View allAll Photos Tagged Pixelshift
Linhof Technikardan S45
Linhof Techno Rollex 6x12 back
Schneider-Kreuznach Apo Symmar L 5.6/150
f22
1/4th second
3° front foward tilt
3mm front rise
Gitzo GT3532LS
Arca-Swiss Z1
Fuji Acros 100 (EI 64)
Self developed in Pyrocat-HD, 1:1:5:95 A:B:IPA:water, 22.5 C, 14 mins, minimal agitation
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Photo shot with Pentax K 1 Mark II and Voigtlander-90mm-F3.5-APO-Lanthar-SL,using pixel shift
The RAW file has been processed in TIFF in camera
This recipe works well for Fomapan 400 @ 1600. The time is slightly longer than what most other people use. D-76 stock solution, 24 minutes at 20C (or 12 minutes at 27C to speed things up). Inversions every 2 minutes. The film stays relatively low contrast. FPP76 mixes up more easily than Kodak's version. I haven't used ID-11, but I've heard it has less problems mixing as well. Then there's the new Adox D-76 that just got released. I haven't found anything better for pushing Foma film.
Processing film has many pitfalls, I didn't wash the developing tank out properly after the last batch of film, resulting in this roll having a foam cycle while being developed Oppps... Learning as we go!
Yashica MAT 124
Ilford HP5 + 400
RO9 Special 30:1
8 minutes
PENTAX K-1 Pixelshift (166 MB file)
Edited in lightroom and PS elements
(The new feature of the Pentax K-3II)
Pentax K-3II
DA 35mm 2.8 Macro Limited
Out of camera jpeg
If you want to see the same image, the same file without Pixel Shift Resolution (in camera raw), click here:
www.flickr.com/photos/lepidoptorologicbeauty/18548968756/...
This is the dying light of a spectacular sunset at Antelope Island Utah, near Salt Lake City. A recent road trip with Kevin Benedict around Utah had us chasing sunrise and sunset in a variety of awesome locations handpicked by Kevin, with mostly disappointing results. On nearly every day we had perfect looking conditions only to have our hopes crushed at the last minute by some wayward cloud on the horizon blocking out the sun. This day, however, we experienced the opposite - almost entirely cloudy all day with a sudden break at sunset. The sunset colors appeared all around us, making it difficult to chose which direction to shoot in. Finally, it settled in the west with a beautiful glow silhouetting this lineup of hills across Great Salt Lake (I do not know which hills we are looking at here).
The quoted title is from the Shakespeare play "Henry V", with King Henry trying to motivate his troops to attack the enemy castle one more time. Our fearsome foe on this night were the mosquitos, which were out in such great numbers that they literally formed walls along the sides of the causeway leading to the island. It took some considerable courage to breach their defenses with a charge down to the beach where they were fewer in number. Very fortunately, they did not seem to be in a biting mood, settling for hovering in the thousands above our heads with an angry hum. If they had been hungry, I'm fairly certain our bleached bones would still be resting on the beach.
This shot was taken a good 30 minutes after sunset, and we were already packing up to go when we noticed the cloud tendrils adding some interesting detail to the remaining light, so I hurriedly popped my camera back on the tripod and fired one last shot. Most of the frame was dark with just this thin layer of backlight so I decided to crop to a wide pano style emphasizing this golden backlight. Taken with Pentax K-1 and Pentax 70-200mm F2.8 lens using "Pixel Shift".
My thanks to Kevin for his expert arrangement of our itinerary. I'd never heard of Antelope Island but it turned out to be a perfect ending to our tour de Utah.
Cette photo n'est pas une photo de l'éclipse, mais plutôt celle de la Lune qui se couchait au dessus de Montréal hier soir...
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This is not a photo of the eclipse, but rather of the Moon setting over Montreal last night...
#pentax #pentaxk3mkiii #pentax_fa250600 #PixelShift
My second early morning here, I was able to get a crisp shot with the 70-200, and Pentax's cool PixelShift.
Maybe the most photographed tree in New Zealand, but this is my take.
Distant snow-capped mountains; a handful of toothpick wind turbines in the middle distance; a few late-turning orange-covered trees among the dark green conifers in the foreground. View of the mountains of Glen Orrin and Strathconon from Fyrish by Alness.
für 16 fach Pixelshifting mit der M4 - musste die Originalgröße von 300 MB aber für Flickr reduzieren.
Shot on new Kodak Ektachrome 100 with Contax RX camera and CZ Distagon 35mm f2.8 lens in 2018. Digitized with Sony A7R3 camera and Sigma 70mm F2.8 DG Macro lens using Pixel Shift mode.
I saw this cluster of trees and small island off the shore of Loch Assynt in passing earlier in the afternoon; by the time I returned it was pitch black night with nothing but a little moonlight to illuminate. A pixel-shift taking the exposure from a base 30s up to 2 minutes made the water silky silvery smooth.