View allAll Photos Tagged Perception
MOST PEOPLE WOULD CALL THEESE CLOUDS MENACING. EVEN CAUSING THEM TO DISMISS A TRIP TO THE BEACH WITH THE UPCOMING STORM. WHICH FOR MOST PEOPLE IS THE RIGHT DECISION. IT WAS RAINING BEFORE I GOT HERE AND AFTER I LEFT. BUT THE TIME I WAS HERE THE SUN CAME IN AND OUT. AS THE WINDS PICKED UP I HEEDED THEIR WARNING AND PROCEEDED TO LEAVE AFTER I PRAYED TO MY GODDESS OF THE SEA. I STOPPED TO FEED MY BIRDS A LITTLE EXTRA LONGER INSTEAD OF LEAVING QUICKLY. SO BEFORE I GOT OFF THE SAND I WAS HIT WITH COLD ICY WINDY RAIN BUT ONLY TO MY BACK AS IF TELLING ME TO HURRY. AS I RETURNED TO MY VEHICLE AND WAS WASHING THE SAND OFF THE SUN CAME OUT JUST LONG ENOUGH FOR ME TO CONTEMPLATE GOING BACK BUT I KNEW IT WAS PROBABLY JUST A TEST SO I JUST SMILED AT THE SUN AND THEN IT WENT AWAY AND STARTED TO RAIN AGAIN. I LIKE TAKING BEACH PICTURES ON RAINY CLOUDY DAYS BECAUSE WHEN THE CLOUDS REFLECT ON THE GLASSY OCEAN IT LOOKS LIKE ART TO ME. AS I LOADED THIS PICTURE I NOTICED IN THE REFLECTION IN THE WATER OF THE CLOUDS I CAN SEE WHAT LOOKS LIKE A FACE, PERHAPS GODDESS OF THE SEA OR SOMEONE ELSE SENT BY HER TO TEST ME. YOU NEVER KNOW. MY ADVICE TO YOU MORTALS LEARN TO RED THE SUN, MOON, WINDS, AND RAIN WHILE YOUR STILL ALIVE.
Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.
From cyrusmejia.com/art/pits-and-perception
"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."
Artology101
3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101
What you see and hear depends a good deal on where you are standing; it also depends on what sort of person you are ~ Lewis
Model: Danielle and me :)
Strobist:
- flash 1 with white shoot-through umbrella from camera left around 3m high
- flash 2 with silver reflective umbrella in the second room behind the "ghost models" at camera right just outside the image border
- flash 3 behind the wall on the floor for the face of the "ghosts"
- gold reflector at camera right on the floor
- windows from camera left
Flickr scales this down. See it in big on my personal site: www.gedankenquirl.de/gallery/index.php?twg_album=Menschen...
景色が逆さに見えたり、周囲の音がワンテンポ遅れて聞こえたりする体験ができる装置。A device that allows you to experience things like seeing the scenery upside down and hearing surrounding sounds one beat delayed.
For this project I wanted to look at the human form from an abstract view, taking away any previous experience or relation to the human body I wanted to create this new physical form relating more to extra terrestrials and the idea of life beyond earth.
What would they look like ?
how would they move ?
Enjoy
sea scorpion attempts to eat common blenny who sticks pectoral fins out to prevent this occuring
* ARTICLE: cavewallmedia.co.uk/cwmstories/funnies-snippets-rummage-b...
* Cave Wall Media on fb: www.facebook.com/CaveWallMedia
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
Perception is a thing of beauty, what look as an ordinary rope to someone, looks like a interesting motive for a photographer.
"First thing that I noticed was...."
Listen to enhance the image.. www.youtube.com/watch?v=UOYVKgczvvY
Capturing the sunset at Baker Beach with the Dynamic Perception dolly with the Little Bramper
Check out the timelapse video here: vimeo.com/32731309
The light shines more when it is hidden. Seeing it from the shadows, the beauty of light can be seen more intensely. Standing under it, we do not think about its meaning, but when we are not under it, when we see it from afar, we realize just how much we desire it.
My first body of work shot entirely on film.
I’ve always been partial to the idea of creating a body of work which revolved around a place and its details. Such series of photos have the power and ability to form an opinion or shape the audiences perception of the place, therefore, one must be careful that this place is portrayed truly not to create false impressions.
It is important that the photographer conveys the ambiance of the place and this is achieved by including a healthy mix of shots. Some captured scenes picturing the surrounding environment to provide context. The images belong to the fine art genre, and are generally taken using large format, 8 x 10 cameras due to the immense detail these cameras are able to capture. Such photos are often printed to a larger scale to allow the viewer to delve into the photo to look at the smaller details in the photo.
In conjunction to the wider style of photo, a closer view should also be included which zooms into the characters of this scene. After showing the environment of these characters, the viewer should have sufficient contextual information to understand the characters situation, role and also possible feelings. These pictures often frame the characters working, or going about their day to day life. Depending on the case, there may be more than one person in the photo.
The next type of image is the closer, portrait style photo of the character which should successfully provide a visual representation of the inhabitants of such places. These people are framed centrally and obviously, often accompanied by objects related to their position or job. Subject isolation is key since this photo is not focusing on the background, but rather the person in frame.
I think of it as picking a random person from the aforementioned captured scene, and putting them in the spotlight to give a close view of their appearance, and facial expression. These often naturally link to their situation and personality.
An alternate way of explaining this, is by describing it as a ‘silent visual interview’. The viewer receives information about the character, as if the character were answering interview questions about their life; however of course, there is no exchange of words. For this reason, the character must be framed obviously and clearly. The people in the spotlight are often looking directly into the lens, making close contact with the viewer and photographer and strengthening the bond between them. This is crucial.
The idea of the zine is to document the living structure and style in Menorca, as well as the inhabitants of the island, as this is often ignored and not considered when we think of Menorca. Instead, it is commonly regarded as a party island or a holiday destination rather than a living space.
Due to Menorca being an island, these inhabitants and their families have often been living on the island for many generations and their farms and traditions have been passed down. This makes it an ideal place for a project. The inhabitants are very resilient in refusing to let holiday makers change their traditions and culture, which keeps the scenes natural and pure and an exact representation of what life on the island is like.
Photo adventure with art model, Rosie Neuharth in 29 Palms, Calif. October 22, 2011.
I can never decide between black and white (my favorite) or color. Feedback please?
When I was working on the original version of this I discovered the world of digital mirroring. I was playing with a photo of windows in an airport and somehow ended up mirroring the photo, and that's where the fun began. I just recently mirrored one of my old drawings and I thought it would be fun to go back to this one (that inspired my latest addiction: digital mirroring) and mirror it again. I'm not sure which one I like better, but this is definitely a nice twist.