View allAll Photos Tagged Negative
Not the best quality negative, but I like the snap of the 6 wheeled trolly bus.
I was searching the loft for 35mm developing equipment when I came across a box of 100's of 120 negatives.
I know they were taken by a late, Great Uncle and I think they were taken in the late 1940's - early 1950's.
Scanned some of the more 'interesting' on a regular flat bed scanner and inverted the image using Photoshop CS2!
This is a negative scan from Kodak BW400CN film, then inverted in PS (I also fixed the levels).
It was done on a Canon MX310 printer/scanner/copier. I need to clean the tray and I will prbably get a new scanner, seeing as this one is not made to scan film.
the match has been lit-
(burning memories crinkle);
the crispy cynic.
Digital photo manip in PS (part of a series)
This is what we got out of the beer can after 3 months. the worm like tracks were made by my finger when I was trying to get it out of the can (in the dark) www.flackcambridge.org.uk/FLACKmagazine/FLACK_Beer_Can_Ca...
Negative image from homemade Pringles can pinhole camera, approx. 30 second exposure on relatively sunny day. Negative image is on photo sensitive paper, later converted to positive in Photoshop
This week: Playing with negative space, i.e. the visual space around the main subject of the image. How do the elements relate to each other? How does negative space augment the expression of the positive space? Can negative space support or destroy the story of the subject? How does structure/colour/form of negative space impact on the image?
The album can be found here: 2021 | 52 projects.
(Wien/Wipplingerstraße)
This is a rig I made to photograph my old 35mm negatives. It does some weird stuff. Interesting things start to happen using different light sources and backgrounds. Turning it at an angle creates a tilt shift kind of effect.
I have to say that I've been shooting images around my town for over 30 years, so sometimes it seems like I've exhausted all possible subjects. That's why there's a second picture of my house on this same roll - nothing else interesting to photograph.
Camera: Kodak 35 (made in 1948)
Lens: Kodak Anastar 50mm, f/3.5
Film: Kodak Gold 200-6, 200 ISO 35mm
Aperture: F/3.5
Shutter speed: 1/25
Date: March 30th, 2008
Location: Norris City, Illinois, U.S.A.
Film lab scanned negative.
Beaumont Newhall sits for his paper negative portrait by Michael Kamins at George Eastman House in the late 1970s. In this image Beaumont possesses the most comfortable aspect in the history of photography.
March 21, 2013, Tokyo / Japan"Negative: Nothing" Screening at OAG Haus, Tokyo. With Yoichi Nagano, Kumiko Takahashi, Masa Hoshida and Mizue Nakamura.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
This week: Playing with negative space, i.e. the visual space around the main subject of the image. How do the elements relate to each other? How does negative space augment the expression of the positive space? Can negative space support or destroy the story of the subject? How does structure/colour/form of negative space impact on the image?
The album can be found here: 2021 | 52 projects.
(Wien/Porzellangasse)