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Original Caption: Experimental House Being Built of Empty Aluminum Beer and Soft Drink Cans. It Is the First to Use All Aluminum Cans; Two Other Houses Used Steel Cans. the Picture Shows the Finished Foundation with Upright Forms for Pouring Concrete Beams. the Owner and A
U.S. National Archives’ Local Identifier: 412-DA-14184
Photographer: Hiser, David, 1937-
Subjects:
Taos (Taos county, New Mexico, United States) inhabited place
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: catalog.archives.gov/id/556636
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
OPENING CALENDAR
Presentation of the Colors
Admiral William F. Halsey, Jr. Leadership Academy JROTC
Pledge of Allegiance
Zynida Lamar, 8th grade student
Toussaint L’Ouverture-Marquis de Lafayette School No. 6
Star Spangled Banner by Francis Scott Key
Students: Medjine Desire, Aliya Filipowicz and Widline Exalus
Sandra Evaristo, Vice Principal
September Daniels, Music Teacher
Jada Golden, Classroom Assistant
Toussaint L’Ouverture-Marquis de Lafayette School No. 6
The Haitian National Anthem – “La Dessalinienne” by Justin Lhérisson
Performed by Students of: John E. Dwyer Technology Academy
Cuban National Anthem – “La Bayamesa” by Perucho Figueredo
Performed by:
Marlenes L. Teixeira, Music Teacher - Terence C Reilly School No. 7
Sylvia Jacobson, Assistant - Albert Einstein Academy School No. 29
Portuguese National Anthem – “A Portuguesa” by Henrique Lopes de Mendonça
Performed by Students: Gustavo Agostinho, Thomas Jefferson Arts Academy
Crystal Urrutia, Thomas Jefferson Arts Academy
Pledge of Ethics
Xochil Aguirre, 8th Grade Student
Toussaint L’Ouverture-Marquis de Lafayette School No. 6
Core Beliefs - Video
PERFORMANCES
In Recognition of Cuban Heritage
Mi Tierra by Gloria Estefan
Dance Performance
Students from Mabel G. Holmes School No. 5
In honor of Haitian Heritage
Contemporary Haitian Dance - Pi WO (Higher) Wyclef Jean
Students from John E. Dwyer Technology Academy
In Honor of Portuguese Heritage
“Os Lusiadas” by Luis Camões
Pome recited by:
Aline Pereira and Andrew Seabra, 8th grade students
Madison Monroe School No. 16
“Mar Portuguese” by Fernando Pessoa
Poem recited by:
Krystal Maldonado
Camila Rodriguez
Gloria Cavalheiro
Angelica Bautista Rojas
Portuguese Language students at Thomas Jefferson Arts Academy
PRESENTATIONS
Student Excellence
New Jersey USA Wrestling Championship Winner
Jasiah Queen, 5th grade student, Toussaint L’Ouverture-Marquis de Lafayette School No. 6
Outstanding Ratings in Solo Vocalist Category - 2016 Union County Teen Arts Competition
Qyaisha Peeples, 7th grade student, Toussaint L’Ouverture-Marquis de Lafayette School No. 6
Medjine Desire, 6th grade student, Toussaint L’Ouverture-Marquis de Lafayette School No. 6
Stars of Excellence
Dedication to the students of the Elizabeth Public Schools for the past 36 years.
Amelia Turner, Guidance Counselor
Act of Heroism performing Heimlich Maneuver and saving our student from chocking
Anthony Mendes –Physical Education Teacher, Christopher Columbus School No. 15
Elizabeth Public Schools selected by State of New Jersey Department of Education as a Bilingual Model Program
Dr. Lisette Calvo, Director of Bilingual/ESL Education
Veronica Alvero, Bilingual/ESL and World Language Supervisor
Sandra Nunes, Bilingual/ESL and World Language Supervisor
Community Excellence
Resolution Honoring Cuban Community
Miguel Jimenez, President
Resolution Honoring Haitian Community
Aksyon Kominote Entenasyonal Pou Developman Pisto Haiti “AKEDP”
Feret Fenelis, Executive Director
Resolution Honoring Portuguese Community
Elizabeth Portugal Day – Carla Rodrigues, President
Elizabeth Portuguese Lions/Leos – Idalina Lopes, President
Portuguese Instructive Social Club – Jose Brito, President
The story of Sadie Sinclair - Book 1 - The spoiled Rich girl - Full - part 1 chapters 1 - 6
Chapter 1 - The spoiled princess
Chapter 2 - The Shiny Obsession
Chapter 3 - The shiny brat
Chapter 4 - The Shiny Showdown
Chapter 5 - The interview
Chapter 6 - 1st day at collage
Chapter 7 - The classroom & arrival
Chapter 8 - The wet photoshoot
Chapter 9 - Rubber mansion order's
Chapter 10 - Business take over
Chapter 11 - The kings letter
Chapter 12 - Golden greed
Chapter 13 - Shiny and selfish
Chapter 14 - Queen Sadie
Chapter 12 - Golden Greed
By morning, Sadie's insatiable appetite for dominance was operating at an absolute, unyielding peak. She spent hours meticulously prepping her dramatic winged eyeliner and high-fashion makeup, completely transfixed by her own beautiful reflection while the massive, bumpy vibrating dildos stuffed deep inside her pussy and ass ran on full power. The relentless internal friction triggered wave after wave of intense, breathless orgasms, causing her body to shiver with delight as she continuously climaxed straight into the mouth of Latex Lucy, who remained on all fours beneath her vanity chair, submissively licking her pussy and greedily drinking down her mistress's juices.
Completely satisfied and dripping with hyper-sexual lust, Sadie prepared for her grand entrance into the capital’s elite districts, sliding her flawless hourglass silhouette into a jaw-dropping new black and liquid-gold latex ensemble designed exclusively to project supreme authority.
The skin-tight black latex blouse hugged her curves flawlessly, layered over a mirror-shined gold turtleneck catsuit that acted as her high-gloss base. A heavy, thick gold latex belt cinched her waist to a perfect, dramatic degree. High-gloss gold latex elbow-gloves encased her arms, while the liquid-gold latex-clad legs beneath her ultra-short black mini-skirt shimmered like molten treasure under the brilliant Valtharian sun. She topped the look with a, glossy black dominatrix cap, tilted with absolute attitude over her fierce, dramatic winged eyeliner and her long, high blonde ponytail.
She felt a massive surge of pure adrenaline, her ego soaring. Beneath her layers of premium, custom-tailored latex, the constant, low buzz of her hidden toys kept her in a state of continuous, throbbing physical arousal. With every single step she took, the sharp click of her heels and the loud, slick friction rustle of her pristine outfit fueled her intense sense of superiority. Escorted by her private security, she marched straight through the grand archways of the New Orivan National Museum, her head held high with a haughty, self-absorbed grace.
The high-society patrons and wealthy art critics inside the exhibition hall froze in paralyzed, wide-eyed awe. They were completely mesmerized by her sheer presence and the unmissable, squeaking cadence of her outfit echoing off the historical marble walls. Sadie paid the common onlookers absolutely no mind, sauntering right up to the velvet-lined glass display cases, her icy blue eyes locking onto the shimmering historical gold artifacts with total, self-centered desire.
"I want them all," Sadie commanded, her sultry, arrogant voice cutting sharply through the gallery's silence. She pointed a gold-gloved latex finger carelessly at the ancient relics. "Pack them up. Now."
The museum curator rushed forward, sweat breaking out on his pale face as absolute panic gripped him. "But... my lady!" he stammered desperately, his hands shaking as his eyes darted from her imposing silhouette to the priceless antiquities. "These artifacts are sacred national treasures! They are worth billions of Valthars each! They belong to the history of our continent!"
Sadie let out a sharp, mocking, incredibly mean giggle that cut the old man's protests short. Reaching into her shiny gold designer bag, she pulled out King John’s signed royal decree and aggressively snapped the heavy parchment right against the glass case, right in front of his face.
"You think I care about history?" she scoffed, rolling her eyes with total contempt. "The fact that they're worth billions is exactly why I'm taking them. I am already a billionaire, but I think it's time your queen became a trillionaire. Open the cases before I get bored and have you thrown in a cell."
Without waiting for his compliance, she turned on her heel, her liquid-gold legs gliding smoothly as she strutted into the adjacent diamond gallery. As she passed a towering, floor-to-ceiling mirror, her extreme narcissism took over completely. She stopped dead in her tracks, transfixed as she admired her own stunning, high-gloss reflection.
The sight of her tightly cinched curves, the immaculate contrast of the black and gold rubber, and her flawless face sent a wave of intense physical validation straight through her body given he hard climaxs, causing her to sigh softly as her internal devices pulsed against her skin. She slowly adjusted her gold gloves, tracing the lines of her waist with a smirk of pure self-obsession, completely ignoring the paralyzed, weeping museum staff who began clearing out the vaults behind her.
Shaking off the brief distraction of her own reflection, Sadie locked her beautiful blue eyes onto the police officers standing guard at the gallery entrance. Instead of protecting the exhibits, the entire municipal force stood completely paralyzed and subjugated by her newly minted royal authority.
"Hey! Boys, hey cops!" Sadie sang out, her voice dropping into a sharp, playful purr as climaxed from her sex toys again. she tapped her gold latex boot impatiently against the marble floor. "I want all of these diamonds, too. Empty the glass cases immediately; every single carat in this room belongs to me."
The museum curator looked as if he was going to faint as the city’s top police officers began frantically scooping up handfuls of priceless, glittering gems and throwing them directly into Sadie’s custom gold collection bags. Sadie leaned back, resting her gold-gloved hands over her cinched belt, completely thrilled by her own beauty and the lawless power she held over the capital. She strutted right into the panicked curator's personal space while her verbartors made her cum again.
"All of it is mine," Sadie announced in a ruthless, greedy purr, her eyes flashing with a predatory light. "All mine, mine, mine! I want every ruby, every gem, and every gold coin in this entire city. And furthermore, I want a massive, shiny gold, 500-foot-tall statue made of me in the hottest pose, and I want it erected dead-center in the middle of the city square so everyone is forced to look at my perfect body and face every single day!"
The Mayor of New Orivan hurried into the gallery, bowing his head submissively as he took in the scene. "Where would such a massive monument even go, my... queen?"
Sadie giggled, throwing her long blonde ponytail back with absolute arrogance. "The park," she dictated smoothly. "The entire central park shall be bulldozed and turned into my private grounds. All my rules, all my laws. I want a golden throne and a diamond crown delivered to my estate by sunset. Now, everyone get to work!"
I want to be the top cover girl on every magazine, from now on it will only me me, i'm the hottset anyway, i's the hottset girl not just in my city, but the world, now do the magazines i want them all done today.
The officials scrambled to obey her commands. Sadie walked over to the police chief, her glossed lips curling into a cruel, beautiful smile. "Arrest anyone on the streets who isn’t in a state of full worship to me," she ordered coldly, tapping her crop against her palm. "If they aren't smiling when I walk past, lock them away in the dungeons."
She executed a slow, heavy-hipped catwalk straight out of the building, operating completely above the law. Strutting down the crowded metropolitan sidewalk, her gold and black rubber gleaming brilliantly under the sun, she casually snatched a designer handbag right out of a wealthy passerby's hands without a word. A few feet away, she stopped in front of a homeless beggar, reaching down with a mocking, beautiful smile to snatch the last few spare coins right out of his cup.
"But... I've got nothing left!" the man whimpered, looking up at the high-gloss goddess.
Sadie let out a sharp, patronizing laugh, adjusting her shiny black cap. "Well, sweetie, you've got even less now," she mocked, turning her back on him as she walked away.
She marched straight into the grand lobby of the New Orivan Central Bank, throwing King John’s royal decree onto the counter with an aggressive smack. "I want all the gold bars from every single vault," Sadie announced to the trembling tellers. "In fact, this entire bank is mine now, too. I own the money, I own the vaults, and I own all of you."
Suddenly, the heavy glass double doors swung open, and her mother, Scarlett Sinclair, stepped into the lobby. Scarlett bowed low on the polished marble tile, her black rubber outfit crinkling softly. "My beautiful daughter," Scarlett murmured proudly from the floor. "The entire capital city is officially yours to play with!"
Sadie looked toward the reinforced vault doors as heavy carts of solid gold bars were wheeled out by submissive bank staff. A thoroughly spoiled, unyielding tone cut through the room. "It's a good start, Mom. But I wanted the world. This is just my first sandbox."
Parading through the commercial luxury districts, Sadie stormed into the elite boutiques, commanding her entourage to confiscate every luxury accessory in sight. She forced high-society shoppers to strip off their diamond jewelry on the spot, handing it directly to her.
As she stepped back onto the boulevard, she spotted a mirror-shiny gold supercar idling at the curb. Her eyes narrowed with intense, insatiable greed. She catwalked up to the vehicle and stared down through the window at the driver.
"I want your car," Sadie stated smoothly.
The driver looked utterly stunned as she aggressively grabbed his arm, pulling him out of the vehicle and dragging him toward the bank doors. "You look like you've got plenty of assets, sweetie," Sadie mocked, her voice dripping with manipulative confidence. "But everything you own belongs to me now."
She snatched his black card and slammed it onto the teller counter. "Move every single cent to my account immediately. Max the card, drain the savings, and transfer the deed of the gold car to my name."
Sadie stood tall in the center of the grand bank lobby, her heart racing with the intoxicating thrill of supreme validation. She was completely triumphant, watching the city's highest powers, law enforcement, and wealthiest citizens all crumble under the weight of her unstoppable authority. Day One of her sovereign rule was an absolute, undisputed victory—and she still had seven full weeks left to play.
More about Sadie
Name: Sadie Sinclair
Her parents: Scarlett Sinclair and Tristan Sinclair
Her rubberdoll slave: Lucy Kensington - nick name Latex Lucy, Sasha Day, Hannah Jones, Monica Blackwood, Yasmine Haylane, Amy Price, Veronica Harrison, and a collection of well-known professional latex models such as Sexy-gloss, Rubbery-Ruby, Latex-Sindy, and Shiny-Princess, Scarlett Sinclair and Tristan Sinclair
Birthplace: Lysandero
Her city: New Orivan - capital city of Valtharis
Continent - Valtharis
Planet: Xelvoron
Galaxy: Astra-X666
Universe: 12,349
Multiverse: SS-B8
Superverse: X-22
Outterverse timeline: 4th reset
Height : 5, 6
Age in Image 20
Hair colour: Blonde
Eye colour: Blue
Favourite colours: red, black, pink, purple, blue, gold
Sexually: Bisexual / Autosexual
Libido: Very high - nyphomaniac
Wealth: super maga Rich
Archetype: Unapologetic Femme Fatale, Villainess
Personality: very Seductively beautiful, narcissistic, self centered vs self absorbed and self obsessed, selfish, greedy, avarice, mean, sadistic, very dominant,, power-hungry, gold digger, confidence, full of sexual lustful Pleasure for the love for her perfect pretty self.
How she see's herself, pretty, sexy, hot, perfect, attractive, dominant, naughty, provocative.
How she see others mostly men: toys, tools, playthings,
Obsessions: Latex, sexy outfits, getting her own way, getting spoiled, money Sexual pleasure 24/7, sex toys, being very kinky and naughty in public and at home.
Favourite food: Valtharian Lust-Melon
Childhood: ultra-spoiled "Daddy's little princess
Primary School: Lysandero Preparatory Academy - Headmistress Victoria Sterling
Secondary School: Valtharis Vanguard High - Head Principal Alistair Vance
College: The Orivan Institute of Wealth & Social Sciences (OIWSS) - Headmaster Marcus Cole - Sadie went to study psychological triggers behind human desire and submission.
U.S. Customs and Border Protection Executive Assistant Commissioner Office of Field Operations Todd Owen and U.S. Border Patrol Chief Carla Provost visit the San Ysidro Port of Entry. During their visit they observed pedestrian and vehicle processing operations. They also addressed the officers and thanked them for the job they are doing to protect our nation’s borders and facilitate lawful trade and travel.
Photos by Mani Albrecht
U.S. Customs and Border Protection
Office of Public Affairs
Visual Communications Division
Postcard.
Photographer: André Roosevelt (1879-1962).
Handwritten description back: Waterpaleis te Karangasem.
Taman Sukasada, also known as Ujung Water Palace or Taman Ujung, "was built in 1909 as a relaxation and recreation palace by the then King of Karangasem, I Gusti Bagus Jelantik. It was largely destroyed by the eruption of Mount Agung in 1963, damaged again by an earthquake in 1979", but later largely restored by the government. [Wikipedia (unknown date). Tirtagangga.]
Another print of this picture is part of the collection of the National Gallery of Australia.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
I seek refuge in Allah from Satan, the outcast.
In the name of Allah, the Beneficent, the Merciful.
Allah’s peace be upon Prophet Muhammad (S.A.W), the glorious Prophet of Islam, and on his Companions and his followers.
TASAWWUF
"There is no doubt that Tasawwuf is an important branch of Islam. The word itself may have been derived form the Arabic word "Soof" (Wool) or from "Safa" (cleanliness), but its foundation lies in one’s personal sincerity in seeking Allah’s nearness and trying to live a life pleasing to Him. Study of the Quran, the Hadith, and the practical life of the holy Prophet Muhammad (S.A.W) and his faithful Companions provide unmistakable support to this reality." (Hazrat Moulana Allah Yar Khan (R.A)
SUFISM, AN ESSENTIAL PART OF ISLAM
Doubts exist not only in the minds of the Muslim faithful but also among the Ulema, notably the exoteric about Tasawwuf and its votaries. Often they lead to misunderstanding, as if Shariah and Tariqah were two separate entries, or that Tasawwuf was some obscure discipline foreign to Islam, or that it was altogether above the established laws and injunctions of our Religion. To help remove these misgivings and to reassure seekers, as well as scholars, our Sheikh Hazrat Moulana Allah Yar Khan (R.A), Sheikh Silsila Naqshbandia Awaisia, wrote Al-Jamal Wal Kamal, Aqaid-O-Kamalaat Ulmai-e-Deoband, Binat-e-Rasool (S.A.W), Daamad-e-Ali (R.A), Dalael-us-Salook, Ejaad-e-Mazhab Shia, Hayat-un-Nabi (S.A.W), Hayat Barzakhia, Ilm-o-Irfan, Niffaz-e-Shariat Aur Fiqah-e-Jaferia, Saif-e-Owaisi, Shikast-e-Ahdai Hussain and Tahkeek Halal Haram books.
BIOGRAPHY
Sheikh Allah Yar Khan was born in Chakrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The very year, he met Shaykh Abdul Rahim, who took him to the shrine of Shaykh Allah Deen Madni. By Divine Will his spiritual connection was right away established with the saint of the 10th century Hijra (sixteenth century) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years. In 1962 he was directed to carry out the propagation of Prophetic blessings - a noble mission that he accomplished with singular enthusiasm and devotion for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss as per his/her sincerity and capacity. Shaykh Allah Yar Khan's mission produced men and women of deep spiritual vision and distinction.
Although Hazrat Moulana Allah Yar Khan (R.A) have lived a major portion of his life as a scholar, with the avowed mission of illuminating the truth of Islam and the negation of fallacious sects, and this would appear quite removed from Tasawwuf, yet the only practical difference between the two, namely the use of the former as a media to expound the truth, and the latter to imbue people with positive faith. Nevertheless, people are amazed that a man, who until the other day, was known as a dialectician and a preacher of Islam, is not only talking of Mystic Path, but is also claiming spiritual bonds with the veteran Sufi Masters of the Past. This amazement is obviously out of place in the view of Quranic injunction: This is the bounty of Allah which He gives to whom He wills. (62:4)
THE PURIFICATION OF THE SOUL
The purification of the soul always formed part of the main mission of the Prophets; that is, the dissemination and propagation of the Devine Message. This responsibility later fell directly on the shoulders of the true Ulema in the Ummah of the last Prophet Muhammad (S.A.W), who, as his genuine successors, have continued to shed brave light in every Dark Age of materialism and sacrilege. In the present age of ruinous confusion, the importance of this responsibility has increased manifold; of the utter neglect of Islam by Muslims has not only driven them to misery, but also grievously weakened their bonds of faith in Allah and His Prophet Muhammad (S.A.W). The decay in their belief and consequent perversion in their conduct has reached a stage that any attempt to pull them out of the depth of ignominy and the heedless chaos of faithlessness, attracts grave uncertainties and apprehensions rather than a encouraging will to follow the Shariah, to purify the soul and to reform within. The Quranic Verse: Layers upon layers of darkness… (24:40) provides the nearest expression of their present state.
SHARIAH & SUFISM
Any action against the Sunnah (Prophet’s way of life) cannot be called Sufism. Singing and dancing, and the prostration on tombs are not part of Sufism. Nor is predicting the future and predicting the outcome of cases in the courts of law, a part of Sufism. Sufis are not required to abandon their worldly possessions or live in the wilderness far from the practical world. In fact these absurdities are just its opposites. It is an established fact that Tazkiyah (soul purification) stands for that inner purity which inspires a person’s spirit to obey the holy Prophet Muhammad (S.A.W). If a false claimant of Sufism teaches tricks and jugglery, ignoring religious obligations, he is an impostor. A true Sheikh will lead a believer to the august spiritual audience of the holy Prophet Muhammad (S.A.W). If you are fortunate enough to be blessed with the company of an accomplished spiritual guide and Sheikh of Sufism, and if you follow his instructions, you will observe a positive change in yourself, transferring you from vice to virtue.
ISLAM, AS A COMPLETE CODE OF LIFE
Islam, as a complete code of life or Deen, was perfected during the life of the Holy Prophet Muhammad (S.A.W). He was the sole teacher and his mosque was the core institution for the community. Although Islam in its entirety was practiced during that blessed era, the classification and compilation of its knowledge into distinct branches like ‘Tafsir’ (interpretation of the Quran), Hadith (traditions or sayings of the holy Prophet- SAWS), Fiqh (Islamic law), and Sufism (the soul purification) were undertaken subsequently. This Deen of Allah passed from the holy Prophet Muhammad (S.A.W) to his illustrious Companions in two ways: the outward and the inward. The former comprised the knowledge defined by speech and conduct, i.e., the Quran and Sunnah. The latter comprised the invisible blessings or the Prophetic lights transmitted by his blessed self. These blessings purified the hearts and instilled in them a passionate desire to follow Islam with utmost love, honesty and loyalty.
WHAT’S SUFISM
Sufism is the attempt to attain these Barakah (Blessings). The Companions handed down Prophet Muhammad (S.A.W) teachings as well as blessings to the Taba’een. Their strong hearts were capable of infusing these blessings into the hearts of their followers. Both aspects of Islam were similarly passed on by the Taba’een to the Taba Taba’een. The compilation of knowledge and its interpretation led to the establishment of many schools of religious thought; famous four being the Hanafi, the Hanbali, the Maliki, and the Shafa'i, all named after their founders. Similarly, in order to acquire, safeguard and distribute his blessings, an organized effort was initiated by four schools of Sufism: The Naqshbandia, the Qadria, the Chishtia, and the Suharwardia. These schools were also named after their organizers and came to be known as Sufi Orders. All these Orders intend to purify the hearts of sincere Muslims with Prophetic lights. These Sufi Orders also grew into many branches with the passage of time and are known by other names as well. The holy Quran has linked success in this life and the Hereafter with Tazkiyah (soul purification). He, who purified, is successful. (87: 14) Sufi Orders of Islam are the institutions where the basics of Tazkiyah (soul purification) and its practical application are taught. They have graded programs in which every new seeker is instructed in Zikr-e Lisani (oral Zikr) and is finally taught the Zikr-e Qalbi (Remembrance in heart).
ZIKR-E QALBI
However, in the Naqshbandia Order, Zikr-e Qalbi is practiced from the very beginning. Adherence to the Sunnah (Prophet’s way of life) is greatly emphasized in this Order, because the seeker achieves greater and quicker progress through its blessings. The essence of Zikr is that the Qalb should sincerely accept Islamic beliefs and gain the strength to follow the Sunnah with even greater devotion. ‘If the heart is acquainted with Allah and is engaged in His Zikr; then it is filled with Barakaat-e Nabuwwat (Prophetic blessings) which infuse their purity in the mind and body. This not only helps in controlling sensual drives but also removes traces of abhorrence, voracity, envy and insecurity from human soul. The person therefore becomes an embodiment of love, both for the Divine and the corporeal. This is the meaning of a Hadith, “There is a lump of flesh in the human body; if it goes astray the entire body is misguided, and if it is reformed the entire body is reformed. Know that this lump is the Qalb”.’
PAS ANFAS
Recent History Khawajah Naqshband (d. 1389 CE) organized the Naqshbandia Order at Bukhara (Central Asia). This Order has two main branches – the Mujaddidia and the Owaisiah. The former is identified with Sheikh Ahmed Sirhindi, known as Mujaddid Alif Sani (literally: reviver of the second Muslim millennium), a successor to Khawajah Baqi Billah, who introduced the Order to the Indo- Pakistan sub-continent. The Owaisiah Order employs a similar method of Zikr but acquires the Prophetic blessings in the manner of Khawajah Owais Qarni, who received this beneficence from the Holy Prophet Muhammad (S.A.W) without a formal physical meeting. The Zikr employed by the Naqshbandia is ‘Zikr-e Khafi Qalbi’ (remembrance of Allah’s Name within the heart) and the method is termed ‘Pas Anfas’, which (in Persian) means guarding every breath. The Chain of Transmission of these Barakah, of course, emanates from the holy Prophet- SAWS.
SPIRITUAL BAI’AT (OATH OF ALLEGIANCE
It is necessary in all Sufi Orders that the Sheikh and the seekers must be contemporaries and must physically meet each other for the transfer of these blessings. However, the Naqshbandia Owaisiah Order goes beyond this requirement and Sufis of this Order receive these Barakah regardless of physical meeting with their Sheikh or even when the Sheikh is not their contemporary. Yet, it must be underscored that physical meeting with the Sheikh of this Order still holds great importance in dissemination of these Barakah. Sheikh Sirhindi writes about the Owaisiah Order in his book ‘Tazkirah’: ‘It is the most sublime, the most exalted, and the most effective…and the highest station of all others is only its stepping stone.’ By far the greatest singular distinction of the Naqshbandia Owaisiah Order is the honor of Spiritual Bai’at (Oath of Allegiance) directly at the blessed hands of the holy Prophet Muhammad (S.A.W).
SHEIKH HAZRAT MOULANA ALLAH YAR KHAN (R.A)
The Reviver Sheikh Allah Yar Khan was born in Chikrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The same year, he met Sheikh ‘Abdul Rahim, who took him to the shrine of Sheikh Allah Deen Madni. By Divine Will his spiritual connection was immediately established with the saint of the 10th century Hijra (sixteenth century CE) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years, after which he was directed to undertake the propagation of Prophetic blessings - a noble mission that he accomplished with singular zeal and dedication for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss commensurate with his/her sincerity and capacity. Sheikh Allah Yar Khan’s mission produced men and women of deep spiritual vision and eminence. He authored eighteen books, the most distinguished being Dalael us-Sulook (Sufism - An Objective Appraisal), Hayat-e Barzakhiah (Life Beyond Life) and Israr ul- Haramain (Secrets of the two holy Mosques). He was undoubtedly one of the most distinguished Sufi saints of the Muslim Ummah and a reviver of the Naqshbandia Owaisiah Order. He passed away on 18 February 1984 in Islamabad at the age of eighty.
THE CHAIN OF TRANSMISSION OF NAQSHBANDIA OWAISIAH
1. Hazrat Muhammad ur-Rasool Allah (Sall Allah-o Alaihi wa Sallam), 2. Hazrat Abu Bakr Siddiq (Radhi Allah-o Unho), 3. Hazrat Imam Hassan Basri (Rahmat Ullah Alaihi), 4. Hazrat Daud Tai (Rahmat Ullah Alaihi), 5. Hazrat Junaid Baghdadi (Rahmat Ullah Alaihi), 6. Hazrat Ubaid Ullah Ahrar (Rahmat Ullah Alaihi), 7. Hazrat Abdur Rahman Jami (Rahmat Ullah Alaihi), 8. Hazrat Abu Ayub Muhammad Salih (Rahmat Ullah Alaihi), 9. Hazrat Allah Deen Madni (Rahmat Ullah Alaihi), 10. Hazrat Moulana Allah Yar Khan (Rahmat Ullah Alaihi).
THE SPIRIT OR RUH
The spirit or Ruh of every person is a created reflection of the Divine Attributes and it originates in Alam-e Amar (Realm of Command). Its food is the Light of Allah or the Divine Refulgence, which it acquires from the Realm of Command through the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him), whose status in the spiritual world is like that of the sun in the solar system. The Quran refers to him as the ‘bright lamp’. Indeed, he is the divinely selected channel of all Barakah. All Exalted Messengers themselves receive these Barakah from him.
LATAIF
The human Ruh also possesses vital organs like the physical body; through which it acquires its knowledge, food and energy. These are called Lataif (singular Latifah: subtlety). Scholars of various Sufi Orders have associated them with specific areas of the human body. The Naqshbandia Owaisiah Order identifies these Lataif as follows. First - Qalb: This spiritual faculty is located within the physical heart. Its function is Zikr. Its strength increases one’s capacity for Allah’s Zikr. Second – Ruh: The site of this Latifah, which is a distinct faculty of the human Ruh, is on the right side of the chest at the level of Qalb. Its primary function is concentration towards Allah. Third – Sirri: This is located above the Qalb and functions to make possible Kashf. Forth – Khaffi: This is located above the Ruh and functions to perceive the omnipresence of Allah. Fifth – Akhfa: This is located in the middle of chest, at the centre of the first four Lataif and makes it possible for the Ruh to perceive the closeness of Allah, Who is closer to us than our own selves. Sixth – Nafs: This Latifah is located at the forehead and functions to purify the human soul. Seventh – Sultan al-Azkar: This Latifah is located at the top centre of the head and serves to absorb the Barakah of Allah into the entire body, so that every cell resonates with Zikr.
FIVE EXALTED MESSENGERS OF GOD
There are Five Exalted Messengers among the many known and unknown Messengers of Allah. They are Hazrat Muhammad, Hazrat Nuh (Noah), Hazrat Ibrahim (Abraham), Hazrat Musa (Moses), and Hazrat Esa (Jesus), peace be upon them all. Hazrat Adam is the first Prophet of Allah and the father of mankind. Each Latifah is associated with a particular Prophet. The Barakah and lights from Hazrat Adam (peace be upon him), descend on the first Latifah Qalb; its lights are reflected from the first heaven and are yellowish. The second Latifah is associated with Hazrat Nuh and Hazrat Ibrahim (peace be upon them). Its lights descend from the second heaven and appear as golden red. The lights descending upon the third Latifah are from Hazrat Musa (peace be upon him) and are white. One the fourth Latifah, the lights of Hazrat Esa (peace be upon him) descend from the fourth heaven and are deep blue. The fifth Latifah receives its Barakah directly from the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him). The lights associated with this Latifah are green, descend from the fifth heaven, and overwhelm all the first four Lataif. The Lights descending upon the sixth and seventh Lataif are the Divine Lights, whose color and condition cannot be determined. These are like flashes of lightening that defy comprehension. If Allah blesses a seeker with Kashf, he can observe all of this. The vision is slightly diffused in the beginning, but gradually the clarity improves.
SULOOK
Stages of the Path After all seven Lataif of a seeker have been illuminated with Divine Lights through Tawajjuh of the Sheikh and his Ruh has acquired the ability to fly, the Sheikh initiates its journey on the sublime Path of Divine nearness. The Path is known as Sulook, and its stages are not hypothetical imaginations but real and actually existing stations on the spiritual Path. These are also referred to as Meditations, because a seeker mentally meditates about a station while his/her Ruh actually ascends towards it. The first three stations that form the base of whole Sulook are described as; Ahadiyyat, a station of Absolute Unity of Divinity. It is above and beyond the seven heavens. It is so vast a station that the seven heavens and all that they encompass are lost within Ahadiyyat as a ring is lost in a vast desert. Its lights are white in color. Maiyyat station denotes Divine Company, ‘He is with you, wherever you might be.’ This station is so vast that Ahadiyyat along with the seven heavens beneath are lost within it as a ring is lost in a desert. Its lights are green in color. Aqrabiyyat station denotes Divine Nearness, ‘He is nearer to you than your life- vein.’ Again, Aqrabiyyat is vast as compared to Maiyyat in the same proportion. Its lights are golden red and are reflected from the Divine Throne. It is indeed the greatest favor of Almighty Allah that He blesses a seeker with an accomplished Sheikh, who takes him to these sublime stations. The final station that a seeker attains to during his/her lifetime becomes his/her Iliyyeen (blessed abode) in Barzakh and his/her Ruh stays at this station after death.
ZIKR
Why is Zikr Necessary for Everyone? Allah ordains every soul in the Quran to Perform Zikr. This not only means reciting the Quran and Tasbeeh but also Zikr-e Qalb. It is only through Zikr-e Qalbi that Prophetic Lights reach the depths of human soul and purify it from all vice and evil. Zikr infuses a realization of constant Divine Presence and a seeker feels great improvement in the level of sincerity and love towards Allah and the holy Prophet- SAWS. Such levels of sincerity, love and feelings of Divine Presence can never be obtained without Zikr. It would be a mistake to believe that Zikr may be a requirement only for the very pious and virtuous people. Zikr provides the Prophetic blessings which are in effect the life line of every human soul. It transforms even the most corrupted humans into virtuous souls by bringing out the best in them. The fact is that Zikr is the only way to achieve true contentment and satisfaction in life. The holy Quran has pointed to this eternal fact that it is only through Zikr Allah that hearts can find satisfaction. Such satisfaction and peace are the ultimate requirements of every person, regardless of religion, race and ethnicity. Practicing Zikr regularly removes all traces of anxiety and restlessness, and guides the human soul to eternal bliss and peace.
KHALIFA MAJAZEEN
Hazrat Moulana Allah Yar Khan (R.A), during his life time in 1974, presented a nomination list to Prophet Muhammad (S.A.W), during Maraqba, of expected Khalifa Majazeen for Silsila Naqshbandia Awaisia. Prophet Muhammad (S.A.W) approved some names, deleted some of the names, and added down the name of Major Ghulam Muhammad as also Khalifa Majaaz of Silsila Naqshbandia Awaisia (which was not previously included in the list)
The approved names at that time included:
1. Mr. Muhammad Akram Awan Sahib,
2. Mr. Sayed Bunyad Hussain Shah Sahib,
3. Mr. Major Ahsan Baig Sahib,
4. Mr. Col. Matloob Hussain Sahib,
5. Mr. Major Ghulam Muhammad Sahib of Wan Bhachran Mianwali,
6. Mr. Molvi Abdul Haq Sahib,
7. Mr. Hafiz Abdul Razzaq Sahib,
8. Mr. Hafiz Ghulam Qadri Sahib,
9. Mr. Khan Muhammad Irani Sahib,
10. Mr. Maolana Abdul Ghafoor Sahib,
11. Mr. Syed Muhammad Hassan Sahib of Zohb.
These Majazeen were authorized to; held Majalis of Zikar (Pas Anfas) in their respective areas, arrange Majalis of Zikar in neighboring areas, train them on the way of Sulook, prepare them for Spiritual Bai’at (Oath of Allegiance), and present them to Sheikh Hazrat Moulana Allah Yar Khan for Spiritual Bai’at at the Hand of Prophet Muhammad (S.A.W), in the life of Hazrat Moulana Allah Yar Khan (R.A), and were all equal in status as Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
Presently we are following Hazrat Major ® Ghulam Muhammad Sahib, Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
Secretary of State Antony J. Blinken delivers remarks at a luncheon commemorating the 10th anniversary of TechWomen at the U.S. Department of State in Washington, D.C., on October 24, 2022. [State Department photo by Freddie Everett/ Public Domain]
SEOUL, SOUTH KOREA - NOVEMBER 16: Lee "Gumayusi" Min-hyeong of T1 at the League of Legends World Championship 2023 Finals Features Day on November 16, 2023 in Seoul, South Korea. (Photo by Colin Young-Wolff/Riot Games)
Source: en.wikipedia.org/wiki/Monument_Valley
Monument Valley (Navajo: Tsé Biiʼ Ndzisgaii, pronounced [tsʰépìːʔ ǹtsɪ̀skɑ̀ìː], meaning "valley of the rocks") is a region of the Colorado Plateau characterized by a cluster of sandstone buttes, with the largest reaching 1,000 ft (300 m) above the valley floor. The most famous butte formations are located in northeastern Arizona along the Utah–Arizona state line. The valley is considered sacred by the Navajo Nation, the Native American people within whose reservation it lies.
Monument Valley has been featured in many forms of media since the 1930s. Famed director John Ford used the location for a number of his Westerns. Film critic Keith Phipps wrote that "its five square miles [13 km2] have defined what decades of moviegoers think of when they imagine the American West".
Sourc: navajonationparks.org/navajo-tribal-parks/monument-valley/
History
Before human existence, the Park was once a lowland basin. For hundreds of millions of years, materials that eroded from the early Rock Mountains deposited layer upon layer of sediment which cemented a slow and gentle uplift, generated by ceaseless pressure from below the surface, elevating these horizontal strata quite uniformly one to three miles above sea level. What was once a basin became a plateau.
Natural forces of wind and water that eroded the land spent the last 50 million years cutting into and peeling away at the surface of the plateau. The simple wearing down of altering layers of soft and hard rock slowly revealed the natural wonders of Monument Valley today.
From the visitor center, you see the world-famous panorama of the Mitten Buttes and Merrick Butte. You can also purchase guided tours from Navajo tour operators, who take you down into the valley in Jeeps for a narrated cruise through these mythical formations. Places such as Ear of the Wind and other landmarks can only be accessed via guided tours. During the summer months, the visitor center also features Haskenneini Restaurant, which specializes in both native Navajo and American cuisines, and a film/snack/souvenir shop. There are year-round restroom facilities. One mile before the center, numerous Navajo vendors sell arts, crafts, native food, and souvenirs at roadside stands.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Utah) "يوتا" "犹他州" "יוטה" "यूटा" "ユタ州" "유타" "Юта"
(Monument Valley) "وادي النصب التذكاري" "纪念碑谷" "Vallée des monuments" "מוניומנט ואלי" "स्मारक घाटी" "モニュメントバレー" "모뉴먼트 밸리" "Долина Монументов" "Valle de los Monumentos"
The new building of the Parliament of Tajikistan, photographed on 11 April 2026 by Zinhor Nasri , stands as one of the most striking additions to the modern governmental landscape of Dushanbe. Rising from the heart of the capital, near the ceremonial axis of Rudaki Avenue, the building embodies the architectural language that has come to define Tajikistan’s state construction in the 21st century: monumental, neoclassical, and deeply symbolic.
A Monumental Architectural Statement
The Parliament’s façade is dominated by tall colonnades, a broad pediment, and a symmetrical massing that immediately evokes classical state architecture. This stylistic choice is deliberate. Since the mid‑2010s, Tajikistan has embraced a visual identity rooted in grandeur and permanence, echoing both Soviet monumentalism and older Persian‑Central Asian traditions of state representation. The Parliament fits seamlessly into this lineage.
The building’s stone exterior, clean lines, and imposing scale project stability and authority. In a region where architecture often serves as a political message, the Parliament communicates the state’s aspirations: continuity, strength, and national pride.
The Fountain and Civic Space
One of the most distinctive features visible in the 2026 photograph is the large fountain positioned directly before the main entrance. This is not merely decorative. In Dushanbe’s civic design, fountains are symbolic markers of prosperity, modernity, and public life. The Parliament’s fountain creates a ceremonial forecourt, transforming the building from a mere administrative structure into a civic landmark.
The surrounding plaza—paved, landscaped, and open—invites public gatherings and state ceremonies. It mirrors the design approach seen at the Palace of the Nation, National Library, and Kokhi Millat, forming a cohesive governmental district where architecture and landscape work together to express national identity.
Context Within Dushanbe’s Government District
The Parliament’s location places it among the most important institutions of the Tajik state. The government district has undergone extensive redevelopment over the past decade, replacing older Soviet‑era buildings with new monumental structures. This transformation reflects Tajikistan’s broader effort to redefine its capital city as a modern, dignified seat of governance.
The Parliament’s coordinates—38°34′34.55″ N, 68°47′12.55″ E —place it firmly within this evolving urban core. Its presence strengthens the architectural narrative of a capital city moving confidently into the future while retaining echoes of its historical and cultural heritage.
Symbolism and National Identity
Although the Wikimedia page does not list the architect or construction firm, the building’s design aligns with the state’s architectural philosophy:
Neoclassical forms symbolise order and legitimacy.
Grand scale conveys the importance of parliamentary authority.
Symmetry and clarity reflect ideals of governance and stability.
Public-facing plazas reinforce the connection between state and citizen.
In Tajikistan, architecture is not merely functional—it is expressive. The Parliament’s design communicates a message of unity and national purpose, projecting an image of a modern state rooted in tradition.
A Contemporary Landmark
The 2026 photograph shows the building in pristine condition, its fountain active, its façade gleaming under the afternoon light. As a newly completed structure, it represents the latest chapter in Dushanbe’s architectural evolution. It is both a working institution and a national symbol—an embodiment of Tajikistan’s political identity and cultural aspirations.
In time, the new Parliament will likely become one of the most recognisable landmarks of the capital, joining the ranks of the city’s other monumental state buildings. Its presence marks a significant moment in the country’s architectural and civic development.
The location used for the Tucson Bike Show in episode 404 was the Real Life Church in the City of Valencia.
This location is at 23841 Newhall Ranch Rd.
Non-original binding. Rebound in France, ca. 1820; black straight-grain goatskin, blind-tooled foliate, rope, and geometric patterns; gold-tooled framing fillets on outer boards, and Greek key designs on turn-ins; marbelized pastedowns; spine inscribed in gold amid three wreaths: HEURES/SUR/VELIN; pink and white silk endbands and pink ribbon marker; housed within a black telescopic case inscribed HEURES in gold.
This pocket-size Flemish Book of Hours was created in Bruges between 1460 and 1470. A heavy contingent of South Netherlandish saints in the litany helps localize its production. Although small in scale, it is notable for its abundance of illuminations, nearly thirty extant, by artists working in the style of the prolific mid-fifteenth-century Flemish illuminator Willem Vrelant. Three artists worked on this book. The best painted the full-page miniature of David Penitent on fol. 85v; an able artist painted the other two full-page miniatures; the historiated initials and minor decoration are routine. Several other Books of Hours in the Walters' collection are similar in style to this manuscript, exhibiting the characteristics of the Vrelant circle, notably W.177, W.179, and W.180.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Nikon D800 Photoshoot of Twin Sister Bikini Swimsuit Model Goddesses
Twin sister goddesses!
Shot with my new, rather expensive B&W CP (circular polarizer)--the B+W XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating ! I love the finish it gives! Nothing in post compares! :)
Finished in Lightroom 4!
Nikon D800 Photographs of two beautiful blonde swimsuit bikini model twin sisters shot with the brand new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Captured in both RAW and JPEG.
Check out the amazing detail in the full resolution photos! I was running out of CF & SD cards fast, as the files are huge!
Classic California Hero's Journey Mythology Goddesses! Tall, pretty, thin, fit, with pretty blue eyes and long straw-blonde hair, blowing on the sea breeze.
Modeling the brand new black Gold 45 Revolver & Braveheart Sword Hero's Journey Mythology Gold'N'Virtue bikinis!
On El Matador Beach in Malibu!
Enjoy the epic beauty of the mythological hero's journey, in great detail via the Nikon D800! :)
The full resolutions RAWs and JPEGs are amazing!
Enjoy!
May the goddesses inspire you along your artistic hero's journey!
This is not about world peace.
This is a restless dream of existence. The unceasing cycle of feeding and living.
Terns hover and glide and fly away. Nimble and fleet winged, they put on an aerial display of swiftness.
This picture kept untouched for the dreamy soft look.
I have been trying for 3 years to capture the terns in flight with a singular lack of success.
Today was a lucky day . I was trying to capture the dive sequence of Brahminy kites diving in to the water and picking up their prey with a swift leg motion.
The terns can not employ the fast leg movement as their muscles and talons will not support the movement and the strength required. The terns have to perforce pick up the food with their beaks and that is the opportunity that gives you the split second advantage in capturing this bird as it has to slow down its movement in the air just before it can actually use its beak to pick the food up from the water.
DSC_4261 hand held jpeg trans
- Primary Image
Manufacturer = NIKON CORPORATION
Model = NIKON D70
- Exif Specific
Exposure Time = 1/1000 sec [0.001]
F Number = 53/10 [5.300]
Metering mode = Pattern
Light Source = Unknown
Flash = Flash did not fire
Focal Length = 190 mm
Horses of Cheshire
Depending on breed, management and environment, the modern domestic horse has a life expectancy of 25 to 30 years. Uncommonly, a few animals live into their 40s and, occasionally, beyond. The oldest verifiable record was "Old Billy", a 19th-century horse that lived to the age of 62. In modern times, Sugar Puff, who had been listed in Guinness World Records as the world's oldest living pony, died in 2007 at age 56.
Regardless of a horse or pony's actual birth date, for most competition purposes a year is added to its age each January 1 of each year in the Northern Hemisphere and each August 1 in the Southern Hemisphere. The exception is in endurance riding, where the minimum age to compete is based on the animal's actual calendar age.
The following terminology is used to describe horses of various ages:
Colt: a male horse under the age of four. A common terminology error is to call any young horse a "colt", when the term actually only refers to young male horses.
Filly: a female horse under the age of four.
Foal: a horse of either sex less than one year old. A nursing foal is sometimes called a suckling and a foal that has been weaned is called a weanling. Most domesticated foals are weaned at five to seven months of age, although foals can be weaned at four months with no adverse physical effects.
Gelding: a castrated male horse of any age.
Mare: a female horse four years old and older.
Stallion: a non-castrated male horse four years old and older. The term "horse" is sometimes used colloquially to refer specifically to a stallion.
Yearling: a horse of either sex that is between one and two years old.
In horse racing, these definitions may differ: For example, in the British Isles, Thoroughbred horse racing defines colts and fillies as less than five years old. However, Australian Thoroughbred racing defines colts and fillies as less than four years old.
1st day of Autumn time in Little Stanney Cheshire 2014
Chamber of Commerce group, Waterford, from the Poole Collection.
See comments below for those that we've managed to identify...
Date: Monday, 12 May 1930
NLI Ref.: POOLEWP 3697
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Schlüsselburg - Lnáře Municipality. Former Prachens province in the southwestern Bohemia/CZE.
Schlüsselburg - Lnáře - Town of Lnar Municipality
It lies in the northwestern part of Prachens province, some 50 km to the southeast from PILSEN or 100 km southwards from PRAGUE. The easiest way how to reach the locality is to follow international route E49 from Pilsen to [Bohemian] Budweis.
Municipality was mentioned for the first time in the start of the 14th century AD, yet it has been inhabited continually since the 7.-6. century BC by Celts, Marcomans, Doudlebs and their posterity. First knights of Schlüsselburg were an aristocracy of German origin residing at so-called ‚Old Stronghold‘ near a passing of Smolivec Brook en route from the Pisek City to the Pilsen City. Why two names? That’s quite simple – the German name is probably older and means ‚The Key Fort‘, for a legendary golden key was found on the site of fort on the day of St. Mary. The Bohemian name is far less romantic – a flix plant [used as material by common people for their clothing ] was grown here in a large quantity, therefore Lnare means ‚Flix-growers’municipality‘. The English name ‚Town of Lnar‘ could be still find on a 1945 WWII memorial in the centre. The ancient Prachens Region had had its first centre in Prachens [Horazdovice, 20km to the south], than for centuries in Pisek City until the 19th century.
Schlüsselburg was a village drowned in „sea of woods“ on the shores of muddy streams in a vast swampland, which actually covered much of nowadays Blatna Valley. This bogs had been (similarily to another famous lake district town of Wittingau-Trebon) transformed into a very extensive lakeland with hundreds of ponds and lakes. Not only these new semi-artificial lakes protected municipality from health issues connected to bogs and severe floods, but enabled growth of famed fishing industry, major source of revenues until quite recently. After 17th century some decline in fishing industry occurred and much of the waters were drained for new, prospective usage – sheep pastures. As of 1840 there were some 13,000 sheep. Second revival of the fishing industry occured during the 19th century, thanks to the care of local aristocracy. In the 19th century Dr. Theodor Mokry created a breed of an unscaly carp called ‚Lnarsky modrak‘ (‚Bluefish of Lnare‘). A wave of modernity arrived with first train on a brand line between towns Blatná and Pomuk-Dvorec some hundred years ago. Unfortunately for the municipality this train line eased a dramatical outflow of locals into fast growing metropolis of West Bohemian Region, Pilsen. After 1918 the municipality became part of Czechoslovakia, later of Protectorate ‘Böhmen und Mähren‘ and after 1948 part of Czechoslovak Socialist Republic. The winter Velvet Revolution of 1989 brought an end to this totalitarian state and we are enjoying first 20 years of cultural, social and economic revival. Our two chateaux returned to local hands; the larger ‚New‘, to non-aristocratic Vanicek Family and the ‚Old‘ one belongs to the municipality. Devastating floods in August 2002 damaged strongly our valley but we succeeded in rebuilding all of it during 2002-2004. We are pleased to welcome more and more European newcomers [settlers] and visitou every year. Thank You for Your favour ;-)
Municipality is rich in architecture, unique landscape and sights, for example:
Baroque church of St. Joseph [17. century] with very unique fresco paintings
Baroque Chateau [or ‚New Chateau‘, 17. century] - frescoes with mythical ancient Gods, English-French garden [4 hect.] with a little mosque, several stone fountains, pools and rare wood species…
Chapel of St. Anna [end of the 17. cent.]
Annaberg - complex of frame houses, first half of the 19. cent. (in the style of SW German Swabia)
‚Old Stronghold‘ - at least 700 years old remnant of original wooden fort , rebuilt in 1597 as a stone-brick Renaissance chateau; first mentioned in 1465. Now hosts a gallery of contemporary art, infocentre, and flats.
Monumental classical barnyard from the 19. century
Primary school, more than 110 years old
Parish & monastery Church of the Saintest Trinity with the icon of Our Mother of Lnar [17. cent.]
Gothical grave-yard Church of St. Nicholas [14. cent.]
Baroque Chapel in Zahorcice [17. cent.]
Baroque sculptures of saint protectors [at least 9 of them]
Baroque sculptures of [11 pieces, 17. century]
The Giant Logan [some 30 tons, 5 km to the south in Kadov; protected by the law. The biggest and perhaps the most easily accessible in all Bohemia]
Perfect organised pathways/cycleways with infopanels through the countryside
For Geochaching lovers – few caches are to be found here as well ;-)
plus a great wealth of protected lakes, meadows, woods, castles, churches....
COME TO SEE MORE, DEAR FRIENDS !!!
The Xavier University of Louisisna Gold Nuggets Volleyball Team's season opener against Mississippi Valley State in the Big Easy Blastoff. Photo by Irving Johnson III
Director Theophilus Raynsford Mann
~ a Taiwanese social reformer, philosopher, photographer, and film director
“Do Everything for My People”
馬天亮導演
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《造福人民》
SUMMARY
Theophilus Raynsford Mann is a naturalist, occultist, Buddhist and Taoist. In 1982, Mann developed a technique for abstract photography, applied “Rayonism” into photographic works. Mann staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Mann’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Mann’s works have been quoted by the scholars many times, making Mann one of the highly cited technological, artistic, and managing public administrators in the academia. Mann was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
Theophilus Raynsford Mann possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Mann about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Mann takes great pride in his roots, which go back 150 years (since 1864); Mann’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Mann obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Mann’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Mann’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Mann instituted Mann’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Mann studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Mann completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013 www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Mann immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Mann is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand Theophilus Raynsford Mann. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Mann just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Mann understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As Theophilus Raynsford Mann’s saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Mann ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Mann will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Mann’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Mann had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Mann studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Mann would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Mann really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Mann has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Mann settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Mann was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Mann had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Mann developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Mann was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
Theophilus Raynsford Mann Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
Theophilus Raynsford Mann Photographic Exhibition of Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Mann staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Mann was the first exhibitor around the country. All of the invited displays were by the Taiwan’s Government, cultural and artistic organisations, and sponsors. Mann’s earliest exhibition took place in the National Taiwan Arts Education Center (Museum) on 19 December 1983 when Mann was 25 years old; Mann was the youngest exhibitor in the history of the Center in any solo exhibitions. The Center that was opened in March 1957, kept a collection of Mann’s work. It is currently updating the Center’s internal organisation and strengthening co-operation with leading centers and museums around the world. Meanwhile, it widened the center’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Mann’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Mann may sprout, grow and bloom. Mann aims to provide an educational stimulus for society by introducing his works - Mann can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Mann believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Mann should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, Theophilus Raynsford Mann completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Mann was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Mann’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Mann was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “Theophilus Raynsford Mann Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Mann’s writings.
Authorship
Mann’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Mann was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Mann one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Mann’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Mann is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original 「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “Theophilus Raynsford Mann Photographic Exhibitions of Rayonnisme” © May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」(individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Mann’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Mann’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Mann’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Member of The Kaohsiung Life Line Association since 11 January 1979, an association established in the USA.
Member of The Society of Youth Writers, Tien (Catholic) Educational Center, Taipei since 1980.
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Mann promoted and founded the Consortium Juridical Person Mr. Theophilus Raynsford Mann Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.
near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Mann was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and filmmaking.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和製作影片。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Mann Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director and Photographer at Shapely Studio of Creative and Cultural Industries, 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。Theophilus Raynsford Mann (TianLiang Maa) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Mann was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
mtltwp.pixnet.net/album/set/1265208
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
commons.wikimedia.org/w/index.php?search=TianLiang+Maa+%E...
commons.wikimedia.org/wiki/File:TianLiang_Maa_馬天亮.jpg
commons.wikimedia.org/wiki/File:馬天亮_TianLiang_Maa.jpg
國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...
為文化中心把脈, 幼獅文藝
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
科學家與守財奴, 中國地方自治
weblib.exam.gov.tw/ccdb2/Result_List.asp?idx_id=CCVOL&...
Yahoo, Bing, Google Search
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Atomzone
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lurvely.com www.lurvely.com/photographer/77438197_N03/
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Nature - National Library Board Singapore
snap.nl.sg/searchflickr.aspx?q=Theophilus+Raynsford+Mann&...
画像検索
flickr.akitomo.net/Theophilus+Raynsford+Mann/1
Japan Photos and Pictures
japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6
summer.pictures-photos.com/professor-tianliang-maa%E2%80%A6
far-east-movement - Blogcu (Turkey)
far-east-movement.blogcu.com/professor-tianliang-maa/1226...
A Story of Professor Theophilus Raynsford Mann
spirehim.com/3450/a-story-of-professor-tianliang-maa-theo...
Sports Wallpapers
www.gosportwallpaper.com/photos/8c8e0fd510/photographer-a...
www.gosportwallpaper.com/photos/obey-tumblr.html/page/57
Travel Splash
travel-splash.com/photos/view.php?id=13397167315&sear...
Country profile Taiwan
atomzone.co.uk/images/search/Country+profile+Taiwan
itpints
www.itpints.com/?q=TianLiang+Maa&sources%5b%5d=flickr...
AskJot
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Who is talking
whotalking.com/flickr/Theophilus+Raynsford+Mann
University of California, Berkeley period
atomzone.co.uk/scaffold/images/search/University%20of%20C...
University of Michigan period
atomzone.co.uk/scaffold/images/search/University%20of%20M...
University of Oxford period
atomzone.co.uk/scaffold/images/search/University%20of%20O...
www.wer-ist.org/person/Oxford_Archaeology
University of Glamorgan period
atomzone.co.uk/images/search/University+of+Glamorgan+period
www.worldofbuildings.worldofbuildings.org/flickr/wob_flic...
www.wer-ist.org/person/Glamorgan_University
University of Huddersfield period, UK. Huddersfield period
atomzone.co.uk/scaffold/images/search/Huddersfield%20period
art galleries uk
artgalleriesuk.blogspot.co.uk/2012/08/bigandtall-stores-s...
Mitrasites system
sites.google.com/site/mitrasites/system/app/pages/customS...
articles.whmsoft
articles.whmsoft.com/related_search.php?keyword=Tianliang...
pantieslace-forwomen.blogspot.co.uk/2012/08/motherhood-ma...
3piece-suits.blogspot.co.uk/2012/07/nursing-shawl-become-...
3piece-suits.blogspot.co.uk/2012/08/body-briefers-childre...
modeling-agencies-inboston.blogspot.co.uk/2012/08/black-a...
www.flickriver.com/search/%E6%BC%A2%E5%AD%B8+OR.../intere...
www.flickriver.com/search/%E8%AB%96%E6%96%87+OR.../recent/
German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
atomzone.co.uk/images/search/Director+Theophilus+Raynsfor...
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At some time, someone decided to call them "The Ships of the Line". They have their names : Victory, Defiant and Endeavour, carved into their flanks. On a good summer's afternoon, they become practice grounds for up and coming climbers as well as serious technical problems for the more advanced guys. I can remember (just about!) setting foot on them the best part of 45 years ago!
Gears of War 4
www.facebook.com/PlaneteJeu/photos/a.713415208823510.1073...
Source : site de jeux vidéos
Out of the Archives: Myers-Whaley No. 4 type mucking machine ready for operation by a 20-horsepower, 220-volt, 60-cycle, 49-ampere, continuous motor. The mucking machine consists of a small shovel which throws the muck onto an endless belt carrying it to the rear where it falls into the muck cars. It is possible with this machine to load a 1 1/2-cubic yard car in about two minutes. September 25, 1920. (Image ID: p017960)
HRH Queen Elizabeth II in Valletta Malta Europe 1992. His Excelency President Emeritus of Malta Vincent Tabone behind. Looks very pleased.
Biography of Vincent Tabone born 30 March 1913 in Victoria, Gozo is a Maltese political figure. During World War II Tabone served as a Regimental Medical Officer and general duty officer with the Royal Malta Artillery, and later as trainee ophthalmic specialist stationed at the Military Hospital, Mtarfa. In the early days of the War, he narrowly escaped with his life when a bomb fell in St.Elmo fort and demolished a substantial part of the army barracks in which he was posted. In 1946, he obtained a diploma in Ophthalmology from the University of Oxford, followed by a diploma in Ophthalmic Medicine and Surgery from the Royal College of Surgeons of England. He was a clinical assistant at Moorfields Eye Hospital in London.
In 1948, Tabone was entrusted with the supervision of a campaign to treat trachoma using sulfonamide tablets and drops. Through his efforts, the disease was virtually eliminated from the Island of Gozo. He helped launch similar campaigns in Taiwan, Indonesia and Iraq under the auspices of the World Health Organization, and subsequently served as a member and consultant of the WHO's International Panel of Trachoma Experts.
He served on the Council of the University of Malta, and between 1957 and 1960 he was a faculty member of the Board of Medicine, and a lecturer in Clinical Ophthalmology in the Department of Surgery. He helped found the Medical Association of Malta in 1954 and is at present its Honorary President. Dr. Tabone was nominated to the Nationalist Party Executive Committee in 1961, served as the party's Secretary General from 1962 to 1972, and as Deputy Leader from 24 June 1972 to 9 January 1977. He was first elected to Parliament in 1966, and subsequently served as a Member of Parliament for the Sliema, St. Julian's, Msida, and Gzira areas for 23 years. During his long political career, he also served as the Minister of Labour, Employment and Welfare between 1966 and 1971, and as Minister of Foreign Affairs between 1987 and 1989. As Minister of Labour, Employment and Welfare, Tabone was responsible for the emigration portfolio, at a time when emigration from Malta to the Dominions of the British Empire and to the United States was at an all time high.
In 1968, Tabone brought a motion before the United Nations calling for an action plan in regard to the World's ageing population. In 1988, he brought a further motion before the U.N., calling for the World's climate to be declared the common heritage of mankind. He was the fourth President of Malta.
Happy 4th of July!, yesterday was a busy day so I didn't have time to post this, and sadly I didn't get to see many fireworks either =(
50's Junior Dress: Charity shop
Shoes: Etsy
I kind of look armless.
My Bird of Paradise; which on the one day that it rained I rushed out to take some snaps of my garden.
Seen at the defunct Joyland amusement park; Wichita, Kansas. Captured with Impossible Project PX600 Silver Shade film and a Polaroid OneStep Express camera. Bigger / blogged over here.
Head over to my blog for a review of Craft & Vison's new eBook -- Finding Focus.
Copyright © 2012 Seldom Scene Photography, All Rights Reserved.
Seduction of the Innocent / Heft-Reihe
cover: Reed Crandall, Tom Yeates
Eclipse Comics (Guerneville / USA; 1985)
Reprints from STANDARD COMICS
ex libris MTP
St. Helens was established as a river port on the Columbia River in the 1840s. In 1853, the Pacific Mail Steamship Company tried to make the city their only stop on the Columbia River.[7] Portland's merchants boycotted this effort, and the San Francisco steamship Peytona helped break the impasse.[7]
St. Helens was incorporated as a city in 1889.[8]
The Lewis and Clark Expedition passed through and camped in the area that is now St. Helens on the night of November 5, 1805 while on their way to the Pacific Ocean. While here the party encountered Native Americans and Clark observed "low rockey clifts".[9]
Geography
U.S. Route 30 passes through the city.[10]
According to the United States Census Bureau, the city has a total area of 5.51 square miles (14.27 km2), of which, 4.53 square miles (11.73 km2) is land and 0.98 square miles (2.54 km2) is water.[1]
Neighborhoods
Columbia Heights is a formerly separate populated place that is within the city limits of St. Helens.[11][12]
Demographics
Columbia County Court House (1906)
Historical population
Census Pop. %±
1890 220 —
1900 258 17.3%
1910 743 188.0%
1920 2,220 198.8%
1930 3,994 79.9%
1940 4,304 7.8%
1950 4,711 9.5%
1960 5,022 6.6%
1970 6,212 23.7%
1980 7,064 13.7%
1990 7,535 6.7%
2000 10,019 33.0%
2010 12,883 28.6%
Est. 2012 12,910 0.2%
Sources:[4][13][14][15][16][17]
2010 census
As of the census[2] of 2010, there were 12,883 people, 4,847 households, and 3,243 families residing in the city. The population density was 2,843.9 inhabitants per square mile (1,098.0/km2). There were 5,154 housing units at an average density of 1,137.7 per square mile (439.3/km2). The racial makeup of the city was 90.3% White, 0.6% African American, 1.6% Native American, 1.3% Asian, 0.3% Pacific Islander, 1.3% from other races, and 4.5% from two or more races. Hispanic or Latino of any race were 6.1% of the population.
There were 4,847 households of which 38.6% had children under the age of 18 living with them, 46.5% were married couples living together, 14.3% had a female householder with no husband present, 6.1% had a male householder with no wife present, and 33.1% were non-families. 26.1% of all households were made up of individuals and 9.9% had someone living alone who was 65 years of age or older. The average household size was 2.59 and the average family size was 3.11.
The median age in the city was 34 years. 27.6% of residents were under the age of 18; 9% were between the ages of 18 and 24; 29.9% were from 25 to 44; 23.3% were from 45 to 64; and 10.2% were 65 years of age or older. The gender makeup of the city was 49.8% male and 50.2% female.
2000 census
As of the census[4] of 2000, there were 10,019 people, 3,722 households, and 2,579 families residing in the city. The population density was 2,305.6 people per square mile (889.3/km²). There were 4,032 housing units at an average density of 927.8 per square mile (357.9/km²). The racial makeup of the city was 92.74% White, 0.34% African American, 1.68% Native American, 0.63% Asian, 0.15% Pacific Islander, 1.35% from other races, and 3.11% from two or more races. Hispanic or Latino of any race were 4.05% of the population. 21.5% were of German, 10.9% English, 9.5% Irish and 9.3% American ancestry according to Census 2000.
There were 3,722 households out of which 39.3% had children under the age of 18 living with them, 51.5% were married couples living together, 12.6% had a female householder with no husband present, and 30.7% were non-families. 24.2% of all households were made up of individuals and 7.9% had someone living alone who was 65 years of age or older. The average household size was 2.65 and the average family size was 3.12.
City Hall
In the city the population was spread out with 30.2% under the age of 18, 9.0% from 18 to 24, 31.7% from 25 to 44, 19.6% from 45 to 64, and 9.6% who were 65 years of age or older. The median age was 32 years. For every 100 females there were 98.9 males. For every 100 females age 18 and over, there were 96.2 males.
The median income for a household in the city was $40,648, and the median income for a family was $45,548. Males had a median income of $39,375 versus $26,725 for females. The per capita income for the city was $17,237. About 8.7% of families and 11.9% of the population were below the poverty line, including 16.5% of those under age 18 and 4.6% of those age 65 or over.
Tourism
The town is home to sets of many films. These include the Disney Channel television film Halloweentown, and the film adaptation of Stephanie Meyer's novel Twilight.[18]
A great night had by my wife Melissa, my niece Hannah, and her Grandmother Joanne. This was also Hannahs' first circus to attend!
Hundreds of circuses have come and gone since the mid-1800s. Circuses large and small, carried by horse-drawn wagons or on dozens of railroad cars, three-ring circuses and dog-and-pony shows alike crisscrossed the North American Continent bringing entertainment to the public. Cole Bros. Circus remains the only circus to have survived a century still appearing much as it did over one hundred years ago under the Big Top. Since 1884, three generations of Americans have thrilled to the sights, smells, sounds and feats of skill that typify the Cole Bros. Circus. The Cole Bros. trademark has enjoyed longevity because it represents value and integrity to the American public. Today, the Cole name continues to signify quality family entertainment that has captivated million of Americans.
Free download of the entire Abode of Chaos' Opus IX (504 pages)
Secrets revealed of the Abode of Chaos (144 pages, adult only) >>>
"999" English version with English subtitles is available >>>
HD movie - scenario thierry Ehrmann - filmed by Etienne Perrone
----------
Découvrez gratuitement l’intégralité de l’Opus IX de la Demeure du Chaos (504 pages)
voir les secrets de la Demeure du Chaos avec 144 pages très étranges (adult only)
999 : visite initiatique au coeur de la Demeure du Chaos insufflée par l'Esprit de la Salamandre
Film HD d'Etienne PERRONE selon un scénario original de thierry Ehrmann.
courtesy of Organ Museum
©2017 www.AbodeofChaos.org
Two of the world's most beloved celebrities are now dolls for all to enjoy. She holds the title of the Most Beautiful Woman in the world, the Mini-series Queen, and Kmart Fashion stylist Jaclyn Smith (star of Charlie's Angels, Jacqueline Bouvier Kennedy, Rage of Angels, Florence Nightingale, and The Bourne Identity) was created by Donna Brinkley... the #1 TV actor of all time with 13 TV shows and over 30 movies to his amazing credits the late acclaimed actor Robert Urich (Vegas, Spencer For Hire, Princess Daisy, Mistrals Daughter, and Lonesome Dove) was created by Laurie Everton.
Photograph taken at an altitude of Eleven metres in the magic of the Golden hour around sunrise, at 08:20am on Monday 28th December 2015, on a beautifully warm and sunny morning off Birdcage Walk and Horse Guards Road in the grounds of St James's Park. Situated in the City Of Westminster, the Park spans twenty three Hectares and is the oldest of the Royal Parks of London, with a variety of visiting and nesting birds that include Ducks, Canada Geese and Pelicans.
Big Ben is a nickname given to The Great Bell of the clock at the North end of the Palace of Westminster. The actual tower was originally called the Clock Tower and subsequently renamed in 2012 as the Elizabeth Tower, renamed to celebrate the Diamond Jubilee of Her Majesty Queen Elizabeth II.
The tower was completed in 1858 and the Bell used nowadays and designed by Augustus Pugin, was in fact a second casting made in 1858 due to the original one two years earlier being damaged beyond repair whilst being transported to the tower by sixteen horses.
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Nikon D800 270mm 1/80s f/5.6 iso100 RAW (14 bit) Handheld with Nikkor VR Vibration Reduction enabled. AF-S Single point focus . Manual exposure. Matrix metering. Auto white balance. Auto Active D-lighting.
Nikkor AF-S 200-500mm f/5.6E ED VR. Power UP 95mm HD UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Vertex 200 AW camera bag. Nikon GP-1 GPS unit.
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LATITUDE: N 51d 30m 6.91s
LONGITUDE: W 0d 8m 21.31s
ALTITUDE: 11.0m
RAW (TIFF) FILE: 103.00MB
PROCESSED FILE: 23.69MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
TOKYO – When Army Maj. Gen. James F. Pasquarette assumed command of U.S. Army Japan (USARJ) July 8, 2015, he immediately took initiative to personally meet the troops under his command as well as key leaders from his host nation partners.
Pasquarette's tour of his area of responsibility began in earnest when he and members of his staff boarded a UH-60 Blackhawk helicopter July 10 from Camp Zama, Japan. Flying hundreds of feet above the congested highways at sometimes at level with Japan's sea of skyscrapers, Pasquarette acquired a bird's eye view of the American and Japanese military installations scattered among the urban jungle.
“We overflew Sagami General Depot, Yokohama North Dock and Hardy Barracks, said Milton Jackson, garrison manager at Camp Zama. “Our new commander now has clearer picture of the facilities, equipment and watercraft managed by the Army, and he can better understand where and how these individual installations interact with one another.”
According to Jackson, the USARJ primary mission comprises the rapid deployment of troops and materiel from one theater to another. As the Army's largest logistical hub in Asia, the command must maintain a streamlined sustainment system capable of moving thousands of tons of supplies and equipment via land and sea.
“Sagami Depot has rolling stock and Yokohama North Dock has watercraft,” said Jackson. “We must overcome the challenges posed by Japan's dense population centers by developing methods that rapidly move and load stock onto our watercraft so that we may better project our presence in the Pacific. Fortunately, our Japanese allies are willing to support us if a major threat or disaster called for a sudden mass movement.”
After a brief stop at Yokota Air Base to meet with Air Force Gen. John L. Dolan, commanding general, U.S. Force Japan, Pasquarette touched down near the heart of Tokyo where members of America's staunchest allies welcomed him with the pomp and circumstance befitting a general.
“On behalf of the JGSDF (Japan Ground Self-Defense Force), welcome to Japan,” said Gen. Kiyofumi Iwata, chief of staff, JGSDF, to Pasquarette after the two commanders sat in a decorative conference room inside Japan's Ministry of Defense. “We look forward to continuing our dialog of bilateral coordination between our two countries as JGSDF pursues its transformation into a dynamic joint defense force.”
The dialog consisted of one-on-one conversations with not only Iwata but also Adm. Katsutoshi Kawano, chief of staff, Japan Self-Defense Force, and Hideshi Tokuchi, vice minister of international affairs, Japan Ministry of Defense. The four men discussed previous achievements, current operations and potential challenges facing their respective commands and presented ideas on how to strengthen interoperability among their forces through combined training exercises and expanded service member exchange programs.
“We currently have several dozen JSDF service members embedded with [U.S. military] units,” said Pasquarette. “I believe extending this program so that our Soldiers can work within the JGSDF will further enhance our partnership.”
Pasquarette also ensured his hosts that the United States Army remains committed to its allies in the Pacific despite looming force reductions and ongoing operations in Europe and the Middle East.
“The Army recently announced that it will cut the number of troops in the active component from 450,000 to about 410,000,” said Pasquarette. “This rebalance of the force has no effect on our strength and readiness in the Pacific. Our alliance is more important than ever. That's why we're keeping our best trained and best equipped Soldiers in Japan and Korea.”
After a two-hour visit that started with with a JSDF band playing “The Star-Spangled Banner” and ended with a warm exchange of plaques and handshakes, Pasquarette and his team boarded a helicopter bound for Camp Zama.
“I have worked extensively throughout the Pacific during my Army career,” said the former armor officer and chief of staff of U.S. Army Pacific. “The JSDF consists of some of the world's most capable and professional men and women in uniform. I look forward to building stronger relationships with them and become a valuable partner in its transformation."
U.S. Army photos by Sgt. John L. Carkeet IV, U.S. Army Japan
A visit to see the Leaning Tower of Pisa in the Field of Miracles in Pisa.
Piazza del Duomo (Cathedral Square).
It was an amazing site to see! The whole area was packed with tourists!
The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (Torre di Pisa [ˈtorre di ˈpiːza]) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt. The tower is situated behind the Pisa Cathedral and is the third oldest structure in the city's Cathedral Square (Piazza del Duomo), after the cathedral and the Pisa Baptistry.
The tower's tilt began during construction in the 12th century, caused by an inadequate foundation on ground too soft on one side to properly support the structure's weight. The tilt increased in the decades before the structure was completed in the 14th century. It gradually increased until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries.
The height of the tower is 55.86 metres (183.27 feet) from the ground on the low side and 56.67 metres (185.93 feet) on the high side. The width of the walls at the base is 2.44 m (8 ft 0.06 in). Its weight is estimated at 14,500 metric tons (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees, but the tower now leans at about 3.99 degrees. This means the top of the tower is displaced horizontally 3.9 metres (12 ft 10 in) from the centre.
There has been controversy about the real identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, a well-known 12th-century resident artist of Pisa, famous for his bronze casting, particularly in the Pisa Duomo. Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast bearing his name was discovered at the foot of the tower in 1820, but this may be related to the bronze door in the façade of the cathedral that was destroyed in 1595. A 2001 study seems to indicate Diotisalvi was the original architect, due to the time of construction and affinity with other Diotisalvi works, notably the bell tower of San Nicola and the Baptistery, both in Pisa.
Construction of the tower occurred in three stages over 199 years. Work on the ground floor of the white marble campanile began on August 14, 1173 during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals.
The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for almost a century, because the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. In 1198, clocks were temporarily installed on the third floor of the unfinished construction.
In 1272, construction resumed under Giovanni di Simone, architect of the Camposanto. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is curved. Construction was halted again in 1284 when the Pisans were defeated by the Genoans in the Battle of Meloria.
The seventh floor was completed in 1319. The bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655.
After a phase (1990–2001) of structural strengthening, the tower is currently undergoing gradual surface restoration, in order to repair visible damage, mostly corrosion and blackening. These are particularly pronounced due to the tower's age and its exposure to wind and rain.
Views next to the Cathedral.
Pisa Cathedral (Italian: Cattedrale Metropolitana Primaziale di Santa Maria Assunta; Duomo di Pisa) is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy. It is a notable example of Romanesque architecture, in particular the style known as Pisan Romanesque. It is the seat of the Archbishop of Pisa.
Construction on the cathedral began in 1063 (1064 according to the Pisan calendar of the time) by the architect Buscheto, and expenses were paid using the spoils received fighting against the Muslims in Sicily in 1063. It includes various stylistic elements: classical, Lombard-Emilian, Byzantine, and Islamic, drawing upon the international presence of Pisan merchants at that time. In the same year, St. Mark's Basilica began its reconstruction in Venice, evidence of a strong rivalry between the two maritime republics to see which could create the most beautiful and luxurious place of worship.
The church was erected outside Pisa's high middle age-era walls, to show that Pisa that was so powerful, it had no fear of being attacked. The chosen area had already been used in the Lombard era as a necropolis and at the beginning of the 11th century a church had been erected here, but never finished, that was to be named Santa Maria. Buscheto's grand new church, was initially called Santa Maria Maggiore until it was officially named Santa Maria Assunta.
In 1092 the cathedral was declared a primatial church, archbishop Dagobert having been given the title of Primate by Pope Urban II. The cathedral was consecrated in 1118 by Pope Gelasius II, who belonged to the Caetani family which was powerful both in Pisa and in Rome.
In the early 12th century the cathedral was enlarged under the direction of architect Rainaldo, who increased the length of the nave by adding three bays consistent with the original style of Buscheto, enlarged the transept, and planned a new facade which was completed by workers under the direction of the sculptors Guglielmo and Biduino. The exact date of the work is unclear: according to some, the work was done right after the death of Buscheto about the year 1100, though others say it was done closer to 1140. In any case, work was finished in 1180, as documented by the date written on the bronze knockers made by Bonanno Pisano found on the main door.
The structure's present appearance is the result of numerous restoration campaigns that were carried out in different eras. The first radical interventions occurred after the fire of 1595, following which the roof was replaced and sculptors from the workshop of Giambologna, among whom were Gasparo Mola and Pietro Tacca, created the three bronze doors of the facade. In the early 18th century began the redecoration of the inside walls of the cathedral with large paintings, the "quadroni", depicting stories of the blesseds and saints of Pisa. These works were made by the principal artists of the era, and a group of citizens arranged for the special financing of the project. Successive interventions occurred in the 19th century and included both internal and external modifications; among the latter was the removal of the original facade statues (presently in the cathedral museum) and their replacement with copies.
Other notable interventions include: the dismantling of Giovanni Pisano's pulpit between 1599 and 1601 that only in 1926 was reassembled and returned to the cathedral (with some original pieces missing, including the staircase); and the dismantling of the monument to Henry VII made by Lupo di Francesco that was found in front of the door of San Ranieri and later substituted by a simpler, symbolic version.
Members of the audience gathering at the theater lobby before the show. The Skyline College China Dance School Showcase took place on Sept. 20, 2014, as part of Skyline College cerebration of Asian Culture Week. (Will Nacouzi/The Skyline View)
Copy of an original map contained within the Record Office Map Collection. Printed on A4 white card, the print can be purchased for £6 or why not buy the set of 4 for £20 making a saving of £4
Up until the 1880s the south side of Christchurch Rd, seen above on the right, was part of the Shelley Manor estate that extended all the way to the corner of Sea Rd.
Shelley Manor had it's roots in Boscombe Cottage built in 1801, and possibly earlier, see related images for more detailed information.
After the Christchurch Inclosure Act Awards of 1805 the cottage had grounds of some 174 acres. Over the years the property was rebuilt and extended and was purchased by Sir Percy Shelley in 1849.
In the 1880s this corner of the estate was sold for development. Properties soon began to appear on this side of Christchurch Rd just up from the junction with Sea Rd, with a few still surviving today.
In common with those properties appearing opposite on the north side of Christchurch Rd, restrictive covenants stated that only residential homes could be built.
A scattering of homes had been built between Sea Rd and Heathcote Rd by the end of the 1800s, and by 1913 the covenants were being lifted when the likes of Sainsburys started to trade here.
Today a number of the original houses can be seen behind modern shop fronts alongside a variety of premises built at varying times throughout the 20th century.
Sainsburys have traded here for around a century with other long term tenants having disappeared in recent years, including Marks and Spencer who pulled out in 2004, their former premises now being occupied by a branch of Primark.
Woolworths, who ceased to be a high street presence in 2009, during the credit crunch that became a recession, have since been replaced by a branch of Poundstretcher.
Another long term tenant, WH Smith, still continue to trade.
This stretch of Christchurch Rd was pedestrianised in 1990 when the Sovereign Centre was built and Centenary Way created to carry the diverted traffic.
(for further information please click on the link at the end of page!)
Palais Daun-Kinsky
If the Freyung once has been one of the most prestigious residential addresses in town, so for it was next to the Palais Harrach especially the Grand Palais Kinsky responsible. In its place in the middle ages were two parcels, each with a small building. The front part of the Freyung was since the 16th Century always in aristocratic in hands (Bernhard Menesis Freiherr von Schwarzeneck, Countess Furstenberg, Counts Lamberg). 1686 acquired Karl Ferdinand Count Waldstein the house of Count Lamberg. His son bought also the adjacent house in Rose Street (Rosengasse) and united both plots to one parcel. He had three granddaughters, who sold the site in 1709 to Wirich Philipp Laurenz Graf Daun. This came from an old Rhenish nobility. His ancestors were mostly working for the Elector of Trier as officers. In the battle of the Habsburgs against the Turks, Spanish and Frenchmen, he acquired great military merit. He brought it to the General Feldzeugmeister (quartermaster) and Viceroy of Naples. In 1713 he had the house at the Freyung demolished and by Johann Lukas von Hildebrandt built in its place until 1716 a palace, him serving as Vienna's city residence. Down may have been Antonio Beduzzi requested the creation of reconstruction plans, but was eventually Hildebrandt entrusted with the work. In 1719, the palace was largely completed. Daun lived there but rarely because he stayed a lot in Italy and in Austria preferred his country castles Ladendorf, Kirchstetten and Pellendorf. In 1746 acquired Johann Joseph Count von Khevenhüller the Palais from Leopold Joseph von Daun, the son of the owner, who happened to be in financial difficulty. The Reichsgraf (count of empire) was appointed in 1763 by the Empress Maria Theresa for his services to the Lord Steward and Lord Chamberlain, and raised to the hereditary imperial princes (princes of the Holy Roman Empire).
Door knocker
He sold the palace in 1764 to the Imperial Councilor President Ferdinand Bonaventura Harrach Count II. This worked as a diplomat, especially in Holland and Italy. At times of Maria Theresa, the building was inhabited by her Swiss Guards until they 1784 moved to their new quarters in Hofstallgebäude (court stable building). Ferdinand Bonaventura's daughter Rosa brought the palace in 1790 into her marriage to Josef Graf Kinsky. Whose family belonged to the Bohemian nobility. Its members appear at the beginning of the 13th Century documented. Wilhelm Freiherr von Kinsky was a colonel and friend of Wallenstein. He was murdered with this 1634 in Eger. His confiscated estates were divided among the assassins. Only two masteries (Chlumez and Bohemian Kamnitz ) remained through the timely change of front of his nephew, Johann Octavian with the family. The Kinsky but succeeded soon to rise again. They occupied again high positions in the administration and the military. 1798 the had modernized their Viennese palace by the architect Ernst Koch inside. Thus, the original Baroque interior was lost. As in 1809 the Frenchmen had occupied Vienna, a french Marshal and General were billeted in the palace. Prince Ferdinand Kinsky was a great patron of Beethoven, which he paid an annual salary of 4,000 florins for life along with two other nobles. In 1856, the Palace was refurbished in the interior by the architect Friedrich Stache. In the 19th Century lived the Princes Kinsky mostly on their Bohemian goods or in Prague. The building was therefore temporarily rented to some posh tenants. So lived here temporarily Field Marshal Radetzky and Archduke Albrecht. 1904 redecorated the French interior designer Armand Decour the piano nobile.
Staircase - second floor
With the end of World War II began a tough time for the Kinsky family. Almost all goods and industrial holdings, with the exception of the hunting lodge Rosenhof at Freistadt lay in Bohemia. By 1929, 50 % of the extensive Bohemian possessions were expropriated. There were still about 12,000 acres, a sugar factory and breweries. 1919 had to be a part of Vienna's Palais force-let. During World War II it was requisitioned by the German army. For fear of air raids the in the palace remaining objects of art were transferred to some Bohemian castles. The Palais Kinsky was not destroyed, its art treasures but remained in Bohemia. After the Second World War, the remaining Czech possessions were lost by nationalization for the family. In the Viennese palace were temporarily housed the embassies of China and Argentina. In 1986 it was sold by Franz Ulrich Prince Kinsky. After several short-term owners, the palace was acquired by the Karl Wlaschek private foundation in 1997. It was generously restored from 1998 to 2000 and adapted for offices and shops. The Grand Ballroom is often used because of its excellent acoustics as a concert hall. Since 1992, acclaimed art auctions are held at the Palais.
The Palais Kinsky is probably next to the Belvedere the most prominent secular work of the great Baroque architect and one of the best preserved baroque palaces in Vienna. Despite multiple changes of ownership and of numerous rearrangements inside the main components such as Baroque facade, vestibule, staircase, hall and gallery remained largely unchanged. The building extends between Freyung and Rosengasse. The property is only 30 meters wide, but three times longer. It was therefore not an easy task to build on it a representative palace with a grand staircase. Hildebrandt but has brilliantly overcome by putting up four floors at 24 m height, and yet preserving the proportions. He grouped the construction with two long side wings and a cross section around two consecutive large courtyards. The pomp and living rooms of the palace are mounted around the first courtyard, while the second contained carriage houses and stables. Here have yet been preserved the marble wall panels with the animal waterings made of cast iron and enamel from the late 19th century. Hildebrandt integrated various parts of the previous building into the new building. The seven-axle face side at the Freyung is divided several times. Stability is procured by the rusticated ground floor with its inserted diamond blocks. On it sit the two residential floors. They are embraced by Corinthian Riesenpilaster (giant pilasters). The mezzanine floor above it features in comparison with the underlying main floor tiny windows.
Hercules
The large windows on the main floor are particularly detailed designed. While the outer pairs of windows possess pagoda-like over roofings, those of the three windows of the central projection are round-arched. The trophies and weapons depicted in the lintel fields refer to the military profession of the owner. Vertically is the extensive looking facade accented by the slightly protruding, tri-part central risalite, the pilasters are decorated much richer than that of the side projections. In the Fantasiekapitelle (fantasy capital) of the pilasters are diamond lattices incorporated, an important component of the coat of arms of the Counts Down. The with figures and trophies decorated attica is over the central part formed as balustrade. The sculptures are believed to originate from Joseph Kracker, representing the gods Minerva, Juno, Hercules, Neptune, Diana and Constantia. Very elegant looks the plastically protruding portal. Its composition goes back to Johann Lukas von Hildebrandt. It is considered one of the most beautiful Baroque portals of Vienna. The draft was submitted in 1713 and carried out until 1715. The richly decorated wooden gate dates from the period around 1856, when it was renewed. It is outside flanked by two, obliquely placed Doric columns that match the rusticated ground floor. Sloped to the inside carry two, on pillar stumps standing atlases (also from Kracker) the entablature with the overlying structured segment gable. On it sit the stone figures of Prudence and Justice. The middle window in between is much richer decorated than the rest of the window openings on the first floor. Instead of the usual trapezoidal over roofings here it is crowned by a cartouche held by two putti. The originally thereon located coat of arms of the owner was replaced after the change of ownership by that of the Kinsky family with three boar's teeth. Above the shield hangs an chain with the Order of the Golden Fleece. Both the gusset of the archway as well as the overlying triglyph frieze are decorated with trophies.
Banquet Hall
If someone passes the portal, so one gets into one, by strong pillars divided three-aisled gatehouse. The massive spatial impression is something mitigated by the large sculptures in the niches. They were created by Joseph Kracker. Among the somewhat restrained stucco decorations you can see the coat of arms of the owner, with its characteristic diamond motif. At this gate hall adjoins the widely embedded and more than twice as high vestibule with its domed ceiling. This transverse oval space is divided by pilasters and Doric columns. The rich stucco decoration of the ceiling provided with lunettes could come from Alberto Camesina or from his workshop. The here used motifs are again relating to the career of the client as a commander. For instance, in the lunette caps are reliefs of Roman soldiers. On the left side of the vestibule leads an anteroom to the grand staircase. It is dominated by a vault carrying Hercules, a work by Lorenzo Mattielli. As the monogram of Charles VI proves, with it the Emperor was meant to be worshiped. In two oval niches stand above the two double doors of the Treppenvorhauses (stairway hall way) busts of Caesar and Emperor Titus Flavius Vespasian. The elongated stairway occupies almost the entire length of the left wing of the first courtyard. In the stairwell are eleven statues of Roman deities in stucco niches. The relatively narrow, crossed grand stairway is considered one of the most beautiful of Vienna. It overall design might go back to Antonio Beduzzi. On the second floor stand on the from winded perforated volute forms constructed stone balustrade four groups of playing or scrapping putti. They serve in part as a lantern holders, partly just as a decoration. The statue cycle in the staircase is a work of Lorenzo Mattielli, but the cherubs are believed to stem from Joseph Kracker. This type of decoration already points to the coming Rococo. A fresco by Carlo Innocenzo Carlone adorns the ceiling. The simulated architecture painted Antonio Beduzzi. The large wall mirror of the staircase were added after 1907 .
Staircase/ceiling fresco
The somewhat playful balustrade leads to the reception rooms on the second floor. The large oval ballroom above the entrance hall is oriented towards the courtyard. Its allegorical ceiling painting stems from Carlo Innocenzo Carlone. The other frescoes are of him and Marcantonio Chiarini. The walls are covered with marble. The room was several times, most recently in 1904 changed structurally. In front of the banquet hall is the former dining room. It is now called Yellow Salon. In 1879/80 was installed in it a choir stalls from the Pressburg Cathedral by Georg Raphael Donner ( 1736) and partly completed. The also acquired confessionals were converted into boxes that are in the antechamber of the second floor today. In the chapel, designed by Hildebrandt, was until 1741 as altarpiece Francesco Solimena's "Holy Family with the Infant John the Baptist". 1778 the sacred space, however, was already desecrated. The altarpiece is already since the 18th Century in Wiener Neustadt Neuklosterkirche (church in Lower Austria). In the cross-section between the first and the second courtyard lay the paneled gallery whose spatial effect in 1856 by an attached conservatory was changed something. Its vaulted ceiling is decorated with frescoes by Carlo Innocenzo Carlone. Marcantonio Chiarini created 1716/18 the quadrature paintings. At it followed a larger hall in which Francesco Solimena's oil painting "Phaeton and Apollo" was located. It can be admired today in the National Gallery in Prague. The hall was later used as a library. Part of the state rooms 1714 was equipped with ceiling paintings by Peter Strudel. In the course of a radical redesign of the building's interior Ernest Koch has cut off all stucco ceilings of the staterooms 1798-1800 and also redesigned the walls. Since 1879 Carl Gangolf Kayser tried to restore the original spatial impression by the of Rudolf von Weyr created new Neo-Baroque stucco ceilings. Only in a few areas (vestibule, staircase, ballroom), the original substance remained. In the palace there are numerous Mamorkamine (marble fireplaces) and stoves from the 18th and 19th Century. The star parquet floors and many original door fittings date from the third quarter of the 19th Century. The facades of the first courtyard are structured by Tuscan pilasters. The arcades on the ground floor have already been closed in 1753. The with a mascaron decorated wall fountain is a work of Rudolf von Weyr. The second courtyard is kept simple. Remarkable at it rear end is the cenotaph for the current owner Karl Wlaschek.
Location/Address: 1010 Vienna, Freyung 4
Activities: The courtyards are freely accessible, the staircase usually also. A look at the state rooms is only possible if these are not just rented.
This image of was taken in the Mount Field National Park in Tasmania, Australia. There are three falls in the park including Russell Falls, Lady Baron Falls and Horseshoe Falls. I now have images of these 3 falls and other parts of the park which I will be gradually posting in this photostream.
I rate this National Park as the most photogenic place I have been to in Tasmania. Next time I will be focussing on the Talls Trees Circuit and macro images of this wonderful rainforest environment.
Geology
The park lies to the west of the Derwent Graben, formed during the mid-Tertiary. Outcropping to the west of the park, and underlying it as basement rock, are strongly folded older successions of Ordovician and Siluro-Devonian sediments including the Gordon limestone and its equivalents. Jurassic dolerite is ubiquitous above about 760 metres, with Triassic and Permian sediments outcropping at lower altitudes.
The Triassic and Jurassic rocks of the park and reserves show strong Gondwanic links with those of the Transantarctic Mountains in Antarctica. The Triassic sequence of sedimentary rocks is very uniform, non-marine in origin and contains evidence of lacustrine and fluvial conditions with basic intrusive material.
The basalt dyke visible near Mt Bridges above Lake Seal is evidence of a recent intrusion in the faulted dolerite. The Jurassic dolerite (170 million years old) provides a firm link with Antarctica being of identical age.
Lady Barron Falls, Horseshoe Falls and Russell Falls are composed of horizontally bedded marine Permian siltstone benches. The vertical faces of the waterfalls are composed of the more resistant sandstone layers along vertical joint.
Aboriginal Heritage
Limited archaeological surveys in the park have shown that Aborigines used the land and waters of the park; more extensive surveys of the nearby Florentine Valley have shown Aboriginal occupation of over 30,000 years.
To date there have been no systematic archaeological surveys conducted in the park and reserves. Two Aboriginal sites have been identified inside the park boundaries, located near Lake Fenton and Lake Dobson.
The park fell within the territory of the Big River people, who occupied territory ranging from the Great Western Tiers to Mount Wellington. The Pangerninghe band located at the junction of the Derwent and Clyde Rivers near the present-day township of Hamilton, were the closest band to the park and reserves area.
European History
Early reports by white settlers noted the presence of Aboriginal people in the Russell Falls area. One such report dated 1827 noted an Aboriginal party of some 60 persons engaged in a skirmish with landowner Charles Abbott's servants, until the overseer arrived and "prudently settled all differences by the distribution of some provision amongst them" (The Tasmanian, 16 November 1827 p.2 col.1.).
From the 1830s, trappers and snarers worked the high country around Mt Field, coming in from Montos Marsh (now Ellendale). Bushrangers and escaped convicts were known to have hidden out in the country around Bushy Park in the 1840s, trapping and taking advantage of local farms such as Fenton Forest.
Prior to 1910, the only access to the high country was by pack track from Ellendale. In 1869, the eminent botanist Baron von Mueller visited Mt Field East on a week-long collecting trek, guided by the Rayner brothers, local trappers. He described the snow gum (Eucalyptus coccifera), the urn gum (E. urnigera), the cider gum (E. gunnii) and cushion plants (Donatia novaezelandie) from the meadows around Lake Fenton. The botanist Leonard Rodway also explored the area from the 1850s.
The first non-Aboriginal to encounter Russell Falls was a settler named Browning in 1856. The falls became known as Brownings Falls until about 1884 when confusion caused them to be referred to as Russell Falls, and by the turn of the century, the name was firmly established.
The original Russell Falls, named for a member of an exploration party in the Derwent Valley, was actually located on the Tyenna River, which was previously known as Russell Falls River. Frodsham surveyed the area in 1884, and the Falls Reserve was proclaimed in 1885.
Source: www.parks.tas.gov.au/index.aspx?base=3601
FOOTNOTE.
Apart from cropping and brightness/contrast adjustments, all of my images are presented as they were when the shutter closed, unless otherwise stated