View allAll Photos Tagged Multimedia
Multimedia rack in the Green Square Conference Center. Amps at the bottom, DVD/VCR/Computer/DTV reciever in the middle and switch gear at the top.
It's shiny - and all works.
Last minute decision to HK! Finally i get to relax because it's been a crazy day at work.
I will miss M very much. =(
MANGO PUDDING! Have an ominous feeling that i underpacked for this trip. Will be back on Thursday.
community.secondlife.com/t5/Featured-News/Lab-Chat-Return...
Exciting multimedia events, machinima, interactive performances, movie theatre, cinemateque, performance art, dance, kinetic arts, new media, 3D art, video installations, cutting edge shows. See Theatre schedule: www.lea-sl.org/
Visit this location at LEA Theatre: Machinima Multimedia Interactive Shows: NE corner in Second Life
Raleigh bikes print and multimedia creative from the late 1990s. Early multimedia project plans were developed by Paul Fillingham, Ian Lawrence and Mike Conwill on rolls of wallpaper, then tidied-up in Quark XPress on a Mac.
Brought the chocolates to work. Perks up my daily battle with the Horseface with sugar fix. So so addictive man..
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Nokia_PT-6: Klokkeslett: 13:00 26.08.2017. Gjeldende temperatur: 15 C. Tidsinnstilling for bilde.
Merry Christmas everyone!
So I've had my Rebel XS for a year now, learned alot, and have slowly invested into it. She has treated me well. I have kept her stock for the most part, I only bought a 35mm F1.8 lens for shooting parties and punk shows. So now I also have some longer glass, a battery pack, and external flash. I plan to exchange the flash for a Canon Speedlite 430EX. Too bad all of the little peoria railroads are shut down for the holidays. Oh well its snowing alot, so cool snow shots tomorrow.
Visions of America: Amériques
Audio/Visual Performance conducted by Esa-pekka Salonen, performed by Los Angeles Philharmonic
6th of November, 2014
Walt Disney Concert Hall, Los Angeles
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'The Los Angeles Philharmonic’s multimedia presentation of Edgard Varèse’s Amériques launched the new in/SIGHT series at Walt Disney Concert Hall,The presentation of Amériques is accompanied by the new Anadol site-specific architectural video installation, which was developed to illuminate and enhance the Varèse's composition and to activate the architecture of Walt Disney Concert Hall. The dynamic visual program created by Anadol uses custom-built algorithmic sound analysis to listen and respond to the music in real time, using architecture as a canvas and light as a material. Additionally, the movements of Salonen, as he conducts, will be captured by next generation Microsoft Kinect hardware and 3-D depth camera analysis to inform the visuals displayed. The result was a powerful and immersive experience for the audience that engaged their visual and auditory senses.'
Launching in/SIGHT – the LA Phil's groundbreaking series of concerts with video – this program embodies the vision of the New World as a place of unlimited artistic freedom. Amériques was the first musical piece that Varèse composed upon coming to New York and this project is fittingly the first site-specific audio-visual performance that I produce in the U.S. I approached this collaboration from the standpoint of a non-linear and ephemeral interaction between Salonen, Varèse, and me, and hope that I will be able to transform Varèse’s timeless musical fiction into an immersive visual medium through which a new kind of storytelling will occur. Rather than approaching this medium as a means of escape into some disembodied techno-utopian fantasy, this project sees itself as a means of return. It aims to facilitate a temporary release from our habitual
perceptions and culturally biased assumptions about being in the world, and to enable us, however momentarily, to perceive our own stories and the stories around us freshly.
In a recent interview with the Huffington Post, Anadol stated regarding this work, “Instead of creating a media screen, there will be a story inside the space. What happens if you add a video layer that speaks to the audience in a whole new experience? We're exploring the boundaries of what is real, what is physical, what is virtual…”
I would like to sincerely thank everyone who made this project possible. This project would never have been possible without the tremendous and generous support of Los Angeles Philharmonic, President and CEO Deborah Borda; Vice President of Artistic Planning Chad Smith; Artistic Administrator Meghan Martineau and Concert Operations Manager Taylor Saleeby. I would also like to thank for their open-handed support the University California, Los Angeles, Department of Media Arts’ faculty members, Microsoft Research, and Lili Cheng, Finally and specially I would like to thank Frank Gehry for his dreamful canvas and Esa-Pekka Salonen for his open-minded collaboration with me to discover “New Worlds.”
CREDITS
Video Artist: Refik Anadol
Artistic Management: Dave Hunt
Executive Producer: Efsun Erkilic
Senior Generative Designers: Sebastian Neitsch & Woeishi Lean
Senior 3D Designer: Raman K. Mustafa
Senior Animator: Simon Russell
Junior Animators: Bahadir Dagdelen, Michael Hsiu, Kian Khiaban, Toby Heinemann,
Laurence Menor.
Research Assistant: Jarad Solomon