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Note another driver was driving.
This is the view as you exit the rock cutting just South of the summit.
This was taken from 43314+43300 on 1E12 the 0755 Inverness to Kings Cross.
The A9 Perth to Inverness road is just out of view to the left of this shot.
Every day that I was in Las Vegas at the NADA workshops I would take my notes in adobe ideas on my iPad.
On every page I would doodle a robot :-)
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liable to prosecution.
I was fascinated by the book that this girl was writing on the train. This side had lots of cuttings and images stuck in it. Her handwriting was very neat.
Valentine's day is upon us. Such a beautiful day with a gentle reminder for us to have a no complain relationship and not to use our fault finding mind. Let life happens in your relationship, go with the wave and laugh along side with it. After all, It's caring that is important in a relationship.
I am missing my mister dearly and his special Sunday morning comfort food. What an important part of my life he has been and continues to be. I definitely miss his goofy trot and our early morning routine.
Happy Valentine's weekend sweet friends.
Bring on the pancakes and sausages.
Love to you and yours.
18.2.14... littlest F is a big fan of expressing herself through the medium of messy paint.. me not so much!! I hate clearing it all up afterwards.
Our Daily Challenge ... note. Looks good in lightbox!
I don't usually have many notes in my purse but I advertised and sold some surplus furniture at the weekend so for the moment I have quite a few!
... except maybe the guy in the background.
This was taken near the corner of Greenwich Ave and Perry Street.
More details about the Bluestone Collective Cafe here:
www.bluestonelaneny.com/coffee-shops/
Note: I chose this as my "photo of the day" for Oct 30, 2014.
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This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.
That's all there is to it …
Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.
Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.
As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"
A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."
As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"
So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".
Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"
Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.
Oh, one last thing: I've created a customized Google Map to show the precise details of each day's photo-walk. I'll be updating it each day, and the most recent part of my every-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it each day to see where I've been, by clicking on this link
URL link to Ed's every-block progress through Manhattan
If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com
Stay tuned as the photo-walk continues, block by block ...
I took notes on my body this day. This Aussie buddy here wrote: "The glitter cascading down my crack tickles."- A funny quote that we heard from our Silver Surfer long boarding friend pictured below: www.flickr.com/photos/sweendo/2781795107/
Fremont Sumer Solstice Parade, 2008.
Gasworks Park, Seattle, WA.
Another view of the "end of an era" line up at Berresfords yard, Wetley Rocks, Cheddleton, Stoke on Trent, Staffordshire on 2nd October 1987.
Note the Stoniers vehicle to the right....and oil in the foreground.
I made a few notes on what I did. I hope it's useful to you. I would love to see what you shoot!
When you expose for the sky, you are adjusting your camera’s shutter speed (within your Sync Speed) and aperture settings to make the sky’s color as accurate as possible. This can be done in many ways, but I use this method.
1.Point the camera at the patch of the sky you want perfectly colored.
2.Switch your camera over to manual mode.
3.Pick an aperture that’s suitable for a sunny day (that’s usually F16).
4.Adjust your shutter speed until your camera’s light meter tells you that you’ve got an even and balanced shot.(within your Sync Speed)
5. Adjust the flash or strobe power to match the sky exposer. Most time I am on FULL power
6.Take the picture.
7.Adjust the flash distance to get the correct exposure.
For these images I used a studio strobe outside on full power. Specifically AlienBees AB800 with a battery pack.
I wanted to make notecards to go with the set that I uploaded earlier. You can see the original post here.
Original posting:
Card & magnet created for the HA "gogreen" challenge. I used a ribbon spool to make the magnet for my dd's teacher to show how much we appreciate her. I love the colors & design on the Unionbay tag I saved from my dd's shorts...such great inspiration!!
You can view the original tag, spool & more detailed photos here. TFL!
Materials used:
Unionbay tag
Ribbon Spool
Stamps: HA CL142 Thank You Messages & CL272 All Occasion Messages
Ink: StazOn Jet Black
Paper: Bazzill Basics (yellow swiss dot), Making Memories (green polka-dottie), Little Yellow Bicycle (pink polka-dottie & multi-colored polka-dottie) & AC White Textured Cardstock
Chipboard Butterflies: Cosmo Cricket (Girl Friday)
Pink Pearls: Hero Arts
Ric Rac: WalMart
C-bug & Scalloped Nestabilities
Clear box: www.clearbags.com/
Martha Stewart Crafts Classic Butterfly Punch
Bling: Hero Arts
Putting some notes down for a class I am teaching next week... felt like I needed a break, and what better way to do that then breaking out the camera!
I wonder how many people looking at this still use a pen and paper, haha.
Side note, sometimes I forget just how awesome the 50mm 1.8 can be.
WMT new 4128 on the 997. Note the "reversed" (black on yellow) dot matrix display.
12 May 2001.
4128-rt997,DSCF0656_reversedDisplay_20010512
The aunt always goes full of notes...
The technique for the tones is the preset called "Aged photo" of the Lightroom...
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© Pablo Reinsch Photography
Please don't use this image without my permission.
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| Large and Black or pres L || Facebook || Tumblr. |
- -
- Canon EOS 5D Mark II
- Canon EF 70-200mm F4L IS USM
- f/4
- 1/250
- 127mm
- ISO 100
- Exposición 0 EV
- No Flash
- Shoot in RAW and processed with Lightroom
Please NOTE and RESPECT the copyright.
© 2012 Stéphane Delval - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
Landed at Hardelot-Plage, next to the bunker, taking a few souvenir pics
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