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One of the late medieval bench ends in the nave at Yelvertoft.
All Saints' at Yelvertoft dates mainly from the 14th century and stands secluded from the village by it's peaceful tree-enclosed churchyard. It is an unusual building with certain distinctive peculiarities, most noticeably the extra south aisle which, judging by it's south porch with it's fine ballflower-adorned doorway, appears to be roughly contemporary with the rest of the church and makes it an unsually wide building. The aisle windows on both north and south sides appear to have been reworked in simplified form at some point in the 17th century, perhaps an enlargement of their predesscors to admit more light.
Inside the extra aisle's arcade and columns are apparent and make for a more complex layout. The interior on first sight seems quite plain, finished throughout in a subtle ochre colour which brightens it up whilst giving it a rather over restored feel. But there are old features to admire, particularly the pews which though Victorian nearly all preserve the medieval carved panels from the original 15th century benches, mostly geometric architectural and foliage designs, but of good quality.
The chancel contains the finest features; the two Victorian stained glass windows are nothing special (the east window having lost nearly all it's paintwork, thus looking much older, more 'time-worn' than it is) but the 15th century sedilia is very fine, it's spindly columns dramatically worn away to a very fragile-looking state (reputedly by the sharpening of weapons in the Civil War).
But most impressive of all is the priest's tomb that balances it on the north side, a fine example of late medieval design with it's rich display of carving and panelling surrounding the effigy in it's arched recess. This monument, from the early 1500s, is uniquely echoed on the corresponding exterior wall where the ornamentation continues rather bizarrely in just this isolated section of the chancel's north wall.
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♂ Keola
Fur: ApRiliSh nO. 100059701352280316368345191040
Eyes: Serenity (Shape: Mysterious | Pupil: Small)
Shade: Porcelain
Tail: Genesis
Ears: Soft Fold Boo Boo
Whiskers: Silver (Shape: Stubby)
Size: Normal
Owner: Inia Soulstar
Chateau Illuminatra - KittyCatS! Auctions!
Sunday, April 15th @ 1 PM SLT
**This portrait is currently on sale at Chateau Illuminatra - KittyCatS Auctions. Please use the LM below to TP to the venue!**
LM: maps.secondlife.com/secondlife/Too%20Adorable/119/125/3801
Crews install the transparent panels on top of the new noise barrier along Highway 401 in south Windsor.
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Wayne is often called upon as an industry expert on discussion panels like this one at Builconn, where he represented WLAN.
L. to R.: Noel Clarke, Matt O'Toole, the TV guide twerp who can't actually host a panel worth a damn (he did an abysmal job at last year's "Sci-Fi in TV" panel), Chris Chibnall, and Richard Stokes.
Chibnall, btw, was an absolute trooper. He steadfastly refused to field any questions about future Torchwood plans. When someone speculated about the possible relationship between Gwen and the maid Gwyneth in "The Unquiet Dead" he first said he wished RTD were in the room, and then answered the question with (paraphrased), "Please, continue to speculate." :)
The day after attending that panel, I tried the free Instagram effect that I received for attending the Futures panel.
2009 Diane Wallace
Audience for Claudia Mesch, Heather Lineberry and Nora Naranjo Morse discussing art and sustainability issues during a Friday Conversations @11 event, Sept. 25, 2009.
“Live Cinema as an Extension of classical Cinema? Actual Positions in the area of conlict in Live Cinema.” Guests: János Can Togay (Director .CHB), Mia Makela (Media Artist //SOLU, Live Cinema Protagonist), Sandra Naumann (Media Historian, HGB Leipzig).
Moderation: Aude Francoise (Curation, Video Artist //narrative performance), David Szauder (Media Artist //generative performance).
Photo: Christian Sonntag //Screenplay
1964 Volvo p210 panel taken in July 2010 at Oak Harbor , Washington pictured is my brother Doug MacIndoe
The first step of the installation process is to space your wooden or steel corner and line posts at distances of eight feet when you insert them in order to provide the feedlot panels with full support. Using the appropriate equipment such as a post hole digger, dig holes and drive the wooden posts no less than 18 inches into the ground. The steel posts should be installed at least 12 inches into the ground using a handheld post driver.