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Ceramic Object by H. GEN KOZURU

作:高鶴元 オブジェ

撮影:河野利彦(福岡県・直方谷尾美術館「伝統を越えて」展・出品作 2003)

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Téléobjectif de 40mm. Objectif optionnel des appareils subminiature Steky.

 

Le kit est complet. Boîte d'origine, trousse en cuir et viseur à placer sur le viewfinder de l'appareil lors de l'utilisation du téléobjectif.

Vivian Puxian, creator of the Personal Space Protector, before being LIVE on tv at the Wendy Williams show

This is what my "object"/percussion setup in BWO usually looks like: Microphone, Kaoss Pad, 3 Jews Harps, Stylophone, Vibrator, Masking Tape, Bird Calls, Kalimba, Saxoflute, Hotel Bell, Balloons, Chopsticks, Ratchets, Popcorn Shaker, and assorted metal percussion. The mask, wind-up teeth, and dinosaur cookie cutter are all visual cues which, when selected, move the improvised music forward into a new direction.

Technical Details

15 Seconds, Aperture: f/5.6, Focal Length: 20 mm, ISO Speed: 200

Nikon D90, Sigma 10mm-20mm f/4-5.6 EX DC HSM with Tiffen Digital HT color graduated ND .6 filter.

 

© Camilo Bonilla. All Rights Reserved. No usage allowed including copying or sharing without written permission.

A visit to the National Trust property of Snowshill Manor in the Cotswolds / Gloucestershire.

  

Snowshill Manor is a National Trust property located in the village of Snowshill, Gloucestershire, United Kingdom. It is a sixteenth century country house, best known for its twentieth century owner, Charles Paget Wade, an eccentric man who amassed an enormous collection of objects that interested him. He gave the property to the National Trust in 1951, and his collection is still housed there.

 

The property is located in Snowshill. It is a typical Cotswold manor house, made from local stone; the main part of the house dates from the 16th century. It is a Grade II* listed building, having been so designated since 4 July 1960. Also listed are the brewhouse, the dovecote, some of the garden buildings, the wall and gate-piers, and the group of four Manor Cottages.

 

Snowshill Manor was given to Winchcombe Abbey in 821 by King Coenwulf of Mercia. Two hundred and sixty four years later, the village and Manor were listed in the Domesday Book (1085) as Snawesille, property of the Abbey of Saint Mary of Winchcombe. The Manor remained the property of the Abbey until the Dissolution of the Monasteries in 1539 when it was confiscated by King Henry VIII, who included the Manor in his dowry to his last queen, Catherine Parr, in 1543.

 

The earliest surviving part of the Manor, the rooms named and now known as Dragon, Nadir, Ann's, Music and Seraphim by Charles Paget Wade, was built around 1550 and it is probable that this section of the Manor was joined to a contemporaneous building to the south, which was later demolished. In the 1600s the Manor was again extended southwards and attic rooms added. In the early part of the 18th century the house was owned by one William Sambach, who added extra rooms on the south-west corner in about 1720. He also added a new main door in the south front, placing the Sambach coat of arms in the pediment above it, which is now the main entrance to the house. After several further changes of owner, John Small of Clapham took over the property, being the first of a series of absentee landlords: for the next 150 years the house was occupied by tenant farmers, until its purchase in 1919 by Charles Paget Wade.

 

Wade was an architect, artist-craftsman, collector, poet and heir to the family fortune. He restored the property, living in the small cottage in the garden and using the Manor house as a home for his collection of objects. By the time of his death he had amassed over 22,000 objects. He gave the property and the contents of this collection to the National Trust in 1951.

 

The house contains an eclectic collection of thousands of objects, gathered over the years by Charles Paget Wade, whose motto was "Let nothing perish". The collection includes toys, Samurai armour, musical instruments, and clocks. Today, the main attraction of the house is perhaps the display of Wade's collection. From 1900 until 1951, when he gave the Manor to the National Trust, Wade amassed an enormous and eclectic collection of objects reflecting his interest in craftsmanship. The objects in the collection include 26 suits of Japanese samurai armour dating from the 17th and 19th centuries, bicycles, toys, musical instruments, and more.

  

Priest's House and workshop

 

This was Charles Paget Wade's home at Snowshill Manor. The manor was always home for his collection.

  

Grade II Listed Building

 

Brewhouse, in Garden, Adjoining Snowshill Manor

  

Listing Text

 

SNOWSHILL SNOWSHILL VILLAGE

SP 0833-0933

 

12/49 Brewhouse, in garden, adjoining

Snowshill Manor (formerly listed as

4.7.60 part of Snowshill Manor with dove-

cote and garden buildings)

 

GV II

Former dairy and still room, later house, now houses exhibition.

Probably C16, C17, altered and extended Cl9, 1919-'23 by and for

C.P. Wade. Squared stone in courses of varying heights, in part

of wall brought to courses, stone. slate roof. Two room, 1 1/2 storey

block, with lower, narrower single room 1 1/2 storey extension on end

at slight angle. Facade to house: on left stone slab on end

supports as bench seat; to right boarded door with moulded cover

strips, flat Tudor arch, chamfered jambs. Gabled wooden bellcote

on right on brackets. Blocked window; two 2-light mullioned

windows with external shutters, vertical joint for blocked window

to right. Parapet gables, cross-gablet apices. To right flight

of 10 stone steps against gable, rising to boarded door set back

behind eaves. To right wall set back, wide boarded door, flat

Tudor arch, chamfered arris. Long wooden dovecote attached to

wall, 15 boxes in 2 tiers. Above dormer, small-pane Yorkshire

sliding sash, projecting boarded gable: chimney behind ridge.

Rear elevation main part, shallow projecting section on right,

offset back to wall above. Square hole high up to left: blocked

wide arched doorway at left end, small pane window in semi-

circular head, ovolo surround, keystone, raised spandrels, square

hoodmould dropping each side to springing of arch. Buttress to

left. Above three gabled stone dormers, parapet gables: left 2

with 3-light mullioned windows, hoodmoulds; right with ridge

chimney, diamond-set brick top.

Interior: left room wide fireplace, timber lintel, 2 ovens off,

spiral stone stair on left, copper on right. Right room workbench

on end wall with rows of small drawers over. First floor rooms

divided by close-studded timber-framed partition forming truss:

truss in room on right with tie beam cut away: one pair purlins,

curved windbraces. Balcony in right room added by Wade, balusters

to handrail reused from rack in cowhouse. Converted by Wade into

dwelling for himself.

(Country Life, Vol. LXII, 1927; D. Verey, Gloucestershire, The

Cotswolds, 1970: National Trust guidebook, 1985)

  

Listing NGR: SP0965833848

 

This text is from the original listing, and may not necessarily reflect the current setting of the building.

  

George and the Dragon sculpture below a bell.

2Roses was featured in the new book Jewelry From Found Objects, by Heather Skowood. Published by Stackpole Books.

 

Thank You Heather, and Thank You Stackpole.

Object texture in its new home_San Francisco, California.

Southsea, Hampshire, England, UK

Great for a cup of tea and a DVD!

Part of the Roundhouse Rising festival

The following is from our second last lecture for physiology. The disorder is called Synaesthesia, however in this branch 'object personality', the patient views things/numbers etc. w/ certain characteristics. In this example, the person is describing the personality of the number 3 as they see it;

 

“Three is male; definitely male. Three is such a jerk! He only thinks of himself. He does not care about any other numbers or anything. All he wants is to better himself and he’ll use any sneaky, underhanded means necessary. But he’s also pretty young; he doesn’t understand anything and he doesn’t have very much power, as far as social status is concerned. So, he tries to hang out with Eight (who’s also a bad number) just so that he can feel better about himself. But really, none of the numbers can stand him. He’s a real jerk. He’ll pretend as though he’s your friend, but then he’ll manipulate you and stab you in the back if he feels he can gain something from it. Then he’ll never speak to you again. If Three had parents, even his parents would hate him.”

 

-- TE (2006)

 

Do you see it?

 

heheh, Ok ... so my first exam is on the 29th and I have to start reviewing. Either i will be taking a lot of breaks in between and there will be a lot of random uploads, as it happens every exam period. Or there will be nothing. Just wanted to share the number 3 with u guys.

Captured this object crossing the moon a couple of weeks ago.

I am all ready to go, but where is my owner? I wanna join the race too!

 

To be continued.....

 

This is a photo from a 6-part bicycle race micro story. To view the complete story, proceed to the Bicycle Race Micro Story section.

 

[DSC_1497s]

Messing 2014-17x6,5x6,5 cm.

a depiction of our desire for material goods- there's always just one more item out of reach, and once we get it, we feel that we will be complete. But once we grab it, we forget its value as we just want another object. Our quest for happiness must be fulfilled in another way

Twins in the mirror.

Unknown object.

Anyone who has a clue as to what this is, please let me know.

A hanging object in the ride section.

 

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