View allAll Photos Tagged Parallel
Parallel Void
Brand New Print Available on Kess Gallery
kess.gallery/collections/elemental-symmetry/products/para...
This image is part of the Elemental Symmetry Series by Alexander Kesselaar. The Prints in this series are mirrored to create unique and inspiring artworks that play with the viewer's imagination, similar to the effect achieved in the Rorschach Inkblot Tests.
The Original Image is an aerial shot of a Sunrise at Coalcliff, NSW
#visionaryart #elemental #symmetry
This is the vinyl siding on my house The snow that was blown against it has begun to drift away from the wall.
For the All New Scavenger Hunt #4 - Parallel lines.
Press "L". The reflection is real. CPL+Graduated filter & 64 sec exposure did better than I expected on the final slide to even out the difference between incident & reflected side.
Pentax 67ii, SMC 45mm f4, Heliopan sh-pmc CPL, Lee GND 0.6 HE, Fujifilm Velvia 50 (RVP50), self-developed in Fuji Hunt Chrome 6X, IT8-calibrated & wet-mounted drumscan (scanned through PhotoMultiplier Tubes - PMTs - no CCD nor CMOS used in the light detection & digitizing process), no cropping.
What is the "palla di Pomodoro"???
More to come...
P.S. It's just an HDR, some color corrections. No reflections added.
Please don't post your photos here nor GLITTERY IMAGES. They will be removed. Don't invite me to any group. I will not accept ;-)
Running parallel with the Birmingham Canal Main Line at Winson Green, English Electric Type 4 No. 40122 heads the Preston to Paddington 'Christmas Cracker' railtour on 14th December 1985.
Ref. 209'7379
Taken on the Szabadság híd (Liberty Bridge or Freedom Bridge in English), which was built between 1894 and 1896.
Hvaler church, Norway.
Scanned print.
Rolleiflex 3.5C/Xenotar 75 mm/f3.5, orange filter.
Fomapan 400, developed in Fomadon R09 1+100, semistand 1 hour.
Printed on Fomatone MG 131 (24x30 cm), developed in Adox Adotol.
Untoned.
Accidental double exposure - didn't think that was possible with a Flex... Until now.
Well, it is not the first time I have been shooting in this place (which is by the way just downstair the the building where my son go on french class every Saturday mornings). The architecture there is very interesting for me and the way the light and shadow are playing a major role let me wish to come and shoot here again and again. Some infrastructures may required a little bit of maintenance, but this is China and that is also part of the charm of this place. If it was fully refurbished, I'm not sure that I would be interested to come here again.
This is China~~
Copyright © 2015 OffdaLipp Images
This image is protected under the United States and International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission
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I didn't see it when I took the picture but there seems to be three different worlds in each window. a twilight zone moment me thinks.
Symmetry is always fun to capture as it is just so pleasing on the eyes. That with the addition of high contrast caused by the shading trees above help make an awesome mood.
I was surprised to find an art installation in the grounds of Bristol University, a square maze of horizontal, reflective panels.
With the bright blue sky and the surrounding buildings, it was great fun seeing what sort of twisted and distorted compositions I could create.
The Parallel Roads represent the shorelines of ice-dammed lakes. Typically they are narrow benches (several metres wide) cut into the bedrock of the hillsides and in places covered by remnants of lake beach gravel. They extend along much of Glen Roy and Glen Gloy and parts of Glen Spean. Probably they formed through a combination of intense frost weathering and wave action along the lake shore zone. The control of lake levels by the different cols allowed the lakes to persist for sufficiently long periods such that even the hard, Precambrian bedrock was broken up and eroded.
An ice field developed to the west of Glen Roy and the Great Glen, with a further ice centre to the south, over Rannoch Moor. Glaciers flowed eastwards along the glens from the ice field in the Western Highlands. One tongue of ice blocked the entrance to Glen Gloy, while another extended eastwards to block lower Glen Roy. Here it met a glacier that had extended into the middle section of Glen Spean. The blocking of Glen Spean led to a lake being impounded. As the glacier advanced up lower Glen Roy, it cut off a lake in this valley and the rising water eventually found its way across a pass.
A further advance of the glacier up Glen Roy resulted in the blocking of this exit for the water, and the lake rose further, to drain across the low ground at the head of the Roy and Spey glens. A lake at a higher level impounded in Glen Gloy drained through the head of this glen across a pass into Glen Roy. As the ice retreated, the overflows were unblocked in the reverse order; finally the ice dam broke near Spean Bridge and the lake drained away under the glacier very suddenly and rapidly towards the Great Glen
If you are interested in my works, they are available on Getty Images.
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當言語變得模糊時，我將用照片來聚焦。當影像依然不足以表達時、我也只能沈默以對了。
When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
～Ansel Adams