View allAll Photos Tagged PaperMaking
National Museum: China through the Ages, Exhibit 4. Complete indexed photo collection at WorldHistoryPics.com.
Made for Try it Tuesdays- Week 3
Easy Plantable Seed Paper
This was pretty easy to do except it is still drying so we'll see how it holds up. I didn't have any seeds left so I added rose petals, delphiniums, chamomile, lavender, lemongrass, marigold petals, and cosmetic grade glitter. I also added small shreds of purple tissue.
Okay this one fell apart. Try #2 is in the oven now. I soaked what fell apart and mixed it up until it was like smooth oatmeal. Hopefully this one will stay together.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Over the past few weeks, we've hosted elementary and middle school students through our Art-in-Ed program, Hands-on Art. During their time at WSW, the young artists rotated through our etching, silkscreen, and papermaking studios where they explored new media and ideas.
On April 1, 2016, the program culminates with "Artifact and Industry," an exhibition of all of the work they created in our studios. Find all the event details on our website: wsworkshop.org/event/hands-on-art-exhibition/
Read more about the students' time in our studios on our blog: bit.ly/1pMDbRV
Created at the Visual Arts Center of the Massachusetts Audubon Society by Jane Ingram Allen and assistants. This nest was eventually lined with hundreds of handmade paper feathers created with pulp made from local plants and containing seeds to feed the birds and grow new plants as the paper dissolved into compost and released the seeds.
Book artist and papermaker Mandy Brannan joined us once again to show us the creative possibilities of combining two papermaking techniques; traditional style Japanese papermaking and recycled papermaking.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
One-month Trip to Georgia, Carolinas & Minnesota, Fall 2008
Photo: Atlanta, GA. Madonna & Boat shrine. Oakhurst Community Garden where Kyla works!
On my first day in Atlanta I was going to bike to Stone Mountain, but it rained really hard all day, so I got out the umbrella and went on an urban hike. I found part of the The Path to walk along, was excited to see the georgia red clay earth again and Kudzu growing in the the trees. I lived in Stone Mountain, a suburb or Atlanta from 1980 to 1983. And my memory was stronger than I thought. I felt I was home. People were super friendly to me and I really enjoyed my time in Atlanta, especially hanging with Kyla. I also met my childhood friend Kim, explored Decatur, a neighboring town (the old cemetery was so cool), walked through "Squirrel Park" (Inman Park) and Little Five Points, had an amazing dinner at Kyla's parent's house, attended a 3 hour Yom Kippor service (Jewish high holy day) at Kyla's parent's church that used to be only gay & lesbian members. On my second day I took the Marta Train downtown, and visited the Center for Puppetry Arts - where I went as a kid (they had a jim henson exhibit - Labyrinth!), and a Papermaking museum at Georgia Tech, plus I took lots of "apocalyptic" photos of the new urban buildings among undeveloped fields.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Twice a year or so, I like to round up newly published or soon to be released books about paper craft and paper art. Click the link to learn about nine enticing titles that just might have you dipping into a new hobby in 2024: www.allthingspaper.net/2024/01/new-papercraft-books.html
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
some of the papers I have made with my Mum and godmother using pulps of napkin- and egg carton fibres.
The MFA in Applied Craft and Design welcomes Paul Wong as part of the 2011-2012 Graduate Visiting Artist Lecture Series.
Paul Wong has been the Artistic Director and Master Papermaker for over 32 years at Dieu Donné, a non-profit organization for visual artists in NYC dedicated to the creation, promotion, and preservation of new contemporary art utilizing the hand papermaking process. Over his career, he developed and pioneered groundbreaking technical advances in the field of creative hand-papermaking and uses the papermaking process to create major installations and works in paper for exhibitions.
January 18, 2012. Photos by: Matthew Miller '11.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Hand made paper is made from the inner bark of "Lokta" or Daphne Cannabina or Daphne Papyracea which is found at altitude of 6500 feet to 9500 feet.
During her residency, Andrea Chung experimented in the papermaking studio, teaching herself a new technique to tell the stories of Jamaican midwives. Read more on our blog: bit.ly/andrea-chung
Workspace Resident Maria Vonn worked for four weeks in our papermaking studio, using human hair and horsehair as line, embedding the strands in handmade paper. More details on Maria's work, which is born of her experiences with trichotillomania: bit.ly/mariavonn
Text from original caption: Asao Shimura. Early Chinese Papermaking. Tokyo: Bunseido Press, 1980. 3 x 2"
Scan of page 44 from "Miniature books: 4,000 Years of Tiny Treasures". Published by Abrams (an imprint of Harry N. Abrams, Inc.) in 2007.
Hand Papermaking 25 Year celebration gathering in Chicago, Illinois at the Columbia College Center for Books and Paper
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
"I work with paper because it's strong and fragile at the same time," says Artist-in-Residence Susan Shaw. Inspired by the legends surrounding the Hudson Valley, Susan experimented with the papermaking process to create approximately fifty pieces. Here, the art is not on the paper, the art is in the paper. Read more on our blog bit.ly/susan-shaw.
crafting 365/136
The start of making our valentine cards. I pulled out some of my papermaking supplies.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Book artist and papermaker Mandy Brannan helped participants to discover the creative possibilities of combining two papermaking techniques; traditional style Japanese papermaking and recycled papermaking. The masterclass began with hand-beating kozo fibres, which add both strength and delicacy to the work. The following stage was working with recycled pulps with found papers, finally creating experimental paper sheets by combining both kozo fibres and recycled pulp.
šis popierius bus naudojamas gaminant sveikinimo vokus
...........................
I will make greeting envelopes of this homemade paper
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
The Book Club of California’s 2016 summer exhibition, Fine Print: The Review for the Arts of the Book (1975-1990), focuses on the remarkable legacy of this San Francisco-based journal, which began as the vision of Sandy Kirshenbaum; grew and thrived with the efforts of a core editorial team that included Stephen Corey, rare book librarian, and two young printers, Linnea Gentry and George Ritchie, who were working for Andrew Hoyem at the time; and went on to achieve high standards of both content and form through the contributions of many talented collaborators from California and around the world. Throughout its fifteen year run, Fine Print not only provided a showcase for the best in fine press publishing, but attempted to integrate all of the book arts, including calligraphy, bookbinding, papermaking, wood engraving, and type design—the latter increasingly devoted to digitization and computer-generated types—while also offering important articles on the history of the book and creating a space for conversation among writers, scholars, and book artists from around the world. Fine Print’s many contributors included Martin Antonetti, Nicolas Barker, Charles Bigelow, Robert Bringhurst, John Dreyfus, Paul Hayden Duensing, Colin Franklin, EM Ginger, Steven Heller, Andrew Hoyem, Janet Ing, Paul Needham, Stan Nelson, Will Powers, Wesley Tanner, Benjamin Vorst, Hermann Zapf, and many others. As Robert D. Harlan has written, “The entire corpus [of Fine Print] will continue to be studied and admired by practitioners, students, and connoisseurs.”
Visit the BCC website to view all upcoming programs.
Find us on:
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Chapter XIV. New South Wales (continued). Page 128 from Australia by Edwin Carton Booth, F R. C. I. Illustrated with Drawings by Skinner Prout, N. Chevalier, &c. &c. In Two Volumes Vol. II London Virtue and Company Limited (1873-1876).
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
If you have any information about this set, please leave a comment in the box below.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hannah Moore