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Sara sent in prints of her lovely ladies, button packs, and various prints of her drawings! More info at www.pikaland.com!!
A rural idyll on the Ecclesbourne Valley Railway and an almost perfect recreation of the steam-to-diesel transition period on branch lines during the '50s and '60s, with vintage multiple units.
Taken at the Custard Factory's "The Gallery" during the photosynthesis exhibition "Transformations" which opened for the guest viewing on the 2nd August 2010.
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Our two car DMU set on arrival in Aberystwyth Station. Once a much larger station, it still retains a certain dignity, even if the traffic has fallen from its heyday. Note the station building clock-tower: a symbol of former greatness.
Her ankle isn't as bad as we all feared. Not that multiple fractures and a cast isn't bad during a long hot summer as she reminded me.
Update: It's a multiple fracture, ie. multiple cracks in the bone. Compound fractures are when the bone pierces skin.
R., as taken by her big sister at Downtown Disney. Lend your camera out more; you'll get some great pics. Pentax K10D, 43mm/1.9, Silkypix Developer Studio 3.0 Free edition.
"Be who you are and say what you feel because those who matter don't mind and those that mind, don't matter" -Dr. Seuss
Is it bad that I am already feeling this lazy? I didn't even leave my room for this picture lol. I guess it's because today was the first day of classes and now all I wanna do is sleep haha.
collectif Glasgow Print Studio
Multiple//Parallel
11 octobre au 9 novembre 2014 - galerie d'Engramme
vernissage en présence des artistes le vendredi 10 octobre 2014 à 17h
L'exposition, formée de l'assemblage d'œuvres des artistes Rachel Duckhouse et Bronwen Sleigh, est présentée dans le cadre d’un échange avec le Glasgow Print Studio (Écosse).
Un blogue a également été mis en ligne par le duo, faisant état de son séjour à Québec ainsi que de son parcours à travers la province pendant une période de deux semaines (automne 2014) :
Détails : www.flickr.com/photos/engramme/15456431786
Copyright © Armelle François - ENGRAMME 2014
I've seen so many of these on Flickr that I figured I would give it a bit of a try. Pretty fun stuff!
one of a series of photos i took for a human figure class. i used a webcam and a video processing patch i created in eyesweb [eyesweb.org] to create the doubling effect in realtime. the model asked me to email her the shots which was pretty cool.
Another decent shot showing the Mayfield parcel unit snuffling about at the bottom of platform 6.
Waiting for the incoming unit to take back up to Buxton.
March 84.
My friend, Simon, since he retired, has been undertaking trips to various cities and towns around Britain, and visiting interesting buildings, churches, and photographing them.
I like that idea, and Simon's favourite city was Glasgow, so I thought I would spend just a day here, getting a feel of the city, and to ride the Subway.
Glasgow is the only UK city other than London with an underground railway, though Glasgow's is pretty much just a loop, its tunnels are of a small bore, and they have recently taken delivery of some smart new trains.
I would ride that too.
There is the cathedral, and maybe a traditional Glasgow boozer too for a pint or two of heavy or eighty shilling.
We shall see.
I lollygagged in bed until half seven, maybe later, then going down for breakfast where the choice was either linked or Lorne sausages.
I chose both, along with bacon and hash browns. And coffee.
Lorne wins by a landslide thanks to rough texture and taste. One more coffee, then off I go.
I would make for the cathedral and Necropolis beyond. I had "Maps" on my phone, so wouldn't get lost.
I walked past the bus station, then up Cathedral Street, through the University, taking my time as although it wasn't sunny, it was hot and humid.
I reach the cathedral and find there were multiple walking tours, each lead by someone with a flag on a stick, and a flock of blank-eyed people with earphones listening to every word, but not paying attention.
The cathedral is impressive, the Nave was bare with no pews or chairs, the Chancel and Quire, large and round, and filled with two tours.
Underneath St Mungo/Kentigern is buried, and the columns supporting the cathedral above made for very pleasant patterns and shapes.
The glass was stunning, but didn't have my big lens, so will return, maybe, on another occasion.
To the south is the Bridge of Sighs (another one) leading over a road and up to the Necropolis.
I won't lie, it was slog climbing up, but I made it 80% to the top, all around were memorials to the great and good and dead from 19th century civic and industrial Glasgow.
Not very Gothic on a bright summer's day, would have been much more atmospheric on a gloomy winter's afternoon.
I walked back down, back over the bridge, then taking a break, I bought an iced coffee from an independent place, sat outside to watch the world go by.
I was making for George Square, which is very picturesque, and on all four sides, huge and impressive civic buildings. Sadly, for me, it is being renovated and the whole square is hidden behind hoardings, so the buildings only half-seen.
Sigh.
Best ride the subway, then.
I walk up to Queen's Street, as I walked past the entrance the afternoon before. Then down the travelator to the foyer, bought an all day ticket for £4.60, and went down to catch a train.
The trains run of foot foot gauge, and through tunnels 11 feet in diameter, smaller than even the deep tube lines in London. And the trains themselves are far smaller than any in London.
But they are new, modern, air conditioned. I like them.
I rode to Ibrox station so to see the football stadium. I had hoped to see Ibrox and Parkhead, but Parkhead is not served by the subway, being further out from the centre.
Ibrox was hiding behind the station, so I didn't see it at first. But walking back along the street outside, I saw the floodlights and top of a stand. It stands in the middle of a huge concrete car park, isolated from the buildings surrounding it.
I took some shots and walked back to the Subway station.
I rode round the outer until I came back to Bridge Street, as I thought this the most modern and photogenic with its island platform and no screens to ruin the shots.
As luck would have it, as I got of the train, one was on the inner platform, so I got the shots I wanted in less than two minutes, and could have got on the train to take me to St Mungo station, where I hoped I would find a pub and a place for lunch.
After a half hour wandering, I came across a small bar beside the Museum of Modern Art, they supplied me with several ice cold pints of Tennents and what they described as a "posh fish supper".
The batter contained gin, and the fish came with a scallop. And it was magnificent.
I ate it all and called for another pint as dessert.
I was done in. Nearly 17,000 steps, and it being sunny, hot and humid. I walked back to the hotel, up beside Queen's Street, then up West Nile Street, diving in the entrance, going up the lift and into my ice cold room.
Phew.
I had another shower, and lots of cold water, but wasn't hungry. So I stayed in the room, listening to podcasts and watching yet more football.
Outside, there was sirens, people shouting. It all went quit when I closed my eyes and fell asleep.
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Glasgow Cathedral (Scottish Gaelic: Cathair-eaglais Ghlaschu) is a parish church of the Church of Scotland in Glasgow, Scotland. It was the cathedral church of the Archbishop of Glasgow, and the mother church of the Archdiocese of Glasgow and the province of Glasgow, from the 12th century until the Scottish Reformation in the 16th century.[nb 1] It is the oldest cathedral in mainland Scotland and the oldest building in Glasgow. With St Magnus Cathedral in Orkney, they are the only medieval cathedrals in Scotland to have survived the Reformation virtually intact.[1] The medieval Bishop's Castle stood to the west of the cathedral until 1789. Although notionally it lies within the Townhead area of the city, the Cathedral grounds and the neighboring Necropolis are considered to be their own district within the city.
The cathedral is dedicated to Saint Mungo (also known as Kentigern), the patron saint of Glasgow, whose tomb lies at the centre of the building's Lower Church. The first stone cathedral was dedicated in 1136, in the presence of David I.[2] Fragments of this building have been found beneath the structure of the present cathedral, which was dedicated in 1197, although much of the present cathedral dates from a major rebuilding in the 13th century.[2][1] Following its foundation in 1451, the University of Glasgow held its first classes within the cathedral's chapter house. After the Reformation, Glasgow Cathedral was internally partitioned to serve three separate congregations (Inner High, Outer High and Barony). The early 19th century saw a growing appreciation of the cathedral's medieval architecture, and by 1835 both the Outer High and Barony congregations had moved elsewhere in the city, allowing the restoration of the cathedral to something approaching its former glory.[1]
360° panorama inside the cathedral (2021)
(view as a 360° interactive panorama)
Glasgow Cathedral has been Crown property since 1587. The entire cathedral building passed into the care of the state in 1857, and today it is the responsibility of Historic Environment Scotland.[1] The congregation is today part of the Church of Scotland's Presbytery of Glasgow.
The history of Glasgow Cathedral is closely linked with that of the city. In the 6th century Saint Mungo is said to have brought the body of a holy man, Fergus, for burial at a site named Cathures (which came to be known as Glasgow). Saint Ninian is reputed to have dedicated the burial ground there on the western bank of the Molendinar Burn in the 5th century (the cathedral's Blacader Aisle may mark this site).[4]
Mungo built a monastic cell in the burial ground, and was buried in his church there in 614. His shrine in the Lower Church of Glasgow Cathedral was an important place of pilgrimage in the medieval period.[5] Little is known about the early church buildings, except that they would have been of timber and wattle construction.
The first stone cathedral was built on high ground above the steep western bank of the Molendinar Burn. Initiated by the decision of David I to establish (or re-establish) a bishopric at Glasgow, the new cathedral was consecrated in 1136 in the presence of David and his court during the episcopate of John Capellanus. Constructed over St Mungo's burial place – a sacred location which may explain the otherwise unusual hillside site – the cathedral rose slowly, not without interruption and recasting, over a period of some 150 years. Excavations at Glasgow Cathedral between 1988 and 1997 uncovered architectural fragments of this first stone cathedral beneath the floor of the present cathedral. The west front of the 1136 cathedral lay at the third pier of the existing nave and its east end included the area of St Mungo's tomb. Following the defeat of Somerled in 1164 at the Battle of Renfrew, Somerled's head was brought to the cathedral. In 1175 Pope Alexander III recognised Glasgow as 'a special daughter' of Rome, freeing the diocese from the jurisdiction of the Archbishop of York. Around the same time Bishop Jocelin was granted a charter by William I to establish Glasgow as a burgh of barony, but with the privileges of a royal burgh.[6] The king attributed the birth of his only son, Alexander, to the intercession of St Mungo.
Destroyed or severely damaged by fire, the first cathedral was succeeded by the present cathedral, which was consecrated in 1197. Between 1207 and 1232, Bishop Walter Capellanus embarked upon a building programme which saw the completion of the choir and the Lower Church, and provided the basis for the layout of the transepts and nave as eventually built. From 1233 to 1258, Walter's successor, Bishop William de Bondington continued the rebuilding, which included a new, longer, eastern arm to provide a shrine to St Mungo at the main level, and adding three projections (the chapter house, the sacristy/treasury, and what later became the Blacader Aisle). Construction work continued for much of the 13th century, including the central tower and spire, a bell-tower at the north-west corner of the nave (a south-west tower was added in the 14th century). Edward I of England visited the cathedral in August 1301 during the First War of Scottish Independence, making offerings over four days at the high altar and the tomb of Saint Mungo. Following the killing of John Comyn at Greyfriars, Dumfries in February 1306, Robert the Bruce hurried to Glasgow where he met with Robert Wishart, the "warrior" Bishop of Glasgow, in whose diocese the murder had been committed. Wishart granted Bruce absolution and urged the clergy throughout the land to rally to him, before accompanying Robert to Scone where he was crowned as Robert I. Wishart used timber which had given to him by the English to repair the bell tower of Glasgow Cathedral to make siege engines, and laid siege to the English-held Kirkintilloch Castle, before crossing into Fife where he took charge of the assault on Cupar Castle. After his death in 1316, Wishart's body was entombed between the chapels of Saints Peter and Paul and Saint Andrew at the east end of the cathedral's Lower Church. The tomb is uninscribed and the head of the effigy has been defaced at some point, probably during the Reformation.
The Scottish Reformation saw Archbishop James Beaton flee to France, taking the diocesan records with him, and Glasgow Cathedral was 'cleansed' of its Catholic furnishings such as altars and sculpture, and the roof was apparently stripped of lead. It was decided to retain the building for Protestant worship, and in 1562 David Wemyss, who had been minister of Ratho, became the first Protestant minister of Glasgow Cathedral. The fabric of the cathedral suffered from vandalism and plunder, and by 1574 it was in sufficiently bad condition to attract the attention of the Glasgow town council: "the greit dekaye and ruyne that the hie kirk of Glasgow is cum to, throuch taking awaye of the leid, sciait and wther grayth thairof in this trublus tyme bygane sua that sick arte greit monument will alluterlie fall doun and dekey without it be remidit".[10] The condition was serious enough to encourage the town council to raise a tax of £200 for repairs to the cathedral in that same year, but the process of repairing the cathedral and modifying it for presbyterian worship dragged on for years.[10] Many of the windows were bricked up, in 1578 the lead of the cathedral roof was repaired, and in 1579 the members of the Glasgow Trades House defended the cathedral from further depredation, enabling it to survive the Reformation relatively unscathed. On 22 April 1581 James VI granted the income from a number of lands to Glasgow town for the cathedral's upkeep. In July 1584 the Reverend Wemyss was pulled from the pulpit of the cathedral by members of the town council and other supporters of episcopalianism, to make way for Robert Montgomery, who had been appointed as "tulchan" Archbishop of Glasgow by the Duke of Lennox.
The cathedral eventually came to house three congregations. In 1587 the congregation of the Outer High Church, which served the eastern part of the city, began worshipping in the nave, eventually securing a distinct architectural space in 1647 when a stone wall was erected at the east end of the nave.[11] In 1595 the Barony Church congregation was created. Its parish covered the area surrounding the city and it worshipped in the cathedral's Lower Church.[11] In 1635 the choir was transformed through the erection of a partition on the pulpitum into the High Church or, as it came to be called, the Inner High Church.[11]
Following the signing of the National Covenant, the General Assembly of the Church of Scotland met in the cathedral in November 1638. Dominated by the Covenanters, the Assembly nullified all acts and pronouncements of General Assemblies held between 1606 and 1618 because they had been dominated by the King and bishops, abolished episcopacy in the Church of Scotland and affirmed the Assembly's right to meet annually.
In 1798, the Barony Church ceased using the Lower Church for worship, and the entire crypt was transformed into a burial place. This involved introducing about one metre of earth over the floor and the erection of railings to mark out the lairs.[13] During the 18th and 19th centuries, several memorial to Glasgow's Tobacco Lords, who made their fortune in slave-produced tobacco, were erected in the cathedral. The included Alexander Spiers of Elderslie, Sir James Stirling of Keir and Cecilia Douglas, all of whom owned slaves in the West Indies. Douglas also commissioned a glass-stained window in the cathedral to preserve her own and her family's legacy, which has since been removed.[14] In the 1830s there was a growing appreciation of the architectural significance of the building which led to the execution of detailed architectural drawings and the publication of proposals for restoration work. By 1835, both the Outer High Kirk and the Barony Kirk had left the premises, leaving the Inner High Kirk congregation in sole possession of the cathedral. In 1843 the graves and earth were removed from the Lower Church and, as part of restorations to the crypt and the chapter house, the original levels of the floors were restored and the windows were opened up.[10]
The 1840s also saw the demolition of the two towers which flanked the west front. The 144 feet (43 metres) tall north-west tower served as the cathedral's bell tower until the central tower was completed in the 15th century, while the 70 feet (21 metres) tall south-west tower, or consistory house, housed the diocesan records and ecclesiastical courts of the archbishops of Glasgow. In the 1840s, it was mistakenly thought that the two towers were not of great antiquity and they were thought to obscure the west door and window. The south-western tower was demolished in 1846 and the north-western tower was demolished in 1848. A lack of funds prevented their 'balanced' replacements from being built, and the present nave aisles were formed instead, under the direction of Edward Blore. In 1852 the galleries in the Inner High Kirk were removed, and in 1857 the entire cathedral building passed into the care of the state. The 1860s saw the windows of the nave and choir replaced with stained glass by the Royal Bavarian Stained Glass Establishment in Munich. This scheme was one of the largest public art commissions of the Victorian age. In 1879 the organ, built by Henry Willis, was installed in the triforium of the choir, the first in the cathedral since the Reformation. In 1849 Queen Victoria and Prince Albert paid an official visit to the cathedral.
The Book of Glasgow Cathedral: A History and Description, edited by George Eyre-Todd, is a significant collection of writings from a number of different authors on the history and other aspects of the cathedral which was printed in 1898 by Morison Brothers of 52 Renfield Street in Glasgow.
Since beginning classes in August, 80 first year medical students at the Hofstra North Shore-LIJ School of Medicine have been training as emergency medical technicians, working shifts on North Shore-LIJ ambulances and responding to 911 calls. Their training culminated recently in a Multiple Casualty Incident (MCI) conducted at the FDNY Training Center at Randall’s Island. Students were expected to provide emergency care during several different emergency exercises, which were all followed by full debriefing.
The MCI day was coordinated by the Fire Department of the City of New York at the department’s Training Academy on Randall’s Island, where more than 2,000 fire fighters and EMS personnel are trained each year.
Get more info at medicine.hofstra.edu/about/news/pressreleases/10072013_ra...
Another "sneaky self-portrait" in balloons in the hospital lobby. No one else was around at this hour.
Multiple aluminum Christmas trees with tree skirts and a blow mold soldier standing off to the right side.
Greater Anglia Class 317 EMU No. 317665 calls at Cheshunt as it works the 2O41 15:39 Hertford East to London Liverpool Street service on 3rd September 2016.
As far as I'm concerned, this Marvel "Multiple Mang" t-shirt is the exemplar of what a dorky t-shirt should be. First, if you know what it is, it's super-awesome. I mean, everyone's got a Superman t-shirt or a Spider-Man t-shirt, but Multiple Man? Really? And second, even if you don't know what it is, it's still a well-designed and very attractive t-shirt.
Height: 5 ft. 7. in.
Weight: 175 lbs.
Eyes: Blue-gray
Hair: Brown
Strength Level: David White possesses the normal strength of a normal human man of his height, weight and build who engages in moderate regular exercise.
Known Superhuman Powers: None.