View allAll Photos Tagged NegativeLabPro
Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder
Home developed in Fujifilm Negacolor | 3:15/100F
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon
Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Ilford FP4 Plus 125 | Tiffen 23A Red Filter
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125 | Tiffen 29 Deep Red Filter
Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | Raleno PLV-S192 | Negative Supply 4x5 Film Holder
Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank, AGO Film Processor
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder
Home developed in Fujifilm Negacolor | 3:15/100F
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Leica M3 | Zeiss Planar T* 50mm F2.0 ZM | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson Stock
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier
Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Fujifilm Klasse W | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
About Winta James cc: TIDAL BIO
Prolific producer and Overstand Entertainment label founder, Jamaica’s Winta James, is shaping the sound of this generation of reggae music. Producing a number of today’s biggest reggae hits, “Here Comes Trouble” by Chronixx, “Who Knows” by Protoje, and “Modern Day Judas” by Jesse Royal, to name a few, James has a knack for pushing the island’s rich sound forward. From these heavy hitters of today to established acts like Tarrus Riley and Damian Marley and emerging artists like Sevana, step into the highlights of Winta James’ extensive catalog.
Nikon F3 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Fujifilm Klasse W | Arista EDU Ultra 400 @ 250
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma
Nikon N80 | Tamron SP 35mm F/1.8 Di VC USD | Kodak Gold 200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft
Home developed in Arista C-41 | 4:13/102F | Paterson 3 Tank
Negative Lab Pro v2.1.9 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Astley Park, Chorley
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask
Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion
Nikon FM3A | Nikon AF Nikkor 35mm f/2D | Rollei Paul & Reinhold 640
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: LAB - Standard | WB: Kodak | LUT: Frontier
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Negative Supply 4x5 Film Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Fujifilm Klasse W | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None
Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Arista EDU Ultra 100 | Tiffen 23A Red Filter
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon N80 | Nikon AF Nikkor 28mm f/2.8D | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
This was years ago when we weren't so environmentally and animal cruelty aware as we are now but even then I thought it obscene to have Orca cooped up in a pool to amuse tourists. It was spectacular but so wrong.
Fujifilm Klasse W | Ferrania P30 80
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft
Home developed in Kodak HC-110 1+63 | 12:00/68F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Intrepid 4x5 MK4 | Fujinon SWD 90mm f/5.6 | Arista EDU Ultra 100
Scanned with Epson Perfection V800 Photo
Home developed in New Belgium Fat Tire Beerenol | 20:00/68F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Fuji | LUT: Pakon
Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak TRI-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon
Nikon N80 | Nikon AF Micro-Nikkor 60mm f/2.8D | Atlanta Film Co Koji 125T @ 100 | Nikon SB-27
Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Mix | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Fujifilm GA645Zi | Ilford HP5+ 400 @ @ 400
Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3D Printed Block
Home developed in Kodak D-76 1:3 | 20min @ 20C | AGO Processor
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Minolta X370 | Kodak 160
Scanned with Plustek 8100AI
Lab developed in TCR Imaging
Negative Lab Pro v2.4.2 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
Astley Park, Chorley
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask
Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion
Nikon FM3a | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Intrepid 4x5 MK4 | Fujinon Fujinon W 180mm 1:5.6 | Fomapan 100
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank
Negative Lab Pro v2.1.9 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder
Home developed in Fujifilm Negacolor | 3:15/100F
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
Rolleicord Vb
Kodak TMax 400
HC110 1+31 20ºC 6'
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder
Home developed in Fujifilm Negacolor | 3:15/100F
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon N80 | Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Kodak Portra 400
Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Mix | LUT: None
Light seals replaced in the Mamiya. I think it worked?
========
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: LAB - Standard | LUT: Pakon
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 4 | Tone Profile: LAB - Standard | LUT: Frontier
Astley Park, Chorley
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask
Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion
Hasselblad 500 C/M | Carl Zeiss Sonnar T* 150mm f/4 CF | Kodak Ektar 100 @ 50
Scanned with Nikon D800 and Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Artograph Lightpad | Essential Film Holder (EFH)
Fujifilm Klasse W | Arista EDU Ultra 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft 35mm Film Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None