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Align your waste management programme with your environmental goals by utilising Origin™ Curve 110 and Origin™ Horizon 110 - two new waste receptacles manufactured using 86% recycled material. These solutions are ideal for local authorities and the leisure sector looking to enhance and optimise their waste-capturing capabilities.
For more information on this product please visit gil.glasdon.com/recycling-bins/outdoor-recycling-bins/origin-recycling-bins
Follow us on:
LinkedIn - www.linkedin.com/company/glasdon-international-limited
YouTube - www.youtube.com/user/GlasdonInternational
Facebook - www.facebook.com/people/Glasdon-International-Limited/100...
Born in a Normandy noble family, French origin Théodose Achille Louis Vicomte du Moncel (1821-1884) was born in Paris. Apart from being a talented illustrator and engraver, he was known primarily as an expert in electrical science and mathematics. At a young age (1844), he made a trip in Greece, drawing ancient sites, monuments and cities with great ease. Starting from Venice in November 1843, his journey continues to Istanbul after Greece; On the way back, he stops in Malta, Messina and Naples.
Perfectly large stone engravings covering the whole route of his journey are published in an expensive album; In a different publication, 18 wooden engravings were collected from a land trip from Athens to Nafplion, and 14 stone engravings showing themes from Athens in a separate publication in guinea. The engravings, all drawn by Du Moncel himself, are accompanied by explanatory texts and descriptions of appearances; The human images, which decorate the subjects as pleasant decorative details, were performed by another artist in almost all of the engravings. He displays his paintings on his eastern journey regularly at Du Moncel Paris at annual Hall fairs (1846-1851) and sells to meet his material needs.
Since 1846, he worked as an electrical engineer in a government department, wrote research and articles on electrical science, a member of the Academy of Sciences, one of the founding members of the Société Nationale des Sciences Naturelles et Μathématiques de Cherbourg, and an officer with the Legion d 'Honneur engagement.
Du Moncel is a representative of the last trend of European artists who are eager to recognize the ruins of the ancient universe on site. It completes the visual themes and travel notes of the contemporary reality journeys in the places it travels with a more pleasant detail and with negative comments; The memory of recent historical events, if not reflected in the patterns, is at least marked by explanatory texts.
Du Moncel proves his own observations of the monuments, also by referring to ancient Greek literature works and texts of older trusted travelers (R. Chandler, J. Stuart, N. Revett, FCHL Pouqueville, Ch. Wordworth, Expédition Scientifique de Morée). However, as Du Moncel derives from the Restoration Period of France, its commitment to the European model, which is hostile to all the ideas of liberalism, contributes to the negative perception of contemporary Greek reality. The fact that the journey is full of disabilities, the strangeness and unusualness of the environment, and the way of living differently are interpreted negatively and ironically. Despite this, the patterns he draws clearly make monuments that are in perfect harmony with the natural environment.
Written By: İoli Vingopoulou
Origin of Cliff’s Duesenberg
Burlington Hawkeye June 12 1917
“Woodbury is to drive the Duesenberg that was driven by Eddie O’Donnell in the race over the Corona, CA course in which Bob Burman lost his life two years ago.
O’Donnell won that race against one of the greatest fields ever assembled for a road race.”
Some authorities trace the origins of Coptic architecture to Ancient Egyptian architecture, seeing a similarity between the plan of ancient Egyptian temples, progressing from an outer courtyard to a hidden inner sanctuary to that of Coptic churches, with an outer narthex or porch, and (in later buildings) a sanctuary hidden behind an iconostasis. Others see the earliest Coptic churches as progressing, like those of the Byzantine and Roman churches, from the Greco-Roman basilica. The ruins of the cathedral at Hermopolis Magna (c.430–40) are the major survival of the single brief period when the Coptic Orthodox Church represented the official religion of the state in Egypt.
Thus, from its early beginnings Coptic architecture fused indigenous Egyptian building traditions and materials with Graeco-Roman and Christian Byzantine styles. The fertile styles of neighbouring Christian Syria had a greatly increased influence after the 6th century, including the use of stone tympani.
Over a period of two thousand years, Coptic architecture incorporated native Egyptian, Graeco-Roman, Byzantine and Western European styles.
After the Muslim conquest of Egypt, the influence of Coptic art and architecture on Egyptian Islamic architecture and the incorporation of some Coptic features in Islamic building in Egypt can be seen.This can be explained by the fact that the early Muslim rulers of Egypt, much like the Ptolemaic and Byzantine rulers before them, recruited native Egyptians to undertake the building labor. In later centuries, Coptic art and architecture also incorporated motifs inspired by Islamic styles In particular, very early examples of the pointed arch appear in Coptic churches from the 4th century onwards, and this became a notable feature of Islamic architecture, and may have spread from there to European Gothic architecture, though this whole area remains controversial among architectural historians, with many now seeing the origins among the Assyrians, from whom it spread to Persia, where it joined the Islamic style Aswan Egypt
Aconteceu na Pousada Ecológica Luar Lindo de 30 de novembro a 2 de dezembro de 2018 a FliGuamá 2018 - Festa da Leitura Infantil do Rio Guamá, em Ourém nordeste do Pará. Esta foi a terceira edição do evento literário comunitário que é a culminância das ações lúdicas de incentivo à leitura da Biblioteca Itinerante Infantil Barca das Letras com as crianças de comunidades tradicionais/originárias viventes ao longo do rio Guamá.
Marcaram presença crianças, pais, avós de comunidades originárias e tradicionais e estudantes de: Ourém tivemos o Quilombo Mocambo, Boi Bumbá Lapichinha, Comunidade Riacho e de Escolas Públicas de Ourém; Comunidade Santo Antonio(Capitão Poço); Aldeia Itaputyr Tembé Tenetehar(Santa Luzia do Pará).
Voluntários de Brasília, Belém, Ananindeua e Ourém trabalharam com muito amor para oferecer e fazer uma bonita festa para e com as crianças-leitoras, Durante todo o evento, foram distribuídos 500 livros de literatura infantil e gibis!
Fotos feitas por Kate Titan. Só utilize nossas fotos mediante expressa autorização de Jonas Banhos pelo email abaixo.
A FliGuamá é uma realização da Biblioteca Itinerante Infantil Barca das Letras e da Fundação Cultural de Artes e Esportes Mundico e Manola. Contou com o apoio cultural da Prefeitura Municipal de Ourém, da Vereadora Ebe Potiguar, dos produtores culturais Arlindo Matos e Jonas Banhos.
Contatos/doações/patrocínio via Lei Rouanet:
(61)98355 7232 - Jonas Banhos
barcadasletras@gmail.com
barcadasletras.blogspot.com.br
Origins of the culture palace "Ziemeļblāzma" date back to March 30, 1903, when entrepreneur Augusts Dombrovskis presented a land plot to the Abstinence Society "Ziemeļblāzma" and promised to look after the maintenance and development of it.
A ruined castle of unclear origin, it´s romanesque core is dated into late 12th Century, it was founded by German feudals in the far western part of Bohemia. It was besieged and plundered in 1459 because of being a base of bandits, renewed and modernized, badly damaged by all parties of the Thirty years war. A great fire destroyed it in 1668, and the renewal lasted another twenty years. It changed into a chateau in the next century, the famous German poet J.W.Goethe visited it several times (the owner was his close friend). The last owners were exiled after WW2, the castle was used by the army as a border guard school, later it served as a granary and stockpile for the forest service. It was intentionaly set aflame several times in the 80ies, and changed into ruins. A private owner bought it in 1997, founded an old style builder´s guild, and more than 1000 volunteers from 76 countries cooperated in the restoration, learning about old building methods and restoration work. There is still much to do, for many years, but the castle is now secured from dissolution.
Origins R2W come in single/two piece kurtees and 3 piece suits.
Origins is a very elegant Ready to wear fashion brand for women and was founded in 2010. In a short space of time it has has gained huge success in Pakistan with stores across the country and now with outlets in Dubai.
Origins outfits follow a design philosophy inspired by the spirit of the modern woman, yet embracing the very essence of heritage. A heritage defined by centuries of impeccable threadmanship in sub-continental fashion, and as a salutation to everything beautiful in life, yesterday, today & tomorrow.
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The "Mobile Ö1 Atelier" is set up on Linz’s Main Square (Hauptplatz) to mediate the encounter with science and the men and women behind the discoveries. Experts explain why basic research is so important and what sort of creative scope and developmental possibilities result from it. As a special treat for young people attending u19 CREATE YOUR WORLD, the Mobile Ö1 Atelier hosted a simulcast of lectures from KinderUniSteyr on Wednesday, August 31 and Thursday, September 1.
credit: rubra
3 of 4: This is a micro photo I found in 2015 and in 2015 I was simply not ready to read or understand these images. Let's make a go of this..... Notice how this ancient culture was able to create different narratives with light and dark pigments, using positive/negative imagery on an exponential scale.
In the upper left corner is the line of celestial lights that we see in our night sky, most likely indicating transit or travel across the span of celestial light in our galaxy.
In the lower right corner is an arched mound. Ordinarily I would assume that we are looking at our Terra Firma on Earth; however the symbols on the peak of the mound are a little too complex and diverse and when you widen the perspective of this image field the mound in the lower right quadrant is actually part of a fourth symbol in the exact outer shape as Rock No. 1. When you rotate this perspective comparing the different images using positive/negative light imagery; the narrative changes slightly. This particular North American mound site is relatively small with a severe cliff on one side of the mound; and I don't want to make a wrong assumption o the narrative in this image field. What I do see is a luminescent angular sky-boat within the interior of the mound in the lower right, and a group of elevated figures on the peak of the mound almost floating and elevated above the the full structure of a symbol mirroring Rock No. 1 (possibly representing our celestial realm we see in our night sky and supporting other previous micro image fields on this site).
Notice a full figure of a left-facing individual with a Classical Greek/Roman styled Dome cap as a headdress supporting and indicating lineage and origin mirroring the figure on the face of Rock No. 1. The Greek/Roman classical dome individual on the right is touching the face (kissing?) the figure on the left with the more rounded facial features, as shown other photos and stones on this ancient site; and these two figures are also surrounded with a multitude of figures of many kinds; this narrative appears more celestial that domestic to Earth. This micro image field came from a different stone that appears to tie everything together is a consistent narrative from stone to stone on this site.
There are three primary symbols in the center between the Galaxy Arch Line in the upper left quadrant and the symbol celestial arch in the lower right quadrant; this symbol representing the top of the symbol mirroring the outer shape of Rock No. 1. These three symbols sit above a fourth symbol representing a mirror image of Rock. No. 1 perhaps representing a portal with multiple destinations; perhaps representing a central transit passage in the center of our galaxy, like the center of a wheel with multiple surrounding spokes???
The symbol in the upper center is symmetrical with a pyramid symbol on the left-base, and a crescent arch classical dome symbol on the right-base......coincidence??? We have also seen this before.
I believe we are possibly looking at a similar diorama pictograph as the previous micro pictograph; most likely they were just created and executed by different individuals using slightly different artistic styles and raw materials? This image field is at approximately 30x's magnification and a slightly larger scale using different combinations of pigments than the previous micro pictograph in this series following a similar celestial origin narrative; North America, culture unknown.
These image fields in this series appear to show a similar portal with similar celestial individuals coming together forming a union of cooperation with each other, even though they clearly came from different points of origin holding different physical characteristics, and most likely different central belief systems. The figure with the Roman/Classical dome headdress with the Aquiline Nasal Bridge in the lower right is most recognizable within this micro image field helping clarify the central narrative of stones on this site.
Go to Page with image in the Internet Archive
Title: The medical mirror. Or treatise on the impregnation of the human female. Shewing the origin of diseases, and the principles of life and death
Creator: Sibly, E. (Ebenezer), 1751-1800
Creator: Royal College of Physicians of Edinburgh
Publisher: London : printed for the author, and sold by Champante and Whitrow, ... and at the British Directory-Office
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians in Edinburgh
Date: 1796
Language: eng
Description: Refr: ESTC T132647 Note: The plates are dated 1794 Cont: With a portrait of the author
This material has been provided by the Royal College of Physicians of Edinburgh. The original may be consulted at the Royal College of Physicians of Edinburgh
Royal College of Physicians of Edinburgh
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Originou-se a partir de um sonho pessoal, foi umas das primeiras ilustrações que fiz no período da graduação, quase toda criada com nanquim e seu acabamento todo realizado pelo Photoshop.
Origin: Great Britain. Period: 19th Century. 19th C Gubbins Hertfordshire Staffordshire Blue Transferware sauce tureen. Shop @ The HighBoy.
Un momento di valorizzazione del patrimonio culturale dei paesi di origine degli studenti UPS e dell’internazionalità della Comunità Accademica.
UPS 20/11/2024
Origin of the Chinese and then Japanese character (kanji) for 'middle/within'. Part of the 'Kanji of the day' series on webloginjapan.com. webloginjapan.com/category/learning-japanese/kanji-of-the...