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Out and About by Matt Csenge

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NYNJ Rail 5101 leads a train down 1st Avenue, crossing one of the many switches to former warehouse sidings along the street. Due to the tight confines of the street and buildings, this switch branches off in the opposite direction of the warehouse, then curves back to cross the "main" before entering the warehouse.

Reading more about this here, these spurs were originally from when the street was double track. During reconstruction, the street section was singled due to decreased traffic, but the buildings could not allow the curves to be eased and so these "jug handles" or "out and about" switches were developed.

Off out again by just helen2010

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off out again tonight and yep it's dancing again.

this is my outfit too.

Out-take by George Downing

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One of the photos from my editorial shoot for Thirst For Vision online magazine. This picture wasn't selected for the final ones (I'll upload the finals soon!)

Explored!

Out by Tomaso Belloni

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straight-out... by ken rementer

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Not bad for coming straight out of camera. Pre-rotated shot and trimmed for a 16:9 and still 6400px wide. Effective focal length of 640mm on crop sensor. Spectator vantage point 8'-10' away from the fence I had to shoot through. Glad it was overcast :P

I generally do not put full size images up here but figured 'why not' for anyone that wanted to see what the camera can do.

Admittedly, there was an issue with focusing that was not really revealed (that I could not fix) until after this event so I had a helluva time with this camera. I have since (I think) rectified the matter but have not had a chance to really test it. Was not really a fan of the 400 f2.8 mkIII and how it focused. Much prefer the way the mkII focuses but could have also been user-error. Ok, likely was user error. Note to self: Don't show up to a major event with brand new kit that you've never tested. Still got hundreds of keepers though.

I also learned that I cannot underexpose by 2/3 to 1 stop as I would like to with this sensor because it's too dark. Dynamic range is definitely better than the 7DmkII but the dark areas are a little to dark. My concern with that is I will have to compromise on the highlights a little bit because the darks are so dark and not so sure I want to do that. Nevertheless, I figured I'd put-up what I got straight off the camera because for the price of this camera (and quality glass), it's pretty darn good.

There is no editing done to this other than the crop and converting the RAW to RGB. Settings like contrast, sharpness were set in-camera so what I shot is what I got.

Definitely a little crunchier for my tastes with the noise than what I'm used to getting from my 5D mkIV but overall, decent. Jury is still out though on whether the 90D is viable for me to use. Not a fan of crop sensors and how they cut-into/trim the perspective-feel/look compared to a full frame. Time will tell after some more testing and using the 300mm f2.8 and what I can get.

Turner Motorsports BMW

GTD Class Winner

2019 - IMSA WeatherTech Sportscar Championship

Motul Petit Le Mans, Michelin Raceway Road Atlanta.

Black OUT by werthless motherfucker

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Veges black out drunk

Strung Out (p) by David Seibold

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Bakersfeild, California 2006

out of focus by mihaela muntean

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EXPLORE, Nov 5, 2010 #488

Happy Night Out by Fiona Whale

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The Amazing Busty Fiona enjoying a night out

FIRST DAY OUT by Hand Banana

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After my 1 day suspension being locked up with my homegirl lime; we had to pull out the mothafucka in my rolls royce. Had to show these lame fucks how to ball.

Out for dinner. by Beth Reynolds

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St Pete Beach Skimmer colony. So graceful.

Out one day by Jan Frederick

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Out in Space by TheNewJane

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Fireworks - Untouched; just cropped.

Out Back by Steve Walser

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Out takes by We Love Harlow

Out there by Hugo Parasol

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Breaking Out! by Spring Blossom

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These tree roots went on and on!

Mission 6.2: The Slice by Sullivan Manning

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-

We were so high up that we could barely hear the ground assault.

-----

What a view, I think, trying to look out instead of down. Vulture droids decorate the evening sky, and a light wind drowns out every noise in the vicinity.

Except for the noise of my squad.

“I scuffed some yellow off my arm during the climb,” Checkmate whines.

“This new paint just doesn’t hold up,” Habit agrees. “I think they changed the ingredients.”

“But it’s more vibrant now,” I say.

Clawdite shuts off his comm device and then joins us.

“I’ve checked in with Breacher squad,” he says. “Now we wait.”

He does a double-take at Checkmate’s arm. “Did you scuff my paint job?”

“It’s the new paint,” Checkmate says. “Habit said so.”

“Yeah,” Habit says. “They changed the ingredients.”

“But it’s so much brighter now!” Clawdite snaps.

I throw my hands up in validation. “Exactly.”

We get quiet. There’s something in the distance . . . Marching.

I peer between a stack of crates and see a small patrol of battle droids.

One of their heads jerks in our direction. “Hey, what’s that?”

“I don’t see anything,” another answers.

“Over there; the bright yellow.”

Habit and Checkmate exchange a look.

Once the droids are within a few meters of our hiding spot, we roll a handful of droid poppers along the ground toward them. Sizzling fills the air, and they collapse.

Then the bickering starts.

“I wonder how they saw us,” Habit says, like he doesn’t know exactly how.

Clawdite and I shake our heads.

“We’re never hearing the end of this,” I say.

-

Teth has been on my list of things to build for years now, so it was a blast getting to finally build it. Thanks for checking this out!

Peeking out by Don Backman

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out! by bonbon

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waiting at the door

N19136 - United Airlines B757-200 by Adam Ryan