View allAll Photos Tagged Perception
PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.
Details of the exhibition:
PERCEPTION -
A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.
Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.
There will be Free Drinks on entry.
Distant Perception
Walking Pathway in Door County
Baileys Harbor, WI
May 2009
1st Place 2009 Iowa State Fair Black & White Places Class
Picked for Publication in DSM Magazine for February 2010
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
This painting represents a magical perception of this spot. Each time I go there I get in a peaceful mood. I used the pictures of the branches to paint the tree.
The way Van Gogh paints his drawings also inspired me to paint the fields.
A4 - Gouache and watercolour
Photo adventure with art model, Rosie Neuharth in 29 Palms, Calif. October 22, 2011.
I can never decide between black and white (my favorite) or color. Feedback please?
Is it in the perception of the soul, or perception in the mind that creates the battling reality of the shot. Or is there nothing, just the constant continuing on of the reality the perspective is in? There is something that grabs me with this one, though. I believe a calm should be set about through mankind and when the reality sets in of this shot, I don't feel calm. I feel enraged, regardless of circumstances.
What you see and hear depends a good deal on where you are standing; it also depends on what sort of person you are ~ Lewis
original idea of using butterfly brushes on the eye : stella's www.flickr.com/photos/stella_umbrella/440950331/
photoshop brushes : www.brushes.obsidiandawn.com/sets/wings.htm
3:366-1 2011
January 3, 2011
My 60th Year
I woke up this morning thinking about observation and perception and the similarity and difference between my internal perceptions of myself and what I outwardly observe about myself. Of course this all has to do with my obsession this year with aging. I realize that it’s a cliché to say that I don’t feel I’m any different today than I was twenty or thirty or forty years ago. But when I look in the mirror I don’t see the person I see in my head and I wonder what happened to that tight faced young woman and I think I want to be her again. But really I wouldn’t. I would not want to have twenty or thirty or forty years of experiences have had no impact on the way I think. Or the way I love. Or the way I dream. The twenty year old me wasn’t yet a mother or a grandmother and did not, could not, know how to give true unconditional love; the thirty year old me thought that career success was what I needed to be accepted and the forty and fifty year old me, well suffice it to say a whole lot happened in those two decades. So here I am on the cusp of sixty and I may mourn that I see a saggy face and thinner hair when I look in the mirror but the reality of it is that I like myself more now. Oh, there are still things I would like to change: sometimes I’m too selfish; sometimes I snap and growl and stomp; sometimes I’m too opinionated. But most of the time I’m just OK and that’s OK with me.
What do you see here?
A bunch of colors in the form of different shapes?
Maybe you see cells and this is from a microscope.
Maybe you see a black landscape outlined in blue, sitting below a blue sky.
Maybe you see a blue landscape upside-down sitting in a black sky.
Maybe it's a map for a match in a random video game where kills, deaths, and plays are marked.
Maybe it's a topography map. Scatter plot graph, maybe? Perception offers unlimited possibilities. You just have to find and see them.
photo attribution: sean dreilinger durak.org
Jerry Kang: Immaculate perception?
Jerry Kang is a Professor of Law and Asian American Studies at UCLA. His work examines the legal implications of socio-cognitive implicit bias, or unintentional racism. Our ability to judge whether we are racist may not even be obvious to us if we look deeply at ourselves. Kang disseminates the work of other cognitive neuroscientists who study implicit bias and stereotype threat, and he extrapolates the implications of this work in a legal setting. He has received the highest honor for his teaching at UCLA, the University Distinguished Teaching Award in 2010.
jerrykang.net/2011/03/13/getting-up-to-speed-on-implicit-...
www.law.ucla.edu/faculty/all-faculty-profiles/professors/...
La Vision du noir et blanc
Le photographe qui utilise des films en couleurs se concentre sur la lumière mais aussi sur l'arrangement des tons ou couleurs de la photographie.
En photographie noir et blanc, les couleurs étant retranscrites en niveau de gris, la lumière joue un rôle plus important, la vision est par conséquent différente. Les scènes aux luminosités singulières seront plus mises en valeurs que les scènes très colorées.
Voici quelques exemples illustratifs :
des troncs à contre-jour un matin brumeux d'hiver seront plus mis en valeur en noir et blanc qu'en couleur. Il en est de même si les rayons sont perpendiculaires à l'angle de champ du photographe et qu'ils traversent la photographie dans un brouillard épais
un parterre de feuilles d'automne aux multiples couleurs sera en revanche mieux mis en valeur en couleur. L'utilisation d'un film noir et blanc ne rendrait que des tons voisins de gris au tirage.
Toutefois cela n'empêche pas le photographe de prêter attention aux 2 éléments, lumière et couleur, qu'il fasse des photographies en noir et blanc ou couleur. Au contraire, il est important de comprendre comment ces éléments sont respectivement retranscrits selon le type de photographie choisi.
Maîtres du noir et blanc
Robert Doisneau
Henri Cartier-Bresson
Robert Capa
Helmut Newton
Félix Nadar
Lewis Hine
Willy Ronis
Ansel Adams
Robert Frank
Walker Evans
Paul Strand
Richard Avedon
Michael Kenna
Le papillon butine sur les meilleures fleurs, tout comme inakis sélectionne les acteurs de la filière des produits & services écologiques, équitables et éthiques, correspondant à sa charte. inakis vient du nom latin d’un papillon de nos contrées (inachis io, le "paon du jour"). Il symbolise la nature et sa fragilité, et « l’effet papillon » : « les petites causes produisent les grands effets »...