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taken July 14, 2019

Harumi Wharf, Minato-ku, Tokyo

Gallery at home

Repeating a semi-failed experiment from 2019 (with hoped-for improvements), another round of pinhole cameras were laid on the perimeter fence of the Nike Missle site at the Headlands to be left for a year. Spanning the time between two Hiroshima anniversaries, recording every passage of the sun from August 6 to the next August 6, these photographs are my exploration of the Bay Area’s infrastructure of nuclear war. These photo paper negatives were made in film canister pinholes using a piece of old Soviet photo paper, producing an image known as a lumen print which appears without using developer...

Just some objects on the counter at my internship.

ID: 003658

This picture is (c) Copyright Frank Titze, all rights reserved.

It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.

See more pictures on frank-titze.art.

 

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Exposure: Digital

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Processing: Digital

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Exposure: 06/2015

Processing: 06/2015

Published: 10/2015

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Flickr "taken" date set as actual publish date.

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Four small metal objects found during walks.

 

Instructions: Assume you do not know anything about these objects. List five questions you think you should ask about them.

This is me ripping off Mark Weaver

Olympus OM Zuiko Macro 90mm f2

Fujifilm X-Pro2

For school: prepare a trilogy consisting out a selfportrait, an object and a landscape

Oil on canvas

11" x 14"

June 2015

 

None of This Was Real is a series of oil paintings that portrays fictional scenes of objects randomly generated by a computer program. These objects are a product of code written by the artist and rendered using a global illumination ray tracing engine. They are effectively subjects for still life. But there was never any life – any reality – in the subjects. Everything was virtual and simulated.

 

The software for creating the reference images was written in Processing (processing.org), with the additional help of toxiclibs (toxiclibs.org) for geometry creation and Sunflow (sunflow.sourceforge.net) for the global illumination rendering engine.

gouache and ink on paper

11" x 8.5"

  

Description: As the Smithsonian's first photographer and curator of photography, Thomas Smillie used images to catalog the much of the institution's physical object collection, ranging from stuffed animals to plant fossils, decorative boxes, and beyond. The photographs themselves are now part of the Smithsonian's collection.

 

Creator/Photographer: Thomas Smillie

Birth Date: 1843

Death Date: 1917

 

Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.

 

Medium: Cyanotype

 

Culture: American

 

Date: 1890

 

Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.

 

Repository: Smithsonian Institution Archives

 

Accession number: RU95_Box77_0042

A series of photos of objects which we all might see everyday.

The Flickr Lounge ~ Everyday Objects

 

Salad spinner

 

Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated

Thursday Aug. 20, 2009

 

Along South Congress St, antiques, oddities, ciurious goods, cafes, and just plain hip located in Austin at the heart of SoCo shopping district.

 

Uncommon Objects

1512 South Congress

Austin, Texas 78704

 

stayinaustin.blogspot.com/

 

Olympus C5060. Photoshop CS3 and collage.

All Rights Reserved ©2009 JB Studio / Jeff Burger / Lone Star Stock - Austin, Texas

Originally I took these photos to use in digital art! That was some time ago. You may use them in yours if you wish.

While my wife was making a hospital visit, I took a few minutes at the community park.

 

There she was, on the stage of the amphitheater. It must've been a brutal concert! There was Barbie, torn asunder on the stage. Apologies for the grusome sight!

Paper cut study available in the shop

Viewing the forms of objects as they change over time.

 

the animated version can be seen here www.vimeo.com/434401

 

...has too many things on it...uhhhhhhhhhffc

Object of desire..

57 Chevy Bel Air..

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