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This early Christian sarcophagus is decorated with scenes from the New Testament. On either side of a woman in prayer, an “orans”, six scenes depicting Christ’s miracles are arranged within frames formed by olive trees whose foliage shelters doves. On the outermost olive tree, a serpent coiled around the trunk climbs toward a nest filled with eggs.
From left to right of the female figure, the following events are represented: the resurrection of the widow of Nain’s son; the healing of the Canaanite woman; the multiplication of the loaves and fishes; the Wedding at Cana; the healing of the man born blind; and finally, the healing of the paralytic of Capernaum.
Sculpture in Proconnesian marble (Asia Minor)
Early 4th century
From Arles
Arles, Musée départemental - Arles antique, AN.1992.2488
Olympus mju 9010 - f/3.9 - 1/250sec - 7mm - ISO 64
for the complete series of 5 photos, see the first comment
Multiplication… that’s the name of the game!
And each generation… they play the same!
song by Bobby Darin - Multiplication (1961)
EXPLORE Worthy - The Number Games 4, Season 2 (Art from 2015)
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Olympus mju 9010 - f/3.9 - 1/250sec - 7mm - ISO 64
Multiplication… that’s the name of the game!
And each generation… they play the same!
song by Bobby Darin - Multiplication (1961)
Tabgha is the name of a site on the northwestern shore of the Sea of Galilee where Jesus appeared after his resurrection (John 21), and where he multiplied loaves and fishes to feed the crowds gathered to hear him teach.
The name, Tabgha, has its roots in the Greek term for “seven springs" (see it on a map here). The place used to be the site of a Palestinian village and was important from ancient times because of its fresh water; trees that grew near the springs gave shade. It is not hard to imagine why Jesus might have gathered followers here to teach them for a day.
The present church preserves within some of its walls remains of a church that stood here in the late 300s. When that earlier church was excavated in 1936, archeologists discovered a mosaic around a block of naked limestone. The mosaic depicted two fish and a basket of loaves. Ancient accounts identify the block of limestone as the place where Jesus broke and blessed the bread that was multiplied and shared with the crowds. The new, modern church preserves this rock below its altar (pictured above).
It is difficult to tell if this was actually the exact place where Jesus multiplied the loaves, but it is clear that at least since 425, Christians have thought so.
The modern church replicates the style of the Byzantine church that would have been built after St. Helen’s visit to the Holy Land, even using some of the same stones from the original church. The only imagery in the church is found in two icons stationed near the sanctuary—one of Mary and one of Jesus.
The story of the multiplication of the loaves is the only miracle (aside from Jesus’ resurrection) that is recorded in all four Gospels. The story has captured the imagination of the Christian community because it reveals a deep truth about our lives of faith: God feeds us abundantly
Agonizing Saint.
Multiplication expressive potentialité substances composées compréhensions impossibles idées ennemies,
Unterschiede Mißverständnisse getrennt Existenz subsistent Intelligenz beeinflussen Natur Ursachen,
Nekonečné formy otáčení síly záležitosti neznámé odloučené filozofy vydávající svátosti víry,
عقيدة أسئلة الكمال وراء التخصصات العلوم الأخلاقية العملية تناسب الإجابات العكسية,
Ενστάλαξαν αρχές που έλαβαν πίστη αποδεικνύοντας ότι είχαν αποκτήσει καταλαβαίνοντας τις αισθήσεις που έμαθαν τα θεολογικά θέματα,
ag smaoineamh réaltacht idirdhealú eolaíochtaí scéalta stairiúla cúiseanna argumentative eitic litriúil neamhspleách,
spiritus sanctorum divinum creaturae proposita dolores spirituales substantial potentia res electionem selectivam,,
Distinções individuadas alma racional multiplicação perguntas imperfeição necessária iluminação certo tempo,
説明要素分けられた位置プライム実質的な堕落手を助けてくれる歌の天使.
Steve.D.Hammond.
A gritty old house on a cold and lonely afternoon. Wandering around in this environment I was struck by the utterly joyless atmosphere. Love that multiplying effect where the whole is greater (or maybe in this case worse) than the sum of the parts. Like a movie set where extra care is taken to ensure that all aspects are harmonious. In this case, even the weather cooperated. It was windy and extremely cold. Uncomfortable but somehow even that felt right. There was nothing comfortable about this place so it seemed fitting that even I should be uncomfortable. Better to channel this dark energy. Trees and vegetation sometimes help soften the look of abandoned structures. Sort of a mitigation of the emptiness. But not here. There was a weird feeling of malevolence in the enormous tree. It seemed to cast a baleful presence over the house. It literally loomed over me as I stood on the downhill slope. The greater part of the tree rises out of my frame and can only be imagined. It was such a dominant feature that I felt the photo could have worked just as well without the house. But again, that wonderful multiplying factor, the perfect photographic storm.
Plume stopped for a moment to survey the scene ahead. He was tired and it was bleak.
He put his head down and carried on ✖️
.
ThreeA Ashley Wood Disciple27 nom
A quin-selfie that some might find to be repetitiously redundant--sort of like deja vu all over again.
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Church of the Multiplication is a church in Tabgha (ancient Heptapegon) on the shore of the Sea of Galilee.
The earliest building at Tabgha was a small chapel built in the 4th century A.D. (around 350).
The mosaic of the fish and loaves is laid next to a large rock, which has caused some New Testament scholars to speculate that the builders of the original church believed that Jesus stood on this rock when he blessed the fish and loaves just before the feeding of the crowd who had come to hear him.