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Workspace Resident Maria Vonn worked for four weeks in our papermaking studio, using human hair and horsehair as line, embedding the strands in handmade paper. More details on Maria's work, which is born of her experiences with trichotillomania: bit.ly/mariavonn
The MFA in Applied Craft and Design welcomes Paul Wong as part of the 2011-2012 Graduate Visiting Artist Lecture Series.
Paul Wong has been the Artistic Director and Master Papermaker for over 32 years at Dieu Donné, a non-profit organization for visual artists in NYC dedicated to the creation, promotion, and preservation of new contemporary art utilizing the hand papermaking process. Over his career, he developed and pioneered groundbreaking technical advances in the field of creative hand-papermaking and uses the papermaking process to create major installations and works in paper for exhibitions.
January 18, 2012. Photos by: Matthew Miller '11.
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Paper carries meaning far deeper than the words it can convey. In direct collaboration with art therapists, the Peace Paper Project brings the artistic expression of resilience and healing to communities all over the world. We learned about paper making as cultural transformation in this lecture and live demonstration.
Photograph by Hanna Pitz
Ellen and Chris led students in creatin sculptures from the inside out, starting with elegant armatures. Beginning with skeletal frames of wire, steel, twine, and basket weaving, students then created paper to cover their forms.
The MFA in Applied Craft and Design welcomes Paul Wong as part of the 2011-2012 Graduate Visiting Artist Lecture Series.
Paul Wong has been the Artistic Director and Master Papermaker for over 32 years at Dieu Donné, a non-profit organization for visual artists in NYC dedicated to the creation, promotion, and preservation of new contemporary art utilizing the hand papermaking process. Over his career, he developed and pioneered groundbreaking technical advances in the field of creative hand-papermaking and uses the papermaking process to create major installations and works in paper for exhibitions.
January 18, 2012. Photos by: Matthew Miller '11.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
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I will make greeting envelopes of this homemade paper
some of the papers I have made with my Mum and godmother using pulps of napkin- and egg carton fibres.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
Duszniki-Zdrój, Poland
Duszniki-Zdrój [duʂˈɲikʲi ˈzdrui̯]) (German: Bad Reinerz) is a spa town in the Klodzko Valley on the Bystrzyca River in Kłodzko County, Lower Silesian Voivodeship, Poland. It attracts tourists from around the world.
en.wikipedia.org/wiki/Duszniki-Zdr%C3%B3j
The Museum of Papermaking in Duszniki-Zdrój (pl.: Muzeum Papiernictwa) – a museum of the Lower Silesia Voivodeship Selfgovernment located in Duszniki-Zdrój in Poland, founded in 1968 in an old 17th century paper mill on the Bystrzyca Dusznicka river.
The museum displays mainly exhibitions on the history of paper. Since 2001 the museum has been organizer of "Święto Papieru" (The Holiday of Paper) – a festival promoting the knowledge and importance of paper, print, bookbinding and contemporary art.
The paper mill is one of Poland's official national Historic Monuments (Pomnik historii), as designated October 12, 2011 and tracked by the National Heritage Board of Poland.
The paper mill is one of the most architecturally valuable industrial monuments in Europe. It is characteristic for its shingle roofing trimmed with a baroque volute from the west and the original entrance pavilion and inside the building – the 17-19th century wall paintings. The tradition of papermaking in Duszniki dates back to the 16th century; the first record about the paper mill comes from 1562, and tells about the sale of his shares in the moulding room by Ambrosius Tepper to Nicolas Kretschmer. The original paper mill was destroyed in the flood in 1601. The mill was rebuilt and making of paper was resumed in 1605. The museum was opened for visitors on July 26, 1968, and three years later paper production by hand was launched on show. The moulding room soon became an attraction drawing tens of thousands of tourists every year.
en.wikipedia.org/wiki/Museum_of_Papermaking_in_Duszniki-Z...
Description: Advertising flyer for SOGAT detailing the benefits of joining SOGAT. Flyer reads 'There's only one union for papermakers in Scotland. SOGAT represents papermakers all over Scotland'.
Accession Number: SH.2009.225.3
Further Notes: SOGAT became an industrial union in 1783 when three London based craft societies came together and decided to take action to achieve a reduction of the working week from 78 hours. Five of the leaders were sent to prison for two years but victory was ultimately achieved. The union grew and amalgamated with many other print unions. By 1983 SOGAT was a combination of 39 unions.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
Curious how creative communities can work to protect the environment, Sheila Nakitende brought her interdisciplinary practice to the papermaking studio. Check it out on our blog: bit.ly/sheila-nakitende
Workspace Resident Maria Vonn worked for four weeks in our papermaking studio, using human hair and horsehair as line, embedding the strands in handmade paper. More details on Maria's work, which is born of her experiences with trichotillomania: bit.ly/mariavonn
Ellen and Chris led students in creatin sculptures from the inside out, starting with elegant armatures. Beginning with skeletal frames of wire, steel, twine, and basket weaving, students then created paper to cover their forms.
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
In this studio intensive taught by artist and award-winning author Aimee Lee '99, students make books and paper by hand in the context of global history and culture.
Photo by Yvonne Gay
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.
Pulp-type is image making technique that relies solely on handmade paper pulp and results in works that resembles monotypes or woodcuts. It’s a printerly style of pulp painting.
May Babcock instructed on how to correctly beat and color pulp for pulp-typing. Students carved woodblocks, inked them, and cast wet paper pulp into the woodcut. This special technique resulted in a variety of detailed, embossed prints.