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I think almost everyone knows this: so much adored, yet so unattainable; you can't fly? ...maybe jump?! Have fun!
Here's my second attempt into quarantine astrophotography, building on some of the lessons learned from the first experiment on Andromeda earlier this summer. More lessons learned, and more refinement to come as I eventually search for dimmer and more difficult to find objects. This one is shot on a D850, 200-500mm Nikkor at 500mm, 60 x 20s exposures (plus 20 x 20s dark) for a total exposure time of 20 minutes.
The Orion Nebula (also known as Messier 42, M42, or NGC 1976) and the Running Man Nebula (NGC 1973, NGC 1975, and NGC 1977) in the Orion constellation. M42 is located approximately 1,300 light years away and is the closest region of massive star formation to Earth.
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Bản quyền hình ảnh. Không sử dụng mà không được phép.
Авторское изображение. Не используйте без разрешения.
受版权保护的图像。未经许可，请勿使用。
Keter-class SCPs are anomalies that are exceedingly difficult to contain consistently or reliably, with containment procedures often being extensive and complex. The Foundation often can't contain these SCPs well due to not having a solid understanding of the anomaly, or lacking the technology to properly contain or counter it. A Keter SCP does not mean the SCP is dangerous, just that it is simply very difficult or costly to contain.. ◊
"The object of art is not to reproduce reality, but to create a reality of the same intensity." - Alberto Giacometti
The reality is that this is vibrant rust patterns on the side of the ship John D. Leitch which is a Great Lakes carrier docked in our port. What I saw was a sea serpent swimming in a river through a forest. What do you see?
...will jump through your car window if you don't toss the bread to them fast enough!
(I believe these are Gray Toulouse geese, but I'm not certain. A positive i.d. would be great.)
I've been somewhat remiss in commenting on photos the last few days, as I've been out of town. I will be playing catch-up tonight and tomorrow. Please bear with me :)
I have joined a large number of groups but in recent times I don't feel like adding photos to any groups because I feel it doesn't make sense to add to groups( unless Invited) and Most of the groups doesn't bring in viewership at all
In recent times my reach and likes have tremendously gone down and most of my friends or followers in Flickr say they cant load my photos in my feed!!
i don't know how long this will continue...
Photo faite par moi aux Coupes Moto Légende.
Agostini, le plus grand pilote moto de tous les temps, mais je ne suis pas objectif.
Tistedal - Norway
In Explore April 19, 2020**
Objects outside one of the factory walls..
Haldens bomuldsspinderi & væveri
is considered as Norway's first factory.. established 1813
History
"Mads Wiels Bomuldsfabrique" was started in 1813 at Tistafossen in Tistedal. This is how the industrial revolution came to Norway. Textile machines for spinning and weaving in modern factory buildings, with hydropower as the energy source for industrial machines. The factory kept running for over 150 years, before the textile crisis also caught up with Halden Cotton in 1971.
꧁✿🌸╭⊱ ♥ ⊱╮🌸✿꧂
Thanks to everyone who takes the time to view,
comment, fave and invite my photo, much appreciated**
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
I came across this by accident after walking from the South Bank across the eastern Golden Jubilee Footbridge. Instead of descending at the first set of stairs down to the North Bank I wanderered on along the walkway which continues inside buildings and one descent led to these escalators. It is surprising that such a cool London viewpoint is so little photographed. It is probably because it is such an obscure place to find. Coming from Embankment Station the ground floor entry is about half way up Villiers Street with a sign over for the Arches Shopping Centre. It is immediately before standard stairs marked as an entry to Charing Cross mainline Station which come out at the side of the station rather than being a main entry. Anybody exiting the station to the side would tend to use those stairs rather than going past them to the right to find these escalators. To get the full scene I used 10mm wide angle and got back as far as possible against a pillar. I also used a Tripod as it was quite dim and at its lowest height. No worries about Security Guards objecting to Tripod use as it is too out of the way to be noticed
The picture was taken on a Tripod and with a Sony A68 with a Sigma 10-20 zoom at 10mm. 3 raw images 2EV spacing for HDR. I processed with my just acquired Aurora HDR. This is HDR software as good as Photomatix which can also be used to process single RAW images. This is currently available free with the February issue of Digital Camera World Magazine currently in shops. Processing in Photoshop then started with Topaz Clarity and Topaz DeNoise. Then Transform distort to straighten out the top which was a little out of line. Some brightness adjustments were done with layer masks. A Vibrance adjustment layer to bring down the colours a little which were too intense.
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Backstory:
I had washed dinner from the dishes. I was just about to place the fork in the drawer when I stopped. I considered all the times I had simply needed a fork to eat. What I had not considered was taking a picture of one. Why would I? We only use them as a device with which to eat, right?
That thought brought me to this:
What if you took a second or third look at an ordinary object and found a new use for it? Honoring the energy from creative, new options for everyday objects can be liberating experiences. It's a simple exercise, with an unexpected outcome.
There is always a new perspective, a fresh outlook on things, if we take the time to notice. I love photography for this reason and so many others.
Apps Used:
TinType
Pixlr
Another in my series of abandoned objects.
It looks so new and wonderfully warm, let's hope it get reunited with hands that must be rather cold by now.
Flickr Lounge ~ Everyday Objects
Weekly Theme Challenge ~ Red
Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated
They keep on building these sharp, tall objects down the coastline, blocking everyone's sun and the cool sea breeze.. What a shame.
- Netanya, Israel (June 2017)
The story behind objects ( inspire by muffinmare)
I wanted to paint my toes in pink flashy pink but since i buy the botttle it was to cold !! lol !! This is a kitty i found under the warmer electric when i did the clean up of the appartement when i moved in. I decided to keep him, i could not put a kitty in the garbige !! lol ! Behind you see one of my two chinese métallic ball, suppose to relax hands. And finally my little moon who is to shot of a cadle that i buy long time ago and keep for a this special moment that never came ! lol !!
All those objects are on galets (galets = pebbles), i like to make zen kinda ambiance. But i have to many things for that !! lol !!
Please go see the photostream of my good friend muffinmare
Galerie de photos de muffinmare
To view more of my images, of Waddesdon Manor, inside and out, including some of the most beautiful artwork, and furniture, please click "here" !
From the Achieves, reprocessed using Photoshop CC 2025,
I would be most grateful if you would refrain from inserting your own images, and/or group invites; thank you!
Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. The house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839–1898). Since this was the preferred style of the Rothschild's it became also known as the Goût Rothschild. The house, set in formal gardens and an English landscape park, was built on a barren hilltop overlooking Waddesdon village. The last member of the Rothschild family to own Waddesdon was James de Rothschild. He bequeathed the house and its contents to the National Trust in 1957. Today, following an extensive restoration, it is administered by a Rothschild charitable trust that is overseen by Jacob Rothschild, 4th Baron Rothschild. In 2007–08 it was the National Trust's second most visited paid-entry property, with 386,544 visitors. The Baron wanted a house in the style of the great Renaissance châteaux of the Loire Valley. The Baron, a member of the Viennese branch of the Rothschild banking dynasty, chose as his architect Gabriel-Hippolyte Destailleur. Destailleur was already experienced in working in this style, having overseen the restoration of many châteaux in that region, in particular that of the Château de Mouchy. Through Destailleur's vision, Waddesdon embodied an eclectic style based on the châteaux so admired by his patron, Baron Ferdinand. The towers at Waddesdon were based on those of the Château de Maintenon, and the twin staircase towers, on the north facade, were inspired by the staircase tower at the Château de Chambord. However, following the theme of unparalleled luxury at Waddesdon, the windows of the towers at Waddesdon were glazed, unlike those of the staircase at Chambord. They are also far more ornate. The structural design of Waddesdon, however, was not all retrospective. Hidden from view were the most modern innovations of the late 19th century including a steel frame, which took the strain of walls on the upper floors, which consequently permitted the layout of these floors to differ completely from the lower floors. The house also had hot and cold running water in its bathrooms, central heating, and an electric bell system to summon the numerous servants. The building contractor was Edward Conder & Son. The towers were modelled on the staircase towers of Château de Chambord. One of the twin staircase-towers inspired by those at the Château de Maintenon. Once his château was complete, Baron Ferdinand installed his extensive collections of French 18th-century tapestries, boiseries, furniture and ceramics, English and Dutch paintings and Renaissance works of art. Extensive landscaping was carried out and the gardens enhanced with statuary, pavilions and an aviary. The Proserpina fountain was brought to the manor at the end of the 19th Century from the Palace of the Dukes of Parma in northern Italy: the Ducal Palace of Colorno. The gardens and landscape park were laid out by the French landscape architect Elie Lainé. An attempt was made to transplant full-grown trees by chloroforming their roots, to limit the shock. While this novel idea was unsuccessful, many very large trees were successfully transplanted, causing the grounds to be such a wonder of their day that, in 1890, Queen Victoria invited herself to view them. The Queen was, however, more impressed by the electric lighting in the house than the wonders of the park. Fascinated by the invention she had not seen before, she is reported to have spent ten minutes switching a newly electrified 18th-century chandelier on and off. When Baron Ferdinand died in 1898, the house passed to his sister Alice de Rothschild, who further developed the collections. Baron Ferdinand's collection of Renaissance works and a collection of arms were both bequeathed to the British Museum as the "Waddesdon Bequest". During World War II, children under the age of five were evacuated from London and lived at Waddesdon Manor. Following Alice de Rothschild's death in 1922, the property and collections passed to her great-nephew James A. "Jimmy" de Rothschild of the French branch of the family, who further enriched it with objects from the collections of his late father Baron Edmond James de Rothschild of Paris. When James de Rothschild died in 1957, he bequeathed Waddesdon Manor, 200 acres (0.81 km2) of grounds and its contents to the National Trust, to be preserved for posterity. The Trust also received their largest ever endowment from him: £750,000 (£15,310,270 as of 2014).
From Wikipedia, the free encyclopedia
Round Objects
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125 Pictures in 2025 #52 "Isolated object"
This is the Warisoulx, a Belgian flagged LPG tanker Currently headed toward Kalamata, Greece with a load of Natural Gas.Out on the bay it seems quite isolated. Also isolated in this shot is a petrochemical plant across the Bay, near the port of Gregory, Texas.