View allAll Photos Tagged Multiplication
Место отправки - Ковров - maps.google.com/?q=56.33991594,41.29446957&z=16 от anasta_ratni оригинал - www.instagram.com/p/BD6HXiuvVt8/
These trees are in the park near the Church of Multiplication, in Tabgha, on the shore of Sea of Galilee, Israel. In the forefront, a Poinciana tree.
Tabgha (Arabic: الطابغة, al-Tabigha; Hebrew: עין שבע, Ein Sheva which means "spring of seven") is an area situated on the north-western shore of the Sea of Galilee in Israel. It is traditionally accepted as the place of the miracle of the multiplication of the loaves and fishes (Mark 6:30–46) and the fourth resurrection appearance of Jesus (John 21:1–24) after his Crucifixion. Between the Late Muslim period and 1948, it was the site of a Palestinian Arab village. source: en.wikipedia.org/wiki/Tabgha
Tabgha is the name of a site on the northwestern shore of the Sea of Galilee where Jesus appeared after his resurrection (John 21), and where he multiplied loaves and fishes to feed the crowds gathered to hear him teach.
The name, Tabgha, has its roots in the Greek term for “seven springs" (see it on a map here). The place used to be the site of a Palestinian village and was important from ancient times because of its fresh water; trees that grew near the springs gave shade. It is not hard to imagine why Jesus might have gathered followers here to teach them for a day.
The present church preserves within some of its walls remains of a church that stood here in the late 300s. When that earlier church was excavated in 1936, archeologists discovered a mosaic around a block of naked limestone. The mosaic depicted two fish and a basket of loaves. Ancient accounts identify the block of limestone as the place where Jesus broke and blessed the bread that was multiplied and shared with the crowds. The new, modern church preserves this rock below its altar (pictured above).
It is difficult to tell if this was actually the exact place where Jesus multiplied the loaves, but it is clear that at least since 425, Christians have thought so.
The modern church replicates the style of the Byzantine church that would have been built after St. Helen’s visit to the Holy Land, even using some of the same stones from the original church. The only imagery in the church is found in two icons stationed near the sanctuary—one of Mary and one of Jesus.
The story of the multiplication of the loaves is the only miracle (aside from Jesus’ resurrection) that is recorded in all four Gospels. The story has captured the imagination of the Christian community because it reveals a deep truth about our lives of faith: God feeds us abundantly
Fun cover for this set of 45's geared to help your child with their multiplication tables. I haven't had the joy of listening to the set just yet.
"Unbreakable Vinylite?" I don't think so. Give a kid 2 minutes with those records and they'll find a way to break 'em.
Royal Math Gnomes inspired by the Waldorf math curriculum: King Addition, Queen Subtraction, Prince Multiplication, Princess Division, and the Equals Wizard.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1VRCTF0
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AALIYAH ✖️ TUPAC #sezeyart
by @sezey on Instagram.
Do you hate addition, multiplication, subtraction and division? Hate fractions, decimals, and percents? Hate math? Of course you do! Don't worry about crunching numbers, 'cause this monster love munching on numbers! The Math Munching Monster will eat all your math homework, and all of your mathematical worries along with it.
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He's 13 inches tall
14 inches wide
Completely handsewn!
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Virus replication
Viruses replicate only in living cells. The use of the term 'replicate' infers that the process of virus multiplication is different from that of micro-organisms and tissue cells which divide by binary fission with or without mitotic division of their genetic components. Whilst the mode of entering the host cell varies from virus to virus the mode of replication is considered to be similar for all and has been most completely worked out for bacteriophage. The viral nucleic acid upon entering the cell takes over control of the cellular metabolic processes and codes for the separate synthesis of viral nucleic acid and protein which later combine to form the mature virus particle. The virus yield from a cell infected with a single virus particle varies widely but often ranges from 10 to 100 particles.
The host cell must be capable of supporting this sequence of steps in viral replication. Many viruses have a single or limited host cell requirement; others may replicate in a range of different host cells but the quantity of virus produced in each cell type may differ widely.
Viruses may be propagated in susceptible animals, plants or micro-organisms, or in tissue cultures made from animal or plant tissues.
When using animals it is necessary to consider:
(1) their natural susceptibility to infection or immune status to the virus;
(2) the possibility of latent infection with the same or other virus (often the challenge of another virus stimulates a latent virus to become active, as occurs with herpes simplex in man, the cause of the common cold sore on the lips which often erupts when the patient is challenged by a common cold virus);
(3) the most suitable route of inoculation which is usually related to the affinity of the virus for particular tissues. Infection is recognized by characteristic signs and symptoms of disease.
VIRUS DISEASES OF VERTEBRATE ANIMALS
General considerations of virus infection
Unlike the majority of plant virus diseases most animal virus diseases cannot be diagnosed solely on their signs and symptoms. Viruses do not produce exotoxins and the diseases they cause are the direct result of their primary and secondary replication cycles within the various tissue cells of the animal body. An understanding of how this replication occurs in tissue cells provides an understanding of the disease processes taking place in the animal body as a whole. Replication is studied in in vitro systems of animal tissue cultures.
The replication of viruses in tissue cells leads to the biological malfunctioning of those cells and if large numbers of cells are involved malfunctioning of the organ generally follows. This may result in the death of the animal.
Some animal viruses replicate in a limited range of tissue cells, e.g., influenza virus replicates only in cells of the respiratory tract, while others replicate in a wide variety of tissue cells, e.g., smallpox virus in cells of the skin, lungs, and other internal tissues. The latter category of viruses can therefore spread to other susceptible tissues by blood-borne dissemination from a primary site of infection. The presence of virus in the blood stream is not necessarily an indication of wide tissue susceptibility since viruses with a limited tissue range may 'spill-over' into the blood stream following replication in the susceptible tissues.
As with other microbial diseases the severity of a virus disease depends upon the size of the infecting dose, the state of health of the animal, its age, sex, and degree of immunity. The various aspects of the epidemiology of animal virus diseases are considered elsewhere.
Место отправки - Ковров - maps.google.com/?q=56.3691101,41.3017883&z=16 от sleeplove00 оригинал - instagram.com/p/7ulWwDnwR-/
April's block for Spiced Coffee in Quilt Dreams. This little house is being over-run by crazy rabbits! I've made the house block before, but smaller... I love it! It's from "Down in the Valley" by Cori Derksen and Myra Harder... Hmm... Yes, the sky is pink!
I took a new picture of this today with better lighting! The last one wasn't very pretty...
Dutch landscape -
The multiplication cultivation of flower seeds takes place in the southwest of the Netherlands (Walcheren, Schouwen-Duiveland, the Kop van Goeree and the island of Tholen) with a concentration around the Thool village of Sint-Anna-land. About 500 ha is cultivated on the land ('open ground'). In addition, some cultivation takes place in unheated greenhouses, in total about 10-15 ha in the Netherlands. The cultivation includes many dozens of flower species and varieties, including pansies, petunias, daisies, sweet William, busy lilies, girls' eyes and snapdragons.
Alex Katz, American born 1927
John’s Loft , 1969
Oil on aluminum
Forgoing all sense of unity, harmony, and resolution, John’s Loft is a riot of incongruous scales and perspectives. Nothing coheres—neither the figures, some of them significantly cropped, nor the panels on which they have been rendered. Illogically, the left side of the figure’s face at the far right has been relocated far to the left. The multiplication of sitters and points of view suggests not only a mobile viewer, someone browsing the same party as the painted figures, catching glimpses behind, across, and in between other guests, but the passage of time as well. In this respect, Katz’s painting performs like a film or a series of photographs, capturing snapshots of otherwise fleeting moments. John’s Loft has been stripped of all contextual detail, including the location referred to in the title: the home of artist John Button.
Gift of Alex Katz, 2015 ( 2015.494.2a-g)
From the Placard: The Metropolitan Museum of Art, New York, NY
Identify the Artist XI will begin tomorrow. Sunday, February 11, 2018 and as usual run 10 weeks to the middle of April. Calendrical links are provided below. Come join the party.
Identify the Artist XI
Week 1 LENT (951 – 955) 2/11 – 2/15/2018
Week 2 MIRROR ( 956 – 960) 2/18 - 2/22/2018
Week 3 A ROOM WITH A VIEW ( 961 – 965) 2/25 – 3/1/2018
Week 4 LIPS (966 – 970 ) 3/4- 3/8/2018
Week 5 VENICE (971 -975) 3/11 – 3/15/2018
Week 6 Psychedelic Furs Greatest Hits Love My Way (976 -980) 3/19 – 3/22/2018
Week 7 DINING ROOM ( 981 – 985) 3/25 - 3/29/2018
Week 8 EASTER ( 986 – 990) 4/1/-4/5/2018
Week 9 INSIDE CHURCH ( 991-995) 4/8 – 4/12/2018
Week 10 PORTRAITS ( 996 – 1000) 4/15 – 4/19/2018
The 1st and 2nd place prizes will be a copy of the book: Photography at MoMA: 1960 to Now .
store.moma.org/books/moma-publications/photography-at-mom...
In addition to First and Second place prizes, there will be a mailed Art postcard (my choice) acknowledging their participation. Third through Fifth place will also receive an Art postcard.
The Rules of the Game:
Posting of a detail fragment of a work of art will take place sometime after 8:00 PM EST, five days a week (Sunday; Monday; Tuesday; Wednesday; Thursday. There are no IDs on Friday or Saturday)
Correct answers are allotted points in the following manner:
First correct respondent receives 6 points
Second: 5 points
third: 4 points
fourth: 3 points
fifth: 2 points
Each respondent after that receives 1 point, whether the artist named is correct or not.. 2 points will be awarded if there were not 5 awards.
Incorrect responses will be awarded at least one point (there is no penalty for guessing...actually encouraged). The opportunity to accrue points can only happen within a maximum of 24 hours. Once the full photograph of the work of Art is elevated and the artist identified, no additional scoring (for that work can occur). (In other words, regardless of pleas, points will not be awarded for a comment/ID made days after the posting) ( Also, 15 guesses does not generate 15 points...only 1 point )
A favorite of the photograph will also garnish 1 point ( only if nothing else is ventured by the participant,…1 point is not added to any other points awarded ).
A summary of scores for the top five positions will be published each Sunday, at the beginning of each set of five photographs.
Caveats / Understanding:
Postings may be held up due to circumstances beyond my control.
Delays in posting may occur each evening. ( sorry, no guarantee on 8:00 EST, I’m a working stiff in the finance industry and there are late nights at times. – usually month end btw ).
In addition, as most of you are aware, part of the clues for each identity is a “presence/absence” notation about whether the artist has been in a prior Identity Set. Because flickr’s new format doesn’t facilitate the reading of a long list of names in a “Set’s” overview/description, those lists are also available on request. If you send me an email address that can receive attachments, I will transmit an Windows based Excel sheet with the names of the artists and the number of their paintings/objects. ( Be sure to specify which format you would like: xlsx; xls; csv; txt – tab delimited – if you don’t specify the default is xlsx MS Office-10). ( non-windows participants should request txt).
Also, sorry for the bias the timing provides those in the Americas but no matter how I thought about it… I couldn’t come up with a plan to assist Europe and Asia.