View allAll Photos Tagged PERSPECTIVE
Trying forced perspective with Dale and Isaac. This was our first time attempting this. We may have to try again.
This artwork is a response of the topic of Perspective. This topic took a bit of contemplating to get a final idea, but the final outcome wasn't so bad. I think that there is alot oing on at once, which in all adds to the overall feel, but it does look a bit clustered.
I thought that by taking a variety of perspectives and placing them in one artwork, would create this feeling of depth where there is more in it than 'meets the eye'. I wanted to get that feeling by using photos as a base and acrylic to mold it's purpose.
I used the mix media approach by taking photos which have more angles to them to enhance perspective, and painted acrylic around them to be able to link them and manipulate them to further enhance that perspective.
All of the photos are mine.
Fantastic Steel Truss bridge. What else needs to be said, other than: They dont make them like they used to...
Advertising Agency: Saatchi & Saatchi, Amstelveen, The Netherlands
Creative Director: Magnus Olsson
Copywriter: Saatchi/Saatchi Tribe
Art Director: Saatchi/Saatchi Tribe (Tim Bishop)
Photographer: Calle Stolze
Producer: Jan Willem Wiesenekker
Account Supervisor: Ard Krak
Advertiser's Supervisor: Alexandra van Nieuwenhuyzen
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This is a method in architecture called "One point perspective" and this picture describes it perfectly
This picture is part of a small series. You might take a look at the album for some better understanding of the idea.
Tokyo, Japan
Is was a dull and dreary day today, and nothing popped out at me as a good theme. So, this is as close to a staged shot as you're likely to see from me.
These shipping containers are all the same size. But I got down low with my tamron 28-75mm at the wide angle, and tried to capture a "vanishing point" type perspective shot. It's not the perfect subject for this kind of shot, but I thought the different colors of the containers made it somewhat interesting as well.
Picture taken 6 Feb 2010
Blog post: It's All About Your Perspective
Bushey Park again - another cameraphone shot. The deer keeping the leaf line trimmed works as an unusual horizon line.
I was having a conversation with a friend about why I like long lenses. For the track, they're almost mandatory. But one cool feature of long lenses is "perspective compression". As you all know, objects in the foreground will appear larger than objects in the background. We've all experienced this. Think of an image of a bunch of people standing in a line; you're shooting "down" the line. Even if all the people were the same height (Miss America pageant?) he first person will appear the tallest, and the furthers person will look the shortest. This effect is magnified by using wide angle lenses (wider than "normal", which is about 50mm on 35mm SLR's). The effect is minimized by using longer lenses. In this case, the bike in the background is about 1/4 mile behind the lead bike. To look at this with the naked eye, you would barely notice the bikes in the background, but a long telephoto (728mm equivalent, 400mm + 1.4x teleconverter + 1.3x crop factor) you create an image that is powerful because it's so different than what you would experience "naturally."
Dyrham Park - The perspective painting by Samuel van Hoogstraten which is mentioned in the diary of Samuel Peyps. The painting is through a doorway which makes it look as if you can walk through it