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‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

AFGE OPM Local 32 held an informational panel discussion for union members and OPM employees.

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

Lorenzo Franceschi-Bicchierai

Carola Frediani

Stefania Maurizi

Andrei Soldatov

  

Nel giugno 2016 sulle elezioni americane si è abbattuta la tempesta delle mail hackerate, rilasciate da WikiLeaks. La diffusione e il sospetto che il Democratic National Committee – l’organo di governo del Partito Democratico Americano – abbia favorito la candidata alla primarie Hilary Clinton ha portato alle dimissioni della sua presidente, Debbie Wasserman Schultz. La Russia è stata davvero deus ex machina dell’operazione, come indicherebbe il rapporto congiunto di CIA, NSA ed FBI? Chi è Guccifer 2.0, il sedicente hacker rumeno che a ridosso dello scandalo ha rivendicato l’hacking? Wikileaks ha di fatto consegnato un pezzo di Casa Bianca a Donald Trump, lavorando a senso unico per danneggiare il Partito Democratico, o ha tenuto fede ai propri ideali?

 

In June 2016, the storm of hacked emails, released by WikiLeaks, hit the US elections. The diffusion and the suspicion that the Democratic National Committee – the governing body of the Democratic Party – had favored the primary candidate Hilary Clinton led to the resignation of its president, Debbie Wasserman Schultz. Has Russia been really the deus ex machina of the operation, as stated by the joint report of the CIA, NSA and FBI? Who is Guccifer 2.0, the so-called Romanian hacker who claimed responsibility for the hacking? Did Wikileaks effectively deliver a piece of the White House to Donald Trump, working in only one direction to damage the Democratic Party, or has it lived up to its ideals?

 

video: media.journalismfestival.com/programme/2017/hacking-democ...

Panel Discussion with Lauri Lugna, Hefen Wong, Chris Govias and Lou Downe.

Members of the Unleashing Economic Innovation panel share their experiences and insights with the audience. Photo by Robert Jordan/Ole Miss Communications

Paying the Price of Washington's Paralysis: A Panel Discussion

Topic of the panel discussion: “Sustainability: From concept to co-creation – are we doing the right things?” The following members took part in the discussion: # Dennis Christou, Vice President Marketing, Del Monte, Fresh Produce, USA;

Martina Fleckenstein, Director EU Policy and Agriculture, WWF, Germany;

Nader Mahmoud, Director BASF Crop Protection, South Europe;

Antonio Marhuenda, CEO Primaflor, Producer (Lettuce), Spain;

Abelardo Hernandez Martinez, Manager Production and Quality, Proexport, Association of producers and exporters of fruits and vegetables, Spain

Allyson Best, University of Mississippi Panel Facilitator, answers a question from the audience. Photo by Robert Jordan/Ole Miss Communications

Local #govdesign Day welcomed designers and design-minded public servants working in local governments to the cross-government user-centred design community. It shed a light on the great work happening on a local level and introduced people to each other and designers in central government. It was a day for, with and by designers in local government.

 

The event was supported by Birmingham City Council and jointly organised by the Government Digital Service’s National and UCD Communities teams.

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle

  

Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.

 

2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.

 

video: media.journalismfestival.com/programme/2017/internet-meme...

Government Digital Service (GDS) All Staff Huddle, September 2017.

Government Digital Service (GDS) All Staff Huddle, September 2017.

In recognition of Africa Day, the U.S. Embassy hosted an alumni panel discussion at the American Corner in Pretoria on Thursday, May 25.

The State of the African Continent in the 21st Century was the theme for the discussion between alumni from U.S. Exchange Programs and those in attendance.

Lorenzo Franceschi-Bicchierai

Carola Frediani

Stefania Maurizi

Andrei Soldatov

  

Nel giugno 2016 sulle elezioni americane si è abbattuta la tempesta delle mail hackerate, rilasciate da WikiLeaks. La diffusione e il sospetto che il Democratic National Committee – l’organo di governo del Partito Democratico Americano – abbia favorito la candidata alla primarie Hilary Clinton ha portato alle dimissioni della sua presidente, Debbie Wasserman Schultz. La Russia è stata davvero deus ex machina dell’operazione, come indicherebbe il rapporto congiunto di CIA, NSA ed FBI? Chi è Guccifer 2.0, il sedicente hacker rumeno che a ridosso dello scandalo ha rivendicato l’hacking? Wikileaks ha di fatto consegnato un pezzo di Casa Bianca a Donald Trump, lavorando a senso unico per danneggiare il Partito Democratico, o ha tenuto fede ai propri ideali?

 

In June 2016, the storm of hacked emails, released by WikiLeaks, hit the US elections. The diffusion and the suspicion that the Democratic National Committee – the governing body of the Democratic Party – had favored the primary candidate Hilary Clinton led to the resignation of its president, Debbie Wasserman Schultz. Has Russia been really the deus ex machina of the operation, as stated by the joint report of the CIA, NSA and FBI? Who is Guccifer 2.0, the so-called Romanian hacker who claimed responsibility for the hacking? Did Wikileaks effectively deliver a piece of the White House to Donald Trump, working in only one direction to damage the Democratic Party, or has it lived up to its ideals?

 

video: media.journalismfestival.com/programme/2017/hacking-democ...

Lorenzo Franceschi-Bicchierai

Carola Frediani

Stefania Maurizi

Andrei Soldatov

  

Nel giugno 2016 sulle elezioni americane si è abbattuta la tempesta delle mail hackerate, rilasciate da WikiLeaks. La diffusione e il sospetto che il Democratic National Committee – l’organo di governo del Partito Democratico Americano – abbia favorito la candidata alla primarie Hilary Clinton ha portato alle dimissioni della sua presidente, Debbie Wasserman Schultz. La Russia è stata davvero deus ex machina dell’operazione, come indicherebbe il rapporto congiunto di CIA, NSA ed FBI? Chi è Guccifer 2.0, il sedicente hacker rumeno che a ridosso dello scandalo ha rivendicato l’hacking? Wikileaks ha di fatto consegnato un pezzo di Casa Bianca a Donald Trump, lavorando a senso unico per danneggiare il Partito Democratico, o ha tenuto fede ai propri ideali?

 

In June 2016, the storm of hacked emails, released by WikiLeaks, hit the US elections. The diffusion and the suspicion that the Democratic National Committee – the governing body of the Democratic Party – had favored the primary candidate Hilary Clinton led to the resignation of its president, Debbie Wasserman Schultz. Has Russia been really the deus ex machina of the operation, as stated by the joint report of the CIA, NSA and FBI? Who is Guccifer 2.0, the so-called Romanian hacker who claimed responsibility for the hacking? Did Wikileaks effectively deliver a piece of the White House to Donald Trump, working in only one direction to damage the Democratic Party, or has it lived up to its ideals?

 

video: media.journalismfestival.com/programme/2017/hacking-democ...

President Asakawa speaks at a high-level symposium hosted by the World Wide Fund for Nature with the theme “A New Deal for Nature and People” held at the World Economic Forum 2020 in Davos, Switzerland on 23 January 2020.

Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle

  

Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.

 

2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.

 

video: media.journalismfestival.com/programme/2017/internet-meme...

Yavuz Baydar Tamas Bodoky Alexa Koenig John Nery

  

Oltre un centinaio di giornalisti imprigionati in Turchia da Erdogan. Giornali di opposizione chiusi illegalmente nell’Ungheria di Orban. Giornalisti regolarmente demonizzati da Trump negli USA perché “venditori di fake news”. Reporter che coprono le “night crawl” mortali nelle Filippine guidate da Duterte. Questo panel cerca di iniziare una discussione su cosa sia l’autoritarismo emergente (a cosa dovremmo prestare maggiore attenzione, quali sono gli eventi che per primi definiscono uno stato come soggetto a autoritarismo emergente?) e su come seguirlo (in quanto giornalisti, come rispondiamo a questi eventi?) Il panel: Yavuz Baydar è co-fondatore di P24, piattaforma media indipendente che monitora I media turchi. Tamas Bodoky è fondatore e editor del sito giornalistico investigativo Atlaszo.hu (che significa “trasparente” in ungherese). Alexa Koenig è direttore esecutivo dello Human Rights Center alla University of California Berkeley. E John Nery è associate editor del Philippine Daily Inquirer, che pubblica la Kill List.

 

Over a hundred journalists jailed in Turkey by Erdogan. Opposition newspapers closed illegally in Orban’s Hungary. Journalists in the United States regularly demonized by Trump as “fake news” peddlers. Reporters covering the deadly “night crawl” in the Philippines under Duterte.

 

Video: media.journalismfestival.com/programme/2017/reporting-eme...

14th Annual New York Television Festival

Photo Credit: Sean Jamar

Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle

  

Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.

 

2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.

 

video: media.journalismfestival.com/programme/2017/internet-meme...

Government Digital Service (GDS) All Staff Huddle, September 2017.

Topic of the panel discussion: “Sustainability: From concept to co-creation – are we doing the right things?” The following members took part in the discussion: # Dennis Christou, Vice President Marketing, Del Monte, Fresh Produce, USA;

Martina Fleckenstein, Director EU Policy and Agriculture, WWF, Germany;

Nader Mahmoud, Director BASF Crop Protection, South Europe;

Antonio Marhuenda, CEO Primaflor, Producer (Lettuce), Spain;

Abelardo Hernandez Martinez, Manager Production and Quality, Proexport, Association of producers and exporters of fruits and vegetables, Spain

14th Annual New York Television Festival

Photo Credit: Sean Jamar

Yavuz Baydar, Tamas Bodoky Alexa Koenig, John Nery

  

Oltre un centinaio di giornalisti imprigionati in Turchia da Erdogan. Giornali di opposizione chiusi illegalmente nell’Ungheria di Orban. Giornalisti regolarmente demonizzati da Trump negli USA perché “venditori di fake news”. Reporter che coprono le “night crawl” mortali nelle Filippine guidate da Duterte. Questo panel cerca di iniziare una discussione su cosa sia l’autoritarismo emergente (a cosa dovremmo prestare maggiore attenzione, quali sono gli eventi che per primi definiscono uno stato come soggetto a autoritarismo emergente?) e su come seguirlo (in quanto giornalisti, come rispondiamo a questi eventi?) Il panel: Yavuz Baydar è co-fondatore di P24, piattaforma media indipendente che monitora I media turchi. Tamas Bodoky è fondatore e editor del sito giornalistico investigativo Atlaszo.hu (che significa “trasparente” in ungherese). Alexa Koenig è direttore esecutivo dello Human Rights Center alla University of California Berkeley. E John Nery è associate editor del Philippine Daily Inquirer, che pubblica la Kill List.

 

Over a hundred journalists jailed in Turkey by Erdogan. Opposition newspapers closed illegally in Orban’s Hungary. Journalists in the United States regularly demonized by Trump as “fake news” peddlers. Reporters covering the deadly “night crawl” in the Philippines under Duterte.

 

Video: media.journalismfestival.com/programme/2017/reporting-eme...

chris allen of brass monkey presents at UX fest

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

Panel Discussion with Lauri Lugna, Hefen Wong, Chris Govias and Lou Downe.

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

Lorenzo Franceschi-Bicchierai

Carola Frediani

Stefania Maurizi

Andrei Soldatov

  

Nel giugno 2016 sulle elezioni americane si è abbattuta la tempesta delle mail hackerate, rilasciate da WikiLeaks. La diffusione e il sospetto che il Democratic National Committee – l’organo di governo del Partito Democratico Americano – abbia favorito la candidata alla primarie Hilary Clinton ha portato alle dimissioni della sua presidente, Debbie Wasserman Schultz. La Russia è stata davvero deus ex machina dell’operazione, come indicherebbe il rapporto congiunto di CIA, NSA ed FBI? Chi è Guccifer 2.0, il sedicente hacker rumeno che a ridosso dello scandalo ha rivendicato l’hacking? Wikileaks ha di fatto consegnato un pezzo di Casa Bianca a Donald Trump, lavorando a senso unico per danneggiare il Partito Democratico, o ha tenuto fede ai propri ideali?

 

In June 2016, the storm of hacked emails, released by WikiLeaks, hit the US elections. The diffusion and the suspicion that the Democratic National Committee – the governing body of the Democratic Party – had favored the primary candidate Hilary Clinton led to the resignation of its president, Debbie Wasserman Schultz. Has Russia been really the deus ex machina of the operation, as stated by the joint report of the CIA, NSA and FBI? Who is Guccifer 2.0, the so-called Romanian hacker who claimed responsibility for the hacking? Did Wikileaks effectively deliver a piece of the White House to Donald Trump, working in only one direction to damage the Democratic Party, or has it lived up to its ideals?

 

video: media.journalismfestival.com/programme/2017/hacking-democ...

YU Alumni Networking Event -YU Wall Street and YU Tech - Mobility as a Service

Thomas J. Berghuis reflects on “The Trauma of History”

 

Urgency and Relevance: A Curatorial Perspective

Tuesday, March 11, 2014

Solomon R. Guggenheim Museum

5th Avenue at 89th Street

New York City

 

Presented as part of Asian Contemporary Art Week’s critical Dialogues in Contemporary Art series, this program provided an insider’s view of contemporary art through the eyes of international practitioners working at the edge of advocacy and establishment. Distinguished curators presented diverse practices within a landscape of new global initiatives, told through individual case studies. The conversation was moderated by Alexandra Munroe, Samsung Senior Curator of Asian Art, and featured curators Leeza Ahmady, Thomas Berghuis, Melissa Chiu, Reem Fadda, and Pablo León de la Barra. A reception followed.

 

Watch the full video archive on YouTube: youtu.be/wYDZiN0uipY

 

Photo: Chad Heird

 

Learn more about Public Programs.

Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle

  

Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.

 

2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.

 

video: media.journalismfestival.com/programme/2017/internet-meme...

وارسو في 14 فبراير 2019

 

استقبل فخامة أندجي دودا رئيس جمهورية بولندا سمو الشيخ عبدالله بن زايد آل نهيان وزير الخارجية والتعاون الدولي بحضور معالي نائب رئيس جمهورية بولندا ومعالي مايك بومبيو وزير الخارجية الأمريكي.

 

كما استقبل فخامته إلى جانب سموه رؤساء وفود الدول المشاركة في مؤتمر وارسو من أجل السلام والأمن في الشرق الأوسط الذي دعت إليه الولايات المتحدة الأمريكية.

 

ونقل سموه إلى رئيس جمهورية بولندا خلال اللقاء تحيات صاحب السمو الشيخ خليفة بن زايد آل نهيان رئيس الدولة "حفظه الله" وصاحب السمو الشيخ محمد بن راشد آل مكتوم نائب رئيس الدولة رئيس مجلس الوزراء حاكم دبي "راه الله" وصاحب السمو الشيخ محمد بن زايد آل نهيان ولي عهد أبوظبي نائب القائد الأعلى للقوات المسلحة وتمنيات سموهم لبولندا المزيد من التقدم والنماء.

 

وحمل رئيس بولندا تحياته إلى صاحب السمو الشيخ خليفة بن زايد آل نهيان وصاحب السمو الشيخ محمد بن راشد آل مكتوم وصاحب السمو الشيخ محمد بن زايد آل نهيان وتمنياته لدولة الإمارات المزيد من التطور والازدهار.

 

عقب ذلك أقام فخامة رئيس جمهورية بولندا مأدبة عشاء للوفود المشاركة، كما التقط الجميع الصور التذكارية بهذه المناسبة.

 

Panel Discussion with Lauri Lugna, Hefen Wong, Chris Govias and Lou Downe.

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

Local #govdesign Day welcomed designers and design-minded public servants working in local governments to the cross-government user-centred design community. It shed a light on the great work happening on a local level and introduced people to each other and designers in central government. It was a day for, with and by designers in local government.

 

The event was supported by Birmingham City Council and jointly organised by the Government Digital Service’s National and UCD Communities teams.

Paying the Price of Washington's Paralysis: A Panel Discussion

2016 SPE ACCE Panel Discussion Q&A

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