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Origin: United States. Circa: 1950. Period: 20th Century. Gilded pagoda display cabinet with ornamentation and details including bamboo relief on double french doors with asian inspired incised and calligraphic gold leaf square metal handles. Imperial pagoda templed top with carved greek key design and bamboo chinoiserie cornice before the final templed top. Cabinet appears to be resting on a separate Chinese stand with bowed legs but is actually built as one piece. Marbleized mirrored interior back with interior lights at top and at center shelf. Two glass shelves included. This is a marvelous display cabinet rarely found in its original fantastic condition; great for a myriad of designed spaces. Shop@HighBoy
The proportion of the table against the kitchen backdrop is waaay off, but I'm still proud of this one. I think it turned out turbo cute
What a beautiful evening teaching the origins of Bhangra and some dance moves. Opportunity to experience nature and story though cinema, visual Sences and touch. Darnall Allotment Project we’re juicing apples and pears- delicious and the fish heads were amazing musicians. Culminated in a parade, an amazing meal and watching the 100th light come in along the canal at Victoria Quays. Just beautiful.
Info from the bare project. The Bare Project
The Light Tree Celebrations is a festival held in honour of a strange and magnificent tree that once grew on the Sheffield Canal. Maybe the existence of the tree is just a rumour, or the fever dream of an old boat-builder, or maybe it was really there. Whatever the truth is, we’re celebrating. Prepare to be pleasantly dazzled.
This celebration event marks the end of a three year project, led by The Bare Project and commissioned by the Canal and River Trust. The Bare Project have led creative arts, food, and permaculture activities, working with communities in Darnall, Attercliffe, Tinsley and the Wicker – neighbourhoods which sit alongside the Sheffield-Tinsley canal. The national project is called Into The Hinterlands, a national arts programme delivered by the Canal and River Trust in collaboration with regional partners, promoting wellbeing and connecting communities, with participatory events along three remote rural, urban and suburban waterways: Pontymoile, Sheffield and Enfield & Tottenham.
This project has also received support from The Talbot Trusts, the Darnall Area Trust Fund and Arts Council England.
For more information about the project, visit: thebareproject.co.uk/light-tree/
Taken with a Canon 400D, 50mm lens (1:1.8) 1/320, f1.8, ISO-200
Adjusted: Curves, Levels, Crop, Saturation, Colour Balance, Gaussian Blur
The story follows a Medjay named Bayek, and explores the origins of the centuries-long conflict between the Brotherhood of Assassins, who fight for peace by promoting liberty, and The Order of the Ancients—forerunners to the Templar Order—who desire peace through the forced imposition of order.
Le château de Montgivray et sa légende
Publié le 28/07/2015 à 05:35 | Mis à jour le 01/06/2017 à 19:00
Le château de Montgivray, dans son écrin de verdure, au pied duquel coule l'Indre, est à l'origine une commanderie et un hôpital. Ils auraient été construits vers 1130 par un vassal du seigneur de La Châtre, confie l'étude de l'historien de la commune, Robert Damien.
Le château passera de main en main, bon nombre de fois. Après 1591, il devient propriété d'Anne de la Forest, décédée à Ars, en 1646 ; une légende locale, longtemps conservée, voulait que la dame d'Ars revînt, chaque nuit de Noël, à minuit, un trousseau de clés à la main, ouvrir et visiter toutes les pièces de son château.
En 1750, le château est vendu par la justice, adjugé au sieur Perraud, avocat au Parlement, lieutenant particulier civil et criminel en la prévôté royale de La Châtre. Il appartiendra ensuite à Charles de Villeneuve, poursuivi en expropriation par son gendre, Hippolyte Chatiron, demi-frère de George Sand. Solange Clésinger, fille de l'écrivain, s'y installe en septembre 1873 et en devient propriétaire, le 26 septembre 1875.
Le château changera encore de mains jusqu'en 1956, année où la commune de Montgivray se rend propriétaire pour y installer la mairie. La municipalité actuelle, désireuse de faire partager son patrimoine local, ouvre quelques fois à la visite. On peut voir de très belles salles, telles que celles du palmier ou des vingt-neuf glaces qui fut la chambre de Solange Sand. La salle du conseil municipal, quant à elle, abrite les portraits des résistants de la commune tués pendant la Seconde Guerre mondiale. Le visiteur qui passera par Montgivray pour son havre de paix et la fraîcheur de son parc, ne pourra pas manquer, sur demande et selon disponibilité, de découvrir ce qui est sans nul doute le plus précieux des trésors de la commune : les peintures réalisées par Solange Sand sur les murs d'une des tours d'entrée du château.
Cor. NR : Évelyne Caron www.lanouvellerepublique.fr/indre/le-chateau-de-montgivra...
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6-7 October, 2023, Tunis. The UfM Workshops on Rules of Origin were held in Tunis on October 6-7, 2023 to provide both government and private sector stakeholders in Tunisia with insights into rules of origin, including transitional rules, and information on specific Harmonized System Codes relevant to various industries operating within pertinent trade agreements. Organized by the Union for the Mediterranean with the support of the German Development Cooperation (GIZ), more than 40 participants attended, with Ms. Alicia Figueroa from GIZ representing the UfM.
The workshops were divided into two distinct sessions, one for government officials and another for private sector representatives. The government-focused training module provided responsible staff officers with an understanding of the conceptual and legal aspects of rules of origin to facilitate stakeholder consultations during trade negotiations. Moreover, rules of origin handbooks were developed and practical coaching sessions were conducted to assist both government and private sector participants in understanding and applying these rules effectively.
The training sessions were carefully structured, progressing from the fundamental concepts of rules of origin, with a focus on the New Transitional Rules of Origin, to the more specific aspects of the Pan-Euro-Mediterranean Convention and its relevance to both preferential and transitional rules of origin. Additionally, they served as an occasion to present new administrative procedures and new product-specific rules of origin under the Transitional Rules of Origin and provide an update on new administrative processes.
Practical case studies drawn from various countries and economic sectors, covering different product types, were employed to illustrate how the Pan-Euro-Mediterranean Convention operates in diverse scenarios. Participants engaged with these case studies and had the opportunity to resolve them with guidance from an instructor, gaining further understanding of the correct application of rules of origin.
Given the inherent complexities of rules of origin, these sessions helped stakeholders comprehend the practical nuances of this critical aspect of international trade. Active interaction with the instructor fostered discussions and an exchange of ideas, with a question-and-answer sessions concluding each workshop ensuring that participants left with a more solid grasp of the topics covered.