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El Panel Informativo nos indica que hemos dejado la esclusa 21 a 4,8 km. Aun tendremos que caminar 11 km para llegar al encuentro del Canal con el Rio Carrión.
Muchas gracias a todos por vuestros comentarios.
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I thought I’d do something a bit different, directed toward photographers that use Lightroom. I haven’t played much with the new Lens Blur feature recently added to Lightroom thought the green image on the left was a perfect subject to experiment with. The middle image is a duplicate of the one on the left where the Lens Blur has been applied. I found that it ran into the edges a bit so duplicated the original over the processed one and masked and cloned a bit around the edges. Even so, I’m impressed that it did as good a job as it did. The image on the right was the one I intended to post, so I thought I’d include it as well. (American Bittern – Botaurus lentiginosus) (For the image on the left and center, Sony a1, 200-600 @ 600mm, 1/2500 second, f/6.3 ISO 1000. For the image on the right, Sony a1, 400mm f/2.8 with a 1.4 extender for 560mm, f/4, 1/1600 second, ISO 1000)
This is a close-up photo of rust on an iron panel on the wharf at Port Maitland Beach. The amazing textures are best seen full screen in Slideshow.
This is a photo of the light shinning through a frosted glass panel in the lobby of the library in Yarmouth.
This is a part of the rock art known as the Great Gallery in Horseshoe Canyon. It's cool to think we were in the same place as the ancient people who created this somewhere around 400 to 1100 AD.
The panels in the Coca-Cola Beatbox, an interactive art installation within the Olympic Park, in Stratford, London.
Designed by Asif Khan and Pernilla Ohrstedt, the structure fuses architecture, sport, music and technology, inviting participants to activate the panels, each of which play a recording of a sport-derived noise to create music.
3-shot HDR taken with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, merged in Photomatix, then processed in GIMP and Photoscape. Potentially a bit heavy handed with the tone-mapping...
This is a close-up photo of a rust covered iron panel and algae covered wooden beams on the wharf at Port Maitland Beach.
Out to grass at Hurn sometime in the late 1980's and with various panels missing, this unidentified Hawker Hunter appears to have a 'recce' pack installed in the port underbelly blister
Scanned print
This is a close-up photo of green algae growing on an iron panel on the wharf at Port Maitland Beach.
This is a close-up photo of rust patterns on an iron panel on the wharf at Port Maitland Beach, and light reflections on seepage that suggest a pareidolia portrait.
Another from the signal box tour and the New Street PSB panel, with one of the other chaps on the tour studying a bit of detail.
The signal box was only taken out of use at Xmas 2022, but as you can see the panel is a trove of detail from the 60s onwards.
'Only the echo remains (2024)', by Esther Tielemans.
Boijmans van Beuningen, a museum in Rotterdam, celebrates its 175th birthday. The current building was started in 1928, designed by Ad van der Steur, and modified several times since.
Since 2019, the museum is closed for extensive restorations, expected to last until 2029.
In a very brief moment, the museum is now open with a temporary exhibition, focusing on the architecture, exhibitions from the past, and dreams for the future.
Exhibition 'Snakken naar Boijmans' ('craving for Boijmans'), museum Boijmans van Beuningen, Rotterdam, The Netherlands.