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8 flat note cards plus matching white envelopes. The note cards are printed on white 80lb cover stock. The envelopes and note cards are tied together with a black satin ribbon and put in a cello sleeve for protection. This funky string design was digitally drawn by me. The note cards have been professionally laser printed and hand cut by me.
Notes: Photo by Thomas W. Benson
Preferred Citation: Thomas W. Benson Political Protest Collection, Historical Collections and Labor Archives, Eberly Family Special Collections Library, University Libraries, Pennsylvania State University.
Repository: Penn State Special Collections, University Park, PA, USA.
Happy birthday sweet nwarei <3 elage kla enshalla
Nwarei : عقبآل مېه ومېه وبعدهآ مېه وآلعېد ېعزم بعمرج نفسه بنفسه وآلشمع ېهدې سنېنج شمعه وضېه وېزېد شمعه معج ڪل عآم ېآ نوره
Samsung Galaxy Note 3 Neo
The Samsung Galaxy Note 3 Neo is a marginally smaller cheaper version of the Galaxy Note 3 Original, with 5.5 inch screen, 8 megapixel camera, 2GB of RAM, hexa-core processor with dual-core Cortex A15 and four Cortex A7, S-Pen support, LTE connectivity and Android 4.3...
pickmyphone.com/2014/02/technical-features-samsung-galaxy...
These AZ-Two speakers replaced my Audio Note AX-One speakers several months ago. I love the AX-1s. In particular, the vocal coming out from these lowest end of Audio Note line up is unbeatable. I have never heard female vocal is so beautifully reproduced through these tiny AX-1 speakers. However, since I listen to many types of music, including rock and hard bop jazz, the Absolute Zero-Two speakers with 93 db have replaced the AX-1s. It's been several months now, and it’s been burned in about 200 hours more or less. So, it’s time to write some impression on these black ash speakers. These speakers are very ugly looking. If your wife has some opinion on furniture sets at home, then these boxy looking speakers may be a great challenge for you guys to persuade. It may need a cross of Albert Einstein and George Clooney to persuade your wife to love the look of AZ-Two. When laymen see these speakers, they would think that these are made in Glodok. Or, they might think that these speakers are some school projects from your neighbor’s son. I am not kidding. If there’s some robber breaking into your house and looking at these two black boxes, they would definitely skip these things. In particular, if you do not put the AN labels on, the robber would think that these are made by people in Cikapundung – an electronic market in Bandung.
OK, they are ugly, so how is the sound? Nah, I have not finished yet. Let me finish it. The speakers are boxed with one layer carton boxes. A regular sedan will be hard to carry a couple of these big boxes. After opening the boxes, I took out the AZ-Twos. They are quiet heavy. Even though Audio Note provides good quality spikes inside the boxes, I use Soundcare Super Spikes on these speakers. Now, this is another ugly thing. When I tried to wire them and tighten the binding posts, I realized that the binding posts are so hard to grip. They are really pains in the butt. The binding posts are very high quality indeed, but they are just so awful to tighten. You should use soft towel to help your fingers grip the slippery binding posts. Another point that you should know is that these speakers are not equipped with jumpers. I think bi-wire is in PQ’s mind when he designed these.
After wiring them, I put each of them about 40 cm from the back wall and 50 cm from the side wall. By the way, I power these speakers using 4.8 watt Almarro A205A mkII. I played Just the Two of Us, by Grover Washington, Jr. It was nice, but I felt the sound was boomy. I knew that Audio Note instructed to place the speakers on the corners or close to the back wall. The manual states that the speakers may sound boomy if they are place too far from the walls. Funny, eh? Conventional speakers are the opposite. They will sound boomy if they are placed too close to the walls. So, reluctantly I place them on the corners. Voila! The boomy sound is gone. They sound so wonderful. The bass goes lower and tighter. Now, after about 200 hours burned in, the speakers are flexed a bit, and they produce very musical atmosphere. Rock and fusion jazz are their bread and butter. I love listening Dark Side of the Moon, by Pink Floyd. Oh, boy! These AZ-Twos can create picturesque or panoramic 3D stage. The sound stage is very wide. I feel like the sound does not come from those speakers. The source of the different instruments seem coming from certain point locations on stage. The speakers are just gone or hidden. It is excellent. I have never had this experience before. If you bass freak, these black boxes can give you plenty of quality bass. The highs are transparent and smooth, not edgy. This is the type of versatile speakers. They are all-round speakers for all kinds of music. However, if you are vocal fanatics and have mostly vocal jazz or easy listening albums, such as audiophile CDs played in audio shows, I think AX-Ones would be better choices. They are unbeatable in vocal reproduction. AZ-Twos cannot compete with AX-Ones in this area. Moreover, the price of AX-1 is very reasonable. The AX-1’s price is more or less in the range price of popular bookshelf speakers in Indonesia. I believe AX-1s would be the best choice for most two-channel systems. On the other hand, if your CD collections range from hard rock to world music, from mainstream to hard bop jazz, then AZ-Twos should be on your must-listen list. The sonic of AZ-Twos are softer and more likable after 200 hour running. Now, when I listen to Marcus Miller Live album in late night and dark room, it’s like I was there in the same room with Marcus Miller. It is very alive. Another incredible thing I experience with these AZ-2s is when I play Kind of Blue CD (The Definitive Version), by Miles Davis. This must have album was made in heaven, Bill Evans said in the liner notes. They made this recording without actually practicing it first. They learned the notes right before the session. In this album, there are three horns. They are Miles’ trumpet, John Coltrane’s tenor sax, and Cannonball Adderley’s alto sax. Through AZ-Twos, one can pinpoint the exact location and height of each horn on the stage. Amazing! Scary!
Conclusion: The only good thing about AZ-2s is their musical sound.
This set was made for a friend's mom who was celebrating 50 years of playing the piano for their church.
Direct scan, tidied up, of a vintage school letter jacket "music note," belonging to a Band Student. No clue as to the school, but it came with three other blue-and-white patches (a big white "W" and two lacrosse patches) that were tagged $1.00 at Bussey's Flea Market in Schertz, Texas.
Notes: proud mother and daughter.
Format: silver gelatin negative, 4" x 5" (10 cm x 12.4 cm)
Date Range: 1957?
Location: studio, 130 Katoomba St.
Licensing: Attribution, share alike, creative commons
Repository: Blue Mountains Library bmcc.ent.sirsidynix.net.au/client/en_AU/default/
Part of Local Studies Collection: SS 02-66
Provenance: Souvenir Snapshots
Links:
... on the Golden Jubilee Seat, Montpellier Gardens, Cheltenham
A pentagonal seat erected to celebrate the Golden Jubilee of Queen Elizabeth II in 2002
A few notes of the National Anthem
www.geograph.org.uk/photo/288691
~~ 52 weeks of pics // week 17 Anything Music ~~
Tivetshall to Beccles disused Railway. Also see Set notes.
The platform and railway line would have run to the left of the building - see photo Eli 051 in this set. The road to the left would have lead to a level crossing. The road from where the shot was taken runs parallel with the old track for a short distance before leading to a brick road bridge that spans the track. It was, and still is, the first one over the line from the Beccles direction, this being behind the camera. I am not sure at this moment whether there are any other bridges remaining on the old line.
Ellingham Station is on this 1946 Ordinance Survey map:- www.npemap.org.uk/tiles/map.html#635,291,1
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liaIble to prosecution.
There are a number of challenges I face when shooting ballet pics of Jessie. Mind you, I'm not complaining. I've very very grateful to the teacher (who is also the owner of the studio) for letting me shoot. But I just thought I'd give some insight into how I shoot and what kinda things I run into.
See the notes for explanation. :)
*and please...don't add any additional notes*
Note the remarkable bevor of the soldier with the kettle-hat. It could be a fantasy of the painter, depicting 'old Biblical' armour ...
Note how Micki is briefly checking her device and texting in the middle of dinner. This is perfectly acceptable (and even expected) behavior in today's modern highly interconnected multitasking culture. Get used to it. Evolve or die.
10th May 2018 at the Green Note, London NW1.
Country: United States. Style: Americana & Traditional American Folk (Old Time) & Bluegrass
Lineup: Molly Tuttle (v/g/banjo), Rachel Baiman (v/fiddle/banjo).
Molly Tuttle is from Santa Clara County, CA and Rachel Baiman from Chicago, IL. Both now live in Nashville, TN and this tour together is a new collaboration. The first half of the evening was Baiman taking the lead and Tuttle accompanying, and in the second half they switiched roles. Mostly songs they wrote themselves but also some traditional ("Wagoner's Lad", "Cold Rain and Snow", "Banjo Pickin' Girl", "Going 'Round this World, Baby Mine") and some composed in recent years: " Madison, Tennessee", "Gentle on my Mind", "In Tall Buildings" (all John Hartford), "White Freightliners Blues" (Townes Van Zandt) and "Never Tire of the Road" (Andy Irvine).
In this photo: Tuttle plays a Huss and Dalton TD-R Custom guitar.
More information: www.mollytuttlemusic.com/, www.facebook.com/mollytuttlemusic/, rachelbaiman.com/, www.facebook.com/Rachelbaimanmusic/.
Earlier today I found these two bank notes from the old country snuggled in the back of a dusty book. These were in general circulation between 1978 and 1990, and so would have seen me through the end of high school, my two years national service, my three degrees and my initial move to the UK. Fascinating times.
The note is supposed to depict Johan Anthoniszoon "Jan" van Riebeeck, but some National Party bureaucrat screwed up and the portrait on the old bank notes is of Bartholomeus Vermuyden, as painted by Dirck Craey (1650) and currently hanging in the Rijksmuseum. The actual van Riebeeck was far less glamorous as this portrait of him in the Rijksmuseum reveals. Researcher Jonkheer F.G.L.O van Kretschmar has also determined that the popular portrait of van Riebeeck's wife, Maria, was more likely that of Catharina Kettingh, wife of Bartholomeus Vermuyden. The real Maria van Riebeeck (nee de la Queillerie) was as frumpish as her husband - this is the portrait of her in the Rijksmuseum. Worse still, by all accounts the statue in Adderley Street, Cape Town, is not a likeness of Maria either, but of the "wife of the chairman of the Dutch committee that helped to organise the 1952 Van Riebeeck festival in Cape Town." (Giliomee and Mbenga, 2007, "New History of South Africa"). Incredible - you couldn't believe a goddamn thing under the old apartheid regime.
Interesting read here.
Additional images...
See my blog.
Notes: Photo by Thomas W. Benson
Preferred Citation: Thomas W. Benson Political Protest Collection, Historical Collections and Labor Archives, Eberly Family Special Collections Library, University Libraries, Pennsylvania State University.
Repository: Penn State Special Collections, University Park, PA, USA.