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Portsmouth RNLI 10K Race and Pieces of Eight

Sunday 7th October 2018

Final Pieces

 

acrylic on canvas

 

100cm by 80cm

 

Museum Pieces live! in-store performance at Music Trader on June 1 2006

Various bits and pieces of the architecture in Barcelona

Three pieces of Amish Puzzle Ball

Shawn hauling away all his Monopoly money

 

Smash Into Pieces performs live at Soundstage in Baltimore, Maryland.

 

March 9th, 2017

 

Photo © Terry Dobbins 2017

 

**DO NOT USE WITHOUT MY PERMISSION*

Pieces used in constructing an architectural model of a dropped ceiling in a commercial interior

"It seems like I can finally rest my head on something real

I like the way that feels

Ohhhhh

It's as if you know me better than I ever knew myself

I love how you can tell

All the pieces, pieces, pieces of me..."

TAFE students at Coonabarabran Campus are producing wonderful pieces of work under the tuition of Sue Davies and Sue Graham.

Thrown pieces fresh off the wheel. These were used as canvases to explore forces such as tension, torsion, compression and shear.

Pare brises x2, lunette AR x3, custodes

Wire. The view in Maya.

Final Pieces

 

acrylic on paper

 

A3

 

Photographer: Caesandra Seawell

some pieces i chopped out of my old winter coat to fix the holes in my current winter coat.

Puzzle pieces located in Hodson Hall of Saint Michael's College, Colchester, VT, lay untouched on a coffee table Tuesday, February 23, 2009.

New Orleans Square

Disneyland

Anaheim , California

 

加州 迪士尼樂園

cut out pieces for the wallets

(I told you there were alot Pinkpaisley)

that I can't quite remember

 

Finale Performance. Photo Credit: Tim Fort

Detail pieces, carved onlays fox and hound, ready to reapply to lower door panels. Original key.

Antique Solid Oak Fox & Hound Carved Hunt Board with Griffin Detail (professionally stripped and sanded-ready for wax or stain)

4'3" wide x 1'9" deep x 7'3" high

$2350.00

SOLD

fabulous mirror found in 'Tempt Gallery' at Pokolbin village shops Hunter Valley - where the assistant was gracious enough to allow me to take some snaps. . . . :)))

I was thinking that most of us like to remain relatively anonymous!? ;)))))

Let our images speak and we come to understand that we are in fact not so dissimilar. . . .

but, lets face it we are just a lttle curious - huh?

 

Blenheim Palace, March '22

Nikon S4, 35mm F2.5 Nikkor-S, HP5, Rodinal 12mins

The Scottish Baronial building of revenue service. A bit of a shame that some of our nicest buildings are not open to the public. Such is the case with this fine castle like building. Just a government office warren.

pieces in the final year exhibition at the art college

Results and info on this event and more please visit www.trailoutlaws.com

An activist shows her support for CU's patient safety campaign with our pieces of flair.

 

Learn more about this campaign at: www.safepatientproject.org

 

Or follow all our campaign updates on Facebook: www.facebook.com/pages/Consumers-Union/17274984050

 

Or Twitter!

Username: consumersunion

I should be studying

Muzzle, 2011

One of 500 mixed media pieces (found American trading cards and hand-addressed postcards, all circa 1900s-1930s; covered with vintage color charts and stacked pencils topped with acrylic paint); each encased in an individual plexiglass display case.

3 x 1.75 inches

 

This Flickr Set documents all 500 components of Myers installation of Muzzle, 2011

 

visit exhibition webpage

 

Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.

 

Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.

 

For more information, please visit pelavingallery.com

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