View allAll Photos Tagged Offset_Printing
The back of a Pee Wee's Playhouse "Fun Pak" card. This one in particular is a take on the Bazooka Joe comics that came with the penny gum, way back when.
I start laughing just thinking of this card. It's stuffed full of references that likely only adults will get but I also just love the mix of Pee Wee with Bazooka Joe and the graphic work of the offset printing that doesn't match and more including the surprised Pee Wee just is brilliant in my opinion.
The small print on the lower right says:
"#4747 FREE! Bazooka Joe Comic -- Classic American Folk Humor, beloved for over two (2) generations. Guaranteed to enhance your lifestyle. Printed on sturdy wax paper. Colorful. Handy. Artistic. Send 150 plastic binoculars or 250 plastic diamond rings to: Bazooka Joe's Retirement Fund, Box 42, Bazookaland, Fla."
More of these, including pics of the other contents in the previous photos in my stream.
More PEE WEE here :)
~~
All these (and more) need new homes as I'm going to a different country for an extended stay soon so send me a Flickr Mail message (access through the arrow that appears near my profile photo when mousing over it) if interested.
WALL CALENDAR "ETNO" 2013 for Hospice Foundation / non-profit
TOFU Studio:
Project: Iwona Duczmal & Adam Chyliński
Coordination: Daniel Naborowski
Printing House NORMEX:
Technology:
Jacek Grzegowski, Joanna Reglińska, Margaret Frontczak
Offset printing:
Waldemar Sypniewski, Andrzej Laskowski, Robert Strosowski, Luke bubble
Cutting out and stamping:
Strzyzewski Kamil, Peter Meller
Bindery:
Marta Markowska, Mariusz Czerwinski, Elizabeth Janiec, Beata Banaszewska
ALBUS / Screen Printing Workshop
screen printing - Dariusz Ochenkowski
MARDOJ S.C.
hot-stamping, die-cutting:
Ariel Meyer, Mark Pielowski
ACHILLES POLAND
lamination, UV varnish:
Andrew Kibiersza
TREFL SA / Lab dies
punches
WALL CALENDAR "ETNO" 2013 for Hospice Foundation / non-profit
TOFU Studio:
Project: Iwona Duczmal & Adam Chyliński
Coordination: Daniel Naborowski
Printing House NORMEX:
Technology:
Jacek Grzegowski, Joanna Reglińska, Margaret Frontczak
Offset printing:
Waldemar Sypniewski, Andrzej Laskowski, Robert Strosowski, Luke bubble
Cutting out and stamping:
Strzyzewski Kamil, Peter Meller
Bindery:
Marta Markowska, Mariusz Czerwinski, Elizabeth Janiec, Beata Banaszewska
ALBUS / Screen Printing Workshop
screen printing - Dariusz Ochenkowski
MARDOJ S.C.
hot-stamping, die-cutting:
Ariel Meyer, Mark Pielowski
ACHILLES POLAND
lamination, UV varnish:
Andrew Kibiersza
TREFL SA / Lab dies
punches
www.manroland.com/com/de/zeitung_uniset.htm
www.manroland.com/com/en/uniset.htm
Hochpräzise Dreiringlager sichern einen exakten Zylinderlauf und sorgen für ein optimales Druckergebnis.
High-precision triple ring bearings allow an exact cylinder cycle and thus optimum printing results.
WALL CALENDAR "ETNO" 2013 for Hospice Foundation / non-profit
TOFU Studio:
Project: Iwona Duczmal & Adam Chyliński
Coordination: Daniel Naborowski
Printing House NORMEX:
Technology:
Jacek Grzegowski, Joanna Reglińska, Margaret Frontczak
Offset printing:
Waldemar Sypniewski, Andrzej Laskowski, Robert Strosowski, Luke bubble
Cutting out and stamping:
Strzyzewski Kamil, Peter Meller
Bindery:
Marta Markowska, Mariusz Czerwinski, Elizabeth Janiec, Beata Banaszewska
ALBUS / Screen Printing Workshop
screen printing - Dariusz Ochenkowski
MARDOJ S.C.
hot-stamping, die-cutting:
Ariel Meyer, Mark Pielowski
ACHILLES POLAND
lamination, UV varnish:
Andrew Kibiersza
TREFL SA / Lab dies
punches
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4165309085
Share this photo on: facebook • twitter • more...
Man cleaning an offset printing plate (India)
I took this and those other photos in a small Print Shop / Book Editor in Delhi, called Jayyed Press.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
www.manroland.com/com/de/zeitung_regioman.htm
www.manroland.com/com/en/regioman.htm
Speziell konstruierte Wendestangen ermöglichen eine hohe Vielfalt an Produkten.
Specially constructed turner bar elements offer high product diversity.
Adhesives and tapes for bonding, reclosable fasteners: design and package a stronger, lighter, better looking, longer lasting, and less costly product. We deliver a complete line of tapes and specialty products to help you meet the needs of today's challenging industrial manufacturing marketplace. Our solutions include sealing and holding; packaging, bundling and reinforcing; identification; protection; masking, gasket and cushioning; and web processing3M was founded in 1902 at the Lake Superior town of Two Harbors, Minn. Five businessmen set out to mine a mineral deposit for grinding-wheel abrasives. But the deposits proved to be of little value, and the new Minnesota Mining and Manufacturing Co. quickly moved to nearby Duluth to focus on sandpaper products.
Years of struggle ensued until the company could master quality production and a supply chain. New investors were attracted to 3M, such as Lucius Ordway, who moved the company to St. Paul in 1910. Early technical and marketing innovations began to produce successes and, in 1916, the company paid its first dividend of 6 cents a share.
The world's first waterproof sandpaper, which reduced airborne dusts during automobile manufacturing, was developed in the early 1920s.
A second major milestone occurred in 1925 when Richard G. Drew, a young lab assistant, invented masking tape – an innovative step toward diversification and the first of many Scotch® Pressure-Sensitive Tapes.
In the following years, technical progress resulted in Scotch Cellophane Tape for box sealing and soon hundreds of practical uses were discovered.
In the early 1940s, 3M was diverted into defense materials for World War II, which was followed by new ventures, such as Scotchlite™ Reflective Sheeting for highway markings, magnetic sound recording tape, filament adhesive tape and the start of 3M's involvement in the graphic arts field with offset printing plates.
In the 1950s, 3M introduced the Thermo-Fax copying process, Scotchgard™ Fabric Protector, videotape, Scotch-Brite™ Cleaning Pads and several new electro-mechanical products.
Dry-silver microfilm was introduced in the 1960s, along with photographic products, carbonless papers, overhead projection systems, and a rapidly growing health care business of medical and dental products.
Markets further expanded in the 1970s and 1980s into pharmaceuticals, radiology and energy control.
Cover design for family history booklet by Aletta Schreuders, 2009
Published on December 12, 2009 by De Buitenkant, Amsterdam (Bantammerreeks #8)
3-color offset printing by Drukkerij Jan de Jong
Portland artist and designer Justin Gorman created these awesome business cards that invite interaction: we tried a few ourselves!
Hang Tags printed by Print Pinball.
More details in our Project Gallery.
TypeCooker «pro» recipe:
width: normal
weight: plain
construction: smallcaps figures
stroke endings: slab shaped serif
(ascender: shorter than normal)
(descender: shorter than normal)
contrast type: between expansion and transitional
contrast amount: inverted contrast
stems: straight
intended application: smooth offset printing
intended size: reading sizes
special: must contain at least 2 ligatures
“Reversed contrast numerals”, what a braintwist (to avoid the heavier word). I decided that I’d take it to mean heavy horizontals throughout, so the opposite of “rationalized” numerals that would have more vertical contrast.
A woman poses for a portrait for her two sons during WWI. The shirtwaist fashion of the day, boots, hobble skirt tells us they lived around 1915 and she is a working mom.
=====Description Information=====
Postcard title: Wartime Family Poses for Portrait.
Publisher: Unknown.
Date published: Circa 1915.
Postcard period: The Golden Age (1907-1915: Divided Back Period).
Location found: Online-Ebay. Danville, California, USA.
Date found: January 28, 2019.
Price paid: $0.28.
Dimension: 5 13/16 x 3 3/8 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Reference for further reading: Real Photo Postcard, en.wikipedia.org/wiki/Real_photo_postcard
Ana Benaroya rocks the color and texture in this Scout Book! Her design and illustration work is just as lively and refreshing as these sketches suggest. Check her out!
Do you live in Portland? Stop into our shop! Browse print samples, say hi, and nab one of these free Scout Book Farmer's Market guides! Our standard Scout Book comes complete with lined interior pages and a sturdy chipboard cover. On the back we've compiled a list of Farmer's Markets for every day of the week. It's all yours, just for stopping in and saying hi!
Our address is 1003 SE Grant Street, Portland Oregon. Our business hours are Monday-Friday, 9-5.
See you soon!
Digital City Marketing is a NYC printing company specializing in digital printing, offset printing and large format printing services. The NYC printer offers same day and rush printing on printed products and services for business and personal use.
Y RECUERDA
LITTLE RED RIDDING HOOD
Juanjo G. Oller
Little Red Riding Hood lived in a forest. One day, her mother asked her to run an errand for her grandmother... Y recuerda is an original all ages graphic book which tells the story of the Grimm brothers only using beautiful pictures. Thanks to Oller's symbolics, reading becomes a game that stimulates the imagination.
ENGLISH & SPANISH introduction
22 pages
290 x 165 mm, 11.4 x 6.5 in
Cover - matte cardboard 300 grs
Quality Offset Printing
Artwork by Juanjo G. Oller
Edition Milimbo
FRANÇAIS
Y Recuerda est un livre graphique original qui raconte l'histoire des frères Grimm "Le petit chaperon rouge" en utilisant uniquement des images. Grace à la symbolique de l'auteur J. Oller, la lecture devient un jeu qui stimule l'imagination des petits et des grands.
ESPAÑOL
Caperucita Roja vivía en el bosque. Un día su madre le pidió que le hiciera un recado para su abuela. "Y recuerda" es un original libro de ilustraciones para todas las edades, que narra la historia de los hermanos Grimm exclusivamente a través de imágenes. Gracias a la simbología de Oller, la lectura se convierte en un juego que estimula la imaginación.
ČESKY
Y recuerda je originální dětská knížka od španělského ilustrátora Juanja G. Ollera. Vypráví příběh bratří Grimmů - Červená Karkulka - pouze pomocí krásných celostránkových ilustrací. Díky autorově symbolice se čtení stává hrou, která stimuluje nejen dětskou představivost.
DEUTSCH
Y Recuerda ist ein originelles Kinderbuch des spanischen Illustrators Juanjo G. Oller. Es erzählt Grimms Märchen „Rotkäppchen“ ausschließlich mit Bildern. Dank der Symbolik des Autors wird die Lektüre zum Spiel, das nicht nur die Phantasie der Kinder anregt.
EDITION LIDU | Art Books Publisher
Order our books at:
© 2011, edition lidu and respective authors. All rights reserved.
Eka's Amputation, 2017. Woven paper, 4C offset printing, silver background, cold foil stamp. ed: 104/300. BAM/PFA
Trainer im Print Technology Center bei der Schulung von zwei Frauen und zwei Männern
Trainer in the Print Technology Center teaching two women and two men
Profis geben ihr Know-how weiter: Schulung im Print Technology Center.
Professionals sharing their knowledge: training in the Print Technology Center.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
Last week we sent a bunch of Scout Books to SXSW in Texas with @rohdesign and @austinkleon for their Visual Notetaking 101 Panel.
These guys take awesome notes, and they designed this pocket notebook to offer you a chance to create beautifully illustrated notes, too. The cover features illustration exercises for better notetaking.
Count yourself lucky if you were at the panel and received one of these! They ran out right away! Collectors item.
Trainer im Print Technology Center bei der Schulung von zwei Frauen und zwei Männern
Trainer in the Print Technology Center teaching two women and two men
Profis geben ihr Know-how weiter: Schulung im Print Technology Center.
Professionals sharing their knowledge: training in the Print Technology Center.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
Client: Jennifer @ Nurture Athletics
Design: Cainkade
Stock: 110lb. Fluorescent White
Inks: Black / Dark Green / Fluorescent Green / Green Foil
Techniques: Offset / Foil Stamping / Letterpress / Duplexing / Edge Coloring
For more information on these cards visit our blog: Nurture Athletics Custom Cards
This card was created using a blind emboss, in which the artwork was letterpress "printed" onto the paper with no ink at all!
What a classy look! Duchess Clothier makes custom vintage men's suits right here in Portland.
The French post has a very good reputation for art issues since 60s. Personally I prefer French early issued art stamps. At that time the level of design and the printing technique are quite excellent. I should agree that with the growth of different entertainment ways, the philately has lost many clients. That means potentially the post has lost incomes from postage. One way is considered because of development of computer network like Internet and email applications. And the same time the grave print costs more expensive and more time while offset printing is cheaper and widely used in stamps production. And Photoshop is widely used in stamps design. Considering these reasons, I think the French art stamps keep less quality than Czech and Slovakia today. These two countries have still very high quality for their grave art stamps.
----------------------------------------------------------------------------------------
[Link]
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[Image from La Poste]
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[Informations from Wiki]
Jean-Jacques Henner Self Portrait
en.wikipedia.org/wiki/Jean-Jacques_Henner
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[Document Philatélique de La Poste]
Jean-Jacques Henner (1829-1905)
Jean-Jacques Henner est né à Bernwiller, dans le Haut-Rhin en 1829, dans une famille de modestes cultivateurs. Malgré cela, son père encourage très vite la vocation précoce de son fils, et il reçoit une solide formation classique à Strasbourg, puis à Paris où il est tour à tour l’élève de Michel-Martin Drolling et d’Edouard Picot, à l’école de beaux-arts.À 27 ans, le peintre concourt pour le prix de Rome, qu’il obtient avec une œuvre intitulée Adam et Eve retrouvant le corps d’Abel. Durant les cinq années qu’il passe ensuite en Italie, Jean-Jacques Henner étudie avec passion les grands maitres de la Reconnaissance, avec une prédilection pour les vénitiens. Il est rentré à Paris en 1865, et s’installe à Pigalle dans un atelier qu’il occupera sa vie durant.
Quelque peu oublié de nous jours, Henner, surnommé « le Corrège français », fut en son temps un peintre comblé d’honneurs. Inclassable, il échappe à l’académisme, par sa soumission la réalité. Ainsi, lorsqu’il prend comme modèle sa sœur, dans Jeune Fille se chauffant les mains à un grand poêle (1855, musée Sundgauvien d’Altkirch), la présence du chat et du poêle, qui fait référence à l’Alsace natale de l’artiste, son sens de la lumière et des ombres, en font une scène charmante pleine de simplicité. Portraitiste de talent, il reçut un nombre considérable de commandes et toute la grande bourgeoisie de l’époque semble avoir défilé dans son atelier. En 1871, Henner réalise à la demande de Gambetta, l’Alsace, elle attend
[information de site .histoire-image.org]
(musée Henner, Paris) dont le visage, qui porte la trace des douleurs subies, atteint à une véritable puissance expressive. S’essayant à tous les genres, Henner fut aussi un peintre de paysages et de scènes religieuses. Cependant, si on était tenté de l’approcher aujourd’hui, ce serait pour sa vision de la beauté féminine, teintée de romantisme, telle qu’elle apparaît dans sa Naïade
[image de site chapitre.com]
(musée d’Orsay, Paris) aux chairs d’une blancheur transparente ou encore dans l’Hérodiade triomphante du musée Henner.
En 1923, la nièce de l’artiste, Madame veuve Jules Henner, fait don à l’Etat d’un musée qui porte le nom du peintre, dans lequel est rassemblé, entre autres, l’ensemble des œuvres qui se trouvaient dans son atelier au moment de sa mort.
(Maïten Bouisset)
Springing from the mind of one of the most well-known authors of all time, Edgar Allan Poe’s Tales of Terror collects five of the writer’s finest stories in three pocket-sized volumes.
Includes:
“The Fall of the House of Usher” illustrated by Tom Neely
“William Wilson” illustrated by Levon Jihanian
“The Tell-Tale Heart” and Other Stories illustrated by Malachi Ward
Available now in the Scout Books Bookstore:
Trainer im Print Technology Center bei der Schulung von zwei Frauen und zwei Männern
Trainer in the Print Technology Center teaching two women and two men
Profis geben ihr Know-how weiter: Schulung im Print Technology Center.
Professionals sharing their knowledge: training in the Print Technology Center.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/9427145356
Share this photo on: facebook • twitter • more...
Offset printing press machine used in a print shop - Lucknow (India)
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Number ten in Pinball's Designer Card series features artwork by none other than Emily Martin, aka The Black Apple.
GUMMIN PP1006, eMail:
vinatam-gummin@yahoo.com
Printing PressChemistry, Pressroom Chemicals.
GUMMIN is a universal protecting solution for all types of offset printing aluminium plates gumming application.
DD gom ban
DUNG DỊCH PHỦ BẢN KẼM GUMMIN DSC. Universal tấm chế biến cao su.
Riêng đối với các ứng dụng tự động.
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4166066160
Share this photo on: facebook • twitter • more...
Offset printing plate (India)
The images on this plate are hand mehndi designs (henna temporary tattoo).
I took this and those other photos in a small Print Shop / Book Editor in Delhi, called Jayyed Press.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
The University Bookstore in Seattle, Washington, is celebrating its 110th year of business with this commemorative book.
The book consists of 110 original 110-word compositions by authors in the University Bookstore "family." Celebrate the launch of the book and the 100th birthday of the bookstore this Sunday, January 10, 2010.
I finally had some business cards printed for myself. It was time. Moo cards are cool and all, but some recent clients have really been expecting real cards with my identity on them.
These are 4/4 on 14 pt. stock with a dull matte finish, printed by Digital Room, my favorite online printer — and they're based here in Los Angeles. Real people actually call you to tell you that your proofs are ready and that your orders have shipped. Yes, REAL PEOPLE! As in humans! Offset printing, too - none of this laser B.S. like some other online printers. And their registration is super tight, so it looks really clean. This is all geeky designer speak at this point, so if you don't understand, just roll your eyes and say "okay, Steve."
See 'em large. Explor'd April 8, 2008.
Printing services | Studio Shindiri & Control P
Printing services and high quality printing materials were one of the key factors when we designed and pre-press for our clients. We have been cooperating with Control P printing house for a great number of years and there is a good reason for that; they deliver one of the best printing qualities in this part of Balkans. Over the years they have proven to be one of the rare printing houses that can deliver even the most complex types of printing. We tend to be demanding and look for even the tiniest errors when we control the printing process and we can say with confidence that Control P has given us the best printing service than any other printing house we came in contact with.
We never had any problems with Control P during the printing services for our clients unlike other printing houses that unfortunately, have no professional attitude and perfect final product. We always consult and point our clients that use our graphic design services to Control P. One of the basic reasons is that consistent quality no matter what size of the job is. We tend to provide maximum service quality, as our professional attitude and business codex point out and when we direct our clients to Control P we are positive that the design that we have made will be printed just the way we wanted, perfectly.
We have used the services of Control P printing house for over 80% of our projects that demanded printed material. A couple of those clients are: United Nations, Ergomade, HPD, Fertico, Fitofert, Centar Cad, Green Line, G&T Fruits, Vulkan AD, Goldys, RED BULL, Maplin, Tami Trade...
Printing services | Studio Shindiri & Control P
Printing services and high quality printing materials were one of the key factors when we designed and pre-press for our clients. We have been cooperating with Control P printing house for a great number of years and there is a good reason for that; they deliver one of the best printing qualities in this part of Balkans. Over the years they have proven to be one of the rare printing houses that can deliver even the most complex types of printing. We tend to be demanding and look for even the tiniest errors when we control the printing process and we can say with confidence that Control P has given us the best printing service than any other printing house we came in contact with.
We never had any problems with Control P during the printing services for our clients unlike other printing houses that unfortunately, have no professional attitude and perfect final product. We always consult and point our clients that use our graphic design services to Control P. One of the basic reasons is that consistent quality no matter what size of the job is. We tend to provide maximum service quality, as our professional attitude and business codex point out and when we direct our clients to Control P we are positive that the design that we have made will be printed just the way we wanted, perfectly.
We have used the services of Control P printing house for over 80% of our projects that demanded printed material. A couple of those clients are: United Nations, Ergomade, HPD, Fertico, Fitofert, Centar Cad, Green Line, G&T Fruits, Vulkan AD, Goldys, RED BULL, Maplin, Tami Trade...
01 | Digital Printing | Studio Shindiri & Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
Offset printing is a service that Control P delivers on a very high level. Offset is a printing procedure of multiplication where the pressure is applied on the printing machine to reflect the painted image from the original printing form to the surface by using rubber base. Offset print provides high quality reproduction of multicolor originals. It also allows the use of multicolor printing on a wide range of materials. Offset printing has a range of techniques when printing: even, high and deep indirect print. The technique of even offset printing is one of the most widespread techniques in the world; it covers almost 85% of printing services. By using this technique we can print even the most difficult graphical solutions on a material such as:
Flyers, brochures, posters, memos, books, notes, catalogs, tags, magazines, calendars, maps, folders, cards, invitations …
Printing services | Studio Shindiri & Control P
Printing services and high quality printing materials were one of the key factors when we designed and pre-press for our clients. We have been cooperating with Control P printing house for a great number of years and there is a good reason for that; they deliver one of the best printing qualities in this part of Balkans. Over the years they have proven to be one of the rare printing houses that can deliver even the most complex types of printing. We tend to be demanding and look for even the tiniest errors when we control the printing process and we can say with confidence that Control P has given us the best printing service than any other printing house we came in contact with.
We never had any problems with Control P during the printing services for our clients unlike other printing houses that unfortunately, have no professional attitude and perfect final product. We always consult and point our clients that use our graphic design services to Control P. One of the basic reasons is that consistent quality no matter what size of the job is. We tend to provide maximum service quality, as our professional attitude and business codex point out and when we direct our clients to Control P we are positive that the design that we have made will be printed just the way we wanted, perfectly.
We have used the services of Control P printing house for over 80% of our projects that demanded printed material. A couple of those clients are: United Nations, Ergomade, HPD, Fertico, Fitofert, Centar Cad, Green Line, G&T Fruits, Vulkan AD, Goldys, RED BULL, Maplin, Tami Trade...
01 | Digital Printing | Studio Shindiri & Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
Offset printing is a service that Control P delivers on a very high level. Offset is a printing procedure of multiplication where the pressure is applied on the printing machine to reflect the painted image from the original printing form to the surface by using rubber base. Offset print provides high quality reproduction of multicolor originals. It also allows the use of multicolor printing on a wide range of materials. Offset printing has a range of techniques when printing: even, high and deep indirect print. The technique of even offset printing is one of the most widespread techniques in the world; it covers almost 85% of printing services. By using this technique we can print even the most difficult graphical solutions on a material such as:
Flyers, brochures, posters, memos, books, notes, catalogs, tags, magazines, calendars, maps, folders, cards, invitations …
02 | Offset Printing | Studio Shindiri & Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
The advantages of offset printing regarding to other methods are:
- High quality of the image. Offset print gives sharp and clean images.
- Easy and fast production of the printing plates
- Longer life span of printing plates for Glossary Link printing because there is no direct contact between the plate and the printable surface. Adequately developed plates can last over one million printing presses if the optimized colors are applied.
- Offset printing is one of the cheapest way to produce a high quality print for commercial usage when doing a larger amount of printing material.
With blindruck printing we can achieve a 3d effect.
With punching we can achieve any shape that we want that cannot be cut by a knife. We use it when we design folders, labels, catalogs, packages, boxes or any other item that has random different shapes.
With plastification we apply a thin layer of PVC (glossy or matte) on a printing material. This is done so that it can provide protection and longer life span of the item and a certain visual effect is achieved.
UV lacquer or offset lacquer are one of those finishing touches that make a certain segment of the print stand out in an attractive way.
Control P printing house was founded in 2003 in Nis, Serbia
They started working with low quantity prints and pre-press. Now they are known as the pioneers of big format print in Nis.
- 2004 they bought the first 152cm width plotter, ENCAD NOVA JET 880
- 2007 the first cutter-plotter was purchased and that made it the only one in Nis
- 2008 they made a great leap forward in digital printing by buying first digital printer, OLYMPIA class.
- 2011 they bought another top class digital printer , Konica – Minolta Bizhub Pro. Since they were involved a lot in industry print for high formats they bought another printer StarJet 2502 with 250cm width.
In the meantime the company expands and has over 1000 companies on their client list and seven highly qualified employees.
Printing services | Studio Shindiri & Control P
Printing services and high quality printing materials were one of the key factors when we designed and pre-press for our clients. We have been cooperating with Control P printing house for a great number of years and there is a good reason for that; they deliver one of the best printing qualities in this part of Balkans. Over the years they have proven to be one of the rare printing houses that can deliver even the most complex types of printing. We tend to be demanding and look for even the tiniest errors when we control the printing process and we can say with confidence that Control P has given us the best printing service than any other printing house we came in contact with.
We never had any problems with Control P during the printing services for our clients unlike other printing houses that unfortunately, have no professional attitude and perfect final product. We always consult and point our clients that use our graphic design services to Control P. One of the basic reasons is that consistent quality no matter what size of the job is. We tend to provide maximum service quality, as our professional attitude and business codex point out and when we direct our clients to Control P we are positive that the design that we have made will be printed just the way we wanted, perfectly.
We have used the services of Control P printing house for over 80% of our projects that demanded printed material. A couple of those clients are: United Nations, Ergomade, HPD, Fertico, Fitofert, Centar Cad, Green Line, G&T Fruits, Vulkan AD, Goldys, RED BULL, Maplin, Tami Trade...
01 | Digital Printing | Studio Shindiri & Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
Offset printing is a service that Control P delivers on a very high level. Offset is a printing procedure of multiplication where the pressure is applied on the printing machine to reflect the painted image from the original printing form to the surface by using rubber base. Offset print provides high quality reproduction of multicolor originals. It also allows the use of multicolor printing on a wide range of materials. Offset printing has a range of techniques when printing: even, high and deep indirect print. The technique of even offset printing is one of the most widespread techniques in the world; it covers almost 85% of printing services. By using this technique we can print even the most difficult graphical solutions on a material such as:
Flyers, brochures, posters, memos, books, notes, catalogs, tags, magazines, calendars, maps, folders, cards, invitations …
02 | Offset Printing | Studio Shindiri & Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
The advantages of offset printing regarding to other methods are:
- High quality of the image. Offset print gives sharp and clean images.
- Easy and fast production of the printing plates
- Longer life span of printing plates for Glossary Link printing because there is no direct contact between the plate and the printable surface. Adequately developed plates can last over one million printing presses if the optimized colors are applied.
- Offset printing is one of the cheapest way to produce a high quality print for commercial usage when doing a larger amount of printing material.
With blindruck printing we can achieve a 3d effect.
With punching we can achieve any shape that we want that cannot be cut by a knife. We use it when we design folders, labels, catalogs, packages, boxes or any other item that has random different shapes.
With plastification we apply a thin layer of PVC (glossy or matte) on a printing material. This is done so that it can provide protection and longer life span of the item and a certain visual effect is achieved.
UV lacquer or offset lacquer are one of those finishing touches that make a certain segment of the print stand out in an attractive way.
03 | Printing House Control P
Graficki Dizajn Studio Shindiri - Štampanje - Štamparija Control P
Bul. Nemanjica 25a, TC ZONA lll, 18000 Nis, Serbia
l floor, lok. 74, tel. +381 18 539 230,
e-mail: info@controlp.rs controlp@ninet.rs
Based in Rhode Island, Keeseh Studio is a collaborative environment that encourages woodworking as design and craft by supplying tools, workspace, and classes to local artists, designers, and people in the community. There is some really beautiful stuff going on there from some really talented people.
Jerseys para los Monos está de enhorabuena, y no es para menos, ya que acabamos de publicar nuestro primer libro, titulado "This could have been the place...", con dibujos, cuadros, murales y un largo etcétera de mano del amigo sueco EKTA. El libro tiene 100 páginas impresas a todo color sobre un papel offset de 120 gramos. Está encuadernado en rústica cosida y a través del troquel que tiene en la portada puedes ver la serigrafía original "peace tree", hecha por EKTA con mucho amor, limitada a 200 copias firmadas y numeradas y enviada desde Gotheborg. El libro viene metido dentro de una bolsa serigrafiada y cosida con nuestras propias manitas, también numerada del 1 al 200. Y todo ello por 15 euros(+ gastos de envío).
Si quieres una copia, o cincuenta, pidenoslas a jerseysparalosmonos@gmail.com
"-Jerseys para los monos are happy, and no wonder, since we have just published our first book, entitled "This Could Have Been the place ...", with drawings, paintings, murals and so on from the hand of our swedish friend EKTA. The book has 100 pages printed in full color offset printing on paper of 120 grams. It's sewn paperback and through the die which is on the cover you can see the original silkscreen "peace tree", made with love by EKTA, limited to 200 copies signed, numbered and sent from Gothenburg. The book is tucked inside a bag screen printed and sewn in our own hands, also numbered 1 to 200. And all for 15 euros (+ shipping)."(translation by Ekta)
If you want a copy, or fifty, send us an email: jerseysparalosmonos@gmail.com
Dear all
hello.
we are based at jaipur ,india.
our city is popular as pinkcity in world.
our country is a worlds, largest democratic country, and all religions are acceptable here.
this is a great thought ,which we are following through centuries.
on the otherside, it,s heritage ,culture and historical sights are very well known worldwide.
it,s tradition, it,s music ,it,s tourist spots are very well known.
in the way to make rich fashion and tradition of india,we have started to manufacture and export the all kind of indian readymade garments , home textiles, handicrafts and it,s rich culture to worldwide.
our company karni exports is very well known among the importers of indian products.
we are always at your doorstep to serve our best quality products.
with very best regards and all time seasons greetings.
pradeep nahata
owner
KARNI EXPORTS
G1-155,EPIP,GARMENT ZONE,
SITAPURA INDUSTRIAL AREA,
TONK ROAD, JAIPUR-302022,INDIA
MOBILE-0091-98281-99329
EMAIL-- pradeepnahata@yahoo.com
Diverse Gummitücher liegen vor einer COLORMAN, XXL, im Hintergrund werden Gummitücher in die Maschine gehängt.
Various blankets lying in front of a COLORMAN, XXL; in the background blankets are being fitted to the cylinders.
Gummitücher vor einer COLORMAN, XXL
Blankets in front of a COLORMAN, XXL.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
(Wall)
Alessandro Balteo-Yazbeck in collaboration with Media Farzin
Caracas, 1972. Lives in Berlin; San Diego, 1979. Lives in New York.
Mobile for the Hotel Ávila, 1939–1942 and The Larger Picture, 1939–42, From the series “Modern Entanglements, U.S. Interventions”
2006–2009
C-print digital reproduction
113,66 × 151,76 cm.
Mock construction plan of Calder’s mobile for the Hotel ballroom; C-print digital reproduction
88,9 × 152,4 cm
wall labels with narrative texts
Courtesy Galerie Martin Janda, Wien
Model of Alexander Calder’s Tower with Mobile, 1943 from the series “Cultural Diplomacy: An Art We Neglect”
2007–9
Wall label with narrative text, brass rods, ink, polyester thread, Plexiglas, wire, AC glue
111 × 54 × 76 cm
Courtesy Galerie Martin Janda, Wien
R.S.V.P., 1939
From the series “Cultural Diplomacy: An Art We Neglect”
2007–2009
C-print digital reproduction (framed); Time magazine cover May 22, 1939 (framed);
wall label with narrative text
Entire installation: 90 × 120 cm
Edition 5 + AP
Courtesy of the artist and Henrique Faria, New York
Four works in the exhibition by artist Alessandro Balteo-Yazbeck and art historian Media Farzin are parts of two series dealing with the interpenetration of art history in the global politics of petroleum and conflict, and vice versa. Each incorporates its own wall label texts as an integral part of the work, juxtaposing factual evidence with quotations to suggest what are sometimes deliberately tenuous connections between the sculptures of Alexander Calder (1898–1976), Venezuelan and American oil interests, the Cold War, the Museum of Modern Art in New York, and its trustee from 1932 to 1979, the businessman and politician Nelson Rockefeller (1908–1979).
(Ground)
Martín Llavaneras
Lleida, Catalonia, 1983. Lives in Barcelona.
Touchpad
2016
Lithographic limestone plates
Variable dimensions
Courtesy of the artist
Lithography is a printing technique discovered around 1796 by the Bavarian playwright Alois Senefelder (1771–1834) as an alternative to costly copperplate engraving. Its name derives from the Latin for stone, litho, and mark, graph. After drawing with greasy crayon on the surface of the local smooth limestone, Senefelder found that images could be repeatedly inked and printed on paper. Later refinements of the technique led to a broad range of possibilities for reproducing commercial and artistic images, and the development of offset printing. It is no coincidence that all known fossil specimens of the early bird Archaeopteryx lithographica have been found in Senefelder’s Bavaria—the exceptionally fine limestone mined for lithographic printing also preserved highly detailed imprints of Jurassic life.
Touchpad comprises a dozen stone slabs once used for lithography. As printing houses closed or upgraded their presses, many slabs were discarded and were often used as paving. Tracing this history of obsolescence from inky images to ghostly footprints, Martín Llavaneras is interested in these surfaces as lithic tactile interfaces.
Text: Latitudes
Photo courtesy: Fréderic Deval
© CAPC musée d'art contemporain de Bordeaux
The amazing APAK printed four new greeting card styles with us recently, two of which feature the greatest little skiing santas! Find APAK at www.apakstudios.com
Im Vordergrund drei aufgefächert liegende Gummitücher, als Hintergrund Druckeinheit mit manroland-Mitarbeiterin
In the foreground a fan of three blankets, in the background printing unit with female manroland employee
Innerhalb des PRINTVALUE-Dienstleistungsportfolios stellt printcom von manroland das Angebot an verfahrenstechnischen Systemkomponenten. Nur getestete Produkte wie diese Gummitücher erhalten das printcom-Gütesiegel.
Within the PRINTVALUE services portfolio it is manroland's printcom that offers process-compliant system components. Only tested products such as these blankets receive the printcom quality label.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
Y RECUERDA
LITTLE RED RIDDING HOOD
Juanjo G. Oller
Little Red Riding Hood lived in a forest. One day, her mother asked her to run an errand for her grandmother... Y recuerda is an original all ages graphic book which tells the story of the Grimm brothers only using beautiful pictures. Thanks to Oller's symbolics, reading becomes a game that stimulates the imagination.
ENGLISH & SPANISH introduction
22 pages
290 x 165 mm, 11.4 x 6.5 in
Cover - matte cardboard 300 grs
Quality Offset Printing
Artwork by Juanjo G. Oller
Edition Milimbo
FRANÇAIS
Y Recuerda est un livre graphique original qui raconte l'histoire des frères Grimm "Le petit chaperon rouge" en utilisant uniquement des images. Grace à la symbolique de l'auteur J. Oller, la lecture devient un jeu qui stimule l'imagination des petits et des grands.
ESPAÑOL
Caperucita Roja vivía en el bosque. Un día su madre le pidió que le hiciera un recado para su abuela. "Y recuerda" es un original libro de ilustraciones para todas las edades, que narra la historia de los hermanos Grimm exclusivamente a través de imágenes. Gracias a la simbología de Oller, la lectura se convierte en un juego que estimula la imaginación.
ČESKY
Y recuerda je originální dětská knížka od španělského ilustrátora Juanja G. Ollera. Vypráví příběh bratří Grimmů - Červená Karkulka - pouze pomocí krásných celostránkových ilustrací. Díky autorově symbolice se čtení stává hrou, která stimuluje nejen dětskou představivost.
DEUTSCH
Y Recuerda ist ein originelles Kinderbuch des spanischen Illustrators Juanjo G. Oller. Es erzählt Grimms Märchen „Rotkäppchen“ ausschließlich mit Bildern. Dank der Symbolik des Autors wird die Lektüre zum Spiel, das nicht nur die Phantasie der Kinder anregt.
EDITION LIDU | Art Books Publisher
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© 2011, edition lidu and respective authors. All rights reserved.
Mia Nolting is a Portland-based artist, illustrator and designer. She filled this Scout Book with page after page of illustration, collage, typography and musings. We're impressed.
The Scout Book cover was designed by Bwana Spoons, another Portland-based artist.
What do you fill your Scout Books with? Share the creative goodness that takes place in your 32-page pocket notebooks and add your images to our flickr pool: Show Us Your Scout Book Flickr Pool.
Stay tuned: we interviewed Mia for our soon-to-be-released Scout Books blog! Awesome!
Jeremy Dubow currently has a solo exhibit of his 11 x 14 oil on mylar paintings titled, Jeremy Dubow: Portraits at Hiromi Ogawa Architects Portland, OR location which will be open through July by appointment. The exhibit consists of 27 portraits each numbered according to the chronological order in which they were painted. Three of these paintings were selected and produced into Scout Books by Beadle Design. Kristin Beadle was so kind as to send us some great photos from the exhibit opening night reception and some great closeups of the Scout Books as well.
Jeremy Dubow is a former Californian, born in San Francisco with his formal education including studies at the Florence Academy of Art in Florence Italy. His love for classical art and contemporary realism are at the heart of his work and quite apparent in this current exhibit. This three-hour head study series is Dubow’s first as a meditation on the form and essence of the subject with an emphasis on decisive brush strokes.
(Wall)
Alessandro Balteo-Yazbeck in collaboration with Media Farzin
Caracas, 1972. Lives in Berlin; San Diego, 1979. Lives in New York.
Mobile for the Hotel Ávila, 1939–1942 and The Larger Picture, 1939–42, From the series “Modern Entanglements, U.S. Interventions”
2006–2009
C-print digital reproduction
113,66 × 151,76 cm.
Mock construction plan of Calder’s mobile for the Hotel ballroom; C-print digital reproduction
88,9 × 152,4 cm
wall labels with narrative texts
Courtesy Galerie Martin Janda, Wien
Model of Alexander Calder’s Tower with Mobile, 1943 from the series “Cultural Diplomacy: An Art We Neglect”
2007–9
Wall label with narrative text, brass rods, ink, polyester thread, Plexiglas, wire, AC glue
111 × 54 × 76 cm
Courtesy Galerie Martin Janda, Wien
R.S.V.P., 1939
From the series “Cultural Diplomacy: An Art We Neglect”
2007–2009
C-print digital reproduction (framed); Time magazine cover May 22, 1939 (framed);
wall label with narrative text
Entire installation: 90 × 120 cm
Edition 5 + AP
Courtesy of the artist and Henrique Faria, New York
Four works in the exhibition by artist Alessandro Balteo-Yazbeck and art historian Media Farzin are parts of two series dealing with the interpenetration of art history in the global politics of petroleum and conflict, and vice versa. Each incorporates its own wall label texts as an integral part of the work, juxtaposing factual evidence with quotations to suggest what are sometimes deliberately tenuous connections between the sculptures of Alexander Calder (1898–1976), Venezuelan and American oil interests, the Cold War, the Museum of Modern Art in New York, and its trustee from 1932 to 1979, the businessman and politician Nelson Rockefeller (1908–1979).
(Ground)
Martín Llavaneras
Lleida, Catalonia, 1983. Lives in Barcelona.
Touchpad
2016
Lithographic limestone plates
Variable dimensions
Courtesy of the artist
Lithography is a printing technique discovered around 1796 by the Bavarian playwright Alois Senefelder (1771–1834) as an alternative to costly copperplate engraving. Its name derives from the Latin for stone, litho, and mark, graph. After drawing with greasy crayon on the surface of the local smooth limestone, Senefelder found that images could be repeatedly inked and printed on paper. Later refinements of the technique led to a broad range of possibilities for reproducing commercial and artistic images, and the development of offset printing. It is no coincidence that all known fossil specimens of the early bird Archaeopteryx lithographica have been found in Senefelder’s Bavaria—the exceptionally fine limestone mined for lithographic printing also preserved highly detailed imprints of Jurassic life.
Touchpad comprises a dozen stone slabs once used for lithography. As printing houses closed or upgraded their presses, many slabs were discarded and were often used as paving. Tracing this history of obsolescence from inky images to ghostly footprints, Martín Llavaneras is interested in these surfaces as lithic tactile interfaces.
Text: Latitudes
Photo courtesy: Latitudes/RK
Luke Ramsey is awesome. He creates beautiful, intricate pieces of artwork that include zines, murals, paintings and prints. He also runs Islands Fold, an independent publisher and artist residency in B.C., Canada.
We ran into Luke last summer at the Portland Zine Symposium, and saw him sketching in a Scout Book! Quickly gave him another, and within weeks he had filled it up and sent us images. At long last, here is what the fantastic Luke Ramsey did with the 32 grid pages of a Scout Book.
Awesome! Thanks, Luke.
Three new designs, hot off the Pinball Presses!
Check out this post on our blog, CoinOp, to get more details about the designers, businesses and printing specs.
Travel Portland is such a great resource for lots of interesting stuff to do when visiting Portland. Check out their website to find the latest attractions and new, fun events going on around the beautiful Rose City. This book was designed by Amy Ruppel, go figure, it's just so much fun to look at! It's also a great example of using two colors on a Scout Book! So, so great!