View allAll Photos Tagged NegativeLabPro
Downtown Boise, ID
16 December 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Ilford HP5 Plus 400
Home developed
Ilford Ilfotec DD-X 1:4
Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400 | Tiffen 23A Red Filter
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Nikon N80 | Nikon AF Nikkor 35mm f/2D | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: None
Camera: Fuji GA645Zi
Lens:Super-EBC Fujinon Zoom Lens 1:4.5-6.9 f=55-90mm
Shot on Shanghai GP3 100 220 at EI 100, developed in 510-Pyro (1+300) for 90 minutes. Agitation: 1 inversion every 15 min
Fujifilm Klasse W | Kodak Max 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft
Home developed in Arista C-41 | 3:43/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
graffiti, North End alley, Boise, ID
Taken 12 July 2023
Hasselblad 500cm
Hasselblad Ziess Planar 80mm/2.8
Japan Camera Hunter StreetPan 400
Nikon FM3A | Nikon Micro-Nikkor 55mm f/2.8 | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Unions Block alley, downtown Boise, ID
Taken 11 March 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Kodak D76
K. B. Canham DLC45 | Eastman Kodak No. 1a Autographic Jr (Miniscus Lens) | J. Lane Speed Plate 25
Scanned with Epson V850 | None
Home developed in Kodak HC-110 Dil B (1+31) | 5 min. / 20C | Inversion
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Fujifilm Klasse W | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Ilford HP5 Olympus OM2n | G.Zuiko 35mm 2.8 | Ilford HP5+ 400 @ 800, +1 dev Scanned with Plustek OpticFilm 8200i
Olympus OM2n // G.Zuiko 35mm 2.8 // Ilford HP5+ 400 @ 800, +1 dev
Scanned with Plustek OpticFilm 8200i
Negative Lab Pro v2.4.2 // Color Model: B+W // Pre-Sat: 4 // Tone Profile: LAB - Standard // WB: None // LUT: Frontier
boise, id
taken 10 may 2024
mamiya 7ii
mamiya 50mm f/4.5
35mm panoramic adapter
kodak tri-x 400
Scanned with dslr
Home developed
ilford ilfotec dd-x 1:4
Pentax LX | Pentax Fa 43mm F1.9 limited | Kentmere pan 100 100
Scanned with Pentax K1 FA Macro | Essential Film Holder
north end, boise, id
taken 19 september 2024
mamiya 7ii
mamiya 43mm f/4.5
kodak portra 160 +2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
2022
Porsche 911 992 GT3 Cup, 6 Hours of Spa-Francorchamps
Canon A-1, nFD 35mm f/2.8, Kodak Pro Image 100
DSLR scan
My final project for photography class started with this shot. I had another idea in mind, but when I printed this image I started thinking about these glimpses of childhood.
It used to be that everywhere I turned I could take a picture documenting my purpose in life - helping these little people grow into stellar humans. As they have gotten older the visual evidence of my 20+ year career helping them navigate life has dwindled. When I saw this image that just screamed childhood to me, I decided to do my final project on the pieces of childhood packed away or scattered or gathering dust throughout my house.
The project is very symbolic of this year for me. Marley will be moving out of the country, Brodie will be graduating from college by year's end, Chase turns 18 and is a senior in high school next year, and Perry will start his freshman year. It's a lot. And I am struggling to find my purpose now. But I have evidence of all my work in these four amazing humans that will better this world.
taken 8 april 2025
mamiya 7ii
mamiya 43mm f/4.5
ilford hp-5 400
Scanned with dslr
Home developed
kodak d76
1:1 | 13min
Nikon N80 | Nikon AF Nikkor 28mm f/2.8D | Cinestill 400D
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Derelict farmhouse near to Rydal Water panorama. This is a composite stitch of two frames.
Rollei 35B | Rollei Triotar 3,5 / 40 | Kodak Pro Image 100 100
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in Adox C Tec 41 | Compensated Rotary Processing
Nikon FE2 | Nikkor 20mm f/3.5 | Ilford XP2 400
Digitized with Nikon Z6 II with 60mm f/2.8 | Kaiser Slimlite Plano | Essential Film Holder v3
Home developed in Kodak Flexicolor (C-41)
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Pentax 17
Cinestill 400D (@ 250)
Bellini 4-bath ECN-2 kit (+0, 41 °C)
Scanned with Fujifilm GFX100S
Inverted with Negative Lab Pro
Processed with Adobe Lightroom
one of the bands (Double Play from Portland Oregon) set up during Treefort week, Freak Alley, Boise, ID
Taken 23 March 2024
Mamiya 7ii
Mamiya 50mm f/4.5
Kodak Portra 160
Home developed
Cinestill CS41
3 min 30 sec
From our 2021 Christmas Card
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Ilford HP5 Plus 400 @ 800
Scanned with Epson Perfection V800 Photo | Negative Supply Micro-Etched Acrylic
Home developed in Kodak HC-110 1+31 | 7:30/68F | SP-445 Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
RMC Tokina 28mm f2.8, Leica IIIf, Kodak Color Plus 200, autumn 2021
Testing out an adapted 28mm lens from my Konica FS-1 on the Leica IIIf. While the Konica AR mount allows for "compact" wide angle SLR lenses, on a range finder camera these still are a bit bulky
Lomography Sprocket Rocket
Reformed Film Labs Night Shots 800 (because it was already in the camera).
Voitlander R2M / Fuji Velvia 100 / Negative Lab Pro / Plustek 8300 AI
Nkosi.artiste@gmail.com
The visible & overlooked share a deep message of the the unity of this entire existence. And, even though external forms and conditions vary the Self triumphs over matter. I am that Self, A silent observer focusing the lens of Intuition and creativity. My life is an unfurling sail of the unknown. Each day the breeze blows with a new significance.
This still taken on a ferry which helps people cross Ma Ganga between the Tapovan and Lakshmanjhula. Unlike Tapovan, Lakshmanjula is relatively flat and runs along the Ganges. In general there’s a narrative in any direction in India making it so fun to do some rangefinder shooting! On this day the #leicam6reissue definitely got a lot of action however, with all the excitement checking to see if the rewind crank spun as I advanced the #Ektar100 roll upon loading wasn’t in my awareness. I only realized that there was an error when the frame counter went past 35. So, out of fifteen rolls shot during the seven weeks, two were absolute duds from this day. Haste makes waste and definitely a great lesson of detachment for a yogi.
Leica M6 Re-Issue / Leica 35mm Summilux f1.4 Steel-Rim (Re-issue) / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
- Nikon F2A Photomatic
- Nikkor 50mm AIS f/1.4
- Kodak Gold 200
*Home developed with Flic Film C-41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Kodak Tri-X 400
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 8 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: None | LUT: Frontier
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Leica M5 | Leica Summicron 50mm F/2.0 | Ilford Delta 400 @ 800, +1 dev
Scanned with Epson V600
Lab developed in Thornton 2 Bath
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Hard | WB: Auto-Neutral | LUT: Frontier
Fuji GA645zi | Fujinon Super-EBC Fujinon 55-90mm 4.5-6.9 | Kodak Portra 400NC 160
Scanned with Nikon D750 w/ Nikkor 55 3.5 Ai-Converted | Raleno Light Panel | Essential Film Holder V3
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: LAB - Standard | LUT: Pakon
self portrait in back door on Freak Alley, Boise, ID
18 August 2023
Rolleiflex 3.5F
Zeiss Planar Planar 75mm/ 3.5
Portra 400
Home developed
Cinestill CS41
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: None | LUT: Pakon
Something happened with this roll of redscale and there were numerous frames with an imprint of the backing paper. I'm not mad at them. I love when this kind of stuff happens, it is the beauty of film.
Craters of the Moon, ID
Taken 8 June 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Lomography Red Scale 200
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec