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The Miller Center's David R. Goode National Transportation Policy Conference, which led to the publication "Well Within Reach: America's New Transportation Agenda." Held at the Miller Center in Charlottesville, VA. Pictured: Steve Heminger, Douglas Foy, Steve Lockwood, Adrian Moore, and Ron Sims.
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Macabro hallazgo en Caseros.
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Extraño y macabro episodio aconteció este fin de semana próximo pasado en caseros. Fueron hallados restos óseos humanos y ropa en las
inmediaciones de las calles Álzaga y Kenedy, sobre los terrenos del ferrocarril General San Martín.
Noticias de Tres de Febrero se acercó a la Comisaría Seccional Primera de Caseros y en diálogo con el Comisario Jorge Gómez nos hizo un breve
relato de lo acontecido.
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Ríspida y acalorada sesión en el HCD
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El viernes 10 de junio, habiendo el quórum reglamentario Agustín Ciorciari presidente del HCD, declara abierta la quinta sesión ordinaria del
Honorable Concejo Deliberante.
Saliéndose del orden del día el Concejal Bolischki pide un minuto de silencio en memoria de los ejecutados en los basurales de José León Suárez,
a 55 años de ese hecho.
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SE BUSCAN ACTORES
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INVITACION PARA PARTICIPAR DEL TEATRO ABIERTO.
LA DIRECCION DE CULTURA DE TRES DE FEBRERO INFORMA QUE LOS INTERESADOS EN PARTICIPAR DE “TEATRO ABIERTO”, SE ENCUENTRAN ANTE LOS ULTIMOS DIAS PARA
ANOTARSE EN LAS OBRAS QUE CUENTAN CON VACANTES. LAS OBRAS A REPRESENTARSE SON:
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Fumadores made in Tres de Febrero
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Nuevo revés a los fumadores: ley antitabaco y ahora aumento.
El tabaco no sólo es nocivo, adictivo y perjudicial para la salud, también es molesto para la gente que rodea a un fumador. Llegar a casa apestando
a tabaco tras una noche de fiesta o ver un delicioso plato de comida estropeado por el cigarrillo que fuman en la mesa de al lado, son situaciones que
parecen estar cerca de evitarse en los próximos meses. ¿será esto posible?
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SALIO NUESTRA REVISTA!!!
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Una buena Noticia.
YA ESTA EN LAS CALLES la versión escrita de nuestro portal
16 páginas a todo color, 20000 ejemplares.
Y una propuesta periodística mensual amplia y diversa.
Pero necesitamos tu colaboración para lograr la continuidad de este proyecto y es publicitar en la misma.
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Los microemprendedores tienen su espacio
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En el Palacio Municipal de Tres de Febrero cada dos meses se da espacio a micro-emprendedores del distrito para que puedan comercializar sus
productos, en una feria que dura dos semanas, montada en el hall de entrada.
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LOS JUGADORES DE BOCA VIENEN A TRES DE FEBRERO, PODES PARTICIPAR
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VENI A CENAR CON TUS IDOLOS DEL CLUB ATLETICO BOCA JUNIORS ...
LUNES 20 DE JUNIO - 20:00 HS
PIZZA - GASEOSA- POSTRE "LIBRE"
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Tres de Febrero : Si queres salir de la droga este es el lugar
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La Subsecretaría de Atención a las Adicciones del Ministerio de Desarrollo Social de la Provincia de Buenos Aires cuenta con una Red de Centros
Provinciales de Atención en Adicciones (CPA). Esta Red está conformada por una estructura de abordaje comunitario con modalidades ambulatorias y de
internación.
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Student Russell Bates is using thin strips of plywood we call "doorskin" to line out where the frames go in the 9-foot Grandy skiff.
The Grandy Boat Company was formerly located on Lake Union in Seattle, and made many hundreds of boats both large and small during a long tenure there from the early 1920's to 1967.
Here's a good web page about the company and it's boats: home.comcast.net/~btse1/grandy/grandymainpage.htm
Our students build these boats to lines and documentation taken by former instructor Tim Lee, from an original boat owned by The Center For Wooden Boats www.cwb.org in Seattle WA.
Grandy skiffs built by our students are usually between 9 and 14.5 feet long. They're lapstrake planked in western red cedar, with sapele stems, keels and transoms. Frames are White Oak or Black Locust. We build one to two boats like this each year. These small craft are some of our most popular boats.
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is a private, accredited non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the skills and crafts of fine wooden boatbuilding and other traditional maritime crafts.
We build both commissioned and speculative boats to US Coast Guard standards while teaching adult students the traditional wood and wood composite boatbuilding skills they will need to work in the marine trades.
We sell our boats to help support the School. Please feel free to give us a call should you like to discuss our building a boat for you.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
The University of Natural Resources and Environment (UNRE) students in Ho Chi Minh City took 350
configuration photos, to send the solidarity message from Vietnam to 350.org?
Ho Thi Cam Nhu
Volunteer Coordinator ?
CHANGE
5th FL, HT Building, 132-134 D2 St, WD 25, Binh Thanh Dist., HCMC
T:(+84)8668 13513 | M: (+84) 126 9876 335 | F: (+84) 8 222 61254
fr.wikipedia.org/wiki/%C3%89cole_nationale_v%C3%A9t%C3%A9...
Le jardin botanique créé en 1766. Sa renommée s’appuie sur une collection plantes mellifères (servant à faire le miel), toxiques et médicinales de grande valeur scientifique et patrimoniale. Autrefois exclusivement dédié à l’enseignement et à la recherche scientifique. Depuis 2003, les groupes scolaires, associatifs, de retraités viennent découvrir les plantes et leurs applications à la médecine et à l’alimentation au travers de visites guidées, à la biodiversité. Le maintien du jardin botanique est le fruit des efforts des bénévoles de l’Université Inter-Âge, des jardiniers et apprentis-jardiniers et des enseignants de l’ENVA.
Journées Portes Ouvertes ENVA 10 et 11 avril 2010 - entrée libre
Le programme horaire est en ligne! Les Journées Portes Ouvertes auront lieu le samedi 10 avril de 14h à 18h et le dimanche 11 avril de 10h à 18h sur le thème "Une nouvelle dynamique pour l'ENVA".
Seront au programme des informations cursus-métiers, des animations autour des chevaux et animaux de compagnie, des visites de l'école, du jardin botanique et du Musée, des découvertes des activités de l'école et de ses associations...
Spécificités 2010 : visites et ateliers au Centre Hospitalier, présentation du projet Grand Alfort, Bus"one world, one health".
Concert de la Gendarmerie Nationale le 10 avril à 18h30
2 Tarquinia : les fresques de la nécropole de Monterozzi
tarquiniaturismo.com/necropoli-etrusca/
fr.wikipedia.org/wiki/N%C3%A9cropole_de_Monterozzi
Parmi les 6000 tombes creusées dans la roche, 200 sont peintes, 19 sont visibles dans la Nécropole de Monterozzi, à travers une porte vitrée en bas d’un escalier, quatre sont visibles au musée de Tarquinia à partir de leur entrée, et une, La Tombe du Lit Mortuaire (Tomba del Letto Funebre), très détériorée, a été reconstituée à la Villa Giulia à Rome. Ce sont, en grande partie, des tombes à chambre : voûte à deux pentes et poutre faîtière simulée en terracotta (terre cuite) peinte, ne comportant qu'une seule chambre pour un couple. La qualité des détails donne des informations importantes sur les rites et coutumes étrusques, sur le banquet étrusque, sur l’habillement, les musiciens, les danseurs etc. Par exemple, on voit clairement, sur la photo 2_19, que l’aulos étrusque est une sorte de double hautbois, et non pas une double flûte comme on le dit trop souvent. On voit aussi que la cithare est tenue d’une seule main, celle qui joue, photo 2_37. Par ailleurs, dans l’histoire de la peinture, ces peintures sont particulièrement précieuses car il s’agit du seul grand ensemble de peintures du monde classique avant l’époque romaine, permettant d’étudier la technique : la variété des moyens chromatiques (substances minérales ou végétales), la ligne plus ou moins continue du dessin préparatoire qui définit les limites, la répartition des couleurs à l’intérieur.
Elles témoignent d'une relation étroite avec l'art grec et l'on suppose même que dans certaines tombes, les fresques ont été conçues par des artistes grecs en adaptant le goût, la couleur, les coutumes aux traditions du peuple étrusque. En dépit de l'influence grecque, les thèmes ne sont généralement pas grecs et la présence d'animaux exotiques, ainsi que d'une esthétique raffinée, indiquent une influence provenant d'Orient.
Les objets que ces tombes contenaient sont conservés localement, en partie au Musée archéologique National de Tarquinia.
Tombe des Lionnes (Tomba delle Leonesse)
Photos 2_02 à 2_12. Les "lionnes" qui donnent son nom au tombeau, représentées dans le tympan du mur du fond, sont en réalité des panthères, animal sacré de Dionysos. À l'exception du mur d'entrée, les peintures ont été conservées, montrant un thème dionysiaque tant par le choix des détails que par l'ensemble de la composition. Le plafond est orné d'un motif en damier, tandis que les murs sont marqués par six colonnes rouges qui donnent à la tombe l'aspect d'un pavillon couvert, avec des ouvertures vers l'extérieur. Au centre du mur du fond, au-dessus du cabinet du défunt, sont représentées deux danses différentes : à gauche une danseuse élégante, vêtue d'une tunique florale transparente recouverte d’un grand manteau, le tutulus sur la tête, évolue au rythme de la cithare. À droite, presque à l'opposé de la figure précédente, est reproduit un couple composé d'une femme enveloppée d'une tunique transparente et d'un homme complètement nu dansant au son d'un aulos. L’œnochoe que le jeune homme tient dans sa main gauche, ainsi que l'autre vase placé dans le coin derrière, pourraient nous faire penser à une danse orgiaque. Au centre de la scène se trouve un immense cratère à volute orné d'une couronne de lierre ou peut-être de feuilles de vigne, plante sacrée de Dionysos. La présence de cet objet et d'autres plats suggèrent que nous assistons à un symposium. En effet, les participants au banquet sont représentés le long des murs latéraux : ce sont quatre hommes, répartis par paires de deux sur les deux murs, allongés sur leur kline. Dans la partie inférieure des murs se trouve une frise de vagues qui représente des dauphins qui sautent (autre animal du mythe de Dionysos), et des oiseaux. (-550).
Tombe des Léopards (Tomba dei Leopardi)
Photos 2_13 à 2_20. Les plafonds mansardés sont ornés de rangées parallèles de damiers blancs, rouges et verts. Les mêmes couleurs se retrouvent dans les lignes qui délimitent la poutre faîtière et dans la série de cercles concentriques sur fond blanc que l'on retrouve à l'intérieur. Sur le mur central, les invités, trois couples mariés allongés sur des lits jumeaux, sirotent du vin et sont représentés la tête encerclée par une branche de myrte ; deux des femmes arborent des cheveux blonds. Il y a aussi deux serviteurs. Dans le tableau, les hommes ont un teint plus foncé, rougeâtre et hâlé, et tous ont le buste découvert ; au lieu de cela, les femmes ont le teint très clair et les cheveux blonds et sont toutes bien habillées, suivant ainsi les conventions artistiques utilisées par les Grecs. L'homme de droite tient un œuf dans sa main, symbole de renaissance, et l'exhibe. De ces fresques, il est possible de remarquer la richesse des détails, le soin du corps et de l'habillement des hommes et des femmes. La fresque du mur droit montre un danseur accompagné de deux joueurs. Le danseur, une tasse à la main, porte la tebenna, la robe étrusque typique. Le joueur au centre, celui vêtu de jaune avec des lignes bleues et rouges sur la robe, est un jeune homme jouant l’aulos, l’œil dessiné de face. On voit ici, photos 2_18 et 2_19, que l’aulos est une sorte de double hautbois, et non pas une double flûte comme on le dit trop souvent. Il y a aussi un joueur de cithare plus à sa droite. (-450).
Tombe du Triclinium (Tomba del Triclinio)
Photos 2_21 à 2_30. C’est la plus célèbre des tombes de Tarquinia et tire son nom du triclinium sur lequel les protagonistes sont allongés lors d'un banquet entouré de musiciens et de danseurs. Le plafond est à double pente, avec un dessin géométrique sur la colonne centrale et un motif en damier sur les pentes. Sur le mur du fond, on trouve trois couples d'hommes et de femmes à demi allongés sur leurs tricliniums, avec les serviteurs autour et devant les tables de nourriture. Sur les murs latéraux, il y a des musiciens et des danseurs : à gauche le joueur d’aulos et à droite le danseur avec le joueur de cithare. Les murs sont décorés d'une végétation qui sert de toile de fond à la scène, s'étendant également sur les murs latéraux. En bas, il y a une frise décorée de vagues de la mer et un cadre supérieur avec un lierre grimpant. Les oiseaux semblent écouter. (vers -470).
Tombe de la Chasse et de la Pêche (Tomba della Caccia e della Pesca)
La tombe, dont l’entrée est interdite, se compose de deux salles : dans la première se trouve une représentation de la danse dionysiaque dans un bois sacré, tandis que dans la seconde une scène de chasse et de pêche ainsi que les portraits des propriétaires de la tombe. L'entrée de la tombe mène à l'antichambre, dont la porte s'ouvre sur la chambre principale. À travers la vitre, la visite ne permet de voir qu’une partie du mur du fond. Un jeune homme tire des oiseaux à la fronde, sur une barque comportant un œil porte-bonheur à la proue il y a quatre jeunes hommes dont sont nus, un dauphin saute devant la proue, au-dessus volent des oiseaux marins (peut-être des canards sauvages), la mer est violacée. La fresque comportant le petit garçon à chemise bleue qui s’agrippe pour grimper et le garçon nu qui plonge dans la mer se trouve, malheureusement, dans une partie de la tombe qu’on ne peut pas voir depuis la vitre. (-550).
Tombe des Bacants (Tomba dei Baccanti)
Photos 2_37 à 2_40. Ce tombeau appartient à la série "archaïque" des tombes de la nécropole des Monterozzi, quand il y avait encore des rois à Rome. Sur le mur du fond à gauche, un homme nu joue de la cithare, photo 2_37 : on voit très bien comment l’instrument est tenu, d’une seule main. Sur le mur latéral gauche d'autres hommes, peints légèrement plus clairs (peut-être des esclaves) jouent et dansent, nus : une orgie se déroule dans le bosquet habituel de l'au-delà avec des arbres aux feuilles vertes. Sur le tympan du mur du fond, il y a une grande colonne avec deux lions chassant une gazelle de chaque côté. La main qui a peint le Tombeau des Bacchantes était probablement de l'école grecque et était la même qui a également peint les Tombes des Cardarelli, Claudio Bettini, de la Flagellation et des Morts. (entre -510 et -500).
Tombe des Jeux Olympiques (Tomba delle Olimpiadi)
Photos 2_41 à 2_47. Sur le mur du fond, une fausse porte est représentée au centre. Des symposiums avec des couples d'hommes sont représentés sur les tympans. Sur le mur latéral droit une grande frise illustre les jeux funéraires : course, saut en longueur, lancer du disque, boxe. Sur le mur de gauche, il y a une course de chars, dont le dernier s'est renversé et l'aurige a été jeté en l'air. (vers -600).
Tombe des Biges (Tomba delle Bighe)
Photos 2_48 à 2_50. Le long des murs se trouvent deux frises. Dans la petite frise, à fond blanc, sont représentés des jeux funéraires : courses de biges (8 tours de piste), exercices de chevaux, lutte, pugilat etc. (-500)
Tombe Bettini (Tomba Bettini)
Photos 2_51 à 2_54. La tombe se compose d'une seule chambre avec un plafond à pignon. Il a été récemment dédié à la mémoire de l'architecte qui s'était occupé de la restauration et de la conservation des tombes étrusques peintes de Tarquinia. Sur le mur du fond, une scène de banquet avec deux "klinai" (lits conviviaux) sur lesquels sont allongés deux couples d'hommes, derrière et à côté d'eux des femmes debout. Sur les murs latéraux se trouvent des scènes de danse et de musique, se déroulant dans un bosquet peuplé d'oiseaux, avec de petits arbres décorés de festons. (-450).
Tombe du Navire (Tomba della Nave)
Photos 2_55 à 2_61. La tombe se compose d'une seule pièce rectangulaire avec un plafond à double pente. Sur le mur du fond sont représentés quatre couples de banqueteurs allongés sur des klinai (lits conviviaux), richement décorés, servis par des échansons nus. Musiciens et danseurs animent le banquet qui se déroule en plein air comme le suggèrent les jeunes arbres. Sur le mur de gauche est représenté un cargo à voile à deux mâts. À droite de la scène, le propriétaire de la tombe est représenté regardant les navires. (vers -500).
Tombe Moretti (Tomba Moretti)
Photo 2_62. La tombe a une seule chambre avec un plafond à pignon et une colonne centrale peinte en deux tons de rouge. Sur le tympan du mur du fond sont dessinés deux lions se faisant face sur les côtés du support de la poutre centrale. Sur le mur du fond sont représentés, de gauche à droite, un joueur d’aulos, un arbre, un personnage masculin (probablement un esclave puisqu'il est peint en marron clair) tenant un kylix à la main, un autre arbre et enfin (en clair) une figure féminine sur un canapé (ou quelque chose de similaire), probablement la défunte. Enfin, sur les murs latéraux, on trouve des peintures de danseurs alternant avec des arbres. (-500 ou -490).
Tombe de la Gorgoneion (Tomba del Gorgoneion)
Photo 2_63. La tombe se compose d'une grande chambre avec un plafond à pignon et une plateforme surélevée le long des murs. La grande frise sur les murs représente une série d'arbres avec des oiseaux en vol ou sur des branches. Sur le mur du fond, deux jeunes gens se saluant sont représentés parmi les arbres. (peu avant -400).
Tombe du Guerrier (Tomba del Guerriero)
Photo 2_64. Sur le fronton du mur du fond on peut voir deux coqs se battre entre deux panthères. La scène principale concerne deux couples allongés sur des klinai (lits conviviaux) assistés de musiciens et de jeunes servantes. Sur les murs latéraux sont illustrées des scènes de jeux funéraires et la danse d'un guerrier. (peu avant -500).
Tombe de Deux Toits (Tomba dei Due Tetti)
Photos 2_65 à 2_67. La tombe a un pilier au centre de la chambre orné d'une figure de Charon. Sur le mur de droite se trouve une frise figurative, miniaturiste, dans laquelle est représenté le voyage du défunt vers Hadès. (-200 à -150).
Tombe des Charons (Tomba dei Caronti)
Photos 2_68 à 2_70. C’est un exemple de tombe hellénistique à deux niveaux avec un vestibule. Au premier étage se trouve une chambre, équipée de plates-formes, utilisée pour les cérémonies cultuelles : de celle-ci on pénètre dans les deux chambres sous-jacentes auxquelles on accède par un escalier étroit et raide, où a eu lieu la déposition. Sur les murs de la chambre haute, appelée vestibule, sont sculptées deux fausses portes, sur les côtés desquelles est représenté le "Charon", un démon de la mythologie étrusque qui a pour tâche d'accompagner les âmes aux Enfers. (-300 à -250).
Tombe des Jongleurs (Tomba dei Giocolieri)
Photos 2_71 à 2_74. Le nom dérive du sujet de la décoration peinte sur les murs, destinée à célébrer les jeux et les danses en l'honneur du défunt. La tombe, fouillée en 1961, se compose d'une seule pièce, avec un plafond à pignon. Au sol se trouvent les niches pour les pieds de l'unique lit funéraire. (-600).
Tombe du Pavillon de Chasse (Tomba del Padiglione di Caccia)
Photo 2_75. La tombe se compose d'une seule chambre quadrangulaire, avec un toit à pignon. La tombe représente un pavillon, une tente, qui est érigée lors des parties de chasse. Le tissu qui compose les murs est léger, presque imperceptible, et permet à ceux qui se trouvent à l'intérieur du pavillon de voir le paysage extérieur. En dessous, les murs latéraux et le mur du fond sont occupés par une haute plate-forme continue où étaient placés les objets funéraires et en position centrale la kline, ou lit funéraire, avec le corps du défunt. (peu avant -500).
Hello, My name is Paul, I'm actually named after the late greatest actor of our generation... Paul Walker. I was rescued from the street in front of my foster's home where I was in danger of being hit by multiple cars. People tell me that I'm between a year or two old, but I am very much still a puppy and am very excitable. My coat is mostly a very even brown that has a few areas on my head and chest of white. I'm about 50 pounds, but I will probably gain a little weight as I was very underweight when originally found. My ears have been cropped by my previous owner and I have amber colored eyes. I enjoy eating anything really and I can be very food motivated, I haven't really been eating anything special, but I love any treats that come my way. I am extremely friendly to everyone I've met, other dogs, people, I'm just excited to have any kind of attention. I have a ton of energy when my owner comes home, but I settle down and like to relax during the evening by laying in my kennel and chewing on a bone. My perfect day would start with a morning walk around the neighborhood, I love to do anything athletic to get my energy out, so hiking, running, playing in the park... anything you want to do. I love going for rides in the car, so we can go anywhere you want, I just love fresh air. After getting my energy out, I'm very content sitting next to the couch and chewing on any of my toys, my favorite toys are the toughest ones and bones. Right now, I've been working on learning a few tricks and I've mastered sit and shake, I'm currently working on lay down and stay. I haven't had a lot of training, but I am extremely patient and I am very eager to please. I can't really think of anything that scares me (we haven't had any thunderstorms lately, so I can't remember if they bother me or not). When I see something in the yard from the window, I'll bark, but I'm not scared. As far as cats go, I'm very curious about them and I have tried to get one to play on occasion, but if they aren't interested I tend to give them some space. Instead of playing with the cat, I always play with my other dog friends (I have one at home and very routinely play with others). We get along great, and one of my favorite things to do is play tug-of-war with my roommate. As far as where I'd like to live, I can't say it really matters... wherever I can get the attention and exercise I enjoy, I'll be happy. When I was rescued from the street, I was very under weight and my health was suffering. Since then, my vet has given me excellent care and my foster has helped me gain enough weight to regain my health. I currently do not have any health issues and I have been living at my foster home for about a month. I live with my foster dad, his dog, and his roommate. I'm close to my foster dad, but I also love hanging out with his roommate. When I am home alone, I stay in a crate in the living room where I like to relax and chew on my toys. In the evenings I'll also relax in my crate since it's very comfortable, but when it's time for bed I usually sleep at the foot of my fosters bed where I am well behaved through the night and wouldn't dream of waking anyone up in the middle of the night(or too early in the morning). I really enjoy my foster home because I get a lot of attention, my fosters make sure that I'm always part of any activity. They make sure that while I'm involved, it's also a learning experience and I appreciate everything they've done for me(especially the getting me off the street part). Before my foster let me in his home, I was just wandering the neighborhood. Before that, I honestly can't remember what happened, but I appreciate all the help people have given me to help me get on my feet. Now I just need a loving home to call my own.
Appears in the camera-wiki.org article Film.
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This is an original work by Ross Orr (Voxphoto) and is licensed as creative commons BY-NC-ND 2.0.
40 x 49 - Center star flimsy was donated to the Quilts for Kids organization - I added the scrappy batik border, quilted and finished the top.
AHS Ames High School Alumni Assoc - Ames, IA. ameshigh.org - reunions - photos - newsletters - authors - calendar - news - deceased - email - letters - join AHSAA
The Ames High School Class of 1978 40-Year Reunion was held Friday, Saturday September 28 and 29 2018 in Ames Iowa, and it was FUN!!
ALL AHS class of 1978 photos. Click here
1978 AHS 40th reunion photos from Sep 2018 are here
AHS 1978 40th reunion info on AmesHigh.org
Welcome back Class of 1978 Ames Senior High School !!
Ames High School class of 1978 40-year post reunion summary
The 40th reunion was so fun !! The class of 1978 is quickly becoming one of the most connected classes out of all the Alumni classes at AHS, as approximately 102 1978 classmates met and re-connected on Friday Sep 28 2018 at North Cyde restaurant in North Ames, Iowa.
Saturday, September 29 we all toured the High School then 100+ classmates met again later that day at the American Legion on Main street for a banquet, group photos, a short program and then another wonderfully enchanted evening of re-connecting with old friends. It was so much fun to see classmates we had not seen for so long, in some cases not since AHS days 40 years ago. We all have journeyed 40 years to get back together again. Ever so special to have friends that span most, if not all of your life, especially after 40 plus years. Then we shed a tear and said our goodbyes and we hope to see you again soon, maybe in 5 years.
1978 all photos album
Saturday evening photos courtesy #photobyEdHendricksonJr
#ameshighclassof1978 #1978ahs #40th #40-year-reunion #1978AHS40
AHS Ames High School Alumni Assoc - Ames, IA. ameshigh.org - reunions - photos - newsletters - authors - calendar - news - deceased - email - letters - join AHSAA
Meeting with Mr. Ralph Tarraf EU Representative for West Bank & Gaza Strip Former German Ambassador to Jordan.
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UNESCO Tentative List;
whc.unesco.org/en/tentativelists/5406/
Aphrodisias lies in southwestern Turkey, in the fertile valley of the Dandalas River, a tributary of the Meander, about 150 kilometres east (inland) of the Aegean Sea. It is situated at the base of the Babadag mountain range, at 500 m above sea level. The city was the capital of the ancient Roman province of Caria.
The ancient city of Aphrodisias is one of the most important archaeological sites of the Greek and Roman periods in Turkey. Famous in antiquity for its sanctuary of Aphrodite, the city's patron goddess, Aphrodisias enjoyed a long and prosperous existence from the second century B.C. through the sixth century A.D. Today, many of the city's ancient monuments remain standing, and excavations have unearthed numerous fine marble statues and other artifacts. The great beauty and extraordinary preservation of this site combine to bring the civic culture of the Greco-Roman world vividly to life.
Aphrodisias was founded on the site of an ancient local sanctuary in the second century B.C., according to the date of the earliest coins and inscriptions found in the site. In the late first century B.C., the city came under the personal protection of the Roman emperor Augustus, and a long period of growth and good fortune ensued. The first several centuries A.D. were especially prosperous, and most of the surviving buildings of the city date to this period. In the fourth century, Aphrodisias became the capital of the Roman province of Caria. The cosmopolitan character of the age is demonstrated by the presence in this city of an active Jewish community, attested in a famous inscription listing benefactors of the local Synagogue.
The first systematic excavations at the site were begun in 1961 under the aegis of New York University, and yielded many remains of the city's central monuments. In addition to the Temple of Aphrodite, major areas of investigation included the Bouleuterion or Council House, and the Sebasteion. The Sebasteion, a religious sanctuary dedicated to Aphrodite and the Roman emperors, is one of the most remarkable discoveries of Roman archaeology. It is one of the best-preserved examples of a Roman imperial cult complex, and is decorated with an extraordinary series of life-size marble reliefs (originally almost 200), which depict Roman emperors and imperial family members from ca. A.D. 20 to 60, as well as, personifications of the subject peoples of the Roman empire, and mythological heroes and gods. The reliefs provide an unparalleled insight into how Roman imperial power was understood from a local perspective. Other important public buildings are the Theatre, the Hadrianic Baths, and the Stadium; the latter seated 30,000 people, and is the best-preserved of all ancient stadiums. The buildings of the site are remarkable not only for the preservation of their architecture, but also for the many inscriptions, statues, reliefs, and other objects associated with them.
Aphrodisias is well-known for its fine sculpture. Good marble quarries are located only a few kilometres away from the city, and by the Late Hellenistic period, a strong local tradition of marble sculpture had already taken root. In later generations, Aphrodisian sculptors are known to have worked abroad on prestigious commissions, for example, at Hadrian's villa at Tivoli. The sculpture from the site is characterized by virtuosity and variety. Excavation has uncovered statues of, for example, gods, heroes, emperors, orators, philosophers, and boxers, as well as a great range of ornamental and figured relief. The finds range from grave reliefs of the second century B.C. to statues of the last Roman governors of the sixth century A.D. Many sculptures from the site already occupy key positions in the history of ancient art.
The studies for a site management plan were started according to a protocol between the Ministry of Culture and Tourism and the Geyre Foundation dated to 08.11.2007.
sacpros.org is a leading mental health website for the Greater Sacramento region that publishes the Empowerment Magazine
The Kimmel Center for the Performing Arts announces the return of the Philadelphia International Festival of the Arts (PIFA), taking place across the venues of the Kimmel Center’s campus, as well as select locations throughout the city, from April 8 through April 23, 2016. A 16-day celebration of art and community, PIFA showcases innovation and a breadth of local and international performances and installations, all curated by the Kimmel Center for the Performing Arts. With more than 60 events across genres and art forms, PIFA is bookended by Article 13 – a grand-scale fire and sand installation that tells the story of immigrants around the world – which serves as the grand opening of the Festival and culminates with the celebrated PIFA Street Fair.
In this third installment of PIFA, the curatorial vision illustrates the concept “We Are What We Make.” The Festival will explore how our humanity is shaped, changed, inspired, and challenged by the world we create, all displayed through a variety of performing and visual arts. A massive installation by Mimi Lien – recipient of a 2015 MacArthur Genius Award – will consume the lobby of the Kimmel Center, bringing this vision to life and will be on display throughout the Festival.
PIFA’s highly anticipated finale transforms six blocks of Broad Street (between Chestnut and South Streets) into Philadelphia’s ultimate FREE block party. Featuring dozens of performances, rides, a zip line, popular food vendors, and this year’s centerpiece – an enormous waterfall in the center of Broad Street.
PERFORMER HIGHLIGHTS
Squonk – Pittsburgh’s Squonk Opera presents Lady Pneumatica, a 40-foot tall inflatable accordion sculpture of a woman that plays music.
Flippen Out – Extreme trampoline athletes/acrobats/artists performing high-energy stunt shows.
The Living Vines – Back by popular demand from the 2011 PIFA Street Fair, the Living Vines performers walk around on stilts, dressed in vine and flower costumes camouflaging themselves as part of their surroundings.
Golden Mantises – Also back by popular demand from the 2013 PIFA Street Fair these beautiful, larger-than-human bugs with costumes made from handmade wicker baskets delight audiences.
Cirikli Birds – Colorfully plumed wooden puppet birds controlled by stilt performers who interact with the audience.
Wheelmen – Old-timey characters on old-fashioned bicycles.
Peak 7 Adventures
About Peak 7: We are dedicated to challenging people to discover who they are in relation to who God is. We accomplish this goal through rafting, kayaking, hiking and camping. We have prepared several exciting itineraries throughout the Pacific Northwest, but are more than willing to tailor our adventure trips to meet the needs of specific groups.
Peak 7 Adventures has great ACA certified raft guides in the Northwest, ACA certified kayak instructor, and high-experienced volunteers that make the trips happen. By the end of your Peak 7 Adventures experience we hope you will have had an unforgettable time and appreciate the outdoors more, thereby appreciate its Creator as well
AHS Ames High School Alumni Assoc - Ames, IA
ameshigh.org - reunions - photos - newsletters - authors - calendar - news - deceased - email - letters - join AHSAA
Central Junior High School 7th Grade Homeroom 215 with Miss Marten 1968 - 1969 Ames Iowa.
Large size of this photo click here
From 1969 Echo Yearbook
Seventh
BACK ROW: (Left to Right) Miss Marten, Debbie Spencer, Robin Warren, Kay Jones, Bruce Robb, Andy Orngard, Pat Coyle.
THIRD ROW: Karen Burkhart, Teri Hough, Rob Hagen, Susan Trcka, Goga Bal, Jeff Brown, Jennifer Roberts.
SECOND ROW: Cindy Dale, Cathy Beard, Len McGilliard, Bridget Larson, Carey Lindey, Melissa Gay, Teggy Shinn
FRONT ROW: Doug Sorem, Tony Irwin, Don Hutchins, Sue Overturf, mary James, Ted Riggs, Absent - Kevin Ferguson, Janet Arp, Kim Trickey.
Kodak 5300 flatbed All-in-one scanner to scan photo from yearbook
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Theodore Philip Riggs
Ted Riggs
March 28, 1956 - August 4, 2015
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Len was an exceptional athlete and died so so young. We still think about you and miss you have a century later.
Published in the Ames Tribune Feb 23, 1976 credit to the Ames Library archives and Ames Tribune.
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Len McGilliard Obituary
Len Greyson McGilliard Obituary
March 23, 1956 - February 20, 1976
Memorial services for Len G. McGilliard
Memorial services will be held for Len Grayson McGilliard 19 of 103 Hunziker Circle Tuesday at 7 PM from the Northminster Presbyterian Church, the Rev Warren Framh will officiate.
Mr. McGilliard died Friday, February 20, 1976 at University Hospital in Iowa City of leukemia. His wishes were to donate his body to medical research.
He was born March 23, 1956 in Lansing Michigan. He came to Ames in 1957 with his family. Mr. McGilliard attended Ames schools graduating from Ames high school in 1974. He attended Iowa State University and was a member of Sigma Alpha Epsilon fraternity.
Mr. McGilliard is survived by his parents. Mr. and Mrs. A Dare McGilliar 103 Hunziker Circle, a brother Lance, a sister Lourann and grandparents Mr. and Mrs. Glenn Mason of Ponca City Oklahoma and Mrs. P C McGilliard of Stillwater Oklahoma.
He was preceded in death by an infant brother.
A Memorial fund has been established. Gifts may be left at the home or at the First National Bank.
Steven’s memorial chapel is in charge of arrangements.
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More photos from the 1969 Echo Yearbook
Homeroom HR 215 215 class photo scanned from the 1969 ECHO Central Junior High yearbook
Homeroom HR 302 from the above 1969 Echo yearbook
Homeroom HR 115
Cover of Echo yearbook these photos are scanned from.
Homeroom HR 316
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Deanna Cremin Memorial Foundation • Google™ Search
This is for the Fix My Pic Please group
from a beautiful original by Jenny Romney titled Samantha.
Thank you Jenny Romney for letting me work on your wonderful photo.
Tutorials | Photo Editing Selection Tools • Fix My Pic • Please Teach Me :)
the Lasso Tool • GrfxDziner.com
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Who**e**sh, a luganda rapper speaks to the urgent need for climate actionm 12 May 2017 as part of Global Divestment Mobilisation.
Photo credit: John Hillary Balyejusa
Go to the Book with image in the Internet Archive
Title: United States Naval Medical Bulletin Vol. XII No. 2, April 1918
Creator: U.S. Navy. Bureau of Medicine and Surgery
Publisher:
Sponsor:
Contributor:
Date: 1918-04
Language: eng
PREFACE<br /><br />SPECIAL ARTICLES:<br />Nonphysical Standards for Naval Aviators<br />by Assistant Surgeon R. P. Parsons, U. S. N.. ....... 155<br />Plates Illustrating the Pathological Effects of Some of the Common Poison Gases in Use by Germany<br />by Assistant Surgeon G. M. Mackenzie, U.S. N. R. F.. . . . . . 173<br />Organization and Equipment of Navy Hospital Units.<br />By Medical Director T. W. Richards, U. S. N .............. 184<br />The Examination, Detection, Isolation, and Treatment of Meningococcus Carriers.<br />by Medical Inspector P. S. Rossier, U.S.N., and Assistant Surgeon <br />.A. J. Minakcr, U. S.N. R. F................. . . .. . . . . 195<br />Laboratory Detection of Carriers of Meningococci.<br />by Assistant Surgeon C. W. Barrier and Assistant Surgeon R. M.<br />Choisser, U.S. N........... . ..................... ..205<br />The Control of Diphtheria Carriers and Suspects, City Park Barracks, Brooklyn, N.Y.<br />by Passed Assistant Surgeon G. B. Whitmore, U.S.N., and Assistant Surgeon J. W. Smith, U.S. N. R. F... . .. . . 212<br />Commissary Work at the United States Naval Hospital, Mare Island, Cal.<br />by Pharmacist R. E. Weaver, U.S.N.. ....217<br />The Preparation of Colloidal gold.<br />by Assistant Surgeon Frederick G. Speidel, U.S.N., and Assistant Surgeon J. W. Smith, U.S. N. R. F...... ......... . .... 220<br /><br />HISTORICAL:<br />The Medical School of Salerno, 848-1811 A. D. . .. . . . . .. . . . .. . . .. . . . 225<br /><br />EDITORIAL:<br />Concert Pitch. The Oil Immersion Versus the Low-Power Objective.... 243<br /><br />SUGGESTED DEVICES:<br />A Substitute for the Sailor's Hammock.<br />by Medical Director C. P. Kindleberger, U. S.N. .......... . 251<br />Automatic Drinking Cup Sterilizer.<br />by Passed Assistant Surgeon W. L. Mann, U. S. N. . . . . . 253<br />Form for Daily Sanitary Reports.<br />By Medical Inspector R. W. Plummer, U.S. N........ .. .. . .. ... ... 255<br />A Garbage Bin for Use on Naval Transports ...... 256<br /><br />CLINICAL NOTES:<br />The Handling of a Fracture Case at Sea.<br />by Passed Assistant Surgeon C. C. Kress, U.S. N... ......... 257<br />Death Following Salvarsan.<br />By Medical Inspector R. A. Bachmann, U. S. N.<br />Comment by the U.S. Naval Medical School.................. .. ... 262<br />A Case of Syphilis of the Lung.<br />by Passed Assistant Surgeon A. B. Davidson, U.S. N., and Assistant Surgeon E. Callaway, U.S.N.R.F.... .............. ...... . 266<br />A Case of Fracture of the Os Calcis.<br />by Assistant Surgeon Surgeon G. S. Whiteside, N.M.R.C... ... .. .... 267<br />Extraction of a Supernumerary Tooth.<br />by Dental Surgeon W.A. Cauch, U.S. N. R. F. ..................... 270<br /><br />PROGRESS IN MEDICAL SCIENCES:<br />GENERAL MEDICINE.- Carrier problem in cerebro-spinal fever.-Pollen<br />extract therapeusis of hay fever,-Immune response in renal tuberculosis.-Reactions to altitude in the tuberculous.-Prevention of malaria..... 271<br />MENTAL AND NERVOUS DISEASES.-Diagnostic value of spinal fluid and<br />Wassermannn test in psychiatry .-Newer concepts of the neuroses. Syphilis of the central nervous system. .. . ....... ... 279<br />SURGERY.-Sterilization and closure of suppurating fractures. Exploratory laparotomy, its use and misuse. Septic teeth; their surgical treatment.- Removal of dead teeth................... . . . 282<br />HYGIENE AND SANITATION.-Prevention of nuisances from flies and putrefications. Treatment of scabies.-Use of the soy bean as food .-Baths and bathing .................... 288<br />PATHOLOGY, BACTERIOLOGY AND ANIMAL PARASITOLOGY.-Cultivation of tubercle bacilli from circulating blood in miliary tuberculosis. Wassermann reaction with diabetic sera . . .......... 293<br />CHEMISTRY AND PHARMACY.-A Substitute for lanolin and the preparation of cetylic alcohol ........ ............. ......... . .... 295<br />EYE, EAR, NOSE, AND THROAT.-The detachment of the retina and Muller's resection of the sclera.-The lingual tonsil.-Tubercular conditions.... 298<br />MILITARY, LEGAL AND INDUSTRIAL.-Camp and trench sanitation.-Treatment of chlorine-gas poisoning.-Medical aspects of aeroplane accidents . Legal enactments against syphilis in 15th Century.- Chicago City Council's Ordinance for Control of venereal disease.- Civilization and stature. Longevity.-Census Bureau's Summary of Mortality Statistics for 1916.. ........... . ..... .. .. 300<br /><br />REPORTS:<br />Sanitary Notes from a Marine Training Camp.<br />by Passed Assistant Surgeon W. L. Mann, U.S. N ........ ... ....... 327<br />Mobile Laboratory Units.<br />by Medical Director E. R. Stitt and Passed Assistant Surgeon G. F.<br />Clark. U.S. N .. . . . . . . . . . . . . . .331<br />Wounds Like Those of War Occurring in Civil Practice.<br />by Assistant Surgeon W. M. Brunet, U.S. N. R F................... 336<br />Report of Cases Treated on the U.S.S. "Old Colony" during the Halifax Disaster.<br />by Assistant Surgeon H. C. Petterson, U. S. N. R. F................. 341<br />BOOK NOTICES ......342<br />NOTICE TO SERVICE.CONTRIBUTORS.................345
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Inspirational Christian Movie "Awakening Amid Judgment" | Have You Found the Path to Have Your Sins Cleansed?
After Li Jie accepts the work of Almighty God in the last days, she thirsts for God's word and forsakes everything to expend for God. Two years later, she is chosen as a church leader. As she performs her duties, the arrogance, conceit, and desire for fame and benefits of her satanic nature are exposed time and again: When she sees the sister she is partnered with promoted, she becomes jealous, and finds herself living in a negative state; at meetings, she deliberately exalts and testifies herself while belittling her coworkers, and tries to make her brothers and sisters look up to and admire her. Because she doesn't pursue truth, and instead walks the path of an antichrist and pursues fame and status, she loses the work of the Holy Spirit, cannot do practical work, and is dismissed from her leadership duties. After losing her position, she finds herself trapped in refinement, and through reading God's word and reflecting on herself, she comes to realize she was compelled to pursue fame and status, resist God, and rebel against God against her will by the arrogance and conceit of her satanic nature. In the judgment and chastisement of God's word, she finally awakens, and sees clearly that the essence of her pursuit of fame and status is to walk the path of an antichrist. She begins to hate her satanic nature, and comes to understand that only by pursing the truth, fulfilling the duties of a creature of God, and obeying, loving, and satisfying God can she succeed in her belief in God and be approved by God. Later on, she focuses on pursuing the truth and soundly fulfilling her duties, and no longer relies on Satan's toxins to live, but rather lives by practicing the truth and relying on God's word. Gradually, she escapes the bondage of fame and status, and her soul finally gains freedom and release.
Recommended More:
1. 11 Free Christian Movies Based on True Stories
2. 15 Award-winning Christian Movies
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Ulysses Simpson Grant III (July 4, 1881 – August 29, 1968) was the son of Frederick Dent Grant, and the grandson of General of the Army and President of the United States Ulysses S. Grant. He was an American soldier and planner.
Grant was born in Chicago and educated in Austria, where his father was the U.S. Minister, as well as in the United States. He attended Columbia University until 1898 when he received an appointment to West Point. He graduated sixth in his class in 1903 (Douglas MacArthur graduated first in that class).
Grant was chairman of the Civil War Centennial Commission from 1957 to 1961. He resigned from the commission due to the illness of his wife and also because of the controversies that developed in planning commemorative events for the centennial of the American Civil War. The centennial celebration began at Grant's Tomb with a twenty-one gun salute and was attended by cadets from West Point. A major controversy developed when ceremonies were to be held at Fort Sumter in South Carolina. A black woman member of the Centennial Commission was denied a room at a Charleston, South Carolina hotel. The NAACP protested this vigorously and called for protests and boycotts of any centennial celebrations. It accused the Centennial Commission of being pro-South and not forcing the hotel to allow blacks in, especially on official business. General Grant made the statement that the Centennial Commission was not responsible for state laws.
The centennial was built on a racially exclusive interpretation of the Civil War era. This interpretation denied agency to blacks and downplayed the significance of those events, notably emancipation and Lincoln’s use of African American troops, which dominated the marginalized black folk memory of the Civil War. It also celebrated the common courage of northern and southern whites and derided Reconstruction as an ill-conceived attempt to impose racial equality on gallant ex-Confederates.
Ulysses Grant and Karl Betts were conservatives with abundant empathy for southern whites. Neither they, nor the southern state commissions, were interested in fostering public awareness of the role that blacks had played in the Civil War. Unhappily for them, the centennial coincided with the civil rights movement and by the end of 1961, the year of the Freedom Rides, the event was on the verge of collapse.
One incident did more than any other to undermine the commemoration. In April 1961 the CWCC held its national convention in Charleston, South Carolina. The meeting would have attracted little attention had not liberals on the New Jersey commission engineered a crisis by demanding that one of their black delegates should be accommodated at the segregated convention hotel. When Grant and Betts refused, the New Jerseyans urged a boycott of the meeting. Uproar ensued and the liberal media and the NAACP called on the Kennedy administration to intervene. The new president requested the CWCC to avoid racial discrimination while his aides engineered a face-saving compromise involving the transfer of the convention to the desegregated Charleston Navy Yard.
The deal failed to get the centennial back on track. When a heavily commercialized reenactment of first Bull Run prompted another torrent of negative publicity in July 1961, Betts and Grant resigned. Their successors, Allan Nevins and James I. Robertson (both professional historians), cultivated a more academic approach to commemorative events and in doing so helped to ensure that the project limped on until 1965. But there were losses as well as gains from this policy shift. Most Americans forgot about the centennial. And the impulse to accommodate southern whites meant that little was done to incorporate the black emancipationist memory into events.
Sesquicentennial planners must be alert to the constructed Civil War memories of participating groups without necessarily prioritizing inclusiveness, political correctness and consensus over what we, in these post-modern times, might quaintly call truth telling.
Southern whites, for example, must be shown what they were not shown in the 1960s: That they seceded and fought primarily to protect slavery and defend the racial order that was based upon it.
Southern whites should be aware too that their forebears did not fight as one for the Confederacy and that some actually fought for the Union.
Americans more generally would benefit from knowing that the Civil War was a brutish event. The ghastly stench of death, not the romance of war, should pervade this commemoration in a way that it did not during the centennial.
Finally, centennial organizers made a profound mistake in envisioning the Civil War almost solely as a military event. They paid little attention to the complex causes of the conflict, marginalized the political dimensions of the war, passed over evidence of racial, class and gender divisions, and ignored reconstruction. The more comprehensive and penetrating the planners’ interpretation of the Civil War, and the less fearful they are of courting controversy, the better for everyone.
The centennial was a product of its time and the sesquicentennial will be no different. Greater self-awareness, intellectual rigor and willingness to confront difficult issues may help to ensure that it does not become a national embarrassment.
Three stills from a short video I made for Wasted Spaces (wastedspaces.org). The final piece will be projected onto a 50 meter square wall for a week in late February/early March. Because the wall is red brick and the area isn't pitch dark, I went with a high contrast look. For a few days, my face will stare down at the passersby. I am encircled by a writhing mass of nodes and stripes created with reaction-diffusion.