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View allAll Photos Tagged Negative
Nikon F | Micro-Nikkor 55mm f3.5 | Agfa APX 400 400
Digitized with GH2 M/43 + Fotodiox A1 to Nikon adapter + Mico Nikkor 55mm f3.5 lens | AGPtek | Essential Film Holder
Home developed in Rodinal 1:25 | 11.5mins 20?C | Spiral tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
This "negative" was made on sooted paper. The soot was removed with a stamp to reveal the paper below.
Traded to Finertist
I was playing with a graphics package at work with a photo I had taken of a sunset. I decided to see what it looked like as a negative image. I absolutely love the results!
Hey Guys, so I tried flipping what I had and decided to see what the texture would look like if it was in the negative space of the background.
What do you guys think? Should I go with this? or go back to my previous one where the texture is in the positive space?
Victoria Street, Melbourne, February 2014
Olympus Pen EE2, Fujifilm Superia 400, converted to mono.
For use please contact tony@tonytulloch.com
Photos from the EFCA's National Youth Conference, called "Challenge 94" whose theme was "Rock The Planet." It was held in Colorado Springs, CO. These photos are from the Calvary Evangelical Free Church Youth Group in Trumbull, CT
These shots of Pastor Jeff and Bryan Murphy are from negatives. I could not find the original photos.
現在sliverfastで16bit HDRでネガをスキャンしています。スキャンされた画像はネガのままです。
最初にこのコマを見た時は「あれ？なんでこれだけひっくりかえったんだ？」と思ってしまいました。
たまたまの微妙な光のバランスだったんでしょうが、面白い。
This shot is negative.
When I watched it first , it looked like positive.
Collins Street, February 2014
Olympus Pen EE2, Fujifilm Superia 400, converted to mono.
For use please contact tony@tonytulloch.com
This is a test of the new negative color film Harman Phoenix 200 with my Minolta XD5 SLR camera (years 1979-1984).
The Minolta XD5 body was equipped with a Minolta MD (III) 1:2.8 f=28mm lens with a protective Hoya 49mm UV HMC Expert filter and the original shade hood for the 28mm lenses.
The camera was loaded with the 36-exposure color film and exposed for 200 ISO using either the body light meter in the three modes available (M, A, S) and/or checked with a Minolta Autometer III equipped with a 10° viewfinder for selective measuring and privileging the shadow areas.
Jardin Botanique de Lyon, March 18, 2024
Parc de la Tête d'Or
69006 Lyon
France
After exposures the film was processed using a local lab service using the C-41 process. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The duplication light was set to 4800K instead of 8600K for regular negative color film with the classical orange mask. The RAW files obtained were then processed without intermediate files in LR and finally edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
The results shows that this experimental film by Harman is prone to strong halation in the hight lights giving a yellow halo. The film is also and characterized by a strong contrast.
About the camera : Minolta XD5 was manufactured in Japan and released in 1979, two years after the XD7 (XD11 in certain markets). The camera was resized to the "gold dimensions" of the Barnack Leica (approx. 13x3x5 cm) as Olympus did for its OM1 several years before. Minolta XD5 is very closed to the XD7 body with only a few features suppressed. It has the same electronic shutter made of vertical metal shutters and offered for the first time the double mode of automatism with aperture priority (A) and shutter priority (S) with a new series of MD series. XD bodies served has basis for the Leica R4 to R7 SLR and was developped consequently with Leitz. XD camera were more expensive than Minolta X-700 and X-500 famous SLR and co-existed in the catalog from 1981 to 1984.
I found this XD5 from my local photography shop with its likely normal original lens a Minolta MD (III) 1:2 f=50mm. The Minolta MD 1:2.8 f=28mm wide-angle lens is part of my collection of Minolta lens. So far it the time I use this lens for film photography.
88845337 :Piction ID--Migration seal compression ring---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum