View allAll Photos Tagged MultiFormat
Am Alten Rhein
Gaißau, Vorarlberg
2009
Pinhole Zero 612 F Multiformat, Kodak TMY 100
Lithprint auf Forte Fortezo
SE5 1+10, +3 f-stops, 4 min
Alkali mix - (8 Omega + 4 B +2 D +800 H2O) 4 min
bei Kammer, Oberösterreich
Pinhole Zero 612 F Multiformat
Fuji Acros mit Rodinal
Print mit Moersch2 WARM auf Adox Variotone matt
Carbontonung MT2 nach Bleichung
Selentonung MT1, 1+9
ist hier der Taferlklaussee
in Neukirchen bei Altmünster, Obeösterreich
Pinhole Zero 612 F Multiformat
Fuji Acros mit Rodinal
Scan vom Negativ 5x12 cm mit Braun FS 120
a row of appletrees
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Camera: Ondu 6x12 Multiformat Rise
I used the 6x9 format here....
Pinhole diameter 0.25mm. F/160
Film: Kodak Ektar
Exposed for 12 minutes.
Developed with Cinestill C-41 colour simplified powder kit.
Colours may come out a bit "special" after long exposures!
Location: Veendam, Netherlands
... of the Magic hour ...
.. featured at the Inspiration Week of 7/18 in ƒ/D (www.fslashd.com), an online magazine about pinhole photography.
Ondu 6x12 Multiformat mk.2 + Ektar
© All rights reserved 2016. Please do not use my images without my explicit permission.
Ondu multiformat pinhole, 6x9, lomography 100 film..probably about a minute and a half exposure...and yes, that's someone doing an engagement session who set up in the shot. :)
Wanna go back to my home town
Though I know it'll never be the same
Back to my home town
′Cause it's been so long
And I′m wondering if it's still there
Joe Jackson
Camera: ONDU Multiformat 6x12
Film: Kentmere Pan 400
Lab: Prolab, Stuttgart
appletrees
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Grazing pastures near the Sound
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 120 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
Unsharp sharpness and vignetting are part of the package
La Palma
Mit einem kleinen Boot hier anzulanden ist ein Kunststück, zu dem einiges an Erfahrung notwendig ist. Es gibt Untiefen und Strömungen die man kennen muss. Auch die Gezeiten haben großen Einfluss, bei starkem Wind und hohen Wellengang braucht man es ohnehin nicht zu versuchen. Als Jugendlicher schon mit Vater oder Großvater mitzufahren, ist wohl die beste Schulung.
Ist man einmal in der Höhle angekommen, so ist sie überraschend geräumig. Musste man bei der Anfahrt um göttlichen Beistand bitten, kann man bei einem kleinen Altar (Bildmitte) der göttlichen Jungfrau seine Dank abstatten.
Landing here with a small boat is a feat that requires some experience. There are shoals and streams that you have to know. Also the tides have a big influence, if there are strong winds and high waves you don't need to try it anyway. Going along with your father or grandfather as a youngster is probably the best training.
Once inside the cave, it is surprisingly spacious. If you had to ask for divine help on the way in, you can offer your thanks to the divine virgin at a small altar (center of the picture).
Pinhole Zero 612 F Multiformat
Fuji Acros
Print mit Moersch SE2 warm auf Fomatone 332 RC warm
Selentonung MT 1, 1+9, 30 sec
Camera: Ondu 6x12 Multiformat Rise
Pinhole diameter 0.25mm. F/160
Film: Kodak Ektar
Exposed for 35 minutes.
Developed with Cinestill C-41 colour simplified powder kit.
Ondu 6x12 Multiformat mk.2 + Ektar
.. featured at the Inspiration Week of 9/5 in ƒ/D (www.fslashd.com), an online magazine about pinhole photography.
© All rights reserved 2016. Please do not use my images without my explicit permission.
Empty grazing land
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 60 secs
Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished
Ondu 6x12 Multiformat mk.2 + Fujichrome Velvia 100F
© All rights reserved 2016. Please do not use my images without my explicit permission.
Landscape and heavy clouded sky
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
crop
Camara: Mania MFZ (Multiformat Zoom) 6x6 Pinholecamera
Film: Fomapan100
Dev.: AcurolN 1:50
Scan: Epson Perfection V700 Photo
Playa del faro de Fuencaliente
La Palma
Pinhole Zero 612 F Multiformat
Fuji 100 Acros in Rodinal
Print auf Agfa MCC
Eisenblautonung MT7
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 1 sec
Film: Foma Fomapan 100 Classic developed in Xtol Replenished
Image taken on World Pinhole Photography Day 2025
Tall tree
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 90 secs
Film: Foma Fomapan 400 Action developed in Caffenol-c
Early morning on Lake Lucerne
near Beckenried, Vierwaldstättersee/Schweiz
Pinhole Zero 612 F Multiformat, Ilford FP4
Print with Moersch SE2 warm onto Adox MCC
moderately bleached with Cu bleach 1+3
redev. with Easylith 3+3+1000, 36°, 1:50 min
Taken with an ONDU 6x12 Multiformat pinhole camera using long expired (2008) Rollei infrared black and white film and an R72 filter, I rated the film @ 6 iso and exposed it for 4 minutes, the film was developed in Diafine 6 minutes part A, 6 minutes part B.
Bridge over still water
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 2"
Film: Foma Fomapan 100 Classic developed in Xtol Replenished
Image taken on World Pinhole Photography Day 2025
The local stream in open terrain
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Pinhole: f/160
"Focal length": 40mm
Exposure: 12 secs
Film: Foma Fomapan 400 Action developed in Caffenol-c
Sydney, NSW, Australia.
July 2019.
Ilford FP4. Ilfosol 3 developer.
Ondu 6x12 Multiformat. Pinhole lens.
1 sec.
Scan Epson V600. LR CC dust and tones.
pinhole camera Ondu Multiformat 6x12, film Kodak Ektar 100, scanned with Epson V800 / Silverfast, using a Digitaliza 120 Film Scanning Mask
Shadow lines by the Upper Falls - BW
I took the 6x12 to Letchworth last Friday with three frames left on the roll. I had three specific locations in mind, all places that I had photographed many times but not with this camera. I used a standard tripod instead of the usual stubby. This is the third of the three, at the Upper Falls.
You get two versions of this one, each with the other as alternate. One of my @deviantart cohorts asked about sepia, in his own inimitable way. I promised an example in the next scanning run.
I scan black and white negatives as color positives then desaturate and invert in the Gimp. With my particular setup that give me much better tone range than if I scan as black and white negatives. I skipped the desaturation step for the second version, which leaves a sepia tint when I flip from negative to positive.
Desaturation is the first step in the process, so I did the rest of the workup for each image independently.
Ondu 6x12 Multiformat Pinhole Camera
Kentmere Pan 400 exposed at 800, developed in D76 1:1 17 min
Epson Perfection V500 Photo scanner
#ilfordfilm, #kentmere400, #kentmerepan400, #pushedonestop,
#ondu6x12 #ondu_pinhole, #pinholecamera, #pinhole, #woodencamera, #blackandwhite, #shootfilmstaypoor, #ishootfilm,
#letchworthstatepark, #letchworth, #inspirationpoint, #highwater, #geneseeriver,
Worldwide Pinhole Photography Day (pinholeday.org/)
ONDU Pinhole 6x12 multiformat cam @ 6x6
Exp.: 4"
Ilford Pan F+
Rodinal 1+25 | 6min 20°C
Bury - West Sussex
ONDU 6x12 Mk III multiformat pinhole camera and expired (1/2008) Rollei Infrared 400, used R72 filter and exposed @ 6 iso, 4 minutes exposure, developed in Diafine, 6 mins part A, 6 mins part B.
am Alten Rhein bei Gaissau, Vorarlberg/Österreich
Pinhole Zero 612 F Multiformat
Fuji Acros mit Rodinal
Print mit Moersch2 WARM auf Ilford MG Warmtone
Carbontonung MT2
Winchester
Taken with an ONDU 6x12 Multiformat pinhole camera using long expired (2008) Rollei infrared black and white film and an R72 filter, I rated the film @ 6 iso and exposed it for 4 minutes, the film was developed in Diafine 6 minutes part A, 6 minutes part B.
Ondu 6x12 Multiformat mk.2 + Ektar
... chosen as the group cover photo of Pinhole Photography @ 20161009
© All rights reserved 2016. Please do not use my images without my explicit permission.
Ondu 6x12 Multiformat mk.2 + Portra 160NC expired
© All rights reserved 2016. Please do not use my images without my explicit permission.
Ondu Pinhole Multiformat (6x12)
Fuji Acros 100
Caffenol-CL x 70 minutes
I made a rookie mistake and didn't make enough developer to cover the film, so this is really more like 5x12. :(
... another 75 mins standing ...
Ondu 6x12 Multiformat mk.2 + Portra 400 expired
© All rights reserved 2017. Please do not use my images without my explicit permission.
4x5 Point and Shoot Camera.
65mm ƒ/8 Super Angulon in a Zuiko Focusing Helical, from a 50mm ƒ/1.8.
Takes standard 4x5 film holders, Polaroid holders and roll film backs.
65mm equivalent to 19mm on 35mm,
6x9 back equivalent to 28mm.
Pictures of the lens conversion can be seen at photographyireland.net/viewtopic.php?t=28210&start=45
Explore Front Page- #5
Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12
Red Adox filter
Pinhole: f/160
"Focal length": 40mm
Exposure: 21 secs
Film: Foma Fomapan 400 Action developed in Kodak Xtol Replenished
Bought a barely used Ondu Multiformat Mk I. I think the previous owner had given up on it, as it is a pain to wind the film on. This has been solved by Ondu on later models (Mark II & III).
The camera has a very nice design and finish, and I am confident that I can make it work better. Later models have more refinements, but the photographic results will be the same (except for the rise function).