Bradgate Park, Leicestershire.

Hasselblad 501CM

Carl Zeiss Sonnar 5.6/250 Superachromat CF

Hoya R72 filter

f11

1/30th second

Gitzo GT3532LS

Arca-Swiss Z1

Rollei IR400 (effective EI 25)

Developed in Ilfotec DD-X 1:4 at 20 C for 8 mins

Digitised using 16-shot pixel-shift capture

Toned

Best viewed fullscreen in the lightbox (press L + F11)

Straight Out Of Camera for this one. Quite cool what you can get when you play with the options in the camera hehe.

I had to use a f2.8 shot for this tho as the f8 shot was showing dust spots and that's a step too far for the in camera development tools.

Goes without saying I will edit the other versions I took properly too, but I kinda like this neat little SOOC :)

The Peak District, Cheshire.

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

3mm front fall

9° front forward tilt

23mm front left shift

22mm rear rise

9.5mm rear right shift

f32

1/2 second

Ilford Delta 100

Lee Orange 21

Heliopan Slim High Transmission SH-PMC CPL

Gitzo GT3532LS

Arca-Swiss Z1

Self-developed in DD-X 1:4 at 20.5 °C for 10:15

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f16

1/2 second

Agfa Copex Rapid / SPUR DSX (EI 25)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 19 C for 11 mins

Digitised using 16-shot pixel-shift capture

Toned

(best viewed fullscreen in the lightbox)

Pixelshifting mit Waldmotiven - tolle Details

I first stumbled across this composition a couple of years ago - a very strong sense of depth - and have been meaning to update my "take" on the scene ever since.

So, passing by the area again, I called in and made this long exposure, pixel-shifted focus-stack image of it.

Receding layers of rock (till/diamicton and Catterline lava+psammite+quartzite+feldspar conglomerate) leading the eye toward Todhead Point lighthouse in the distance.

Prints and things available from the website: www.shinyphoto.co.uk/gallery/catterline

As seen from the northern slope up to Skelgill Bank.

Linhof Technikardan S45

Fujinon A 9/240

Heliopan Slim High Transmission SH-PMC CPL

Lee 0.6S GND

2° front forward tilt

12mm rear rise

f25

1/4 second

Fuji Provia 100F

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.

(best viewed fullscreen in the lightbox)

Effort and love went into this cake.

A7RIV pixelshift, Canon 17mm TS-E.

Infra Red Landscape in PixelShift.

This is *beta version, because i'm not satisfied with the artefact in the clouds

Pentax 6x7 MLU

SMC Pentax 2.8/165

f11

1/2 second

Rollei IR400 (effective EI 25)

Hoya R72

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in DD-X 1:4 at 19 °C for 8.75 minutes

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(best viewed fullscreen in the lightbox)

Hasselblad 501CM

Carl Zeiss Distagon 3.5/60 T* CF

Hasselblad Orange filter

f16

1/4th second

Gitzo GT3532LS

Arca-Swiss Z1

Kodak T-Max 100

Developed in Pyrocat-HD 1:1:5:95 A:B:IPA:water at 22 °C for 15 mins (minimal agitation)

Digitised using 16-shot pixel-shift capture

Toned

(best viewed fullscreen in the lightbox)

Steptoe Butte

Mode Pixel Shift du Pentax K-1 activé.

I made a test with the Pentax K-1 Pixel Shift mode and Panorama merge feature in Lr6. This panorama is made of 4 horizontal images with Pixel Shift mode enabled (Note that each pixel shift image is a in-body merge of 4 images).

You should download the full size image to better see the details and compare it to the next image.

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J'ai fait un test avec le mode Pixel Shift du boitier Pentax K-1 et la fonction Panorama de Lr6.

Ce panorama est le résultat d'une fusion de 4 images horizontales capturées avec Pixel Shift (notez que chaque image Pixel Shift est constituée d'une fusion dans le boitier de 4 images).

Vous devriez télécharger l'image pleine grandeur pour mieux voir les détails et la comparer avec l'image suivante.

An experiment with pixel shifting and focus stacking. The question to address was whether or not pixel shifting was a substitute method for focus stacking. It is not as it has no effect on focal plane or depth of field. Rather, it is a method of increasing the resolution of an image by making minute shifts of the sensor in the focal plane. This increases the image size of the composite created in camera and reduces sensor noise. Pixel shifting can, however, be combined with focus stacking to produce a very high resolution macro, allowing for a much larger print. The effects are much more subtle when viewed on a screen.

Focus stack (20 images) with pixel shift (8 half pixel shifts/focal point). Shot with single continuous light source (Rotolight Neo 1 with diffuser filter), 100% power 5700 K, mounted on overhead boom directly over subject. Image size (raw) 16736 x 11163, print size 69 x 46 inches

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f11

1/250th second

Hand-held

Kodak Portra 800

Lab development

Digitised using 16-shot pixel-shift capture with a 99 CRI light source.

(best viewed fullscreen in the lightbox)