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This is something that I did for an experimental brief where I placed an object on top of a scanner and scanned it into photoshop.
i love how the images have come out, they are so sharp and full of colour and contrast.
Shamrock`s my name - hiding charms is my game! Feeling bold? Let`s play for gold! Every level you complete, wins a treasure or a treat! Travel across a magic land to collect Shamrock`s charms and win his secret pot of gold. You`ll win treasures and rewards along the way. Lucky Clover...
Curated by the Materials Lab
Photographed by Alison Steele, UT Austin School of Architecture Visual Resources Collection TA
A painting of several objects I am basing the "object sustained" project around. This strip was made with acrylic, watercolour and stencils.
Concert jazz du groupe belge "The Wrong Object", au Luxembourg le 04 novembre 2005.
Plus de détails sur www.instantdecisif.com.
Jazz concert of the belgian band "The Wrong Object" in Luxembourg on the 4th November 2005.
More details on www.instantdecisif.com.
A go pro image, heavily photo shopped while waiting for a pool tournament to start at Saint Elmo bar in Bisbee Arizona circa November 2024
An ongoing photo essay of vintage business machines, from the perspective of a user. Thanks to Ellis Ende for access to his collection.
Exhibition Dates: September 5 - 27, 2019
Lecture & Reception: Saturday, September 7, 4-7 pm
Gallery 224 at the Ceramics Program, Office for the Arts at Harvard
224 Western Ave, Allston, MA 02134
This show is built from a fascination with glazes and ceramic materials. During my residency at the Ceramics Program - Office for the Arts at Harvard, I’ve been researching and testing materials and procedures to take a fresh look at how we approach contemporary clay.
The process that I developed for this work has me hand-printing vessels and balloons the time to produce a single vase out to 40-plus hours. In that time-frame, I make thousands of decisions about where the profile is heading. Each drop is a waypoint in the design of the object. There is no inside surface vs. outside surface, there is only the object and the space it contains. It’s a really beautiful process. It’s layered with the irony of an American studio artist hand-replicating a 3-d printing process; making work representative of blue and white ware. There’s a lot of good questions in there.Colby Charpentier
Knowing that the material itself is a glass that was formulated to devitrify and be ceramic when fired— is important to understanding this work as a veil of glaze. This process is driven by the research questions: What if we took clay out of the vessel and glaze was all that remained? And what does it mean to replicate a 3-D printing process by hand? The result is ceramic: glass, devitrified.
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