View allAll Photos Tagged NegativeLabPro

Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400

 

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon

Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Ilford FP4 Plus 125 | Tiffen 23A Red Filter

 

Scanned with Epson Perfection V800 Photo

 

Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 tank

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None

Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125 | Tiffen 29 Deep Red Filter

 

Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | Raleno PLV-S192 | Negative Supply 4x5 Film Holder

 

Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank, AGO Film Processor

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Leica M3 | Zeiss Planar T* 50mm F2.0 ZM | Fuji Neopan Acros II 100

 

Scanned with Epson v800 | Epson Stock

 

Kodak HC110 B

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier

Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400

 

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None

Fujifilm Klasse W | Kodak Tri-X 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

About Winta James cc: TIDAL BIO

 

Prolific producer and Overstand Entertainment label founder, Jamaica’s Winta James, is shaping the sound of this generation of reggae music. Producing a number of today’s biggest reggae hits, “Here Comes Trouble” by Chronixx, “Who Knows” by Protoje, and “Modern Day Judas” by Jesse Royal, to name a few, James has a knack for pushing the island’s rich sound forward. From these heavy hitters of today to established acts like Tarrus Riley and Damian Marley and emerging artists like Sevana, step into the highlights of Winta James’ extensive catalog.

 

Nikon F3 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro

 

www.Chancenkosigomez.com

www.Instagram.com/nkosiart

Nkosi.artiste@gmail.com

 

ABOUT THE ARTIST

 

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Fujifilm Klasse W | Arista EDU Ultra 400 @ 250

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma

Nikon N80 | Tamron SP 35mm F/1.8 Di VC USD | Kodak Gold 200

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft

 

Home developed in Arista C-41 | 4:13/102F | Paterson 3 Tank

 

Negative Lab Pro v2.1.9 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None

Astley Park, Chorley

 

Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400

 

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask

 

Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion

  

Nikon FM3A | Nikon AF Nikkor 35mm f/2D | Rollei Paul & Reinhold 640

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 9:00/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None

Nikon F5 Nikon AF-S Nikkor 50mm F/1.8G UCB

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: LAB - Standard | WB: Kodak | LUT: Frontier

Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125

 

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Negative Supply 4x5 Film Holder

 

Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Tri-X 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Fujifilm Klasse W | Kodak Tri-X 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None

Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Arista EDU Ultra 100 | Tiffen 23A Red Filter

 

Scanned with Epson Perfection V800 Photo

 

Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Color Negative 800

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon N80 | Nikon AF Nikkor 28mm f/2.8D | Kodak UltraMax 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

This was years ago when we weren't so environmentally and animal cruelty aware as we are now but even then I thought it obscene to have Orca cooped up in a pool to amuse tourists. It was spectacular but so wrong.

Fujifilm Klasse W | Ferrania P30 80

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft

 

Home developed in Kodak HC-110 1+63 | 12:00/68F | Paterson Tank

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None

Intrepid 4x5 MK4 | Fujinon SWD 90mm f/5.6 | Arista EDU Ultra 100

 

Scanned with Epson Perfection V800 Photo

 

Home developed in New Belgium Fat Tire Beerenol | 20:00/68F | SP-445 tank

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Fuji | LUT: Pakon

Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak TRI-X 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon

Nikon N80 | Nikon AF Micro-Nikkor 60mm f/2.8D | Atlanta Film Co Koji 125T @ 100 | Nikon SB-27

 

Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Mix | LUT: None

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kentmere Pan 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Fujifilm GA645Zi | Ilford HP5+ 400 @ @ 400

 

Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3D Printed Block

 

Home developed in Kodak D-76 1:3 | 20min @ 20C | AGO Processor

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Minolta X370 | Kodak 160

 

Scanned with Plustek 8100AI

 

Lab developed in TCR Imaging

 

Negative Lab Pro v2.4.2 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier

Astley Park, Chorley

 

Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400

 

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask

 

Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion

  

Nikon FM3a | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400

 

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None

Intrepid 4x5 MK4 | Fujinon Fujinon W 180mm 1:5.6 | Fomapan 100

 

Scanned with Epson Perfection V800 Photo

 

Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank

 

Negative Lab Pro v2.1.9 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier

Rolleicord Vb

Kodak TMax 400

HC110 1+31 20ºC 6'

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon N80 | Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Kodak Portra 400

 

Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Mix | LUT: None

Light seals replaced in the Mamiya. I think it worked?

 

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Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: LAB - Standard | LUT: Pakon

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 4 | Tone Profile: LAB - Standard | LUT: Frontier

Astley Park, Chorley

 

Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400

 

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask

 

Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion

  

Hasselblad 500 C/M | Carl Zeiss Sonnar T* 150mm f/4 CF | Kodak Ektar 100 @ 50

 

Scanned with Nikon D800 and Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Artograph Lightpad | Essential Film Holder (EFH)

  

Fujifilm Klasse W | Arista EDU Ultra 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft 35mm Film Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

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