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Jan. 23, 2015 - ONE Clemson Cabinet for Advancement Celebrity Panel Discussion
Friday, January 23 at 11:00am to 12:30pm at
Tillman Hall . Panelist included: CJ Spiller, Charlie Whitehurst, Dwayne Allen, Kris Benson, Rodney Williams, Ben O’Hanlan and many more….
***Setup and pre-discussion photos*****
Panel:"Bitcoin, Blockchain - What´s The Buzz"
MUNICH/GERMANY - JANUARY 18: Simon Levene (Mosaic Ventures) speaks on a panel discussion during the DLD16 (Digital-Life-Design) Conference at the HVB Forum on January 18, 2016 in Munich, Germany. DLD is a global network of innovation, digitization, science and culture, which connects business, creative and social leaders, opinion formers and influencers for crossover conversation and inspiration.(Photo: picture alliance / Andreas Gebert)
Foto: Free press image © Picture Alliance for DLD
Day 5, October 4, 2013. All electrical work is done and ready to go operational. Panels in the photo (left to right): 1) original main service panel; 2) manual cut-off switch to disconnect all solar input; 3) solar sub panel containing breakers for the solar electricity from the solar inverter and all 20 micro-inverters; 4) solar inverter.
One of the finest rock art panels in Nevada. For more information, see birdandhike.com/Glyphs/BasinRange/WtRivNarr/_WtRivNarr.htm
Basin and Range National Monument is a national monument of the United States spanning approximately 704,000 acres of remote, undeveloped mountains and valleys in Lincoln and Nye counties in southeastern Nevada. It is described as "one of the emptiest spaces in a state famous for its emptiness."
The national monument was created by a proclamation issued on July 10, 2015 by President Barack Obama under the Antiquities Act.
The Basin and Range National Monument area has geological, ecological, cultural, historical, paleoecological, seismological, archaeological, and paleoclimatological significance. The area is located in a transitional region between the Mojave Desert and the Sagebrush Steppe of the Great Basin. Major features within the national monument include: Garden Valley and Coal Valley; the Worthington Mountains; the Golden Gate Range; the Seaman Range; the Mount Irish Range; the Hiko Narrows; the White River Narrows; and the Shooting Gallery rock art site. Native American rock art at the site is about 4,000 years old.
Fauna of significance in the national monument include desert bighorn sheep, golden eagle, and many species of bat, lizard, and snake.
en.wikipedia.org/wiki/Basin_and_Range_National_Monument
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Stained glass panel by Julie Dickens.
Three years of study at the Architectural Stained Glass Department at Swansea culminated in the degree show, with each student (usually fewer in number by now than at the start!) allocated a window space in the building to display their work, with a mixture of panels representing the various techniques explored and styles developed by each individual.
I usually took a full set of photos of each show (I was known for being obsessive compulsive with a camera even then!) and felt uploading the full set best represents the range of talents and ideas, in many cases of people who never worked in the medium in post-college life.
If any of my contemporaries are looking in I hope they will be flattered and see this as a tribute to their achievements. If for any reason anyone is unhappy about their work being shared online do please let me know.
This panel is made of complete scrap and thrown away pieces of tile. I did put in some glass beads, but I always use glass beads. This will be placed on a Richmond,CA.city trashcan--Trash to Treasure!
The Plastivan panels were sealed around the edges with clear silicone and glued to the wall with Evostik Wet-Grab.
FORTY-EIGHT warning lights fire zone labels on this emergency panel in the lobby of our office building
Copenhagen Comics 2015
Fotoet må frit bruges til omtale og presse relateret til Copenhagen Comics. Fotografen skal altid krediteres.
Foto: Carsten Olsen
Diseño, construcción, gestión de autorizaciones privadas y municipales, impresión de gigfantografías en alta resolución, instalación y mantenimiento, en cualquier parte del país.
RPM # 290238 - 964813023 -974723285.
Crews install the transparent panels on top of the new noise barrier along Highway 401 in south Windsor.
This event will feature a panel presentation of the newest data and best practices from those who work most closely with maternal morbidities like obstetric fistula and pelvic organ prolapse. Both morbidities illustrate the global imperative to address non-wealthy nations’ lack of access to preventative and curative health services, which creates insurmountable barriers to overcoming preventable and treatable maternal morbidity and mortality. Areas covered will include recent developments such as Fistula Care Plus Project's breakthrough on surgical methods. It will be a chance for both policy experts and practitioners in the field to exchange ideas and learn what works, what doesn’t work, and what gaps in data or supplies still exist.
Congresswoman Carolyn Maloney, New York 12th Congressional District, will give introductory remarks.
A reception will follow the event at 5:00 pm. It will feature the Advocacy Project's quilt made by survivors of uterine prolapse in Nepal.
Read more: www.wilsoncenter.org/event/restoring-hope-and-dignity-new...
DETAIL
This is a wall panel (9.75" x 9.75" x .75") made of copper and embroidery thread. It is hammer textured, acid etched and embroidered. It is a topographical map of where I lived in my home town of Tucson, Arizona.
“Panel de transparencia: Casos exitosos”
Palabras de Bienvenida del Rector Lic. Javier Santillán Pérez
Ponentes: Susana Phelts, Directora de la Unidad Concentradora de Transparencia;
Ana Azucena Evangelista Salazar, Presidenta Comisión de Acceso a la Información Pública
de Colima; Marco Carignán, Asesor de Derecho Ambiental, PFEA
Moderadora: Martha Chan, Coordinación de Normatividad y Transparencia de la UTT.
Lugar: Universidad Tecnología de Tijuana, Salón Audiovisual
Hora 10:00 a 11:30 am.
Every February we celebrate the namesake of our university with the Petrels of Fire race around the quad and a guest speaker. In 2015 we welcomed a panel of Atlanta leaders: Doug Shipman, Robert Franklin, Beverly Daniel Tatum, and Lisa Borders, for a conversation moderated by Oglethorpe's Dr. Kendra King Momon.
IFANBOY
December 2, 2011
WORD BALLOON PODCAST
On this episode of Word Balloon Fred Van Lente discusses the IDW release of The Comic Book History Of Comics, written by Fred and drawn by Ryan Dunlavey. The talk leads to the debate about fine artist Roy Lichtenstein’s pop art paintings that were based on real comic book panels. Were these painting fine art celebrating design, like Andy Warhol’s Campbell Soup Can paintings, or outright plagiarism of comic artists like Mike Sekowsky and Russ Heath?
ifanboy.com/podcasts/word-balloon-podcast-fred-van-lente-...
Simon Fraser @simonfraser
A tremendous piece of scholarship, DECONSTRUCTING ROY LICHTENSTEIN
davidbarsalou.homestead.com/LICHTENSTEINPROJECT.html
nortonclybourn
I have always shared Lichtenstein's amazement that he got away with it.
The captions in this gallery make a valiant effort to show that LICHTENSTEIN was innovative and important but, sorry, no sale.
THE IFANBOY LETTER COLUMN – 12.02.2011
What do you think about “mainstream” (or wannabe mainstream) artists working obvious copies of comic book panels into their art? The most obvious example is Roy Lichtenstein, but it continues to this day. Does this help elevate the medium? Or does it work against it, perpetuating the notion that comic books are no more subtle or nuanced since the days of Simon and Kirby?
Isaac
I really haven’t thought about it that much, and my knowledge of that side of the art world is limited, but it relates very much to the culture of “sampling” that has developed, and how much of that is art. Recently, I saw our friend and comic book writer, Joe Keatinge address this exact problem, and he did it with much verve and passion. I’d read his Open Letter as a starting point. The Lichtenstein piece in question sold for $43.2 million.
Personally, it simply doesn’t seem right that you can take a bit of art that Jack Kirby did, paste it in place, and rejigger it, then sell it for a lot of money, and the original artist gets nothing. Presumably when an artist samples music, the original songwriter should get part of those proceeds, or somehow be involved in licensing their art.
As for what’s morally right, that’s a different story. Art is subjective and interpretation is valuable, as is reinterpretation. Who’s to say what makes art art, if it makes you feel something. We look at this question all the time in comics themselves. Is incorporating photos in your are the same as drawn comic book art. Kirby himself used a lot of photo collage at certain points in his career. How can Alan Moore complain about people using his work as a starting point when he used the work of others as the starting point for so much of his work? Where is the line between inspiration and copying? It’s somewhere, but it can be hard to define and delineate.
I think this drives the point home though. This is a bit from Joe’s letter, and really sums up where the problem. is, and it is a problem.
To illustrate my point, Heath has been quoted as saying, “[Roy Lichtenstein] did four different ones based on my panels. After he died, they found the cut-up comics with my art in his office. One of those paintings sold for $4 million.” Heath has never seen a dime off the sale of what is no doubt his work, to the point he has needed help from the aforementioned Hero Initiative.
Now is it Lichtenstein’s fault that Russ Heath doesn’t have enough money to cover his bills? No. But does the situation seem right? No, it doesn’t.
Josh Flanagan
Moderator:
-Bill Novelli, Emeritus Professor and Founder, Business for Impact, McDonough School of Business, Georgetown University
Panelists:
-Deborah W. Brooks, Michael J Fox Foundation, Paul G. Rogers Distinguished Organization Advocacy Award
-James E. Crowe Jr., MD, Vanderbilt University Medical Center, Building the Foundation Award
-Erik Ewers, Hiding in Plain Sight, Isadore Rosenfeld Award for Impact on Public Opinion
-Christopher Loren Ewers, Hiding in Plain Sight, Isadore Rosenfeld Award for Impact on Public Opinion
-Helene Gayle, MD, MPH, Spelman College, Geoffrey Beene Foundation Builders of Science Award
-Margaret A. Hamburg, MD, InterAcademy Partnership for Science, Health and Policy, Academies of Science and Health, Outstanding Achievement in Public Health Award generously supported by Johnson & Johnson
Rafael Mariano Grossi, IAEA Director General, met with industrialist during a panel discussion at the World Nuclear Exhibition (WNE) 2021. 30 November 2021. WNE, Paris Nord - Villepinte, 82 Avenue des Nations, 75116 Paris, France.
Photo Credit: Dean Calma / IAEA
Industrialists:
Yves Desbazeille, DG Foratom
Bohdan Zronek, Member of the Board of Directors & Chief Nuclear Officer at CEZ
Sama Bilabao Y Leon, WNA CEO
Thomas Mieusset, Nuclear Advisor, NPCIL Research, Department of Atomic Energy
Alain Gauvin, President of GIFE
Patrick Fragman, CEO and President of Westinghouse
Juan Pablo Ordoñez, Chief Strategy Officer of the Nuclear Projects Division of INVAP
Rooftop panels were installed by Solar Energy World. Find out more, like us on Facebook at www.facebook.com/solarenergyworld
Wall panels from the Temple of Ninurta, God of War.
Reign of King Ashurnasirpal II.
Nimrud, northern Iraq, about 865-860 BC.