View allAll Photos Tagged Perception
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
A Kashi frozen pizza that looks nothing like its photo on the package. There were certainly no big chunks of nicely roasted vegetables.
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.
Details of the exhibition:
PERCEPTION -
A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.
Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.
There will be Free Drinks on entry.
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
This painting represents a magical perception of this spot. Each time I go there I get in a peaceful mood. I used the pictures of the branches to paint the tree.
The way Van Gogh paints his drawings also inspired me to paint the fields.
A4 - Gouache and watercolour
A trip to Craignethan Castle, Lanarkshire. The last great castle of the middle ages in Scotland.
Built in the 1530s by James Hamilton of Finnart, Bastard of Arran, Steward of the Royal Household and Master of Works to King James V of Scotland. He had travelled in Italy, and it shows.
Photo adventure with art model, Rosie Neuharth in 29 Palms, Calif. October 22, 2011.
I can never decide between black and white (my favorite) or color. Feedback please?
Is it in the perception of the soul, or perception in the mind that creates the battling reality of the shot. Or is there nothing, just the constant continuing on of the reality the perspective is in? There is something that grabs me with this one, though. I believe a calm should be set about through mankind and when the reality sets in of this shot, I don't feel calm. I feel enraged, regardless of circumstances.
What you see and hear depends a good deal on where you are standing; it also depends on what sort of person you are ~ Lewis
original idea of using butterfly brushes on the eye : stella's www.flickr.com/photos/stella_umbrella/440950331/
photoshop brushes : www.brushes.obsidiandawn.com/sets/wings.htm
Distant Perception
Walking Pathway in Door County
Baileys Harbor, WI
May 2009
1st Place 2009 Iowa State Fair Black & White Places Class
Picked for Publication in DSM Magazine for February 2010
3:366-1 2011
January 3, 2011
My 60th Year
I woke up this morning thinking about observation and perception and the similarity and difference between my internal perceptions of myself and what I outwardly observe about myself. Of course this all has to do with my obsession this year with aging. I realize that it’s a cliché to say that I don’t feel I’m any different today than I was twenty or thirty or forty years ago. But when I look in the mirror I don’t see the person I see in my head and I wonder what happened to that tight faced young woman and I think I want to be her again. But really I wouldn’t. I would not want to have twenty or thirty or forty years of experiences have had no impact on the way I think. Or the way I love. Or the way I dream. The twenty year old me wasn’t yet a mother or a grandmother and did not, could not, know how to give true unconditional love; the thirty year old me thought that career success was what I needed to be accepted and the forty and fifty year old me, well suffice it to say a whole lot happened in those two decades. So here I am on the cusp of sixty and I may mourn that I see a saggy face and thinner hair when I look in the mirror but the reality of it is that I like myself more now. Oh, there are still things I would like to change: sometimes I’m too selfish; sometimes I snap and growl and stomp; sometimes I’m too opinionated. But most of the time I’m just OK and that’s OK with me.
Photo: Jackie Tan Tian Lip
In 'Lost cinema', Singaporean artist Brian Gothong Tan deconstructs tropes found in Asian filmography and looks in particular at three iconic films: Wong Kar-Wai’s 'In the mood for love' (Hong Kong, 2000), Eric Khoo’s '12 storeys' (Singapore, 1997) and Apichatpong Weerasethakul’s 'Tropical malady' (Thailand, 2004). The experimental two-week project in the Earl Lu Gallery combined a six-channel video installation with live performances by actors Ma Yanling and Sun Phittaya Phaefuang on 20, 21 and 22 April.
Tan’s work considers the influence of dreams and narration in the construction of cinematic images. How does our perception of a film change when live performances by the actors are introduced? How does the mood or narrative change when colour and sound are removed from a film?
Brian Gothong Tan (born Cebu City, Philippines, 1980; lives Singapore) is an artist working in theatre, film and installation. He graduated from the California Institute of the Arts in 2005 with a degree in experimental animation. Since then his work has been shown in theatre festivals, film festivals and multimedia installations in Asia, Europe and North America.
Tan was Director of Film and Visual Effects for Singapore’s National Day Parade in 2009, 2011 and 2016, as well as for the first Youth Olympic Games opening and closing ceremonies in 2010. He received the Young Artist Award in 2012 and a Singapore Youth Award in 2015.
Brian Gothong Tan received a Creation Grant from the National Arts Council in 2016 to develop 'Lost cinema'.
#lostcinema
#briangothongtan