, etc) do not. It's tricky enough wondering where the control dials have gone, let alone where the numbers they control are to be found on screen. D'oh!