View allAll Photos Tagged Perception
When I was working on the original version of this I discovered the world of digital mirroring. I was playing with a photo of windows in an airport and somehow ended up mirroring the photo, and that's where the fun began. I just recently mirrored one of my old drawings and I thought it would be fun to go back to this one (that inspired my latest addiction: digital mirroring) and mirror it again. I'm not sure which one I like better, but this is definitely a nice twist.
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
I visited the box/cube with my daughter and we had a laugh sitting down at the back and scaring people as they bumped into us!
"Now he’s here. He is part of the forest. Restlessness becomes his motivation in search of perception. Beginning and ending, place and time become insignificant. His long way, affected by growing insecurity and madness, will be his destiny. But he moves on, unaware of what he’ll find..."
This shortfilm is called "Im Herzen Unruh" (The restlessness of my heart). Introducing Simon Kuner. You can also download the movie in HD from www.akamat.de
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"Er ist jetzt hier. Der Wald umgibt ihn, er ist Teil von ihm. Innere Unruhe wird zum Antrieb seiner Suche nach Erkenntnis. Anfang und Ende, Ort und Zeit verlieren zunehmend an Bedeutung. Begleitet von wachsender Unsicherheit und einsetzendem Wahnsinn geht er weiter, ohne zu erahnen was er finden wird..."
Kurzfilm (bzw. mittellanger Film) "Im Herzen Unruh" mit Simon Kuner in der Hauptrolle. Den Film gibt es (ebenfalls in voller Länge) auch als HD-Download auf www.akamat.de
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"Im Herzen Unruh" (The Stream 3)
with: Simon Kuner, Christian Rentrop
Akamat Film / Bastian Bammert
Germany, 2010
Artwork: www.unfabrik.de
Music: Fugue State & Scott Waddell
Length: 37:19 minutes
HD 1280x720, 50p, Canon 7D (50mm, 28mm, 18-55mm)
PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.
Details of the exhibition:
PERCEPTION -
A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.
Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.
There will be Free Drinks on entry.
This painting represents a magical perception of this spot. Each time I go there I get in a peaceful mood. I used the pictures of the branches to paint the tree.
The way Van Gogh paints his drawings also inspired me to paint the fields.
A4 - Gouache and watercolour
QUASI BRICK WALL - 2002
OLAFUR ELIASSON
From the outset, his creative interests were focused on the study of sensory perception, the laws of physics and natural conditions. The basic elements of time: water, light, temperature and pressure are the materials that the artist has used throughout his career, introducing natural phenomen in unexpected places. This is also the case in his work undertaken for the NMAC Foundation, where he toys with the perception of the surroundings through light and materialisation.
Through study and research of various mathematic formulae, the artist has invented a geometric figure in the shape of a dodecahedron, which complies with the functions of the “almost perfect” geometric model, constructed in baked clay bricks. With this new type of brick a curved wall was built with the concave side exposed to the light. The bricks, positioned in a random fashion, form a rough, unequal surface in which he has hung several mirrors which reflect sunrays, creating a curtain of light particles which can be made out from different areas of the wood attracting the public’s eye.
Light is a fundamental element in the area where the institution is located, acting as a constant which defines the history, culture and life of the area. Through it, this wall achieves an interactive encounter between the subject and object. As with the rest of his works, the physical spaces that surround us and the external elements form part of the majority these spaces, in the form of devices which activate the work in the presence of the public.
Just south of Vejer de la Frontera on the N340 in the direction of Tarifa is the most amazing art installation imaginable. It consists of Modern Art exhibits mostly outdoors in the pine forests. It takes about two hours to complete and is really worth the visit. Very different and while not all of the exhibits will please everybody there is definitely some superb items.
The NMAC Foundation is a unique non-profit institution in Southern Spain. Contemporary art in perfect harmony with nature
The NMAC Foundation invites international artists to create site-specific commissions that tune in with the landscape analysing the social, historic, geographical and cultural context of NMAC's location.
Photo adventure with art model, Rosie Neuharth in 29 Palms, Calif. October 22, 2011.
I can never decide between black and white (my favorite) or color. Feedback please?
Is it in the perception of the soul, or perception in the mind that creates the battling reality of the shot. Or is there nothing, just the constant continuing on of the reality the perspective is in? There is something that grabs me with this one, though. I believe a calm should be set about through mankind and when the reality sets in of this shot, I don't feel calm. I feel enraged, regardless of circumstances.
original idea of using butterfly brushes on the eye : stella's www.flickr.com/photos/stella_umbrella/440950331/
photoshop brushes : www.brushes.obsidiandawn.com/sets/wings.htm
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
3:366-1 2011
January 3, 2011
My 60th Year
I woke up this morning thinking about observation and perception and the similarity and difference between my internal perceptions of myself and what I outwardly observe about myself. Of course this all has to do with my obsession this year with aging. I realize that it’s a cliché to say that I don’t feel I’m any different today than I was twenty or thirty or forty years ago. But when I look in the mirror I don’t see the person I see in my head and I wonder what happened to that tight faced young woman and I think I want to be her again. But really I wouldn’t. I would not want to have twenty or thirty or forty years of experiences have had no impact on the way I think. Or the way I love. Or the way I dream. The twenty year old me wasn’t yet a mother or a grandmother and did not, could not, know how to give true unconditional love; the thirty year old me thought that career success was what I needed to be accepted and the forty and fifty year old me, well suffice it to say a whole lot happened in those two decades. So here I am on the cusp of sixty and I may mourn that I see a saggy face and thinner hair when I look in the mirror but the reality of it is that I like myself more now. Oh, there are still things I would like to change: sometimes I’m too selfish; sometimes I snap and growl and stomp; sometimes I’m too opinionated. But most of the time I’m just OK and that’s OK with me.