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IN ENGLISH BELOW THE LINE

 

Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; Ilford Delta 100 revelat a casa amb Perceptol 1+1.

 

El claustre major és sense dubte un dels elements claus d'una cartoixa, diferenciant-la (juntament amb les cel·les individuals) de la resta de monestirs. Acostuma a ser molt gran, i el centre servia de cementiri per als monjos. Aquest de St. Saveur està intacte.

 

A les afores de Vilafranca de Roergue (Villefranche-de-Rouergue en francès) es troba la antiga cartoixa de Saint-Saveur. Els monjos en forne expulsats durant la Revolució Francesa, però en ser l'edifici convertit en hospital, bona part de la estructura es va salvar.

 

Es conserven l'església, el refectori i els claustres menor i major, però per desgracia s'han perdut quasi del tot els eremitoris que envoltaven aquest darrer.

 

www.france-voyage.com/francia-ciudades/villefranche-de-ro...

 

fr.wikipedia.org/wiki/Chartreuse_Saint-Sauveur

 

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Picture taken with a Hasselblad 500 C/M, made in 1979; Ilford Delta 100, home developed with Perceptol 1+1.

 

The large cloister is a unique feature in the charterhouses. Usually monasteries have one cloister, but charterhouses have at least two, a small one and a large one. This large one comunicates with the unique isolement cells of the monks, and also is used as cemetery. This one in Saint Saveur charterhouse is preserved on it's full structure (although not the surrounding cells).

 

To the south of the medieval center of Vilafranca de Roergue (Villefranche-de-Rouergue in French), still stands the former charterhouse of Saint-Saveur. Although it was converted into a hospital in the XIX Century and part of the structure demolished, thanks to that transformation the main parts of this cartusian monastery still remain.

 

chartreuse.tourisme-villefranche-najac.com/

 

fr.wikipedia.org/wiki/Chartreuse_Saint-Sauveur

Hasselblad 2000F/CM + 80mm Planar F T* f2.8

 

Ilford FP4 Film + Perceptol Developer

Mamiya C330f + 80mm f2.8 + B/W 3.0 ND Filter.

 

Ilford FP4 + Perceptol Developer.

Mamiya C330f + 80mm f2.8

 

Ilford HP5 + Perceptol Developer.

Nikon F6

TAMRON SP 24-70mm F/2.8 Di VC USD (A007) 35mm相当

f2.8 1/25[s]

DELTA 100 PRO (135)

PERCEPTOL 20[C] 15[m]

MaSuKo1353

 

EPSON GT-X970 6400dpi scan

Mamiya C330f + 55mm f4.5

 

Ilford FP4 + Perceptol Developer.

ZEISS IKON NETTAR II 518/16

Yellow filter

Panf50

Perceptol 1+1

 

Oodi Library.

Helsinki, Finland.

35mm film in a Fuji GSW690 III medium format camera

 

Ilford Delta 100 shot at ISO 50 and developed in Ilford Perceptol 1+3

 

Meriwether County near Gay, Georgia USA

Mamiya C330f + 180mm f4.5

 

Ilford FP4 + Perceptol Developer.

Built in 1844 to carry a now abandoned railway, now repurposed as part of the Trans Pennine Trail. 8x10 pinhole camera, f250, Fomapan 100. Developed in Perceptol and scanned with an Epson V800.

Mamiya C330f + Mamiya Sekor 80mm f2.8 Lens + ND3.0 Filter

 

Ilford FP4 Plus Film + Perceptol Developer.

Konica Omegaflex M + Hexanon 135mm f3.5 + 3.0 ND Filter.

 

Ilford FP4+ Developed In Ilford Perceptol.

Mamiya C330f + 80mm f2.8

 

Ilford HP5 Plus + Perceptol Developer.

My first medium format frame! I've eventually succumbed to the lure of a medium format camera, albeit a TLR older than I am.

 

I didn't expect it to turn out so well, it was a steep learning curve to operate the camera and even load 120 film. Trying to view and focus using a TLR and correct parallax error. The shutter refuses to fire most of the time, as you have about ten separate conditions to fulfil before it works. I was also using a new cheap film, that I though would be rubbish. Also I wasn't sure that trying to fire my Elinchrom flashes would even work. And I'd replaced the light seals myself, so plenty of room for light leaks. What sheer luck that the first ever frame was sharp and well exposed!

 

Mamiya C330, Mamiya Sekor 80mm f2.8 @f8, Kentmere 100, 15.5 minutes in Perceptol 1+1 @20°C.

summicron2/50

rollei retro80s

perceptol

 

Pentax Km, 50mm, Tmax 400 in Perceptol

Mamiya C330f + 55mm f4.5 + B/W 3.0 ND Filter.

 

Ilford FP4 + Perceptol Developer.

Nikon Af600 agfa apx100

perceptol 1:1

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in Perceptol. Silver Gelatin Print, Ilford MG RC Satin Paper

Alguns semblen aglutinar a posta desproposits urbanistics en aquest sector de Sabadell

 

Foto presa amb una Rolleiflex 3.5F fabricada entre 1969 i 1971; Carl Zeiss Planar f3.5 / 75mm; Ilford Delta 100 revelat amb Perceptol 1+1.

 

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This part of my hometown seems to be an iman for architectural nonsense.

 

Picture taken with a Rolleiflex 3.5F, made c.1969-1971; Carl Zeiss Planar f3.5 / 75mm lens; Ilford Delta 100 developed in Perceptol 1+1.

Bronica ERTSi, Ilford Pan F, Perceptol

Mamiya C330f + 55mm f4.5 + B/W 3.0 ND Filter.

 

Ilford FP4 + Perceptol Developer.

Mamiya C330f + 180mm f4.5

 

Ilford FP4 Plus + Perceptol Developer.

Mamiya C330f + 80mm f2.8

 

Ilford HP5 + Perceptol Developer.

Rolleiflex SL66 + Sonnar 150mm f4 HFT Lens

 

Ilford FP4 + Perceptol Develper

 

www.paulgreeves.co.uk

 

Mamiya C330f + 55mm f4.5 + B/W 3.0 ND Filter.

 

Ilford FP4 + Perceptol Developer.

reflection of an apple tree.

 

The snow is on and off right now.

Almost spring feelings today...

 

Canon A1, FD 55/1,2 Fomapan 400@250 in Perceptol 1:1.

This is what it looked like in June 1995. And in case you're wondering, no I haven't darkened the sky!

nokton classic 1.4/40

rolley retro 80s

perceptol 1:3 18‘ 20℃

 

Rolleiflex SL2000F + Rollei HFT Planar 50mm f1.8

 

Ilford FP4 + Perceptol Develper

 

www.paulgreeves.co.uk

Mamiya C330f + 80mm f2.8

 

Ilford HP5 + Perceptol Developer.

Praktica TL1000

Super-Takumar (28mm, f/3.5), late version, non-SMC

Ilford FP4+ (developed in Perceptol 1+1)

Rolleiflex 2.8C Xenotar Ilford Delta 400@400 Perceptol 1+3 22min

Hasselblad 2000F/CM + 80mm Planar F T* f2.8

 

Ilford FP4 Film + Perceptol Developer

Another fine day to be out taking photos between all the heat warnings that have been popping up throughout the months. Here's hoping for a less humid August! But at least the photos turned out great!

 

Pentax MZ-S - SMC Pentax-FA 1:1.9 43mm Limited - Eastman Double-X 5222 @ ASA-200

Ilford Perceptol (1+2) 11:45 @ 20C (Constant Rotation)

Scanner: Epson V700 + Silverfast 9 SE

Editor: Adobe Photoshop CC

Koni Rapid Omega M + 90mm f3.5 Super Oregon Lens.

 

Ilford FP4 + Perceptol Developer.

 

Fluid scanned with Silverfast Studio 8.

 

Adjusted for contrast and exposure in FilmPack7

 

Film 35

Delta 100 @ Box

Canon 55e (Y2)

Perceptol 1+3 22mins @ 20 Deg C

Invert x 2 every 2 mins (twirled 10 sec on 20, 16, 12 mins)

Adofix 1+4 4 mins @ 20 Deg C

Washed with final rinse in wetting agent

Mamiya C330f + 80mm f2.8

 

Ilford HP5 + Perceptol Developer.

Mamiya C330f + 80mm f2.8

 

Ilford FP4 + Perceptol Developer.

Cambo Wide : 65mm Schneider Kreuznach Super Angulon f/5.6 : Sinar 12x6mm roll film back : Ilford HP5 Plus : Ilford Perceptol

IN ENGLISH BELOW THE LINE

 

Foto presa amb una Rolleiflex 3.5F fabricada entre 1969 i 1971; Carl Zeiss Planar f3.5 / 75mm; Ilford Delta 100 revelat amb Perceptol 1+1. Mireu-les en mida gran!

 

Aquesta és una de les entrades més iconiques de tots els colleges d'Oxford, la "relativament" oculta entrada al New College, situada al molt poc originalment anomenat New College Lane. De fet, el carrer sembla acabar en aquest cul de sac, però no tansols s'obre a l'entrada del college, si no que cap a la dreta podeu veureu una arcada que fa continuar el carrer fent ziga-zaga fins a High Street.

 

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Picture taken with a Rolleiflex 3.5F, made c.1969-1971; Carl Zeiss Planar f3.5 / 75mm lens; Ilford Delta 100 developed in Perceptol 1+1. Looks much better in large size!

.

 

The main gate of New College is one of the most iconic of all Oxford colleges. Sitting in the not-much-originally-named New College Lane, it appears to the untrained eye to lead to a cul-de-sac. But it's the main college entrance, and even the street continues to the right, though an arcade, and up to High Street.

 

en.wikipedia.org/wiki/New_College,_Oxford

 

en.wikipedia.org/wiki/New_College_Lane

Praktica BCX, Tamron 90mm f2.5 Macro, Ilford Delta 400 @ISO 200, Perceptol 1+1, 12.5 mins @ 20C

Mamiya C330f + 250mm f6.8

 

Ilford FP4 + Perceptol Developer.

IN ENGLISH BELOW THE LINE

 

Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; Ilford Delta 100 revelat a casa amb Perceptol 1+1.

 

El Mont Augal (Mont Aigoual en francès), es el cim més alt de les Cevennes, a Occitania.

 

Curiosament, és el lloc més plujós de França, sense estar als Alps, Pirineus o Bretanya. Per altra banda, el seu nom ja vol dir "muntanya de les aigues", i és logic, ja que aquí xoquen els corrents atlantic i mediterrani.

 

ca.wikipedia.org/wiki/Mont_Augal

 

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Picture taken with a Hasselblad 500 C/M, made in 1979; Ilford Delta 100, home developed with Perceptol 1+1.

 

The Mont Aigoual is the tallest peak in the Cevennes, in Occitanie. It's also the wettest place in the whole France. It's Occitan name means the mountain of the waters. So, no surprise, here.

 

en.wikipedia.org/wiki/Mont_Aigoual

Taken on a photography daytrip to the east coast with Gary.

Fuji Acros I [Perceptol 1:3]

i wanted to flesh out some ideas i've been having about snow and flash and light and depth and so forth. grabbed my roommate from some reading and shot for 6 or 7 minutes. (^hence the title^).

 

i really liked the way the flashed worked between the buildings though i want more control, and i liked the snow though i want more of it and for ambient to be a touch darker. in other words i want to reshoot something like this, no offence to joe.

 

though plans have to change since mother fucking spring is around in a big way. the snow probably won't be around much. certainly not those fatty flakes that i love so.

 

but i will just skate and wait and flesh things out more. plenty more ideas to pursue. and everything says that summer is great.

Mamiya C330f + 55mm f4.5

 

Ilford FP4 Plus + Perceptol Developer.

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