View allAll Photos Tagged MultiFormat
Pinhole Zero 612 F Multiformat
Fuji 100 Acros in Rodinal
Lithprint SE5/Easy 3+1, 1+16, 6:15 min
auf Adox Fineprint Vario Classic
Selen MT1
Kobalt und Eisen MT12
Icey entry gate
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 120 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
Unsharp sharpness and vignetting are part of the package
a row of appletrees
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Vanishing point - the coastal road to Elsinore
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 150 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
ist hier der Taferlklaussee
in Neukirchen bei Altmünster, Obeösterreich
Pinhole Zero 612 F Multiformat
Fuji Acros mit Rodinal
Scan vom Negativ 5x12 cm mit Braun FS 120
Blick vom Seeschloss zum Landschloss
Pinhole Zero 612 F Multiformat
Ilford FP4
Print mit Moersch2 WARM auf Adox Variotone
Carbontonung MT2
Am Alten Rhein
Gaißau, Vorarlberg
2009
Pinhole Zero 612 F Multiformat, Kodak TMY 100
Lithprint auf Forte Fortezo
SE5 1+10, +3 f-stops, 4 min
Alkali mix - (8 Omega + 4 B +2 D +800 H2O) 4 min
Camera: Ondu 6x12 Multiformat Rise
I used the 6x9 format here....
Pinhole diameter 0.25mm. F/160
Film: Kodak Ektar
Exposed for 12 minutes.
Developed with Cinestill C-41 colour simplified powder kit.
Colours may come out a bit "special" after long exposures!
Location: Veendam, Netherlands
Trashy graffiti
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 4 secs
Film: Foma Fomapan 400 Action developed in Caffenol-c
... of the Magic hour ...
.. featured at the Inspiration Week of 7/18 in ƒ/D (www.fslashd.com), an online magazine about pinhole photography.
Ondu 6x12 Multiformat mk.2 + Ektar
© All rights reserved 2016. Please do not use my images without my explicit permission.
bei Kammer, Oberösterreich
Pinhole Zero 612 F Multiformat
Fuji Acros mit Rodinal
Print mit Moersch2 WARM auf Adox Variotone matt
Carbontonung MT2 nach Bleichung
Selentonung MT1, 1+9
appletrees
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Ondu multiformat pinhole, 6x9, lomography 100 film..probably about a minute and a half exposure...and yes, that's someone doing an engagement session who set up in the shot. :)
Wanna go back to my home town
Though I know it'll never be the same
Back to my home town
′Cause it's been so long
And I′m wondering if it's still there
Joe Jackson
Camera: ONDU Multiformat 6x12
Film: Kentmere Pan 400
Lab: Prolab, Stuttgart
Canal de Nantes à Brest
Bretagne 09/2025
Camara: Mania MFZ (Multiformat Zoom) 4x5" Pinholecamera
Film: Fomapan400 4x5" sheetfilm
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
Grazing pastures near the Sound
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 120 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
Unsharp sharpness and vignetting are part of the package
Camara: Mania MFZ (Multiformat Zoom) 6x17 Pinholecamera
Film: Fomapan400 RF
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
Silverfast9
SilverfastHDR9
ON1
La Palma
Mit einem kleinen Boot hier anzulanden ist ein Kunststück, zu dem einiges an Erfahrung notwendig ist. Es gibt Untiefen und Strömungen die man kennen muss. Auch die Gezeiten haben großen Einfluss, bei starkem Wind und hohen Wellengang braucht man es ohnehin nicht zu versuchen. Als Jugendlicher schon mit Vater oder Großvater mitzufahren, ist wohl die beste Schulung.
Ist man einmal in der Höhle angekommen, so ist sie überraschend geräumig. Musste man bei der Anfahrt um göttlichen Beistand bitten, kann man bei einem kleinen Altar (Bildmitte) der göttlichen Jungfrau seine Dank abstatten.
Landing here with a small boat is a feat that requires some experience. There are shoals and streams that you have to know. Also the tides have a big influence, if there are strong winds and high waves you don't need to try it anyway. Going along with your father or grandfather as a youngster is probably the best training.
Once inside the cave, it is surprisingly spacious. If you had to ask for divine help on the way in, you can offer your thanks to the divine virgin at a small altar (center of the picture).
Pinhole Zero 612 F Multiformat
Fuji Acros
Print mit Moersch SE2 warm auf Fomatone 332 RC warm
Selentonung MT 1, 1+9, 30 sec
Ondu 6x12 Multiformat mk.2 + Ektar
.. featured at the Inspiration Week of 9/5 in ƒ/D (www.fslashd.com), an online magazine about pinhole photography.
© All rights reserved 2016. Please do not use my images without my explicit permission.
Camera: Ondu 6x12 Multiformat Rise
Pinhole diameter 0.25mm. F/160
Film: Kodak Ektar
Exposed for 35 minutes.
Developed with Cinestill C-41 colour simplified powder kit.
Landscape and heavy clouded sky
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
crop
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Camara: Mania MFZ (Multiformat Zoom) 4x5" Pinholecamera
Film: Fomapan100 9x12cm sheetfilm
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
Silverfast9
SilverfastHDR9
ON1
Ondu 6x12 Multiformat mk.2 + Fujichrome Velvia 100F
© All rights reserved 2016. Please do not use my images without my explicit permission.
Empty grazing land
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 60 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
A freezing cold day, so have brought this into my PP interpretation of Ektar. Zero multi-format pinhole camera, set at 6x9.
Playa del faro de Fuencaliente
La Palma
Pinhole Zero 612 F Multiformat
Fuji 100 Acros in Rodinal
Print auf Agfa MCC
Eisenblautonung MT7
Early morning on Lake Lucerne
near Beckenried, Vierwaldstättersee/Schweiz
Pinhole Zero 612 F Multiformat, Ilford FP4
Print with Moersch SE2 warm onto Adox MCC
moderately bleached with Cu bleach 1+3
redev. with Easylith 3+3+1000, 36°, 1:50 min
Tall tree
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 90 secs
Film: Foma Fomapan 400 Action developed in Caffenol-c
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 1 sec
Film: Foma Fomapan 100 Classic developed in Xtol Replenished
Image taken on World Pinhole Photography Day 2025
Taken with an ONDU 6x12 Multiformat pinhole camera using long expired (2008) Rollei infrared black and white film and an R72 filter, I rated the film @ 6 iso and exposed it for 4 minutes, the film was developed in Diafine 6 minutes part A, 6 minutes part B.
doubleexposure
Canal de Nantes à Brest
Bretagne 09/2025
Camara: Mania MFZ (Multiformat Zoom) 4x5" Pinholecamera
Film: Fomapan400 4x5" sheetfilm
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
Canal de Nantes à Brest
Bretagne 09/2025
Camara: Mania MFZ (Multiformat Zoom) 4x5" Pinholecamera
Film: Fomapan400 4x5" sheetfilm
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
Sydney, NSW, Australia.
July 2019.
Ilford FP4. Ilfosol 3 developer.
Ondu 6x12 Multiformat. Pinhole lens.
1 sec.
Scan Epson V600. LR CC dust and tones.
Bridge over still water
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 2"
Film: Foma Fomapan 100 Classic developed in Xtol Replenished
Image taken on World Pinhole Photography Day 2025
pinhole camera Ondu Multiformat 6x12, film Kodak Ektar 100, scanned with Epson V800 / Silverfast, using a Digitaliza 120 Film Scanning Mask
Canal de Nantes à Brest
Bretagne 09/2025
Camara: Mania MFZ (Multiformat Zoom) 4x5" Pinholecamera
Film: Fomapan100 9x12cm sheetfilm
Dev.: Adox XT-3 stock
Scan: Epson Perfection V700 Photo
The local stream in open terrain
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 12 secs
Film: Foma Fomapan 400 Action developed in Caffenol-c
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 15 secs
Film: Foma Fomapan 400 Action developed in Kodak Xtol Replenished
Shadow lines by the Upper Falls - BW
I took the 6x12 to Letchworth last Friday with three frames left on the roll. I had three specific locations in mind, all places that I had photographed many times but not with this camera. I used a standard tripod instead of the usual stubby. This is the third of the three, at the Upper Falls.
You get two versions of this one, each with the other as alternate. One of my @deviantart cohorts asked about sepia, in his own inimitable way. I promised an example in the next scanning run.
I scan black and white negatives as color positives then desaturate and invert in the Gimp. With my particular setup that give me much better tone range than if I scan as black and white negatives. I skipped the desaturation step for the second version, which leaves a sepia tint when I flip from negative to positive.
Desaturation is the first step in the process, so I did the rest of the workup for each image independently.
Ondu 6x12 Multiformat Pinhole Camera
Kentmere Pan 400 exposed at 800, developed in D76 1:1 17 min
Epson Perfection V500 Photo scanner
#ilfordfilm, #kentmere400, #kentmerepan400, #pushedonestop,
#ondu6x12 #ondu_pinhole, #pinholecamera, #pinhole, #woodencamera, #blackandwhite, #shootfilmstaypoor, #ishootfilm,
#letchworthstatepark, #letchworth, #inspirationpoint, #highwater, #geneseeriver,
Worldwide Pinhole Photography Day (pinholeday.org/)
ONDU Pinhole 6x12 multiformat cam @ 6x6
Exp.: 4"
Ilford Pan F+
Rodinal 1+25 | 6min 20°C