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Taken for Assignment52-492009 "Aerial/Atmospheric Perspective"
I'm hoping for something "sunnier" for this project. Until then, I'll have to settle for this.
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Duncan Rawlinson delves into the digital canvas, where photography meets algorithmic art, crafting a maze of vibrant geometry that invites timeless contemplation.
This shot has an interesting perspective, showing the batter to the left in front of the fence, and the spectator on the right behind the fence. There's some symmetry here, even though the main subject is on the left
...aerial perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift towards the background color, which is usually blue, but under some conditions may be some other color (for example, at sunrise or sunset distant colors may shift towards red).
-Wikipedia
Festival Perspectives 2024 / Programm-Heft
Cover: Foto von Jona Harnischmacher (Sawdust Symphony)
Design: Bureau Stabil
ex libris MTP
The art above has nothing to do with the review of my fanzine, Cryptoc, below. It was a study in perspective in pencil, done in the late 60s or early '70s.
The review:
Crypt of Comics
From Star Trek Nuts and Bolts
#22, February 1978
The price cannot be beat (25 cents + 13 cent stamp). A quarter for any kind of fanzine is hard to find. Cryptoc is printed off set on newsprint, tabloid style. As stated in the editorial, Cryptoc’s policy for future contents “…is dedicated to showcasing the work of amateur artists and writers…ALL creative thought is important. From primitive first steps into communication to the polished work of professionals, all attempts at self-expression hold merit. Despite some who may criticize the wide range of quality in The Crypt, our purpose is to print both the rough-edged and the polished.”
Cryptoc is not a Star Trek zine. Nor is it a comics zine. I really don’t know what to call it—maybe a general interest creative zine with an open format. Practically anything will probably be found in future issues, which could be an asset or hampering quality. Hampering because readers won’t be sure what the next issue will hold for them – art, comics, sf, f, romance, poetry, or who knows?
Issue #1 seems to be a showcase of Duane Hanson’s work. 5 ½ of the 8 pages plus a cover are all from the pen of Duane Hanson. Contents also include a short essay on the radio version of “The Shadow”, the editorial, and a few ads. The 5 ½ pages by Duane Hanson are Chapter One of “Crag”, a continuing story of radiation mutations and its effects on a family. The story is interesting enough, the art good, but the dialog and narration is confusing. “Crag” was written by a couple of different authors [editor’s note: it was not] (though uncredited to them) and is to be written by Hanson in the future {editor’s note: it was not, and was never intended to be written by Hanson].
#2 promises more pages, more artists, more writers, and Chapter Two of “Crag”. #2 is to cost 35 cents and will be ready soon if not already. Why not chance a quarter, it can’t hurt. Rating: 6. Reviewed by George Perkins.
15 / 52 - perspective
From my perspective the weeks are going by waaaaay too quickly.
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on the way to the bolelyn to watch west ham play man utd in the FA cup replay i swung past the brownfield estate in poplar (east london) - social housing designed by the legendary ernő goldfinger... the balfron tower is iconic "brutalism" built by the GLC around 1967
Kuala Lumpur Tower (the building on the right) is the second tallest building in Malaysia. Due to perspective, it doesn't look so tall in this picture.
Visitor in front of Kurt Nahars installation
Rotterdam, Paramaribo Perspectives
(Photo: Marieke Visser, 2010)
Saxophonist Steve Grossman's Perspective is an excellent case in point. Released in 1979 on Atlantic, this set features the great tenor saxophonist in an electric setting with some killer sidemen including guitarist Buzzy Feiten, bassist Mark Egan, pianist Onaje Allan Gumbs, drummer Steve Jordan, percussionists Sammy Figueroa, and Raphael Cruz. Guest players include the great Japanese pianist Masabumi Kikuchi, drummer Victor Lewis, guitarist Barry Finnerty, bassist Marcus Miller, and drummer Lenny White, to mention a few.
Steve Grossman - Perspective
Label: Atlantic – ATL 50 611
Format: Vinyl, LP, Album
Country: Germany
Released: 1979
Genre: Jazz
Style: Fusion
Tracklist
A1Creepin'
A2Arfonk
A3Pastel
A4The Crunchies
B1Olha Graciela
B2King Tut
B3Katonah
Credits
Bass - Marcus Miller (tracks: A1, A2, A4), Mark Egan
Congas - Sammy Figueroa
Drums – Steve Jordan, Victor V. Lewis (tracks: A1, A4, B2)
Drums, Bongos - Lenny White (tracks: A2)
Lead Guitar, Rhythm Guitar - Barry Finnerty (tracks: B3), Howard"Bugzy"Feiten
Percussion - Raphael Cruz
Piano [Acoustic, Fender Rhodes] - Onaje Allan Gumbs
Piano [Acoustic] - Masabumi Kikuchi (tracks: A3)
Soprano Saxophone, Tenor Saxophone - Steve Grossman
#SteveGrossman #MarcusMiller #SammyFigueroa #SteveJordan #VictorVLewis #LennyWhite #BarryFinnerty #HowardFeiten
#RaphaelCruz #OnajeAllanGumbs #MasabumiKikuchi #japan #jazzfusion #1979 #Arfonk #vinylrecords #vinylrecordcollection
Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
Visitors in front of Kurt Nahars installation
Rotterdam, Paramaribo Perspectives
(Photo: Marieke Visser, 2010)