View allAll Photos Tagged Negative
After downloading this I can see that I need more color on the table & maybe darker colors in the negative area.
I didn't draw the flowers by hand & so it was difficult to paint the petals free hand.
I definitely need to keep practicing!!
Normeee!!
Camera: Diana F+ with 75mm lens
Film: 35mm Fujicolour C200 (ISO 200) - desaturated
Had a run out to Skipton with Norm. We are lucky to have such ace little places on our doorstep. We walked through the woods, took photos and had a good chin-wag. And it goes without saying that we called for a pint in the Narrowboat!
This was taken with a 34mm mask in the Diana to show the exposed perforations. Sadly they couldn't scan them like that when I had the film processed so I've had to do the best I could with my 35mm negative scanner which isn't ideal and has made them the wrong shape. If I find a better way of scanning them (or invest in a medium format scanner) I'll rescan and eventually replace them. They're meant to be square and look way cooler than this :'(
Stepping back into my own yard after visiting the neighbor's for a shot of the backhoe, I aimed my camera at these tomato plants. I was desperate for subjects!
Camera: Kodak 35 (made in 1948)
Lens: Kodak Anastar 50mm, f/3.5
Film: Kodak Gold 200-6, 200 ISO 35mm
Aperture: F/4
Shutter speed: 1/50
Date: July 4th, 2009
Location: Norris City, Illinois, U.S.A.
Film lab scanned negative.
Desert view, with man on road/rail bed. 5x8 glass plate negative. Source: Frank Stephens Photograph Collection.
Image id: SDNHM_FS_58_128
turquoise is valued as a healing stone, one that helps to draw out negative elements... from the turquoise disc comes a spiral, pulling out the negativity, sending it out and away from the heart... copper is also associated with cleansing and purification ... found in the turquoise but also used in the wire and sheet metal...
this was taken in an museum for photgraphy. It was a huge glass negative which was lightened up from the back. So I took a shot with a black and white film (also negative) and got this positve. The original shot was taken probaply a 100 years ago.
at first glance, the tide to-go pen seems simple enough, but I've seen too many users fail to immediately realize they must actuate the tip of the device into the body to activate the release of the cleaning agent. the extreme actuation is against the design paradigm of pens--lightly press against the surface to release the inner contents (usually ink)--and this pen offers no clue about this required action. the user is left to figure out why it might not work at first, so it is a more conceptual model.
This flickr account was set up to store the negatives I buy at ebay, antique shops, flea markets, etc. I scan or photograph the negatives, process them, and then post them here. I enjoy discovering and revealing these images that otherwise might be lost.
Taken from a negative I aquired as part of a collection- probably Birmingham or surrounding area, probably late 1960s/early 1970s
FP4+ (80), Pyrocat HD 1+1+100 12mins 20c, reduced agitation. White balance reset to address blue cast from light table.
5x7 Paper negative
Sometimes you get stuck. The paper negative does not have enough latittude for foreground, background, and sky.
Exposed at ISO 5, Developed in paRodinal 50:1 for 3 minutes.
Having not used a Kodak 35 in quite a few years, I forgot that the film had to be advanced by pushing down a little button on the top and simultaneously turning the film winding knob. But.... when you do this, the shutter is cocked and it's ready to take another picture. So, even if you bump the shutter accidentally, you're going to take a picture of something. This unexposed fourth frame of the roll was a result of my not remembering that the best way to do this with a Kodak 35 is to not wind the film after taking a shot and only winding it when you're ready to take the next shot. Here, I wound it right after I took the picture of my high school and then drove across town to photograph the grade school. But, in driving across town to my next subject, I forgot I had already wound it, so I ended up winding it again and totally skipping this frame. But, I wanted to detail the whole process, so here is the unexposed frame in all it's glory.
After I'd done it, I realized right away what had happened, so I made sure it didn't happen for the rest of the roll. And it didn't. (Although there was one other tiny thing I forgot to do, which will be described later.)