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La Vision du noir et blanc
Le photographe qui utilise des films en couleurs se concentre sur la lumière mais aussi sur l'arrangement des tons ou couleurs de la photographie.
En photographie noir et blanc, les couleurs étant retranscrites en niveau de gris, la lumière joue un rôle plus important, la vision est par conséquent différente. Les scènes aux luminosités singulières seront plus mises en valeurs que les scènes très colorées.
Voici quelques exemples illustratifs :
des troncs à contre-jour un matin brumeux d'hiver seront plus mis en valeur en noir et blanc qu'en couleur. Il en est de même si les rayons sont perpendiculaires à l'angle de champ du photographe et qu'ils traversent la photographie dans un brouillard épais
un parterre de feuilles d'automne aux multiples couleurs sera en revanche mieux mis en valeur en couleur. L'utilisation d'un film noir et blanc ne rendrait que des tons voisins de gris au tirage.
Toutefois cela n'empêche pas le photographe de prêter attention aux 2 éléments, lumière et couleur, qu'il fasse des photographies en noir et blanc ou couleur. Au contraire, il est important de comprendre comment ces éléments sont respectivement retranscrits selon le type de photographie choisi.
Maîtres du noir et blanc
Robert Doisneau
Henri Cartier-Bresson
Robert Capa
Helmut Newton
Félix Nadar
Lewis Hine
Willy Ronis
Ansel Adams
Robert Frank
Walker Evans
Paul Strand
Richard Avedon
Michael Kenna
Le papillon butine sur les meilleures fleurs, tout comme inakis sélectionne les acteurs de la filière des produits & services écologiques, équitables et éthiques, correspondant à sa charte. inakis vient du nom latin d’un papillon de nos contrées (inachis io, le "paon du jour"). Il symbolise la nature et sa fragilité, et « l’effet papillon » : « les petites causes produisent les grands effets »...
San Diego Fashion Week 2014 - SS 15 Collection - Alpaca Couture Collection
Welsh designer Antonella Commatteo has teamed up with grass roots rancher, Wade Gease, to create Alpaca Couture, in becoming one of the first alpaca fashion design teams in the United States. There is a strong resurgence of utilizing natural fibers in the fashion industry, and alpaca fleece is emerging towards becoming a front-runner. Alpacas are predominantly found in Peru, Bolivia, and Chile, yet limited quantities of fleece are available in the United States. Alpaca Couture is one of the first to incorporate a percentage of these non-imported fabrics into its stimulating product lines, drawing upon the exceptional natural qualities and durability of the prized alpaca fibers. Alpaca Couture looks to generate demand for alpaca fashion and ultimately change perceptions for its use beyond that of traditional knit wear. Heightening awareness of this natural fiber will support an industry that in turn will actively contribute to the success of collections through further exposure of the use of this animals fleece.
New mesh corsets at *Perception*
Corsets and Demos at Perception Mainstore and on the Marketplace.
7 sizes: 5 standard sizes plus M+ for very curvy avatars and Bx for top-heavy avatars.
Chris and Kevin's ties and comic book boutonnieres. Photo by Collective Perception Photography. Tribe = tribe.offbeatbride.com/members/cwbkjh/profile/
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.
Details of the exhibition:
PERCEPTION -
A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.
Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.
There will be Free Drinks on entry.
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
This painting represents a magical perception of this spot. Each time I go there I get in a peaceful mood. I used the pictures of the branches to paint the tree.
The way Van Gogh paints his drawings also inspired me to paint the fields.
A4 - Gouache and watercolour
Is it in the perception of the soul, or perception in the mind that creates the battling reality of the shot. Or is there nothing, just the constant continuing on of the reality the perspective is in? There is something that grabs me with this one, though. I believe a calm should be set about through mankind and when the reality sets in of this shot, I don't feel calm. I feel enraged, regardless of circumstances.
original idea of using butterfly brushes on the eye : stella's www.flickr.com/photos/stella_umbrella/440950331/
photoshop brushes : www.brushes.obsidiandawn.com/sets/wings.htm
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
3:366-1 2011
January 3, 2011
My 60th Year
I woke up this morning thinking about observation and perception and the similarity and difference between my internal perceptions of myself and what I outwardly observe about myself. Of course this all has to do with my obsession this year with aging. I realize that it’s a cliché to say that I don’t feel I’m any different today than I was twenty or thirty or forty years ago. But when I look in the mirror I don’t see the person I see in my head and I wonder what happened to that tight faced young woman and I think I want to be her again. But really I wouldn’t. I would not want to have twenty or thirty or forty years of experiences have had no impact on the way I think. Or the way I love. Or the way I dream. The twenty year old me wasn’t yet a mother or a grandmother and did not, could not, know how to give true unconditional love; the thirty year old me thought that career success was what I needed to be accepted and the forty and fifty year old me, well suffice it to say a whole lot happened in those two decades. So here I am on the cusp of sixty and I may mourn that I see a saggy face and thinner hair when I look in the mirror but the reality of it is that I like myself more now. Oh, there are still things I would like to change: sometimes I’m too selfish; sometimes I snap and growl and stomp; sometimes I’m too opinionated. But most of the time I’m just OK and that’s OK with me.
This two-part public discussion accompanied Art on the Underground’s exhibition One Thing Leads to Another – Everything is Connected (14 May – 10 June 2010) at City Hall.
© Images by Benedict Johnson
Visit art.tfl.gov.uk to find out more about talks and events.