Objects
View allAll Photos Tagged Object,
An exercise in colors and textures, one of the photo-ops at the last NECCC conference
An honorable mention at the 7th Metropolitan International Exhibition of Photography
my window and my Fender bass
my window no. 39
a photo project:
1 photo per week of the same object/2021
.. become a member of our group:
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Strange objects at Darling Harbour.
Looking east to the city from the western boardwalk.
Cockle Bay, Darling Harbour.
Sydney.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Legacy 'Candy' filter from the Flickr Photo Editor.
“Unless someone like you cares a whole awful lot,
Nothing is going to get better. It's not.”
― Dr. Seuss, The Lorax
www.youtube.com/watch?v=7JBHyE18L3o
DwHc Punishment RP Mask - Paper Face
RKKN Quilted Leather Jacket
La rue Laffitte est une voie du 9e arrondissement de Paris, surtout connue pour ses galeries d’art et sa vue vers l’église Notre-Dame-de-Lorette et le Sacré-Cœur.
Canon EOS 5D Mark IV
Objectif canon 70-200 mm
Canon EOS 5D Mark IV
Objectif Tamron 24-70 mm
Post-traitement #luminar PROFITEZ D'UNE REDUCTION EN CLIQUANT SUR LE LIEN
skylum.evyy.net/c/249213/1263044/3255
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A well known "Natural Object" processed to the max became an “UnIdentified Object”
Who can identify this "Abstract" ?
😄 Happy Sliders Sunday to Everyone 😄
Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday
with a Panasonic Lumix DMC-FZ200
ƒ/2.8
4.5 mm
1/125 Sec
ISO 200
Dedicated to CRA (ILYWAMHASAM)
Le bouddhisme est cent fois plus réaliste que le christianisme — il a dans le sang l'habitude acquise de poser les problèmes froidement et objectivement, il vient après un mouvement philosophique qui a duré des centaines d'années — la notion de « Dieu » est déjà abolie quand il survient. Le bouddhisme est la seule religion positiviste que nous montre l'Histoire, et même dans sa théorie de la connaissance (un strict phénoménisme) — il ne dit plus « guerre au péché », mais rendant à la réalité ce qui lui est dû : « guerre à la souffrance ». Il a déjà laissé derrière lui — et c'est ce qui le différencie radicalement du christianisme — l'automystification des conceptions morales ; il se trouve, pour employer mon langage, outre bien et mal.
L'antéchrist - Friedrich Nietzsche
Object: The Sights in Auriga– (HST or SHO palette) – 2022
A widefield view of part of the constellation of Auriga (The Charioteer)
The field contains:
Left side of frame -IC405 (The Flaming Star Nebula -aka SH2-229 or Caldwell 31) an emission/reflection nebula in the northern part of Auriga. It surrounds the irregular, blue star AE Auriga and is about 1500 light years from Earth.
Center upper right - IC410 (The Tadpoles Nebula) a dusty emission nebula/stellar nursery at about 12.000 light years from Earth that illuminated by the star cluster NGC1893 which is about 4 million years old so still relatively young. The nebula is noted for the ”tadpole” structures that have been created by the radiation pressure from the stars in NGC189.
Right side of frame - IC417 (The Spider Nebula) – An emission nebula lit up by massive hot stars that is currently producing new stars. It is located about 10,000 light years from Earth.
Details:
- Acquisition Date: 10/28/2022 to 10/30/2022
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106 EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 22 x 10min. (220min) bin 1x1
- Oxygen III (OIII):22 x 10min. (220min) bin 1x1
- Sulfur II (SII):24 x 10min. (240min) bin 1x1
Total Exposure:680min. (11.33hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
When one adopts the practice by means of which one's mind, which is restless like the wind, is made still, perpetually, then the purpose of taking birth as a human being is fulfilled.
This week's Macro Monday's post is for the "oldest object I can find" theme.
There's not much old in my house - I can't really find much older than I am. However, my daughter did have some fossils, I love the translucency in this ammonite.
Baumreihen im Schlosspark Schwetzingen.
Auswahlfoto:
Für“Smile on Saturday“
Thema:“Many Identical Objects“
Thanks for views,faves and comments:-)
Raided the grandkids' bag of marbles for this one. I broke the rule of using an odd number of objects - but it works ok I think. As this is from my archives it's inspired me to have another go when I'm able.
used my PSP software for post production .....
Phedora Boots @Uber and Angelberry @TheEpiphany
Check out the full outfit and info about everything HERE!
...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.
Physalis skeleton, a shattered heart.❤️
Happy Crazy Tuesday
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
(60.00N, 30.00E)MCMLXXI
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What does not matter ?
1.What to photograph - Camera.
2.Where to photograph - Place.
3.When to photograph -Time.
.
What is important ?
1.Study and tune the camera.
2.Learn where you are going.
3.Study the lighting at different times.
.
What's the secret?♀️
1.Feel the instrument, hear what it says.
2.Feel the atmosphere of the place, catch the wave.
3.Switch on .Catch the moment!⚡️
.
Make a choice!
✨Finding the observer, comes awareness!✨
The Franklin Mint was founded in the mid-1960s to produce collectibles such as silver ingots, dolls, china plates and die-cast models. The Mint marketed their products as investments which the buyer could enjoy over time as the value of the object increased. But unfortunately, the values did not increase for all items and today, establishing a value for Franklin Mint items can be tricky.
The Franklin Mint was founded in the mid-1960s to produce collectibles such as silver ingots, dolls, china plates and die-cast models. The Mint marketed their products as investments which the buyer could enjoy over time as the value of the object increased. But unfortunately, the values did not increase for all items and today, establishing a value for Franklin Mint items can be tricky.
Alas, the Franklin Mint closed their doors in 2000 121
This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
A few years ago, I bought this ceramic object in El Rastro and I don´t know its function. I thought it was a salt shaker but it can´t be opened. It´s pretty!
Hace unos años, compré este objeto de cerámica en El Rastro pensando que era un salero, pero no tiene aperturas por ningún lado por lo que no sé cuál es su función. ¡Pero es bonito!
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?