View allAll Photos Tagged Panel
♀ Ranya
Fur: Genesis - Mocha II
Eyes: Genesis Evergreen (Shape: Curious | Pupil: Big)
Shade: Natural
Tail: Lush
Ears: Tufted
Whiskers: Butterscotch Tipped Black (Shape: Guitar)
Size: Normal
Owner: Claudette Loire
Chateau Illuminatra - KittyCatS! Auctions!
Sunday, January 21st @ 1 PM SLT
**This portrait is currently on sale at Chateau Illuminatra - KittyCatS Auctions. Please use the LM below to TP to the venue!**
LM: maps.secondlife.com/secondlife/Too%20Adorable/119/125/3801
The Great Hunt Panel is located in Nine Mile Canyon northeast of Price , Utah. Spent the better part of two days checking out as many of the rock art , granaries and other interesting sites in the canyons as I could . Doubt if I saw anywhere near 20% of them. . Of all the rock art sites you will experience in the canyon , the Great Hunt Panel has to rank at the top . This would be a great place to splurge and hire a guide ! ( I didn't ! )
...........................................................................................................
Scholars believe this extraordinary panel may represent an actual hunting event that took place over 1000 yrs ago. This panel has been replicated on many modern art pieces and has been featured in many publications.
....................................................................................................................
“Few, if any, locations in the Western Hemisphere offer visitors such an abundant array of rock art sites—many of them elaborate panels with hundreds of figures—in such a confined location,” archaeologist Jerry Spangler and journalist Donna Spangler write in their guide to the area. “The number of Nine Mile Canyon rock art sites is conservatively estimated at about 1,000, the number of images at more than 10,000.” The prevalence of rock art has earned the area a nickname: the world’s longest outdoor art gallery.
When I travelled to Nine Mile Canyon in late May, the rock art in the canyon was so prevalent that you could see it while driving down the dirt road that runs along the canyon bottom. The canyon itself is scenic, but hardly pristine. The road through Nine Mile Canyon was first constructed in 1886 by African-American Buffalo Soldiers of the U.S. Army to provide horse-drawn freighters with a route from Price to Fort Duchesne. Over the years, scores of travellers used the axle grease from the freighters to sign their names on the canyon walls and the artefacts are old enough that they, too, receive some government protection. For decades, there have been farms and cows in the canyon, even some oil wells developed as far back as the 1950s, and now there is the infrastructure associated with the gas drilling. Virtually all of the traffic on the road looked to be associated with the drilling on the surrounding plateaus, and nearly all of those vehicles were big trucks. In the environmental impact statement (EIS) for the West Tavaputs project, the BLM noted that empirical observations by the Nine Mile Canyon Coalition and frequent visitors showed that recreational use of the area had declined steadily along with the increasing oil and gas development that began in the area in 2004. Those observations were supported by local tourism officials, the BLM said.
Little is known about the people who created the petroglyphs, which are etched, carved, or pecked into the rock, and the pictographs, which are painted on the stone. The presence of spear points and atlatl darts suggests that Nine Mile Canyon—a well-watered and logical travel route in an otherwise forbidding landscape—was used thousands of years ago by Archaic hunters and gatherers. Small farming communities probably took root about 300 AD and by around 900 there was a small but thriving community of residents who grew crops in the canyon and hunted for game on the surrounding uplands. The trapezoidal body shapes in their rock art and other archaeological evidence has led some to conclude that the indigenous people who lived in
The Great Hunt panel in Nine Mile Canyon
6
Nine Mile Canyon were part of the Fremont culture that occupied much of Utah from 700 to 1300, but others note characteristics of the Anasazi culture that lived farther south, around the Four Corners region.
Either way, by around 1300, the people who created Nine Mile Canyon’s pictographs and petroglyphs were gone, part of a tectonic shift in the indigenous peoples of the Great Basin and Colorado Plateau that many scholars attribute to severe droughts that struck the region. “This was a period of considerable social and economic unrest throughout the Southwest,” the Spanglers write. “Not only were Numic hunter-gatherers—ancestors of the modern Utes— moving into the northern Colorado Plateau at this time, but massive population growth among Anasazi farmers to the south resulted in northward migration into areas that had only been sparsely populated before.” As is the case today, various groups were competing for finite natural resources and the conflicts are thought to have inspired the early residents of Nine Mile Canyon to construct defensive structures on the surrounding mesas, benches, and rock outcroppings. Although the area’s rock art gets all the attention, the canyon and environs boast a wealth of other cultural resources, including ceramics, granaries, and pit houses. Archaeologists believe a great many artefacts were lost over the decades to farming, vandalism, and relic-hunters.
www.packard.org/wp-content/uploads/2013/08/The-Writing-on...
Thought I should do a card with panels since I haven't been using them, and need to get better at that.
Base card, Envelope pattern S5507 in Walnut Stain; sentiment Friends, CL351, also Walnut Stain.
Butterfly colored with pencils, ferns stamped with Peeled Paint, panels sponged with Peeled Paint and Wild Honey.
Thanks for looking!
I picked up this PFixer panel (sold by Pusher Labs) towards the end of my wedding season to help speed up the whole editing process. I ordered the "PFixer Panel Bundle" which comes with the PFixer OS X software and the Behringer BCF-2000. It's a pretty cool setup with several different editing modes; I use the Basic mode for the majority of my editing (still trying to figure out the advantages of using the other editing modes). What I'm finding so far is that this works great when using presets and allows you to quickly tweak each image. I'm not sure that it helps me as much during the culling process, but it could just be me not understanding all the different modes and features. One thing that I really like is that the sliders and any adjustments you make move in real time when moving through each image.
This PFixer Pannel Bundle now currently sells for $379.99 (seams like it was selling for $20 less when I purchased mine. If your a PC user sorry..... this only works with MAC's.
"They Who Watch Over us"
Panel made in February 2008 for the British Society of Master Glass Painters summer exhibition ('40cm2') which was at the Cochrane Theatre Gallery, Southampton Row WC1 from July to November 2008 (open July 7th www.flickr.com/photos/amthomson/2656321467/ )
The brief was to do whatever you liked within a fixed frame size. I went for a kind of present day Hieronymous Bosch effect with an otherwise oblivious Humanity caught between the forces of Light and Darkness - It was an opportunity to do something a little 'different' with an open brief and no client or architectural setting to worry about for a change.
The entire piece is executed in 'scraffito', each piece having first been completely blackened wih a wash of paint, into which are etched the images once the paint is dry, working in reverse by bringing the figures out of darkness.
For more about my artwork see my website at the following:-
Solar Panels, Southchurch Adult Community College, Ambleside Drive, Southchurch. Picture Steve O'Connell 22-10-15
Anna is now fully deboxed. Her skirts are stiff enough to permit her to free stand, although she a bit unstable this way. She is posed standing, supported by her included doll stand. All photos were taken with the built-in camera flash.
Anna is in her coronation gown, with a velvet black bodice and green skirt. The bodice is form fitting, with multicolored embroidery and jewels, with a dark green satin shoulder straps. Her outer skirt is made of panels of yellow green embroidered and jeweled satin alternating with plain dark green satin panels, the pattern repeating ten times. The lighter green panels are tacked together with plastic T-tabs, so we don't see the full extent of the skirt. When the sections are freed, the skirt can expand to a full semicircle. Under the skirt is a full length yellow green satin slip, with a wide lacy hem. Under that is a 3/4 length stiff tulle petticoat. Under that are yellow green satin knee-length bloomers. Finally under that are full length stockings or leggings. Anna is certainly dressed for cold weather. Her legs are wired to the doll stand at the ankles and knees. Her feet are posable, and she is wearing black flats, which is rather disappointing given the gorgeous and unique shoes that Elsa is wearing. She is wearing a necklace, with the pendant stuck to her chest.
Her face is very movie accurate. She has a round face, with huge blue green eyes, long gently curving rooted eyelashes, thin dark brown eyebrows. She has a small pointy nose, thin dark pink lips in a slight smirk, and large round ears. She has orange freckles all over her face, extending down to her neck, shoulders and chest, and even on her upper back. She has a very pale complexion, but her sister Elsa is much, much paler. Her body is the usual LE Princess body, with full articulation in her arms and legs, and an upper torso joint. Her rusty red hair is fashioned into a large bun in the back of her head, with a spiraling braid around a small bun in the middle, out of which comes several thin ponytails, including two very skinny braids, and also several satin ribbons. In front are long curly bangs, and a tight flat braid over it. There is a streak of white hair from her right side, and ending in one of the thin pony tails hanging off the small bun.
Anna is very beautiful and elegant, very much a Disney Princess.
First look at the Harrods special edition of the Disney Store's Limited Edition Anna and Elsa Doll Set. I purchased it through a reseller, as it was only sold at the Harrods London store. It was released on November 1, 2013, in an edition of 100. The retail cost is more than four times that of the separately sold LE Anna and Elsa dolls (which will be released worldwide on November 20, 2013, in an edition size of 2500). My set is #39 of 100, and I received it on November 11, 2013.
They are 17'' fully articulated dolls, with doll stands and certificated of authenticity. Anna is in her coronation gown, Elsa is in her Snow Queen gown. As might be expected, the dolls are considerably different in details than the ''regular'' limited edition dolls. In particular there is considerably more crystals on the outfits, and embroidered snowflakes completely cover the outer gown (cape) of Elsa. Also, Elsa's skin has a pearly shiny surface, very similar to the skin of LE Ursula, although it has a much paler purplish color. She has unique shoes, iridescent blue high heeled shoes with a snowflake design. She also bucks the trend of fully articulated legs in the Limited Edition dolls, by having fixed angled feet. She looks much more elegant with fixed feet in the high heels.
The Parts panel is a brand new addition - use it to control your dragon's appearance by configuring horns, spikes, fins, blades, etc! No two dragons need look alike!
This is a commissioned piece done a few weeks back. The request was to have the panels work all together or in groups of two. These happen to work individual too. I like to mix them in random order even flipping them upside down
Solar Panels, Southchurch Adult Community College, Ambleside Drive, Southchurch. Picture Steve O'Connell 22-10-15
The devastating impact of COVID-19 on Travel & Tourism highlighted the need for enhanced resilience. Yet, to ensure the long-term competitiveness of the sector, such resilience must be both sustainable and inclusive and supported by enabling policies. As Travel & Tourism recovers, how can businesses and destinations alike enhance their resilience and drive sustainable and inclusive growth through their operations and investments?
John Wasson, Chair & Chief Executive Officer, ICF
Jennifer Aguinaga, Deputy Director for Policy & Planning, U.S. Department of Commerce
Dan Richards, Chief Executive Officer, The Global Rescue Companies
Gibrán Chapur, Executive Vice President, Palace Resorts
Moderated by: Fran Golden, Journalist
Ladder bracelet with filigree polymer clay panels, polymer clay and purple glass beads. The colours are primarily navy, burgundy and white, although there are also highlights of other colours including turquoise, yellow and terracotta, resulting in a sophisticated colour scheme that is also very versatile.
Each panel is cut from a larger piece and has a unique design. The polymer clay beads also have fine “wood grain” patterning in matching colours. All the polymer clay components have been sanded smooth and varnished to give a gloss finish.
Wood panels carved by anonymous artists from Burgundy or Lombardy, first half of the XVI century, originally from the Staffarda, a cistercian monastery now at the Civic Museum of Ancient Art, Palazzo Madama, Turin.
In this picture the new panels have been fitted to the nearside of the bus and some of the windows have started to go back in
Nearside quarter panel is in a sorry state due to accident damage and is very fragile. It does not fit well and will need very careful for me to be happy with it.
Panel made form reclaimed antique stained glass fragments .
Holme Valley Stained Glass is based in Holmfirth , near Huddersfield , West Yorkshire .
Simple diffusion panel I made from PVC and $3 worth of static free material.
3 - 10' 3/4" PVC
2 - 90 elbow fittings
2- inline couplers
4 - tee fittings
4- end caps
Cut 2 of the 10' pieces into:
2 - 3' sections each (4 total)
1 - 4' section each (2 total)
Cut the remaining 10 section into:
4 - 2' sections
2 - 1' sections
Don't glue anything so you can disassemble when needed and swivel the feet around. It will fit snug and stay together well.
Test shot here: www.flickr.com/photos/florida_sail_ham/343978018/in/set-7...
Posting this as a thank you to the people who helped me along the way and have shown me so much kindness. Deeply grateful. Ye know who ye are :-)
This statement accompanied my successful AIPF Panel above.
..
..
..
"I love flowers. Always have.
Some of my earliest memories as a young child are in my parent’s garden, surrounded by flowers. In this playground, I spent countless hours investigating their wonders. Their colour, their texture, their scent and on occasion, their taste!
Watching my little niece in the same garden many years later engrossed in the same study, holding a small flower up to her face, cross-eyed from the effort of focusing on its tiny features, provided me with the inspiration for the images you see before you today.
As a photographer, I watch and wait, choosing natural light and a very shallow depth of field to isolate and focus on miniature details, but it’s the cross-eyed child in me, lost in the moment, curious in this world, who created these photographs."
U.S. Dept. of the Interior Secretary Ken Salazar, Gov. Rick Scott, Commissioner of Agriculture Adam Putnam and Everglades Foundation Chairman Paul Tudor Jones speaking on a panel at the Everglades Water Supply Summit.
The new Commodore, introduced in 1978 was only available in sedan and wagon, so a face lifted version of the previous HZ commercials and Statesmans was sold along side the Commodore, these were the 1980-84 WB Holdens.
Most panels were changed, the new squared off look including large rectangular lights front and rear, energy absorbing bumpers and heavy side mouldings. A new Opera window was added to the C pillar in the Statesman, it was available in Deville or upmarket Caprice. The DeVille got a simpler grille and a black dash, the Caprice more elaborate grille and walnut dash. The 1983 Series II was identified by new badging.
Utility, Van and One Tonner available in Commercials.
Engines; 83kw 3.3 litre 6 cyl or 100kw 4.2 litre V8 in the Commercials
126kw 308 V8 in the Statesman (also 188kw HDT version)
A reproduction-antique crucifix in between a pair of decorative beaten-metal panels, for sale in an antique shop in Vigan. Also see rally65.multiply.com/journal/item/22