View allAll Photos Tagged PaperMaking
March 14, 2017. Participants learned the history of paper and papermaking and make a sample of recycled-content paper with their own "energy" to take home. Presented by SCARCE.
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Workspace Resident Maria Vonn worked for four weeks in our papermaking studio, using human hair and horsehair as line, embedding the strands in handmade paper. More details on Maria's work, which is born of her experiences with trichotillomania: bit.ly/mariavonn
For seven weeks from August to October 2013, Sarah Peters came to work in our letterpress, papermaking, and bookmaking facilities to produce The Moon Has No Weather, a limited-edition book about the moon as an archive of its history.
Paper Beads made from junk mail out of my post box. All beads are strung on 49 strand flex wire, and placed alongside fine silver accents, wood, or feathers. 18 1/2 inches plus fine silver extension.
brilliant exhibits....but....they charged for the 5 year old despite it saying pre-school go free and I had age ID. Then the automatons who do the demonstrations...unsmiling, non-communicative and, in the case of marbling I got told off for using more than three pigments so I gave up the idea of asking about how tiger eyes are made. Big shame as otherwise it is an interesting museum.
For seven weeks from August to October 2013, Sarah Peters came to work in our letterpress, papermaking, and bookmaking facilities to produce The Moon Has No Weather, a limited-edition book about the moon as an archive of its history.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
During her papermaking residency, Cara Lynch dives into the world of American glass and stenciling to create this newest body of exquisite pulp paintings. Read more about how her brightly-colored, layered works are questioning the boundaries of fine art and craft: bit.ly/caralynch.
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
the other day we had good listeners in an intimate park of Villa Vitali in Fermo... explaining paper making, showing finished work to visitors of the Macrobiotic Association.
a few raindrops kept the bigger crowds away...
For seven weeks from August to October 2013, Sarah Peters came to work in our letterpress, papermaking, and bookmaking facilities to produce The Moon Has No Weather, a limited-edition book about the moon as an archive of its history.
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
Artist Book Resident Susan Mills spent November and December in our papermaking studio, creating "twentysix plants", a book containing 26 handmade papers from 26 fibers grown or harvested at and around WSW. More about her book here: bit.ly/1fSYHcD
For seven weeks from August to October 2013, Sarah Peters came to work in our letterpress, papermaking, and bookmaking facilities to produce The Moon Has No Weather, a limited-edition book about the moon as an archive of its history.
I poured the paper pulp into the deckle and mold. Each student made his or her own sheet of paper.
Alternatively, we have made paper using the "panning-for-gold" method......I would mix a dishpan of paper pulp (EX: a Christmas mix of red and green papers) and water. Each student would dip the mold into the dishpan to form a sheet of paper on the screen of the mold.
Created at the Visual Arts Center of the Massachusetts Audubon Society by Jane Ingram Allen and assistants. This nest was eventually lined with hundreds of handmade paper feathers created with pulp made from local plants and containing seeds to feed the birds and grow new plants as the paper dissolved into compost and released the seeds.
I spent the better part of yesterday to make stationery as a birthday gift. A good way to spend a rainy afternoon.
Curious how creative communities can work to protect the environment, Sheila Nakitende brought her interdisciplinary practice to the papermaking studio. Check it out on our blog: bit.ly/sheila-nakitende
During her papermaking residency, Cara Lynch dives into the world of American glass and stenciling to create this newest body of exquisite pulp paintings. Read more about how her brightly-colored, layered works are questioning the boundaries of fine art and craft: bit.ly/caralynch.