View allAll Photos Tagged Pixelshift
I first stumbled across this composition a couple of years ago - a very strong sense of depth - and have been meaning to update my "take" on the scene ever since.
So, passing by the area again, I called in and made this long exposure, pixel-shifted focus-stack image of it.
Receding layers of rock (till/diamicton and Catterline lava+psammite+quartzite+feldspar conglomerate) leading the eye toward Todhead Point lighthouse in the distance.
Prints and things available from the website: www.shinyphoto.co.uk/gallery/catterline
As seen from the northern slope up to Skelgill Bank.
Linhof Technikardan S45
Fujinon A 9/240
Heliopan Slim High Transmission SH-PMC CPL
Lee 0.6S GND
2° front forward tilt
12mm rear rise
f25
1/4 second
Fuji Provia 100F
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Infra Red Landscape in PixelShift.
This is *beta version, because i'm not satisfied with the artefact in the clouds
Pentax 6x7 MLU
SMC Pentax 2.8/165
f11
1/2 second
Rollei IR400 (effective EI 25)
Hoya R72
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in DD-X 1:4 at 19 °C for 8.75 minutes
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Hasselblad 501CM
Carl Zeiss Distagon 3.5/60 T* CF
Hasselblad Orange filter
f16
1/4th second
Gitzo GT3532LS
Arca-Swiss Z1
Kodak T-Max 100
Developed in Pyrocat-HD 1:1:5:95 A:B:IPA:water at 22 °C for 15 mins (minimal agitation)
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Mode Pixel Shift du Pentax K-1 activé.
I made a test with the Pentax K-1 Pixel Shift mode and Panorama merge feature in Lr6. This panorama is made of 4 horizontal images with Pixel Shift mode enabled (Note that each pixel shift image is a in-body merge of 4 images).
You should download the full size image to better see the details and compare it to the next image.
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J'ai fait un test avec le mode Pixel Shift du boitier Pentax K-1 et la fonction Panorama de Lr6.
Ce panorama est le résultat d'une fusion de 4 images horizontales capturées avec Pixel Shift (notez que chaque image Pixel Shift est constituée d'une fusion dans le boitier de 4 images).
Vous devriez télécharger l'image pleine grandeur pour mieux voir les détails et la comparer avec l'image suivante.
An experiment with pixel shifting and focus stacking. The question to address was whether or not pixel shifting was a substitute method for focus stacking. It is not as it has no effect on focal plane or depth of field. Rather, it is a method of increasing the resolution of an image by making minute shifts of the sensor in the focal plane. This increases the image size of the composite created in camera and reduces sensor noise. Pixel shifting can, however, be combined with focus stacking to produce a very high resolution macro, allowing for a much larger print. The effects are much more subtle when viewed on a screen.
Focus stack (20 images) with pixel shift (8 half pixel shifts/focal point). Shot with single continuous light source (Rotolight Neo 1 with diffuser filter), 100% power 5700 K, mounted on overhead boom directly over subject. Image size (raw) 16736 x 11163, print size 69 x 46 inches