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Reclaimed negative from a (rather overexposed) Fuji FP100C45 instant print, which involves bleaching off the backing and (carefully) washing the developer off the front. Think I'm getting a bit more detail out of the negative than out of the print. Interesting result, look forward to treating some more.
First month complete.
View On Black Part of the huge power station next to the N1 between Paarl & Stellenbosch offramps, South Africa. Took this shot out the car while travelling pretty fast.
This photo has little to no editing. It is the natural colour of negative, including scratches and dust. Since this was very blurry, there was little to salvage in trying to create a still looking photo. However the antique essence produced a lovely image.
this negative is rejected already,cant process..but i try to process myself with using table lamp..
see the result above..
-Using Kiev 4-
This is the second type of photos. It uses a 4x5 view camera on photo paper (which is called paper negative). This is normally only available for large format (as you cannot easily add a photo paper on the back of other type of camera, except polaroid). ISO 6. The development is very harsh and has to tame a bit next time. The negative has been inverted and middle grey lower. Still, too harsh. Tried next time.
z-Scan-081006-0001-paper-ne
I made a pin-hole camera about a week ago from a bunch of garbage and other stuff lying around the house here. These are some of the pictures from it. I'm kind of excited with how some of the photos turned out, but I have only scanned in about a third of the negatives so far because it takes so long. Hopefully more will be on the way soon!
This is the flyer for my darkroom in London. Flyer is Designed by my good friend Ekta.check out prices and services in my website www.sebsussmann.co.uk/darkroom/pricelistMarch2012.pdf, you can also keep up to date with news my joining the double negative facebook page www.facebook.com/DoubleNegativeDarkroom
These are the negatives developed in Caffenol-C. Looks like my best negatives with coffee base developer so far, but I won't be sure until the negatives dry and I scan them.
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400 @ 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None