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Radha Pandey led students though history and technique of a papermaking style that has remained largely unchanged since the 8th century CE. Using a variety of fibers, including traditional hemp and flax, finished papers were sized and dyed using natural materials and then burnished by hand to a high shine.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Timothy Howell is holding a mould and deckle with watermark from his father's (Douglas Howell) papermill.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Created by Jane Ingram Allen during her 2004-05 Fulbright Scholar Award artist in residency project in Taiwan, exhibited at the Mass Audubon’s Visual Arts Center.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
Radha Pandey led students though history and technique of a papermaking style that has remained largely unchanged since the 8th century CE. Using a variety of fibers, including traditional hemp and flax, finished papers were sized and dyed using natural materials and then burnished by hand to a high shine.
Å¡is popierius bus naudojamas gaminant sveikinimo vokus
...........................
I will make greeting envelopes of this homemade paper
Balsa wood, Gorilla glue, staples, screen and electrical tape. Ah, it is so much easier to make a tiny one than a full size. This is for a 1:12 scale tabloid-size sheet.
Created by Jane Ingram Allen during her 2004-05 Fulbright Scholar Award artist in residency project in Taiwan, exhibited at the Mass Audubon’s Visual Arts Center.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Created by Jane Ingram Allen during her 2004-05 Fulbright Scholar Award artist in residency project in Taiwan, exhibited at the Mass Audubon’s Visual Arts Center.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
Created at the Visual Arts Center of the Massachusetts Audubon Society by Jane Ingram Allen and assistants. This nest was eventually lined with hundreds of handmade paper feathers created with pulp made from local plants and containing seeds to feed the birds and grow new plants as the paper dissolved into compost and released the seeds.
Radha Pandey led students though history and technique of a papermaking style that has remained largely unchanged since the 8th century CE. Using a variety of fibers, including traditional hemp and flax, finished papers were sized and dyed using natural materials and then burnished by hand to a high shine.
Å¡is popierius bus naudojamas gaminant sveikinimo vokus
...........................
I will make greeting envelopes of this homemade paper
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hannah Moore
Created by Jane Ingram Allen during her 2004-05 Fulbright Scholar Award artist in residency project in Taiwan, exhibited at the Mass Audubon’s Visual Arts Center.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Melissa Jay Craig: Sculptural Papermaking www.wsworkshop.org/program/art-classes-workshops/summer-a...
Å¡is popierius bus naudojamas gaminant sveikinimo vokus
...........................
I will make greeting envelopes with this homemade paper
Sue Gosin next to guest Timothy Howell, at the regional gathering for the 25th anniversary celebration of the Hand Papermaking Organization.
During her residency, Andrea Chung experimented in the papermaking studio, teaching herself a new technique to tell the stories of Jamaican midwives. Read more on our blog: bit.ly/andrea-chung