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I developed the lumen photograms in dilute developer, or fixed direc, or first bleached before processing, then developing in dilute paper developer and then fixing. They now should be real to light. When first bleaching it goes more to gray black, when first developing it keeps the brown color from the exposure.
first developed in light with very dilute paper developer then bleached slightly in C41 bleach and fixed.
Photogram, cyanotype.
Paper; Strathmore Watercolor S200B, 90 lb.
SIze; 6x9 inches. 15x22,5 cm.
Original version.
Zyanotypie, Cyanotype, Цианотипия
Montage aus Layers mit Farbänderung
Composite made from layers with colour changes
Монтаж из слоев с изменением цвета
Der Kirschlorbeer ist grün und dicht
und nimmt Passanten jede Sicht,
sie können nicht entdecken:
Was ist hinter den Hecken?
So denkt der Gärtner Gröher
und macht die Hecke höher.
The cherry laurel, green and dense
blocks any view behind the fence;
The cherry laurel, very kind:
it hides all things that are behind.
What lies behind the hedges hidden?
The hedge says: Looking is forbidden.
Вишнёвый лавр зелён и густ,
прохожим заслоняет куст;
никто не видит, что за ним,
что скрыто за кустом густым.
Так мыслит садовод Горыше:
«Пусть станет изгородь ещё выше».
Die Übersetzung in Russisch war in mehreren Varianten, mit Hilfe von ChatGPT bei den Reimen.
The translation into Russian was done in several versions, with ChatGPT helping out with the rhymes.
Перевод на русский язык был выполнен в нескольких вариантах с использованием ChatGPT для рифм.
Kirschlorbeer
Kirschlorbeer ist Teil der „grünen Wüste“.
Er dient als Sichtschutz oder als Schmuck; ökologisch ist er fast wertlos.
Zugleich verdrängt er blühende Sträucher und artenreiche Hecken, die Insekten, Vögeln und anderen Tieren Nahrung und Lebensraum bieten.
The cherry laurel
The cherry laurel is part of the ‘green desert’.
It serves as a privacy screen or ornamental plant; ecologically, it is virtually worthless.
At the same time, it crowds out flowering shrubs and species-rich hedges that provide food and habitat for insects, birds and other animals.
Вишневый лавр
Вишневый лавр является частью «зеленой пустыни».
Он служит в качестве защиты от посторонних взглядов или декоративного растения; с экологической точки зрения он практически бесполезен.
В то же время он вытесняет цветущие кустарники и многовидовые живые изгороди, которые служат источником пищи и средой обитания для насекомых, птиц и других животных.
Wet Cyanotype photogram done on watercolor paper.
Arches Hot Press watercolor paper, Jacquard Cyanotype kit, Lightstarter 60 watt 100 LED UV flood light. Image is 5x7 inches (13x18 cm).
After finally deciding that I did want to do a Photography degree I had to make the decision to retake some of my A-levels. This was to improve my grade to ensure a better opportunity to get into university. Although I am not technically a student and I do not officially attend college I have coursework to do and an exam to sit next month. Today I found out that my coursework deadline is a lot shorter than I previously was aware of. Having found this out I have spent the day trying to get as much work as I can possibly get done. During this it meant I had to teach myself a new assignment and experiment with this. This was 'Digital Photograms'. The above image is the final piece from today's experiments. For my first attempt I am quite happy with it. Obviously there is MAJOR room for improvement and still a lot to learn with this.
I chose to use lemons for my image as I have been wanting to use them as a stimulus for while. Whilst chopping lemons at work to serve in customers drinks at work I have imagined various ways of capturing lemons as I find them delicate and quite beautiful. Therefore, I took this as a great opportunity for them to appear within my work.
Also very grateful that this photograph appeared in Explore. (8.05.2015)
a collection of photograms made on fuji instax wide-format film, idea from jefftolentino...(I'm a luddite - how do I attach a link to his account?)
Taming Light #47
The gentle flow and merging of filaments of light.
For new viewers: These are light refraction patterns or 'caustics' formed by a white light beam passing through a shaped and textured plastic form. The pattern is captured directly on to 35mm film by removing the camera lens and putting the transparent object in its place. Colours are introduced by placing complex coloured optical filters directly in the light beam.
The processed film is digitally scanned for uploading. Please note these are not computer generated images but a true analogue of the way light is refracted by the objects I create.
There is no movement of lights - a single static white light source is used. There is also no camera movement - the image is captured in-camera with a single exposure
BTW they're all 1:1 macro images.
Inverted photogram
View this in lightbox, it's worth it.
You'll be seeing a lot more college work from now on.