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Recentemente visitei a Arena das dunas, como podem ver, algumas cadeiras ainda possuem os plásticos.
[Unidentified African American boy standing in front of painted backdrop showing American flag and tents ; campaign button with portraits of Lincoln on one side and Johnson on the opposite side are attached to inside cover of case]
[between 1861 and 1865]
1 photograph : sixth-plate tintype ; 9.8 x 8.8 cm (case)
Notes:
Title devised by Library staff.
Case: Berg, 3-95.
Gift; Tom Liljenquist; 2010; (DLC/PP-2010:105).
Lincoln and Johnson campaign button purchased from: Iron Gate Antiques, Turnersville, New Jersey, 2007.
Subjects:
Lincoln, Abraham,--1809-1865--Associated objects.
Johnson, Andrew,--1808-1875--Associated objects.
African Americans--Children--1870-1880.
Boys--1870-1880.
United States--History--Civil War, 1861-1865--Children.
Format: Buttons (Information artifacts)--1860-1870.
Portrait photographs--1860-1870.
Ambrotypes--1860-1870.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Ambrotype/Tintype filing series (Library of Congress) (DLC) 2010650518
Liljenquist Family collection (Library of Congress) (DLC) 2010650519
More information about this collection is available at hdl.loc.gov/loc.pnp/pp.lilj
Persistent URL: hdl.loc.gov/loc.pnp/ppmsca.26463
Call Number: AMB/TIN no. 2178
Story behind: My boyfriend and I have always been in a long distance relationship, writing letters, sending postcards is our thing. But recently due to the global pandemic, our letters never arrive. This inspires me to the glitch art technique used.
Intoxicated by the sight of you, eager to be with you, savouring every moment. So much to say and experience. Anxious to see how it develops further!
Maker: Jacques-Athanase-Joseph Clouzard (1820-1903) & Charles Soulier (1840-1876)
Born: France
Active: France
Medium: albumen on glass stereoview
Size: 6 3/4 in x 3 1/4 in
Location: France
Object No. 2023.007
Shelf: C-38
Publication: John B Cameron & Janice G. Schimmelman, The Glass Stereoviews of Ferrier & Soulier, 1852-1908, The Collodion Press, Rochester, MI, 2016, fig 120
Other Collections:
Provenance:
Notes: In 1854 Clouzard & Soulier obtained a patent for a transparent passe-partout glass stereoview, which eliminated the need for a third piece of glass, a milestone in the international production of glass stereoviews.
Ferrier was born in 1811 in Lyon, France. He began his career as an artist, studying at the École nationale supérieure des beaux-arts de Lyon. He then became interested in photography and began to experiment with the new medium, initially becoming known for his portraits of notable French people. By 1851 he had settled in Paris and in that year he exhibited at the Great Exhibition in London. His work so impressed the organisers that, together with the English photographer, Hugh Owen, he was asked to make photographs of the exhibits. More than 140 bound sets of reports and accompanying photographs, known as the Exhibition of the Works of Industry of All Nations, 1851: Reports by the Juries on the Subjects in the Thirty Classes into which the Exhibition was Divided were presented to, among others, Queen Victoria, Heads of Foreign Governments, the Exhibition commissioners, and the British Museum. In 1855, Ferrier exhibited at the Exposition Universelle of Paris, where he was awarded a silver medal. He is credited with creating the first glass stereoviews for the Brewster stereoscope in 1852. These became very popular and in 1857 he produced several series of stereoviews of France, Switzerland, Germany, Italy, Greece and Turkey. Initially he collaborated with Jules Duboscq, with the two selling each other’s stereoviews. This arrangement came to an end when Duboscq experienced financial difficulties. In 1859 Ferrier went into partnership with his son and with another stereo photographer, Charles Soulier, with the business being sold in 1863 to Léon & Lévy, a company that specialized in stereoscopic views and picture postcards. However, Ferrier and Soulier continued to sell their photographs through the company. Ferrier continued to work as a photographer until his death on 13 July 1889.
The Exposition Universelle of 1855 was originally conceived as a French response to the Great Exhibition of the Works of Industry of All Nations, held in 1851 at the Crystal Palace in London, and widely considered the first modern world’s fair. Comprised of four sections [Raw Material, Machinery, Manufacturers, and Fine Arts] and over 109,000 exhibits, the Paris Exhibition was a financial and critical success. Determined to outdo their English rivals, French organizers mounted an even greater exposition to showcase the technological prowess of their newly industrialized society. The 1855 Exposition Universelle drew more than five million visitors during its six-month stint on the Champs-Élysées. It featured luxury items, foreign goods, and inexpensive, mass-produced consumer items to appeal to the needs of middle and working class visitors. Although these products of “domestic economy” received little critical notice at the time, they were integral to the Exposition’s success as a celebration of commodity culture, in which “the display of goods was surpassed only by the display of people… who came to look at them”
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
The Trifid Nebula (also known as Messier 20 or M20) is an H II region located in Sagittarius and is approximately 5000 light years from Earth. It was discovered by Charles Messier on June 5, 1764. Its name means 'divided into three lobes'. The object is an unusual combination of an open cluster of stars; an emission nebula (the lower, red portion), a reflection nebula (the upper, blue portion) and a dark nebula (the apparent 'gaps' within the emission nebula that cause the trifurcated appearance; these are also designated Barnard 85. This image is the result of 10 x 180s exposures, captured using a QHY8L attached to a Sky-Watcher Explorer 190MN Pro.
A nearly perfect ring of hot, blue stars pinwheels about the yellow nucleus of an unusual galaxy known as Hoag's Object in this image by Hubble's Wide Field and Planetary Camera 2.
The blue ring, which is dominated by clusters of young, massive stars, contrasts sharply with the yellow nucleus of mostly older stars. What appears to be a "gap" separating the two stellar populations may actually contain some star clusters that are almost too faint to see. Curiously, an object that bears an uncanny resemblance to Hoag's Object can be seen in the gap at the one o'clock position. The object is probably a background ring galaxy.
Ring-shaped galaxies can form in several different ways. One possible scenario is through a collision with another galaxy. The blue ring of stars may be the shredded remains of a galaxy that passed nearby. Some astronomers estimate that the encounter occurred about 2 to 3 billion years ago.
For more information, please visit: hubblesite.org/image/1241/news_release/2002-21
Credit: NASA and the Hubble Heritage Team (STScI/AURA);
Acknowledgment: Ray A. Lucas (STScI/AURA)
In 1996, Southern Water began work on a reservoir at Testwood to store water for people living in and around Southampton. Excavations on site revealed a significant amount of prehistoric activity. This bone object was found near a section of Iron Age revetment.
Learn more about the site at: www.wessexarch.co.uk/our-work/testwood-lakes
Taken at the Museum Insel Hombroich Germany.
Many of the exibition rooms are completely white with only a few pieces on display.
This is an Asian sculpture, could not find a real description of it.
An unknown object buzzes the ISRO PSLV rocket Carrying Aditya L1 into space, 02.09.2023. It's extremely fast. Watch closely in this video, bottom right of the rocket it appears as a dot and grows in size as it comes closer to the rocket
Here is my analysis of this event astronomymagic.wordpress.com/about/ufo-inspects-rocket/