View allAll Photos Tagged Pixelshift
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
20mm front fall
1° front left swing
f32
2 seconds
Fuji Acros 100 (EI 50)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (Press L + F11)
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
f16
1/4th second
Gitzo GT3532LS
Arca-Swiss Z1
Fuji Provia 100F
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
The photo was taken with Nikon F3HP film camera / Voigtlander Color-Scopar 28mm F/2.8 lens, on Kodak Porta 400 35mm film. The negative was photo-scanned with Fuji GFX100S camera / Carl Zeiss Macro-Planar 120mm F/4 CFE lens, using “pixelshift” technology, and converted in Negative Lab Pro software.
Bradgate Park, Leicestershire.
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
Hoya R72 filter
f11
1/30th second
Gitzo GT3532LS
Arca-Swiss Z1
Rollei IR400 (effective EI 25)
Developed in Ilfotec DD-X 1:4 at 20 C for 8 mins
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (press L + F11)
Straight Out Of Camera for this one. Quite cool what you can get when you play with the options in the camera hehe.
I had to use a f2.8 shot for this tho as the f8 shot was showing dust spots and that's a step too far for the in camera development tools.
Goes without saying I will edit the other versions I took properly too, but I kinda like this neat little SOOC :)
The Peak District, Cheshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
3mm front fall
9° front forward tilt
23mm front left shift
22mm rear rise
9.5mm rear right shift
f32
1/2 second
Ilford Delta 100
Lee Orange 21
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 20.5 °C for 10:15
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Hasselblad 501CM
Carl Zeiss Planar 3.5/100 T* CFi
f16
1/2 second
Agfa Copex Rapid / SPUR DSX (EI 25)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 19 C for 11 mins
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
I first stumbled across this composition a couple of years ago - a very strong sense of depth - and have been meaning to update my "take" on the scene ever since.
So, passing by the area again, I called in and made this long exposure, pixel-shifted focus-stack image of it.
Receding layers of rock (till/diamicton and Catterline lava+psammite+quartzite+feldspar conglomerate) leading the eye toward Todhead Point lighthouse in the distance.
Prints and things available from the website: www.shinyphoto.co.uk/gallery/catterline
As seen from the northern slope up to Skelgill Bank.
Linhof Technikardan S45
Fujinon A 9/240
Heliopan Slim High Transmission SH-PMC CPL
Lee 0.6S GND
2° front forward tilt
12mm rear rise
f25
1/4 second
Fuji Provia 100F
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Infra Red Landscape in PixelShift.
This is *beta version, because i'm not satisfied with the artefact in the clouds
Hasselblad 501CM
Carl Zeiss Distagon 3.5/60 T* CF
Hasselblad Orange filter
f16
1/4th second
Gitzo GT3532LS
Arca-Swiss Z1
Kodak T-Max 100
Developed in Pyrocat-HD 1:1:5:95 A:B:IPA:water at 22 °C for 15 mins (minimal agitation)
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Mode Pixel Shift du Pentax K-1 activé.
I made a test with the Pentax K-1 Pixel Shift mode and Panorama merge feature in Lr6. This panorama is made of 4 horizontal images with Pixel Shift mode enabled (Note that each pixel shift image is a in-body merge of 4 images).
You should download the full size image to better see the details and compare it to the next image.
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J'ai fait un test avec le mode Pixel Shift du boitier Pentax K-1 et la fonction Panorama de Lr6.
Ce panorama est le résultat d'une fusion de 4 images horizontales capturées avec Pixel Shift (notez que chaque image Pixel Shift est constituée d'une fusion dans le boitier de 4 images).
Vous devriez télécharger l'image pleine grandeur pour mieux voir les détails et la comparer avec l'image suivante.
An experiment with pixel shifting and focus stacking. The question to address was whether or not pixel shifting was a substitute method for focus stacking. It is not as it has no effect on focal plane or depth of field. Rather, it is a method of increasing the resolution of an image by making minute shifts of the sensor in the focal plane. This increases the image size of the composite created in camera and reduces sensor noise. Pixel shifting can, however, be combined with focus stacking to produce a very high resolution macro, allowing for a much larger print. The effects are much more subtle when viewed on a screen.
Focus stack (20 images) with pixel shift (8 half pixel shifts/focal point). Shot with single continuous light source (Rotolight Neo 1 with diffuser filter), 100% power 5700 K, mounted on overhead boom directly over subject. Image size (raw) 16736 x 11163, print size 69 x 46 inches