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#FlickrFriday
#Multiply
Part of an expanding (multiplying) grove of mangroves exposed at low tide, Wynnum, Brisbane, Australia. Mature trees produce floating seeds that wash around tidal areas until trapped in the substrate, eventually becoming new mangrove trees. As the trees age, their networks of aerial roots (pneumatophores) also multiply, extending further out from each trunk.
Red Deer - Cervus elaphus
In Rut!
The red deer (Cervus elaphus) is one of the largest deer species. The red deer inhabits most of Europe, the Caucasus Mountains region, Asia Minor, Iran, parts of western Asia, and central Asia. It also inhabits the Atlas Mountains region between Morocco and Tunisia in northwestern Africa, being the only species of deer to inhabit Africa. Red deer have been introduced to other areas, including Australia, New Zealand, United States, Canada, Peru, Uruguay, Chile and Argentina. In many parts of the world, the meat (venison) from red deer is used as a food source.
The red deer is the fourth-largest deer species behind moose, elk and sambar deer. It is a ruminant, eating its food in two stages and having an even number of toes on each hoof, like camels, goats and cattle. European red deer have a relatively long tail compared to their Asian and North American relatives. Subtle differences in appearance are noted between the various subspecies of red deer, primarily in size and antlers, with the smallest being the Corsican red deer found on the islands of Corsica and Sardinia and the largest being the Caspian red deer (or maral) of Asia Minor and the Caucasus Region to the west of the Caspian Sea. The deer of central and western Europe vary greatly in size, with some of the largest deer found in the Carpathian Mountains in Central Europe.Western European red deer, historically, grew to large size given ample food supply (including people's crops), and descendants of introduced populations living in New Zealand and Argentina have grown quite large in both body and antler size. Large red deer stags, like the Caspian red deer or those of the Carpathian Mountains, may rival the wapiti in size. Female red deer are much smaller than their male counterparts.
The European red deer is found in southwestern Asia (Asia Minor and Caucasus regions), North Africa and Europe. The red deer is the largest non-domesticated land mammal still existing in Ireland. The Barbary stag (which resembles the western European red deer) is the only member of the deer family represented in Africa, with the population centred in the northwestern region of the continent in the Atlas Mountains. As of the mid-1990s, Morocco, Tunisia and Algeria were the only African countries known to have red deer.
In the Netherlands, a large herd (ca. 3000 animals counted in late 2012) lives in the Oostvaarders Plassen, a nature reserve. Ireland has its own unique subspecies. In France the population is thriving, having multiplied fivefold in the last half-century, increasing from 30,000 in 1970 to approximately 160,000 in 2014. The deer has particularly expanded its footprint into forests at higher altitudes than before. In the UK, indigenous populations occur in Scotland, the Lake District, and the South West of England (principally on Exmoor). Not all of these are of entirely pure bloodlines, as some of these populations have been supplemented with deliberate releases of deer from parks, such as Warnham or Woburn Abbey, in an attempt to increase antler sizes and body weights. The University of Edinburgh found that, in Scotland, there has been extensive hybridisation with the closely related sika deer.
Several other populations have originated either with "carted" deer kept for stag hunts being left out at the end of the hunt, escapes from deer farms, or deliberate releases. Carted deer were kept by stag hunts with no wild red deer in the locality and were normally recaptured after the hunt and used again; although the hunts are called "stag hunts", the Norwich Staghounds only hunted hinds (female red deer), and in 1950, at least eight hinds (some of which may have been pregnant) were known to be at large near Kimberley and West Harling; they formed the basis of a new population based in Thetford Forest in Norfolk. Further substantial red deer herds originated from escapes or deliberate releases in the New Forest, the Peak District, Suffolk, Lancashire, Brecon Beacons, and North Yorkshire, as well as many other smaller populations scattered throughout England and Wales, and they are all generally increasing in numbers and range. A census of deer populations in 2007 and again in 2011 coordinated by the British Deer Society records the red deer as having continued to expand their range in England and Wales since 2000, with expansion most notable in the Midlands and East Anglia.
La touche * (multiplier) de mon ordinateur portable
The * (multiply) key on my laptop
dimension de la touche : 14,4x14,8mm
Stack de 3 images assemblées dans Photoshop
#FlickrFriday
#Multiply
We have baby bunnies under our shed. They are incredibly brave to come out and graze casually in a yard with three dogs. They are also reluctant to leave when I try to shoo them back... cheeky!
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My goodness, i did not realise how tough life would be without Trev.
Think how tough it would be?, multiply it by a million AND add menopause and that's how i feel.
That so called God and the Angels that took Trev, have left me, his boy's and his family in Hell ... ANGER is part of the so called "grieving process" that apparently only time can help heal .... Well that's definitely the part I'm am at the moment thanks to CANCER!
I HATE CANCER, TIME and the BLOODY PROCESS!
COME ON ENGLAND ... I NEED YOU AND OUR COUNTRY NEEDS YOU!
FOOTBALL'S COMING HOME!
Photo by Alexandre Fernandez
In Explore, 10 may 2022
Press L for a better view my friend :-)
Website I FaceBook I Kabook I GettyImages I Instagram
"An error does not become truth by reason of multiplied propagation, nor does truth become error because nobody sees it." -Mahatma Gandhi
After all the rain we've had my hens and chicks are multiplying rapidly!! I'll have to
start more! They're so easy to multiply! When you see a leaf fall off and it has little
root hairs on the place where it broke away from the main stem, just stick the leaf
in part sandy/part loamy soil and Voila you will have a new plant within at the longest
a week. They start out teeny tiny and really get big. I love to watch them multiply and
grow! It's so much fun!
This week's FlickrFriday theme is: #Multiply
Le thème de ce FlickrFriday est: #Multiplier
O tema desta FlickrFriday é: #Multiplicar
本次 FlickrFriday 主題: #乘
FlickrFriday-Thema der Woche: #Multiplizieren
El tema de FlickrFriday es: #Multiplicar
Seeing a new species for the first time has always thrilled me, seeing something new in the wild multiplies the thrill tenfold.
Unlike the herons we have in the eastern US, the Boat-billed has a bill much like a duck…kind of like the platypus…its just very different. While walking the trails of the refuge, I spotted this fellow sitting in a tree. I waved over one of our two guides (The front man to protect us from ourselves, spot critters and send snakes on their way prior to our arrival) and asked what it was.
Having a Spanish vocabulary consisting of the left side of the Taco Bell menu gave me an upper hand as he had even less experience in the English-speaking world. As he smiled and kept clearly saying “Boat-billed”, I just smiled and nodded, thinking we were just having another communications snafu. Sometimes my English ears create misunderstandings.
This is a perfect example of how it goes sometimes in wildlife photography. You desire a certain pose, in perfect light…as if you were a studio photographer. You want the features that you want…like the teeth of the bear, the talons of the eagle, the stuff that will kill you. Sometimes they hide the feature that you crave, as the fellow did by hiding its bill. Then again, sometimes they give you that perfect Bela Lugosi Dracula pose…priceless!
Gods gift was being there with my love, everything else was pure bonus.
Update: I finally found where we were when this shot was taken...it has been constantly bugging me not knowing! It was on a privately owned, wildlife sanctuary called Bogarin Trail. The owners took a large chunk of farmland many years ago and allowed it to just grow back wild. The result...the animals have returned in droves and the trails are nice and flat! Expensive, but well worth the $$!
Photo given by pAuLuS_MaXiMuS
"Dos besos traigo en los labios a mi VIRGEN DEL PILAR"
One month to go before her Feast Day.......hayyyy.
A walk in the Woods series.
Processed from a basic RAW tweak, I increased the Vib' slightly. Ctrl J (New layer), RAW filter and pull back the Clarity & Texture Sliders (to the left) as required. I used the Dissolve blending mode but Normal, Dissolve and Multiply all work. If the effect is too strong simply turn down the newer layer opacity until you achieve the required effect. Simple's.
Architecte : Jacques Ferrier.
La singularité du bâtiment de Jacques Ferrier se fonde sur le lien que le nouveau siège communautaire crée avec le paysage de Rouen. Son profil contraste avec l’omniprésence des plans horizontaux qui caractérise ce site portuaire, et sa silhouette fait écho aux bâtiments industriels rénovés de la rive droite. Les obliques du volume répondent aux silhouettes des grues et des objets portuaires, aux étraves des navires qui passent. Le bâtiment révèle et se sert de la puissance du site pour intensifier la vie urbaine sur la rive gauche. En prolongement du futur parc, le bâtiment est à son tour créateur de contexte pour le futur écoquartier dont il sera la proue.
Son architecture facettée et transparente est conçue pour jouer des variations de lumière du ciel normand, des reflets de l’eau et des couleurs du climat. Le bâtiment est revêtu d’une façade d’écailles de verre colorées. Irisant et diffractant la lumière solaire, elles parent le bâtiment de touches de couleur qui se démultiplient avec les reflets du fleuve. Ce registre poétique est inspiré de l’impressionnisme et de Claude Monet. Le verre est revêtu d’une couche d’oxydes métalliques qui, de l’extérieur crée un reflet iridescent coloré, et s’efface vu de l’intérieur, n’altérant pas la vision des espaces de travail.
Architect: Jacques Ferrier.
The singularity of Jacques Ferrier’s building is based on the link that the new community headquarters creates with the landscape of Rouen. Its profile contrasts with the omnipresence of horizontal planes that characterize this port site, and its silhouette echoes the renovated industrial buildings on the right bank. The oblique lines of the volume respond to the silhouettes of cranes and port objects, and to the bows of passing ships. The building reveals and uses the power of the site to intensify urban life on the left bank. As an extension of the future park, the building is in turn a creator of context for the future eco-district of which it will be the prow.
Its faceted and transparent architecture is designed to play on the variations in light of the Normandy sky, the reflections of the water and the colors of the climate. The building is clad in a façade of colored glass scales. Iridescent and diffracting sunlight, they adorn the building with touches of color that multiply with the reflections of the river. This poetic register is inspired by impressionism and Claude Monet. The glass is coated with a layer of metallic oxides which, from the outside creates a colored iridescent reflection, and fades when seen from the inside, not altering the vision of the work spaces.
This weeks theme was to produce an Orton Effect image. Having spent quite a lot of time experimenting with different subjects and locations and being unhappy with 99% of what I produced, I realised that what was missing was colour. Although it's early spring here, there isn't really that much colour in the landscape, so I decided to opt for the more permanent painted colours of the beach huts on Hove beach.
I'm really, really not a fan of the resulting image, it feels like a badly taken HDR shot.
I took and processed this in a combination of the "traditional" and more modern digital. This is two shots, the first in focus at F22 with two steps of over-exposure. The second is fully out of focus at f4 with one stop of over-exposure. I then took this into Photoshop and stacked them with the blurry image ontop and set the blend mode to Multiply. This has a similar effect to the original techniques idea of placing the two slides on top of each other to produce the final image. As this is an old school film concept I processed this using Analog Efex to give it a film type effect.
Week 13 - Orton Effect
HSS