View allAll Photos Tagged Perception
Pilar Cano (creator of the Edita family) and Ferran Milan have created a sans serif with an experimental, organic nature that has the ability to stretch the parameters of what a sans can be. Arlette will come in Latin and Thai and is perfect for editorial design, branding, teen and young adult magazines, book covers, and a lot more. It’s almost time for a bold, new addition.
It's such a hot day. Can you turn the air on?
I would, Edna, but it's not working .
Not working? Well then have someone come fix it!
I would, but. . .
But what, Wtanley? I need air conditioning!
Well, you have to close the windows first, and. . .
I know that! Don't you think I know that?
Well, I'm just saying. That might not be possible.
And why not?
It's the window glass. I mean, the absence thereof. . .
Men! It's always something with you!
Yes, dear. I know.
Today I had the pleasure of running into my old friend Sue. Sue founded and directed The Troupe, Michigan Tech's improv group, for many years. In that role, she was an amazing mentor and friend. Now that she's retired, she (among other things) creates beautiful felted works of art -- including this one, which recently won the jury's first place award at the Great Lake Showcase. Its name is "Perceptions", and everything you see is felted wool.
You can find more details about each photo at Cliffs and Ruins, my photo-a-day blog! If you like my photos, please visit my photo store: David Clark Photography. © David Clark, all rights reserved.
Personal Fine Art Practice
Perception detail- Interactive installation
Approximately 2m by 1.5m by 2.5m
Nylon mesh, soil, liquid latex, straw and grass
Summer term
The media influences the way we perceive ourselves. Although we might look one way, due to the media, our perfection of our body is flawed.
This poster was created for a FotoFest exhibition titled Mechanical Perception featuring photographic work by Mei-Mei Dillard, Eileen Maxson, Brian Piana, Soody Sharifi and Anderson Wrangle. These artists are also alumni from the University of Houston Photo/Digital Media program hence the lineup for this show. Mechanical Perception exhibition runs from September 5 – October 12, 2008 at the FotoFest Headquarters.
This was one of my first poster outside the usual Nameless Sound or rock music poster; this being one for a local art space. This was also the first poster that I created my new studio space, Box 13 ArtSpace. It was challenging to work in a new yet smaller studio space. As you can see, there are no drying racks so I had to lay everything out on the floor. Hopefully I can get a drying rack in the future.
This was from the final night just minutes after completing the final color run of just the text. I had difficulties trying to get the emulsion to develop properly and it would be my luck that it was the final color, too. But this night, everything worked and I finished within a couple of hours.
"Perception" performs at Improvapalooza as part of the Washington Improv Theater, located at the Source Theatre.
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NOTE: This image is fully copyrighted. Permission is granted only to members of the Washington Improv Theater to use these photos provided that:
- (1) Users provide attribution in the form of "Image (c) Andrew Bossi, Flickr"
- (2) For online usage, users provide a link either directly to the photo or to following: "http://www.flickr.com/photos/thisisbossi/collections/"
Users wishing to use these photos in violation of these terms shall contact me to discuss exemptions. Members of Washington Improv Theater may permit others to use these photos provided the two conditions are met.
"Perception" performs at Improvapalooza as part of the Washington Improv Theater, located at the Source Theatre.
----------------------------------------------------------------------------------------
NOTE: This image is fully copyrighted. Permission is granted only to members of the Washington Improv Theater to use these photos provided that:
- (1) Users provide attribution in the form of "Image (c) Andrew Bossi, Flickr"
- (2) For online usage, users provide a link either directly to the photo or to following: "http://www.flickr.com/photos/thisisbossi/collections/"
Users wishing to use these photos in violation of these terms shall contact me to discuss exemptions. Members of Washington Improv Theater may permit others to use these photos provided the two conditions are met.
As I experimented with different camera settings, this flock of Dunlin unexpected took flight, repositioning themselves along the beach. The combination of a high shutter speed and a high ISO resulted a photograph that looked as if it was created with a different medium.
Location: Connecticut Audubon Center, Milford Point, Milford, Connecticut, United States of America
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
Happening Madrid (Spain)
Peripatetic voyages with some posters of a man snoring
A PRIVATE SPACE IN A PUBLIC PLACE
A young man who has fallen asleep listening to music through earphones;
A digitalised image, photocopied, silkscreen-printed and made into a poster.
The posters appear in busy public places both in the Pacific region (New Caledonia, New Zealand, Japan, Australia, Rapa Nui, Wallis, Moorea, Tahiti) and in Europe (France, England, Italy, Spain)...
It is a matter of shifting the image and moving it to a place where it would not usually be found at all: urban asvertising media/materials (bus shelters, public notice boards, election campaign billboards, newsstands, automatic teller machines, etc.) Ideas that perturb normal behaviour or locations. These images in the city, which disturb the habits and perceptions of passers-by and users, are accidental spaces: they occur almost as a break, both in bus shelters and on walls and shift the notion of use of the street or the item.
With this kind of perception shift caused by the image I have placed in the street and which has just caused the break, I cause an accident: I surprise, trouble or stop the passer-by. Because the image is not in the right place. My work is both the poster and the people who pass by, who are walking around, their attitude as to this image... the movement in the city.
Model: Elise
Hair and Makeup: Elise and Kelsey
Styling: Me
Photo and Post-Processing: Me
these photos were taken in my kitchen in front of a black backdrop, using a garage spotlight with a diffuser and reflector
OSC is an installation dealing with interference, slicing time and the perception of time itself that tests the senses of the viewer. Interference and stroboscopic patterns give a new dimension to the perception and experience of time. The audiovisual overload of OSC sheds light on the question how our sensory apparatus constructs meaningful experiences from information without reference.
Ulf Langheinrich (D) founded the media art collaboration Granular Synthesis together with Kurt Hentschläger. They collaborated on numerous large scale immersive installations such as Modell5, Noisegate and Areal. Since 2003 Langheinrich has realised several solo projects aimed at achieving a direct sensory impact. They focus on creating specific modulations of the projected material in time and in the projection-space, and effecting interference movements between the perceptive and processing potential of the eye-brain-apparatus.
The heart of the Pufferfish mission is to introduce people to a different way of thinking about using video in public, to take conventional perceptions and expectations and turn them on their head. It is something which we strive to achieve in our work every day, but when a chance comes along to do something very special, we grab it with both hands.
That very opportunity was presented to us by the talented Dutch artists and designers, Nick Verstand and Frouke ten Velden who, along with the exciting German design studio Onformative, came to us with an idea for using our PufferSphere in a project they called ANIMA:
“The installation investigates how we emotionally relate to a digital being. In order to better understand this relationship we created ANIMA: a spherical digital entity that communicates with us by interpreting our body movements and sounds. A generative being that comes to life through interaction. Like any being, we establish a relationship with it, conscious or subconscious, intended or unintentional. In its generative audio-visual behaviour it portrays its character, and creates the illusion of being sensory.” Nick Verstand - ANIMA
Impressed with the proposed concept, we were very keen to be involved and supplied a PufferSphere XL to act as the ‘digital being’ which evolves with the audience. Hanging the PufferSphere XL in a darkened environment, a glowing flow of visuals which many thought resembled a ‘gas planet’ engrossed and captivated its audience at the first showing of ANIMA during the Amsterdam Dance Event (ADE).