View allAll Photos Tagged Object,
Islamorada, Florida, Usa
NUEVOS SPOTS PUBLICITARIOS
Nuevo post en mi Blog
New post in my Blog
www.jlopezsaguar.com/index.php?option=com_wordpress&I...
Please, do not use this photo without permission
Por Favor no usar esta fotografía sin permiso
Joint art exhibit by Kiyomi Tanigawa (www.brooklynmisomaru.com), So Jung Lee (www.kokili.com), and Hanna Yoo (www.hannayooworks.com)
This is my latest astro image and the first I have taken since I moved house. This image of the Whirlpool Galaxy was taken using a QHY8L and Altair Wave 115ED refractor with 0.79x reducer/flattener. It consists of 9 x 600s exposures, stacked in Nebulosity 4 and processed using Photoshop CS6.
The Whirlpool Galaxy (also known as Messier 51 or NGC 5194) is a spiral galaxy in the constellation Canes Venatici and is interacting with its companion (NGC 5195). These galaxies are approximately 26 million light years away and are pulling each other apart with their gravitational pull. If you look hard enough, you may also see a few more fainter galaxies hiding amongst the stars.
For the "Objects for Layer" group.
Please feel free to use as you please.
It would be nice if you do use it to link back to me. Thanks :-)
IS IT REAL?
This waterfall is a water object in a park in Schaumburg, IL - USA. The park has a pond, colored pavers, retaining walls, planting beds, fountain and painted ornamental ironwork. It is an "open space" within the city. Many of the suburbs in the area have them.... its all part of Generica (Generic + America).
PROCESSESED?
This waterfall was part of a designers plan. The stones were laid by tradesmen and the water was made to flow across them to give people a feel as if they were viewing the beauty of nature. My photograph has obviously been processed, in the same manner that the designer of this water fall used. I wanted to let the viewer feel as if they were remembering a natural water fall from their past. I tried to give it a dreamy feel.
ENGINEER vs PHOTOGRAPHER
The question arises - Is a manufactured environment or memory wrong? As the designer layed out each part of this water fall - I layed out the coloring of each pixel. The result is engineered. The designer's calculated, gentle drop in elevation and my calculated cropping of parked cars in the background. We both try to achieve the same.
RIGHT or WRONG
People are more affected by other people than any other factor in our lives. This makes sense that we can create emotion through artwork. I hope that this artifact and my presentation will bring the viewer some joy. Many people will be able to see the processed environment that has been created, but will still enjoy the photograph.
Dans la coulée verte à Châtillon, le 18 Avril 2015
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Boîtier : CANON EOS 60D
Objectif : TAMRON SP 90mm f/2.8 Di VC USD MACRO 1:1
Flash : Yongnuo YN-560 III déporté.
2019. 04. 27.
Mount: HEQ-5 Goto
OTA: Skywatcher 200/800
Skywatcher F4 CC
Canon EOS 6D (modfied)
Expo: 42X210s light, 20 dark, 20 flat, 20 flatdark, ISO 1600
Processed with: Nebulosity, Startools, Photoshop
Project365/4
Dog Books
Photo taken for the www.photochallenge.org/2009/01/2009-challenge-day-4-books/.
I looked all over the house trying to find all the books I have on Dogs. I was surprised that I had so many.
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Dog is my One Object 365 Days Project Object.
{Project 365/4}
Recentemente visitei a Arena das dunas, como podem ver, algumas cadeiras ainda possuem os plásticos.
with no emotion, no story, no rain, no sun, no season, of course no human being.
sometimes shooting things as objects is interesting.
The sun-approaching Comet ISON floats against a seemingly infinite backdrop of
numerous galaxies and a handful of foreground stars. The icy visitor, with its
long gossamer tail, appears to be swimming like a tadpole through a deep pond
of celestial wonders.
In reality, the comet is much, much closer. The nearest star to the Sun is over
60,000 times farther away, and the nearest large galaxy to the Milky Way is over
thirty billion times more distant. These vast dimensions are lost in this deep
space Hubble exposure that visually combines our view of the universe from the
very nearby to the extraordinarily far away.
In this composite image, background stars and galaxies were separately photographed in red and yellow-green light. Because the comet moved between exposures relative to the background objects, its appearance was blurred. The blurred comet photo was replaced with a single, black-and-white exposure.
The images were taken with the Wide Field Camera 3 on April 30, 2013.
Credit: NASA, ESA, and the Hubble Heritage Team (STScI/AURA)